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 Jul 2019
city of flips
for the ladies who liquid lunch

<>

the finest young women of the wild west,
(the best of course just might be in Texas)
don’t always get educated in the things best,
no private schools, so somethings sometimes,
like the upscale training of the taste buds,
must be learned on the job, training the palate,
by growing up, self+taught, thank god, yes!

<>

your salty taste
reminds me of ruffled potato chips, bugles, beef jerky
and
your very own brand of
loving tears

it’s true you know,
impossible to eat
just one, which is
why my tonguing
of your body parts,
is unceasingly seizing

I will always be found
attached unbreakably,
to your moving image,
moving inside of me

so sweet your salt,
it’s your story,
your flavored lives living on
in poems unnamed, to disguise
but the authorship of whom,
in body, in mind, so obvious,
cause in all your poems is a tangy
salty

impossible to eat just one

****
<>
p.s. you tease me mean,
cowman,

bbq and béarnaise,
sassafras and edible petals,
molasses and kosher salt,
ingredient combination
which of course
you just made up,
so I show my appreciation
biting your arm so my permanent
teeth marks,
will remind me,
and you too,
just how salty
biting Texas heifers who
can or cannot be salt cured
when
it’s their turn to write some
real good tasting
poetry

****

back for more already?

****
 Jul 2019
Left Foot Poet
swallow


I,
too,
swallow.

each groan
repressed
each longing
suppressed,
each nightmare
revisited.

the semantic fluid
stains
my teeth, my face,
no erasure endures,
tracks of my tears,
skin etched everlasting,
beyond camouflaging.

the weights owned,
that the scale
does not register,
stones of stones,
add to a total
that has no
agreeable total
but is a totalitarian oppression
of all day tongue depressions

oh god,
mercy from the weights
I have impressioned and digested
of own free will,
to misbalance my posture,
crook’d, my soul ever reciped,

stains collected,
each stain
swallowed,
see my markings internal,
you have never seen
until you have seen me
7/20/19
 Jul 2019
Nat Lipstadt
hapax legomenon “Texas Women”

(hapax legomenon: a term of which only one instance of use is ever recorded)
(Texas Women: a term of which only one instance of use is ever recorded)


for
ꏳJ LꂦVꏂ  & Cne’

once again, they sweet sweep me off my feet,
carry me to the Court of Finger Wagging,
to be accused of hating and/or loving Texas Women
simultaneously, diffidently, consequentially, unclearly differentially

this is no flower picking exercise, shaking of the head,
“he loves me, he loves me not,” rinse and repeat,
a northern trick to confuse the plano truth,
warns the Judicial Triumvirate

your Honors, I swears,
never wrote those conjunctive words,
Texas, Women,
never ever, until just now,
a genuine hapax legomenon

akin to taking god’s name in vain,
if one dare ever utter these words, and
blows the opportunity,
well, shotgun, if you know what I mean,
one gets only
one chance

so cut me quick to the chase’s conclusion
let’s go to my defense single & singularly:
true, of women I have written, and
“too much,”
is a mere theortical constriction

I love to love women,
and a 57 variety pak is a-ok by me

an inordinate number of poems may have referenced
females hailing from a certain great state,
but never together, side by side, have I ever employed
that phrase, for my imaginations
are more than sufficient

have loved women from many places, too many faces,
some beyond measure, now a forever,
a hoarded memoir unpublishable treasure,
some, it’s true, possessed jeans and a cowboy hat,
and dangerous boots, which one admired from a
goodly distance

they brook no con, tilting their heads quizzically,
there is no maybe with women from this place,
maybe you love us, maybe not, but either way,
there ain’t no maybe in our emotional lexicology!

ok.

the only woman I ever hated is dead and buried,
and yes, I shot her dead for being ornery cactus mean,
so by this roundabout roundup summation,
you may put your head on pillow tonight,
smiling confident thinking that your hapax legomenon,
is deep in the heart of a grown boy hailing from nyc,
still a crazy straight shooter
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