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 Feb 2018
L B
She didn't care much
about the ruined stuffing
of the dead animal
Just the music box
exposed at its heart
like a cypher
of brass-colored keys
plinking away at itself

--a player piano* in someone's basement
to impress, entertain
less affluent
cocktail friends

Never took much
to sweep her away--

like the insides
of a music
box
resisting
curious fingers
to speed it up
or slow it down
learning how
to force
its secret
into her hand

Marveled when it skipped
at the broken pins
a minute glitch
finds holes in tune

as roll uncoils
to spring the ditty

“This girl has mechanic's ability”

Forcing mechanisms
noticing holes that catch at music
slowing  
slowing to sadden the song

Winding it up to hear  
again--
happy

Tears when it stopped

--the question
of why?
of its own accord
Thanks to Wordinthewillows, whose poems, The "Onyx Phonics" and "Angel's Share,"gave me the idea for this.

*Player pianos, working similar to music boxes, played a variety of songs when you switched the rolls inside.  I remember being fascinated  that no one was actually playing, and the keys moved by themselves.
She stands where the river blows her hair wild

no youth and no favor for her
no hands to clean the salt licks on her skin
her palms are dreams wrinkled dry
yet craving an offer.

You come from a distant land, she says,
heavens bless you.

I got no small change, I respond,
my mind drifts to ponder,

a small change, I need that too,
always hungered for
and faltered through
like I missed the vessel narrowly
to be on the river's other side.

Maybe when I come back,
I turn toward her.

She was gone.
Harwood Point, Dec 5, 2017
An abortive river trip, a chance encounter
 Feb 2018
Wk kortas
She slumped by the archway of the Chapel,
Forlorn, beaten in fact;
She had come to these grounds from Plattsburgh,
(Cold, martial little city home to General Wood’s summer flings)
To lay a wreath she’d bought near the train station at Bayeux
Purchased from a women at a small shop table,
Who’d had the grace not to haggle over-much,
Knowing full well why someone would make such a purchase.
She’d hoped to lay it at her brother’s marker;
He’d been lost at Omaha, likely before he’d set foot on the sand
(She’d no ideas of such things at the time,
Death being a thing that happened to rabbits
Their old shepherd chased down in the back yard,
Or dolls beheaded courtesy of her younger brother)
But the plot number given to her with such confidence
By the young adjutant from the War Department
Had a name wholly unknown to her
(Where the information was bollixed she had no way of knowing,
Not that officialdom would be any more help to her,
With so many sons in Scranton,
So many husbands in Hamtramck,
So many fathers and brothers in the same boat)
And so she sat, overwhelmed with the distance she’d come,
The magnitude of her failure and its implications,
And the whole **** burden of simple humanity
When she was approached by an older man,
Who clearly resided nearby
(Why he was here less evident—the hush of the venue, perhaps,
Possibly some corporal he was indebted to).
He’d understood her predicament in an instant,
No doubt a scene he’d witnessed scores of times before,
Laissez-le sur un monument funéraire,
He crooned, patting her forearm
Ce n’est pas important, and he sauntered away.
She’d considered heeding his advice,
But she remained hostage
To some vestige of latter-day Babbitesque can-do,
And so she soldiered back toward the endless rows of marble,
Stretching out in endless parallel lines
As in some middle-school perspective perspective drawing
Without borders, without end.
 Feb 2018
Wk kortas
Perhaps it was her voice itself, clear and simple,
Unalloyed by any classically trained fol-de-rol,
Or possibly the nature of her faith
Displayed with such clarity, such transparency
By that very instrument,
But in any case, she had utterly bewitched the populace
Of the place known as Ahwaga by her distant cousins,
And when she stood on the Delaware & Hudson platform
The next morning, they had cheered her lustily,
All but begging her You must return to us,
But the train had lost its footing on a sharp grade
Mere hundreds of yards before making the station at Deposit,
And she was lost in the carnage and conflagration.
The townspeople she had said her farewells to that morning
Were distraught, their feelings a mix of grief
And an odd sense of culpability, a nagging misgiving
That perhaps this was an omen, some augury
Denoting that their own faith was not up to scratch,
And so they had taken her back to their own burgh
To bury her in a manner befitting her piety
(She had been travelling with siblings,
But they acquiesced to the plan, though how willingly
Not wholly apparent at the time,
And made no clearer through the ramble of time)
And so she was laid to rest in a plot
Surrounded by ornate fencing, her grave marked
By an obelisk pointing unambiguously to her Heaven,
And it is said that, on autumn evenings
When the breeze rustle the dying leaves just so,
You can hear the spirits of her Mohawk brethren
Come down from Quebec, murmuring songs
Telling of the spirits living in the trees and hedgerows,
Spoken in the ancient tongue
Of the languid, unhurried Susquehanna far below.
 Jan 2018
Stephen E Yocum
In ’68 Hutch and me,
Sitting at the bar drinking
Our third cold beer.
In a semi Fern Bar
Laguna or Newport Beach
Which now, I’m not sure.
It was around nine or so,
A week day night,
The place more empty than not.

She came in alone, made
Entry like the dramatic host of
A TV show. As if she were the
Center piece on the nations
Thanksgiving Dinner Table.
Over dressed to the nines,
Lots of color, heavy make up
She didn’t really need.

Her perfume scent hovered
Around her like a cloud of insects  
On a hot summer night in a wet meadow.
Kind of made my eyes water up.

She perched daintily like a dancer,
Upon a bar stool,
Three empty stools down,
Nodded the bartender her regular order.
A martini, a double it was,
With but a dab of vermouth.
One green olive on a stick.
The glass was prechilled as if
It had been waiting only for her.
She pounded that first one down,
As if the stem wear was a shot glass.
Another full stem glass appeared,
That one also quickly consumed
Two bright red lipstick stains all that
Remained in or on the stemmed glass rim.

Her main task accomplished,
She audibly exhaled,
As if tired or relieved.
I couldn't tell which.
Turned around on her stool to face
Hutch sitting closest to her.
“You boys Marines.” She declared,
More than inquired.
The close chopped hair cuts
giving us away.

Hutch just nodded, he never did say much.
A ****** just back from The Nam,
A dark scary guy of few words.

She opened her fur trimmed cloth coat,
exposing two very nice stocking clad legs,
And just a quick flash of red underpants.
Rotating towards us so we got a better shot.

She announced her name,
like as if we should know it.
Our blank stares informed her we didn’t.
Her face was to me, somewhat familiar.  
From movies in the 40s or 50s.
We were early 20 guys, she much older,
Trying hard to look younger, not succeeding.

Soon she was sitting right next to Hutch,
Two more Martini stems had come and gone,
Her lipstick finger prints upon them.
And still Hutch had not spoken more than
Three or four words.

She bought us a pitcher of brew,
Hutch grunted a short bit of gratitude.
We didn't have to say much, she was in charge.
It was all about her, she rambled on and on
Speaking volumes saying not much at all.
Beating back her crushing obscurity,
With flowery reminiscence recall,
Of glory days, long gone away.
Important for the moment, if only to her.
It was all; “me and I, I did this, I was that,
I slept with him,
And him and him”.
How about so and so?  I asked,
“No Darling not him, he was gay!
Still is.”

It was not long and she was touching Hutch.
On the hand, the shoulder, she was working him
With languid hungry looks from her big baby blues,
And the message could not have been plainer,
Had she held up a large hand lettered sign.

I don’t believe she was a “Working Girl”,
Just someone very lonely seeking to find
Herself, and some company for the night,
All to prove that she was still alive.

Looking at her, I could only think,
How sad and pathetic she seemed,
How desperate her plight.
To humble herself so,
In that dingy bar, among strangers
She did not know, Acting yet, still
On the only stage she could find,
Staring in her own bad ‘B’ movie drama.
In that dingy smelly bar.

Hutch and her left after a hour or so,
He never told me much about it.
He was unofficially AWOL for three days.
I covered for him, kept his name off the
Missing Morning Formation Reports
and the Daily Duty Lists.
No one cared to check. Our unit made up
Of mostly guys back from the war,
A pretty loosey-goosey outfit.

Once in a while now I see an old movie,
most are Black and white, Film Noir stuff,
And there she is, a much younger her,
Looking pretty **** good,
Not real big roles they were,
Claimed she was in the chorus
Of "Singing In The Rain" in '52.
To this, I can not attest,
watched that film several times,
But I never saw her there.

Had parts Playing damsels in distress,
A mobster’s gun moll a time or two,
Or unhappy Play Girls on a bar stool.
I guess it was type casting that done her in.
Or maybe she got a little too long in the tooth..
A sad ending to a short B movie career.
Life ain’t easy, even for a so called “movie star”.
Fame is not all it’s cracked up to be.
A smattering of fame, apparently worth,
Nothing at all.
True stuff from an old guys past.
She had called the Company Office
once or twice, looking for Hutch.
He told us to tell her that he had
been Shipped Out, when he actually
hadn't.

She no doubt found someone else to
tell her story to.

I saw that woman the other day on TV,
an old film on Turner Classic Movies
doing her thing. I sort of wonder what
ever  happened to her, but refuse to
Google it to find out.
Some information you don't need
or what to know.
It did inspire this little Poem Noir write.

Got a letter from Hutch in '70, we were
both out of the Corps. He was headed to
the Arabian Desert as a hired gun, to guard
some pipe line operation. Have no idea what
became of him after that. Hutch was a real hard
case, 14 confirmed kills through a ****** sight.
I hope he made it out of the desert all right,
maybe sitting on a beach someplace recalling
his back in the day three nights with a once
upon a time B movie star. Actually I doubt he
recalls her at all.
 Jan 2018
Sourodeep
Hope never dies
in this land of chaos
truth floats over lies
all you need is a stir
and a heart that's wise

A jolly smile and beady eyes,
pitcher and crunchy fries,
in this tipsy walk of life
with friends it is always cheers
down to the last mug of beer.
I am sorry I was not active here. Missed reading wonderful poems you all wrote, I hope I can catch up now :) :)
Cheers my friends !!
 Jan 2018
Walter W Hoelbling
for those whose mothers are no more
the annual business hype of what to give
    and where to take your mother
is but  a sad remembrance of loss
stirring up memories of happier times
when she was still a pillar in your universe
loved and revered, and sometimes feared,
who taught you, patiently or not,  
the basics of survival in your expanding world.

She knew, while you were as yet unaware  
that all her loving preparations
would over time mean separation.

When you struck out to shape your life
all by yourself and left her with her fears for you,
her wishes,  and the hopes that what she tried
to give you was enough and right,
your heart and mind were elsewhere,  far away,
focused upon the future of your independent life.

Your years run fast and busy, and suddenly one day
you stand before her coffin
and discover that it is too late
for all the questions never asked.

What you have left are memories
and a vague sense of having missed the chance
to see - and maybe even understand a little -
the woman she has also been
throughout her life, behind her loving face
of a dear mother’s care and grace.
The recent Mother’s Day triggered these lines and made me remember the time when my mother was alive.]
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