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 Jan 2014
Nat Lipstadt
Somethings false
somethings true
somethings are
too true

the elements looked inside my brain
said this man needs some storm rain wind
to aid and abet his pernicious melancholic

too true

worries list and complain ain't gonna do,
put when a revelation slips out
that touches the highest priority
pain points
writing poetry
can't help
even and especially if

too true

like to tell you I am happy to be alive
but that would be a lie

somewhere behind my forehead is
an amorphous ache that only goes quietude
but Cain marked never disappears.

you can't take it with you,
happiness seems to have a shelf life,
a half life, that cuts the time you get to get it
in half.

but the amorphous ache
you call depression
that I call
desperation
has no life,
it just never dies

Rain, flooding and wind advisories
come to mix and match
the desperation that is
pill-proof

they don't laugh at me,
cause they know
desperation is
too true.
 Jan 2014
S Smoothie
The sound of nothing
is impossible to hear.
Silence is another matter,
it can be heard on occasion.
Silence can be deafening;
but the sound of nothing,
that is something else.
you can never imagine it;
bearable was your silence
but, your nothing it is
far too much to bear.
I block my ears from the sound.
I scream to make not so.
but everytime I stop;
there it is again, nothing.
Please bring me back
your silence,
that at least
I can
comprehend.
 Jan 2014
Seán Mac Falls
What is music?  The heart rendered?  What life
Is to a dream?  The eyes object in rapture?
What is the soul's shell, but a half note hollow
Contained with music?  Art is cold—
Echo, mute repetition, poor traits for nine
Dead muses of memory, a fiction after
The fact, nor can there be a shelf for credence
Without cadence.  And though the painter's eyes
Remember rainbows colour, his hands forget
All, save black and white.  Though the sculptor sees
The vein of nudes within the sparkled rock
That stone, still, looks back with grieving half-
Heartedness.
                         The chambered heart is beating,
The droning gales are sighing, but like the one bird
Who flies three ways— before and after song,
My middling wings pronounce two kingdoms part
Music.  The felt fingers of rain consort with well-
Tempered earthly quays and everywhere there is
There is the bright organic instrument—
And actuality is sidled with dead metaphors.
Music is but purest feeling given air to,
The mind soothed, the spirit seduced and a quell
For ache of heart, music is pure making—
Existence itself, another plain, a well dressed
Traveler, a border with life—
Body and spirit, who hand in hand and each
With each, are bound as wings are paired;
One flyer soaring.
 Jan 2014
Seán Mac Falls
Red
When eyes locked he fell
And time set a new fever
Upon the world.  It did not
Help that her voice touched
And moved and tore into
His stone as if water carved
A million years of buried lime
Or that the spheres that sang
Were now sounding discordant,
Confounded as he was, fallen,
Empty as the universe, slight
As the lonely, lost, and unlighted
Seas of the moon.

                              And her hair,
It was not fair, that the endless,
Playful stars could fire even brighter
Below the forgotten heavens.
 Jan 2014
Sean Critchfield
I no longer wish to create.
I no longer wish to write.
I don't want song, or word.
I have no need for art.

I am sounding out my request to any God that will listen.

Give me a foreign beach.
Give me a sunset.
Give me a hand to hold on to.

I wish my life to be poetry.
Every action a song.

I want my days to be the paper I spread my ink upon.
I want 'lost' to mean 'home'.

I want the salt water on my cheeks to be the sea.

Give me mountain tops.
Give me blistered feet.
Give me a mouth that knows my own, like voice.

Make me a villager.
Make me a vagabond.
I no longer wish to be a warrior.

I am sounding my request out to the universe, like a lighthouse.
Come to me.

Make me forget.
Make me forgotten.
Make me to be overlooked.
Make my days count.

Make my days count.

Let this life be poetry.

Give me someone to read it.
Give me someone to understand.

Give me someone to add a verse.
 Jan 2014
Sean Critchfield
Turn the wheel into the sun. Forget the stars. Forget the wind. Forget the way the waves are weeping. I am not coming home.

We are never again what we once were. And I am not sorry for it.

Some of them end before the music can even start. And we are left somehow, like monks, pinching book spines like vertebrae. Seeing if we can find our ability to
Stand.
Up.
In words.

Most days.

I am only words.

But some days, I am more.

Some days, the thought of those ivory temples run me up masts..

I am stretched out. Arms wide. Accepting the storm. Ragged.
(Stronger for it. Unafraid to unravel more.)
Inventing time. Investing it back.
Some days. I am yards of cloth, fighting history.

And when my sea is calm:
Puff your cheeks and blow on my spine.
For motion.

I am still.

I am calm.

I am still calm.

I am still calmly waiting.

It's worth mentioning that we never made love.

Now. Everything is different.

I am listening to an ***** grinder, playing my heart on his sleeve. Taking light from my future and shedding it on my past. Saying, "What happened? Where did you go?"

And I try to answer back but find my throat dry and only able to mutter, "I can't feel you, Lord. I can't feel you."

Some days I am lost.

Is it fair, when asked what happened, to say, "She did. Calliope happened to me."?

Start the music. Let the carousel turn. I am not coming home.

Is it fair to say that I am better now. But not always better for it.

I am walking a tightrope of strength and..

Something else. Something else entirely.

Now, I am tired. I am at a loss for words. I am sinking into the oldest crimes in the oldest ways and creating my own wooden chest. You are on it. Carved. Etched. Playing in my mind like laughter on the really cold days. Your fingerprints matching the grain. A petal for each flower I picked trying to fix it.

And this is how it will end. It was this way before it even began. When we found our faults on the back of each others lips with our tongues.

Thank you for teaching me the opposite side of love.

And this is how I will end it.

I will be words. And action. And learn to touch with passion. Learn to make love, like sounds strung together. Masterful. Seamless. As to seem less important. like lyrics. Like an aria. Rising and falling like tides to my mast. Lips pressed and cheeks puffed. And arms outstretched like a horizon to sail into.

And all wonderful happy lies.

I will be more. In hopes of forgetting that briefly.. I once more allowed myself to be less.

And found my self wondering, If it was me who slipped through your fingers... or you who slipped through mine...

I once allowed myself to seem less.

I guess...

I just needed to get you off my chest.
 Dec 2013
A Mareship
I’ve tickled it into his naked back,
When he’s ******* me it spools around my tongue,
I devote myself with every playful smack –
And harder still when certain smacks have stung.

I never thought I’d fall for such a man,
Who smuggles love like drugs inside a coat,
I love loudly just because I can,
The words collect like songbirds in my throat -

Or three boats arranged into a fleet,
To sit behind a hesitating sky,
Sulking with the shyess of retreat,
Billowing with every loaded sigh.
(been away for a while, poetry left me for a bit. Anyway, here's this - still needs work – written about my hesitation to say ‘I love you’ to someone who isn’t soppy enough to enjoy being told)
 Dec 2013
Nat Lipstadt
where to begin?

let us acknowledge
the responsibility of our actions,
and the titles and duties,
and the unexpected,
thereof.

I was a son, till this year,
still, of sorts, but no longer,
traded it in for
orphan.

are you still a child,
when you have no parents?
are you still a parent,
when a child lost?

I am a father, and grandfather.
this definition of me,
extant, future seeded,
perhaps permanent,
perhaps not.

the product of
actions more than
thirty years ago,
and events yet-to-be thirty years
hence.

titles claimed and granted,
partial, not finite,
not definitive, nor infinite.
partial, but part and parcel,
these titles, of you,
yet
they are not the totality, of you,
but very much part of you,
for you possess precious,
The Imprint - The Gift.

the child lost,
the parent found,
the newest coming,
the oldest gone,
all imprinted on your hands,
just look at them!

there are lines on your palms
you do not know the meaning of,
you do not yet know the ending,
they are in your cells,
as you are and were in theirs.

The Imprint
is The Gift
that is
non returnable,
non refundable,
nor is it
diminished by
any stone marker, measurement
of a day, an uncertain,
certain moment.

Look in the mirror.
see them in you,
as they saw themselves in your
reflection.

ah, reflect.
acknowledge that the
absence is pain,
but look at those hands,
that face, your face,
see the
The Imprint - The Gift
permit yourself an easement,
for it the season of
recollection.

ah, re-collect, recollect.
let the story.
continue, by the retelling.
find that palm line,
find that psalm song,
where the babe lost,
the mother lost
is the babe reborn,
in new faces, forever contained in
The Imprint.

we all ken loss,
we all keen know anguish,
different kinds for different folks.
do we not all have blood?
but are there different types,
and yet,
all still blood related.

prepare yourself
for more sad to come,
and some to never,
woebegone.

but do not forget,
nay, you cannot,
for seared it is,
this imprint,
a two sided copy
of a single document,
you on them,
them on you.
~
an eyelash falls
upon the poem.

a decorative reminder,
a stop sign,
a decorative remainder,
that it is time,
to recall,
to be unafraid.
now, now, right now,
is the time to remember,
that very eyelash,
the cells that are
therein,
the eyes that it has protected,
saw, know, well recall, gave,
gave part of you

and smile,
yes, smile,
for in them,
in the lines around your eyes,
the crisscrossed cell map upon thy hands
is the
The Imprint,
The Gift.

where to end?

This imprint upon your body exterior,
part mark, part stain,
part badge, part medal,
part cain,
part ribbon black pinned.

it is twinned,
for the match, the mate,
of this gift I printed,
is still in your living cells,
and thus knowing
the imprint is yours forever,
they are not lost,
you are not lost,
for Their Imprint
is a gift that
is
never ending
shall eternal be a salve this
happy, sad, melancholy,
holy
morn, day, season.
For you,
for all of us...written in the sky above the Eastern Seaboard on Dec. 24th, 2013
The child is the father, the mother, to the man (BS&Tears;)
 Dec 2013
Nat Lipstadt
there is not a sexist bone in my body.
not a one.

there is not a bone
in my body entire,
that it's marrow,
but just tinged,
more singed,
nay, more, more,
burnt and burning
with
****** desire.


****** desire is a concerto
of the
five sense organs:
vision, hearing, smell, taste, and touch.

my body performs Halley's Fifth.
my woman listens carefully.
THE FIFTH
C O N C E R T O
"She had never heard that symphony before, but she knew that it was written by Richard Halley. She recognized the violence and the magnificent intensity. She recognize the style of the theme; it was a clear, complex melody--at a time when no one wrote melody any longer."
- Atlas Shrugged, Part I, Chapter I
_______________________________
Written on the bus home, just now, that being sort of an apology.
________________________________
First of a series of three; look for 2 x 3, and, 3 x 3.
 Dec 2013
S Smoothie
though the hard black line is drawn,

my heart and soul simply ignores it.

all the wise and light in the universe

does no good for me.

a fool is a fool,

even a wise fool

when in love.

and the ***** **** dust

that glistens in our eyes

is so thick

you can never see

through it.

I wish it was that.

but it isn't.

its love.

pure and selfless.

and it craves the darkness

because it wants so much

to balance everything

  into one perfect shade of gray

where all things

are ephemerally constant

and nothing but the motion of love

sustains.
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