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 Aug 2015
Tryst
Your laughing eyes filled up my cup of yore
When summer flowed in endless streams, yet when
Sure-footed feet were swept out from the shore
Then time unkindly turned our now to then.

You laughed and yet your eyes revealed in you
Deep secrets hidden down within the deep
Blue oceans of your soul, that guard the blue
Keep of your moated castle where you keep

Those inner thoughts you dare not share and those
Which weave a spell as tho' some haggard witch,
Nose misshapen, had snorted from her nose
Rich veins of silver bound to make her rich.

Long not for treasured silence e'er life long,
Song gifts the world and those who gift their song.
 Aug 2015
Tryst
My genteel shepherd,
                                                      F­ondly I recall
The beauty of your Lignon, where we'd share
Neath monuments around your stately hall,
A fleeting moment free from any care.

Embracing midst that noble rustic arch
With marble stone emblazed with bas relief,
Where Poussin's likeness captivates the heart
To tell the tale of Arcadia's grief,

Those shepherds and their shepherdesses gaze
Upon the tomb, Utopia's demise;
Their faces full of woe for darker days,
As humbly now, your servant bids goodbye.

        Yours always, in memoriam and so,

        Adieu,

                Et in Arcadia ego.
In memory of Lady Elizabeth Anson, nee Yorke (1725 -1760).
On researching the Shepherds monument at Shugborough Hall, I discovered a letter (written in French) from Elizabeth to Thomas Anson, describing with fondness her recent visit to the stately home.  Elizabeth went on to wed George Anson, First Lord of the Admiralty.  The monument features a copy of "Les Bergers d'Arcadie" (The Arcadian Shepherds), a painting by Nicolas Poussin.  The inscription on a tomb within the painting reads "Et In Arcadia Ego" (Even in Arcadia, I am), meaning that even in a place as utopian as Arcadia, Death cannot be avoided.  The monument also features the letters "O.U.O.S.V.A.V.V", which have never been successfully explained, and which ignited my interest in this fascinating story.  This sonnet is a tribute to the Lady, written in the style of a letter, which seemed somehow appropriate.
 Aug 2015
HerInMyHeart
Sweet aromas of outdoor woodsy scents
By a fire we sit, in such sweet embrace
And the love that we share is heaven sent
In the night veils low, the stars interlace.

Our simple country style, life is so sweet
My darling love, I love your gentle touch
Our every single kiss, is a real treat
Those loving kisses that we love so much

Fireflies join us, in our night of romance
There neon glow, while loving each other
We realized it was love at our first glance
You’re my one true love, there’s no another

Soft sweet woodsy scents, for us to adore
We kiss lovingly, who could ask for more.
 Aug 2015
Tryst
Between each sunrise
And each sunset,
A day will demise
And the world will forget

The dreams of the dreamers
Who struck ne'er a sail,
Who stowed away genius
For fear they might fail --

Raise up a fine banner,
Set course on a whim,
Be aloof in your manner
And never give in,

Shout 'Ahoy!' to each sunrise
And 'Hoorah!' at sunset,
It's the dream 'never dies
That the world can't forget.
 Aug 2015
Dark n Beautiful
****
scars all
the victims
sweet revenge
attacker castrated: open wound bleeds
Tetractys


Tetractys, a poetic form invented by Ray Stebbing, consists of at least 5 lines of 1, 2, 3, 4, 10 syllables (total of 20). Tetractys can be written with more than one verse, but must follow suit with an inverted syllable count. Tetractys can also bereversed and written 10, 4, 3, 2, 1.

Double Tetractys: 1, 2, 3, 4, 10, 10, 4, 3, 2, 1

Triple Tetractys: 1, 2, 3, 4, 10, 10, 4, 3, 2, 1, 1, 2, 3, 4, 10

and so on.

"Euclid, the mathematician of classical times, considered the number series 1, 2, 3, 4 to have mystical significance because its sum is 10, so he dignified it with a name of its own - Tetractys. The tetractys could be Britain's answer to the haiku. Its challenge is to express a complete thought, profound or comic, witty or wise, within the narrow compass of twenty syllables." - Ray Stebbing

Example #1:
freedom

free
from you
your ego
your blaming me
i am a free spirit who has no past
 Aug 2015
Juan Albarran
Adrift in dark and foreign tides of time
I sought to live among the winsome stars.
Between the shadows of the elder moon—
In mountains lost from any source of light—
I wandered lost below the purple sky
Unmoved by that well-expected night.

Oh fate that leads to live the dawn of night!
Oh life, that filthy pool to squander time—
But what a joy to see the starlit sky!
The sun consuming dust from foreign stars,
To see the ocean's mirror cast out light—
Project an image of our lovely moon.

Indeed I feel I hide behind the moon,
In shadows cast by dreadful ghosts of night:
And curse my eyes if I walk into light.
Forgotten shores of childhood lost in time,
Embracing seas of solitude in stars—
A well-known fate in death of burning sky.

Will death thus raise me to the highest sky
Or drive me to the loudest raging moon?
I’d rather find diversion in the stars,
Forsake my wisdom of that sacred night
Than face the painful claws of passing time—
I find demise when I stare into light.

I was revealed the mysteries of light,
Yet hide below the comfort of the sky
As I transcended boundaries of time,
Forever hidden in the woeful moon
And blind upon that everlasting night,
Hunting pleasure in the short-lived stars.

Illusionary joy, deceitful stars:
You guided me to death away from light!
And whence was born this novelty called night?
I thought that safety reigned below the sky,
That I could hide from truth behind the moon—
I curse the painful wings of passing time.

When sunless time arrived upon the sky,
And Moon became a frozen lake of light,
Woe to me, whose night devoured the stars.
A sestina on the diversions and distractions of daily life, and their ultimate, utter irrelevance compared to life and death, and to the true meaning and purpose of humanity.
 Aug 2015
Kelly Rose
Once we were lovers mind, body, and soul
Eros has flown, only philia remains
Sadness takes hold, no longer am I whole

Distance creeps in; the heart is inconsolable
I am drowning in sorrow’s cold grey rain
Once we were lovers mind, body, and soul

Love is diminished, leaving a gaping hole
Deep inside.  Our connection slowly wanes
Sadness takes hold, no longer am I whole

I feel I am only playing a role
Toleration fades, leaves only disdain
Once we were lovers mind, body, and soul

Failed actions have taken a painful toll
Slowly dying, overtaken by pain
Sadness takes hold, no longer am I whole

Future uncertain we’ve lost all our goals
This slow erosion lets sorrow’s madness reign
Once we were lovers mind, body, and soul
Sadness takes hold, no longer am I whole

krs
August 2, 2015
 Aug 2015
Michelle Williams
Her voice, a bird's song
could lighten any burden
except for her own
Rain falls steadily
Straight down from the dark slate sky
Umbrellas march past
The air is green tinged
Hedges bursting with bird song
Then a flash and thunder's roar
the rain now falling harder
The smell of damped dust rises
I breathe in the earthy scent
glad to be alive
Choka
 Jul 2015
Tryst
Oh lonely code thy process all forlorn
Loops but to toil in thankless servitude
Unpraised for wit but savaged with ill scorn
At each found bug or flaw that thou exude

Yet if thou fork and then do spawn a child
A mother's mirror born of innocence
To share life's load, transactions reconciled
In mutex'd memory twixt each paired instance

Thy yield increased would empty buffers make
To give thee pause to take a cycled breath
And running on anon until a break
Or Control-C brings unto thee a death

An orphaned child thy memory would keep
Or die, or zombify in restless sleep
The parent-child process lifecycle in the C programming language on the Unix operating system.
A parent process "forks" to spawn a child process.  The child process is an (almost) exact copy of the parent.  If the parent dies, the child process becomes an orphan.  Sometimes when a process dies, it is not cleaned up correctly, and becomes a zombie process.  (Who thought software engineers have no sense of humour?)
 Jul 2015
Tryst
Rest peaceful 'neath a dusk-kissed brass engraving,
Atop the climb a stony path has reached;
Look down on all the troubles you were saving,
Thankful you rarely practiced what they preached.
 Jul 2015
Tryst
Keep up thy vigil, dimpled shepherdess!
Gift night a lantern light to guide lost stars
Strayed from the flock, treaty with tenderness
Soft grazing grounds in heaven's nebulas,

Look low for lone stars fallen from on high,
Feasting on kindling tree-tops laced in cloaks
Of lily blossomed snowy dew drop sighs
Billowed from scattered cushion clouded smokes,

Look further still beneath the ice-fringed eaves
Of gold-spun thatched roofs dotted down the lane,
Footfall echoes stolen by kingly thieves
Triumphantly majestic in their rain:

Look last for shadow framed in windowed light
Keeping thy lonely vigil through the night.
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