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 Apr 14
Crow
within the solitude of the dreadful span
of the blackened and bowed sky
the deep withered grass bends in the moonless dark
quieting the cold and murmuring earth

hushing her into fitful sleep

the air is hard
and the wind lacerates the night
razor incisions left behind
in the icy flesh of obsidian hours

open wounds howl like wolves
on the trail of prey in flight

I hunger for you
under the restless stars
 Apr 14
Traveler
I can only deduct
It is not our's to keep
Provided by the sun
The particles of the meek

I can only conclude
I'm riding on a wave
Paddling in different directions
Sifting through the haze

I can only decipher
My thoughts in simple words
Weaving through this emptiness
Connected to this earth

We can only dream of
That which we cannot be
Free from these stages
Of human suffering
Traveler Tim
 Apr 13
Don Bouchard
On his way to or coming from
Feeding cows
Whistling or singing,
Orange twines tied in bows
Swinging above the tractor hitch.
Bales strewn broken in chunks
Across the hard white ground;
Cattle steaming in chill air
Stoking bellies with summer hay,
Against the cold their only coal to burn.

I'd rather he had fallen,
Smile upon his wizened face
Blue with cold, heart given way,
Just the way he'd prayed to go,
Than to have watched
The helicopter veer away
Into a frozen sky.
 Apr 13
Don Bouchard
I sighed in the presence of a friend.

"What are you thinking about?"

"Life."  

"Hadn't you rather be thinking about your death?"

Words to live by....
 Apr 13
Don Bouchard
Sitting at her feet
Folding chair angled
So I can hold her feet,
One at a time,
I find the old worn places:
Liver, spleen, colon
To apply pressure.

"Does that hurt?"
After she winces just a bit.

"A little," from pressed lips,
Eyes closed, she sighs.

The cancer showed up seven months ago;
Liver picked its tumor from the colon,
Grew a ball of poison.

Feisty would be too harsh a word
For this stubborn soul so
Obstinate, forceful, unrepentant....

Seeing her in such a helpless state,
Belly distended with cancer's bloat,
Puke cup nearby, and pain distorting.
Mind here and there, present and past,
Brings tears to us who have fought her,
Trying her and tried by her;
Those of us who have always loved her.

Gentleness has replaced the hardness;
Tenderness to listen and to tell,
Gone away the lifeblood's tempestuous swell.

The living room now dying room...
A waiting room kept busy to supply
Liquids and pills,
Foot rubs, soft questions:
Will you eat an egg?
Maybe a bite of avocado?
Bacon is good, even more now
In its thin saltiness slowly ******.

Phone calls and letters arrive,
Some rejected; some received
To lift and give a little light.
 Apr 13
Nat Lipstadt
>crumbled, rumbled, street survivors,
paper scraps that took the rage abuse rap,
dead love notes, bills red with overdues,
these pre-poems have traveled wind currents
some in from Jersey, some hailing Minnesota,
ain't never see one that crossed the Atlantic,
but reckon it is not a theoretical impossibilty

unpretty city streets, like a museum, collects 'em,
plenty of exhibition space, forlon, historically
orphaned, disbanded, whose paths all got confused,
some sweet, all beat, balled and thrown, no home,
no more, each a reveille, each humming taps, now,
all scented by strret odors, none pleasant, each was
in its prior life, the meat, the grist, the meal of what
was, coulda been, a poem that would have survived
yellowed in care, tender glanced, tucked in books,
safekept, but slipped away, victims of friction, fraction

look down, be unafraid, unravel them slow, careful,
abused, all these messengers all need a good home,
a box in a closet, a book of tenders, witnesses to what
they've seen, places they've been, hand held, tenderized
by words spiced, variegated, ink, pencil, typewritten, like
their prior human authors, all sizes, all shapes, some on
colored paper, a l l astrayed, accidental, purposed, details
and detritus, once deemed essemtial, important, necessary
and needed, even believed, but times change

you're stuck, brain ain't cooperating, tired of staring inside
your self's self, pull on a sweater, it's a chilly spring overcast air,
that don't natural warm, more naturally warn, be careful where,
you step, your next poem is laying right there, grab a few, take
more than a couple, this is like a school dance, try a few, until
you bank the right one in the till, the connection made, a kiss,
in secret stolen, and the drive, the forces, the perspiration urgency
leads to you desk, nook, granny's cranny, and the world of words
overflow like seagulls in a harbor, so many spilling, hard is the
choosing, but excited adrenaline, free basing, in your veins and
****, you gotta just write again, right now, add a ***** poem
back to its rightful place in a heart, upon eyes, tongue taste them
syllables, clap and laugh as they symmetrically form, subtle rhyming,
the sleeping seeds have sprouted, the brown brain loamy cells,
fertile and potent, energize, impregnate, and you just can't wait
to walk the streets, in search of many, many more

it's ok, you have permission to utter a whispery nearly silent
hallelujah<
April 13 2025  10;10am NYC
this cane to me sudden, slow and no intentend to  marry< no reason wht,
but the title hit me square, and sat down and spilled the beans, and left me quite
satisfied, almost a little purged
 Apr 13
Anais Vionet
AI is groupthink, it’s hewed to pre-existing work,
which it aggregates into something bland and flat.

If you don’t want your work scraped and copied by AI, try
writing off-balance ideas that aren’t for everyone and have faith
that AI will never be able to actually rival human creativity.

Deny AI the echo chamber of predictable content on which it feeds.

I polish my pieces to a pointless sheen, which gives
them an algorithmically indecipherable quality.

When it comes my to poetry, I have to admit,
I’m working through mediocrity—hoping that it’s just a phase.

If failure is essential for growth
I’m going to be a giant

But after all, someone has to define the baseline.
You’re welcome.

Ok, Let’s wax poetic..

There are thousands of stars
in that black outer-place
where gravitas holds them
firmly in place.

I fret not about avian abductions,
or unidentified flying soccers,
still, I’ve a waxed on them
in multiverse

.
.
Songs for this:
I Like You (A Happier Song) [feat. Doja Cat] by Post Malone
Late Night Talking by Harry Styles
BLT Merriam Webster word of the day challenge 04/04/25:
Hew = conform or adhere
 Apr 10
Nat Lipstadt
for she
<>
"I choose to love you in silence, for in silence I find no rejection.
I choose to love you in loneliness, for in loneliness no one owns you but me.
I choose to adore you from a distance, for distance will shield me from pain.
I chose to kiss you in the wind, for the wind is gentler than my lips.
I choose to hold you in my dreams, for in my dreams you have no end"

Rumi
<>

writ in a time, for when
there is never enough,
and yet,
always, waves of too much,
needy for
filling feeling fulfilling

We must learn,
be self taught to:

"Leave a tender moment alone
You got to leave a tender moment alone
Leave a tender moment alone
Leave a tender moment"

ah the tender time is nonetheless
rightly and wrongly
rightly now,

for I have stumbled,
overheated, sweaty, from the night bed,
at 4.30am into another darkened toom,
and I have smacked~stumbled into
Rumi
and her

our paths continuously intersect,
in the same but
in different cities, continents,
and yet,
diffident, differing,
we silently choose
never to close those lady~last few miles
and tie the knot of
eyes, skin, lips
the instruments
that transmit thousands of
neuronal explosions that
seal the deal

so we write in poetry,
in silence broken by the gentility
of fingertips soundlessly
and yet,
boundlessly rocking,
explosively soundings of
tap tap tapping

my music mocks me,
it is definitively god interfering,
advising, conspiring,
wiring into my brain
better lyrics,
idealized notions,
exactly appropriate
and appreciated

with the lyrics urging me on,
and that we must be
self taught to:

"Leave a tender moment alone
You got to leave a tender moment alone
Leave a tender moment alone
Leave a tender moment"

but my heart trembly refuses,
insightful informing
that now,
now! is
the moment to exchange
vows of words,
though un spoke,
they require
written completion
through
& though
apart, alone,
to finally out loud confess
what has always been known, only to each other,
to be
so real

and yet*,

we will never exchange
these sentiments
in out loud words

but though this be lacking,
it will never
diminish
their  ultimate
intimate
truthfulness

and I ask,
is this a poem?

surely
it is that, and
so much more,
an essay, a letter on
invisible NML stationary,
a heart carving in
an oaken barrelling of
ancient vintagery

and that interloper,
Him again,
eavesdropping
on this private communication,
insists that I draw deep
from her favorite
singer~songwriter,
words that say it better,
that for real seal the deal,
in the saddened perfection
of total, enwrapped,
silence:

"Hello darkness, my old friend
I've come to talk with you again
Because a vision softly creeping
Left its seeds while I was sleeping
And the vision that was planted in my brain
Still remains
Within the sound of silence"

and
it is time
to finish this task,
it is exactly one hour,
no time at all,
to complete a love poem that
is/was complete,
even before its
composition
and yet,
is never to be be familiar with
the finality of
completion
<>

postscript:

I taste your private shed tears,
hear the howling sigh,
but most of all,
'tis the explosion of
a deep smiling creasing
your lips,
spreading in all directions
saying and stating:

at last, at last!
a lasting, a confessional to you god,
though,
a through and through
silent
jubilation
                                              ­             nml

April 8, 2025
530am
New  York  City
excerpted lyrics from Billy Joel and
Paul Sumon
 Apr 9
Anais Vionet
(A repost from 2019)

My favorite aunt is dying.. cancer, quiet and consuming as a flame..

Seven short weeks ago she was easily doing an hour of step aerobics, unaware of this intruder, this murderer within. Now she's lifted from bed like a rag doll.

She is my mom, well, a near twin—only smaller, funnier, serpent sly, more heavenly childish, sapient with sweet attractive grace and modest pride.

I am in total awe of her. We're kindred spirits, two sillies among the dull and endlessly serious.

I feel her, see her, day by day, slipping away like the hastening angel of heaven foretold.

This is too big for me, too awful and too close.

I am struck helpless, nothing moves, I sit, hardly feeling, and watch her sleep. Death's cruel process suddenly made visible.

I silently rage at the loss of it—my loudest vehemence pointed to this ravenous, lurking enemy pursuing her inwardly like a swarm of deadly hornets accidentally composed.

40 and still stunningly beautiful, she lies surrounded by computers, iPads, phones, faxes, intercoms, notepads, friends and care-givers. Her life reduced to escaping pain and making arrangements for her soon to be orphaned children 4 and 6.

Fentanyl and other pain blockers are her nourishment and seem to work better in the daylight as lawyers garner powers of attorney, bankers conjure trusts and estate planners build foundations to protect small children from a mothers loss.

As if they could replace a single hug
.
.
Songs for this (Gospel music):
Order My Steps by The Brooklyn Tabernacle Choir
Angel by Sarah McLachlan
Jesus Loves Me by Whitney Houston
It's a sad anniversary.
 Apr 6
guy scutellaro
the sea gulls chanting,
the sun rising

shooting fields of fire
dancing across
the rise and fall of the sea.

she is standing by the shore.

the beautiful loser
floating lonely
like a storm cloud
ripped from the night sky.

she smiles the sorrow away
with a beauty so hidden and delicate,
distant eyes as grey as the sea at dawn.

she robs my head
sending my heart

floating
like a feather lifted
by a wayward wind.

she does her sky dance
on the sea shore
jumping
here and there
like sand fleas
across the beach
and wants for nothing more.

beautiful loser,

I see she is crazy.

and I want some of her madness.

her blessed madness.
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