A beauty that’s rarely seen,
only reserved for the May queen.
Dancing under her midsommarstang
when the time speeds up but it still seems so long.

We can share some codependency
we can share some trauma and blood.
If you were to leave it would be the end of me,
is this the type of story we tell of love?

Sadly there’s some poetic irony
of the horror when you witnessed the elders jumping,
still human enough but too lost to see
you were in the line; one day to be waiting.

Confuse possession with protection
mistake bare empathy for tender caring.
When’s the last time you felt needed affection
except for the wrong type others are sharing?

And at the very end of it all
you’ll have a face full of tears,
‘cause even a May Queen has to fall
within the changing of season in the years.
And you won’t even care
if it’s freedom or a new type of prison,
‘cause atleast someone will be there
to cry with, to hold you and listen.

In the winter of
My darkest sadness
A candle glows,
Tiny and so far away.
It gives the darkness
A focal point and I
Struggle my way towards it.

Another candle lights my way.
I don’t know where it came from
But it makes a fearful journey
So much easier to manage,
And I eventually will dance
On thistledown to
The music of the Skylarks
In a sun-filled, cloudless sky.
  ljm

There's nothing to
glean from the wreckage

no lessons no wisdom no
truths

except maybe
that when the wind blows

stuff smashes things get torn apart
and other stuff shatters

don't let anyone say
otherwise

there's
no reason for this


no rhyme simile or
metaphor

The glass and steel high-rises
I always harbor hostility.
They stand like soldiers ranked before a city gate,
like guns aimed at strangers,
asserting their strength.

To shade the high-rises—there must be trees.
lush trees,
ancient trees—like bouquets
rest in tank barrels.
They cannot withstand the iron cold,
cannot withstand the searing burn,
but they can loosen,
the guard I keep within.