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 May 2015 Abby Nichole
Hope
I am a thing.
A conglomeration of atoms.
A little thing you can borrow
From him
Or her
Or anyone, really
But I’m also sort of yours
Just ask you
I am a milky neck beneath long sunny hair
Sunshine, you call me,
Old Man,
Just before you dig your boorish, ***** blutwurst fingers
Straight into my crunchy upper vertebrae
In the spirit of a "neck massage,"
Invading me
Injuring me
Insulting me
Bruising the skin like a ripe peach you have dropped ten times
With your sick fingertips
Until I fear cervical dislocation
That’s a broken neck in lay terms.
Skinny, you call me
Like it is my identity.
Like if I gained weight
You might call me Fatty.
Beautiful, you call me
Like it is my name.
I am not skinny. I am not fat.
I am me shaped.
I am beautiful, but that is the least of my graces.
My name is Hope, ******. Call me Hope.

I am a thing.
A conglomeration of atoms.
A little thing you can subjugate
Without even using your hands.
All you need are words
Because all I’ve got are two X chromosomes.
Women should obey their husbands.
Women should bear children.
Wait, WOMAN isn’t generic enough.
Females.
Females only go to college to get married.
Females spend too much time with other females
But females should not spend too much time with men.
Men.
A man is a male human.
A woman is a female human.
I am a THING that is a HUMAN BEING.
And I would ask you to treat me like one
But until I am more to you than a female
I cannot expect you to act like a man.
Sisters: my veins drain into the sand.
My grave exists on wood.
My eyes close.

The crows pick at my womb; my brain.
Each nail tattoos my blood
into my bones.


My dying started long ago;
it started in my youth,
when Teacher told us

boys pull our pigtails,
shove us down on playground pavement
to show their love.

It started in high school,
where bare shoulders blinded boys
from their books.

And now we are twenty.
Now men's fingers pull us into the dark.
Now the alley concrete burns.

Now a suit and tie
asks if his defendant
could see your breast and thigh.

One out of every three;
if we escape their claws
we do so narrowly.

If we flee when they call,
we risk the slice of a knife
or an exit wound

or an asphalt tomb.
Whistles peel at our skin,
the wolves to our moon.

My body is a temple.
I open my womb
to expel all who intrude:

wrinkled politicians with withered pens,
with legalese, God's pharmacists,
the filthy, forceful tongues of men

who chain my worth to fertility.
I drive them from my holy rooms
with whips of cords.


My body is limp on these boards.
My skin is an ossuary
for relics women will soon possess.

It is easy for me to die.
I bleed for my Chinese sisters,
slain before they speak;

for my Indian sisters,
doused with acid,
stolen while they sleep;

for my Saudi sisters,
given a warden,
kept from their own streets;

for my American sisters,
losing their bodies
to others’ strict beliefs.

I bleed, I bleed;
come, stand in the scarlet mud.
Come, bathe your feet,

wash your hands
in the dregs of my end;
come, purge unwanted seed.

Come, drink of my last breath,
women who wear veils,
women who sell ***.

The crows circle,
the vultures too--
I smell of death.

I am not weak.
I will not forgive them;
they know just what they do.


Now, my slaughtered sisters.
Now, my survivors.
Set down your stones.

Take the nails from my feet,
plunder my bones.
Wear them as amulets.

In three days,
I will rise
and forge weapons from your cries.
I.

our toes sift the smoke-seared carpet,
together. i watch them, twenty
white mice, burrowing into
nonexistent holes.

your toes
are next to my toes.

i can't believe you're here.

II.

still, i keep you at my throat;
still, i know the press of your lips;
still, the scar on my hip
is a magnet for your palm.

only one season has passed.

did we expect our bodies
to turn traitor
so soon?

III.

under vellux and linen,
we leave pools of heat:

every cell a sin,

we, the king and queen
of fire.
I remember the cinnamon pancakes that night,
when the stars hid their faces and wept for our plight,
they were crossed like two roads, like two guardians sent
to stand watch at the start, knowing how it would end.

I remember the promises-- "only one time--"
but you spoke Norwegian and I called you mine,
you soldered your fingers to my silvered waist,
I melted my metal to settle your taste.

I remember my hand on the small of your back,
you were hot like a tommy gun after attack,
all your bullets broke bones, non-ascetic assault,
but I pulled the trigger-- these wounds are my fault--

I remember your hair, glowing flame in the dark,
a beacon on nights that we snuck through the park,
I remember dead grass and cold dirt on our knees,
and the whisper of stars, and the cradle of trees,

I remember the nights that I slept in your bed,
when I should have been home, you were in me instead,
I remember the snow that seeped into my bones
on the Fridays I knew you were sleeping alone,

I remember your skin as my skeleton curved,
as it shaped to your bones, to the body it served,
I remember the leatherbound Bible you'd shun
while shouting your praises for God and his Son,

I remember contentedness, drifting to sleep,
I remember the red drink umbrellas we'd keep,
I remember your words to me: sinner's love psalms,
I remember my cheek in the cup of your palm,

I remember the makeup I left in your room,
I remember the season that ended too soon,
I remember the first time I dreaded the fall,
I remember the terror of losing it all,

I remember the way that I felt when you left
I remember that we said "it's all for the best,"
I remember the way your name filled up my chest,
I remember your necklace, a noose on my neck;

I remember its weight; I'm still wearing it, too--
I remember I wear it to remember you.
two feet on concrete
planted like cactus
needling—
     “please don’t let them **** your baby
     hell awaits you, young lady”

look at me, *****.
is my belly a moon?
is there life in my womb?
no—my body’s a tomb.

god killed my children.
he slaughtered my daughters,
he plundered my sons;
i wonder what water
my wine has become?

you hit the street
with statistics on heartbeats
while dead eggs and the dregs of unformed arms and legs
rot in my core.

hey, lady—
i wonder what special hell
god’s destined for.
this is the seventh year
i have laid awake
in the small hours of the morning,
seized with insomnia,
reliving the night you died,
knowing that a part of me
will always blame myself--
no matter what my therapist says.

this is the sixth year
i have known
i'll sleep eventually.

this is the fifth year
i can't find the right words anymore.

this is the fourth year
i was able to celebrate you
instead of merely mourn you.

this is the third year
i have had a teaching job
and had to call in sick
because i can't fall asleep until 4am
when all i can do is stare,
bleary-eyed, into the snow and stars
and ask myself why the hell
i ever went to sleep that night.

this is the second year
i've realized your voice
is fading from my mind,
and it scares me.

this is the first year
i've realized that it gets better
but no easier.
mourning the loss of my good friend tonight. i miss him.
I regret
that I cannot write this
poem
because
I'm bleeding out at the shoulder
and I'm not left-handed-- I can't
write this poem
because I'm short-
circuiting and
stunned. I
can't write
this
poem because
there are no words
for this thing
I never thought I'd
fall victim to--

   the pen in my hand
   feels like a gun and
   I'm going to shoot this page to ****--

this ******-up therapy,

dear Poetry, I QUIT--

because
there's not enough
blood
left to fill my
pen
Sometimes, I do the same writing exercises I give to my students.
They whittle us down
until we are nothing more than a whisper;
a croak.

My flesh is balsa wood—
“pliable,” said the boss.
“Easy,” said the judge.

Men are born with knives.

Behind closed doors,
they carve.

Their chests swell as they set satisfied knives
on solid walnut desks, glossy with
the oil of money,
spit of secretaries,
greasy fingers.

No one
musters the courage
to knock.
To sleep, to dream: both goals I cannot seek,
While columns built of flame attend my bed;
They dance like alfer, singing 'til I'm weak,
Could **** me-- but devour me instead.

Your fingers strike like matches on my skin,
My blood the only fuel you'll ever need--
We'll stoke the flames with gasoline and gin
'Til Hypnos drops his poppies and concedes.

Hold fast to me and cast away repose
We'll torch the night with breath and whispered fire;
Too tenuous are dreams and, like Zyll's rose,
They'll burn upon a fragrant funeral pyre.

And as our veins combust, we cast off rest,
Both cradled by the sweet inferno's breast.
Shakespearean sonnet-- because why not? Allusions to Hamlet, Greek mythology, Danish folk tales, and the sacred (to me) A Swiftly Tilting Planet.
I. first

a whisper of thunder woke the forest.
one low caress of sound pulled warm dew to trembling grass,
sowed a symphony into the soil
and coaxed the flowers to
burst.

fingers of lightning banished the penumbra,
wrapping their soft fire around trunks and twigs,
achingly singeing thin bark to ash
and licking the trees into flame.

II. then

roots unraveled underfoot,
damp soil shivering like cello strings;
buds collapsed in showers of green dust,
choked by young smoke--

III. and

ancient roots
divorce
the dirt,
tangling clusters with
webs of lightning

thick branches crack and
crash
obliterating
the gentlest creatures,
sparks of life consumed
by hotter
fires

but the wind straps you on her back
and carries you away,
leaving the forest to die and burn.

IV. finally

suffering fireflies reflect the inferno
and, when the final flames extinguish,
illuminate the palimpsest of scorched soil
left behind for the next lover.
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