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When I was young, someday was forever —
a tunnel so long I couldn’t see the light,
let alone the end.

As I grew older, it became a memory: someday,
someday I would, if I could.
A fading echo as I began to live, to love —
then loss came, and someday became a dream.

Like the shadow of a mountain, someday
was etched behind my eyes.
There was a plan, an idea, a hope:
someday I would, if I could.

These days, someday feels so far from me —
like the memory of a crisp apple on the tongue:
its sweetness burned in,
but hard to speak aloud.

Someday — would I? Could I?
What does the future hold?
Will I ever find that someday?

Or — more deeply —
is this my new someday?
An image I could never have imagined
without the life, the love, the loss?

What is someday?
A dream,
a regret,
an illusion —
or a seed, still buried,
waiting to bloom?
YOU.
I see you—
like a field of flowers, each blooming in your own way.
All individuals. All so unique. All so vibrant.

I know times are dark.
The shade of fear and hatred
spreads shadows across our wondrous gardens.
But still—you shine.
Enby, trans, queer—the names are many,
for we contain multitudes.

I see YOU.
Yes, you.
I see how brightly you shine, even when life tries to dim you.
When the dark specter of depression clouds your vision.
When your mind flashes from thought to thought,
never resting, always racing.
When pain rolls and thunders through your body—
I still see you.

I see YOU.
You are timeless.
Your strength is your authenticity.
I see how you become your true self.
How you hold space.
How you carry one another through the dark,
your light bringing joy, warmth, love.
You bring all that into my life.

I see YOU.
Even you—the ones who feel forgotten.
The flowers I see carry bruises.
Some spring back quickly. Some take time.
Burdens weigh down your petals—
but the rain of shared tears,
the sunlight of being seen,
restores your bloom.

I see YOU.
All of you—
your joy,
your pain,
your warmth,
your struggle.

You are flowers—
some forged of steel,
some radiant as the sun,
but all blooming,
still here,
still seen.
We were artists
But you had the brush
And I had the pen
You drew the worlds, the people
I wrote down the feelings, explanations

You captured the images perfectly
While I can only guess at the words
The way you moved your brush
While I can only stick to lines
Beauty versus perfection

You express your worlds radiantly 
But I can only write in black and white
I wished I traded my pen for a brush
To feel the colors you weaved 
To see the world beyond my script

Maybe if I knew how to color
If my pen drew more than rigid letters
You would have understood me 
In a world of black and white 
You were the color in my life
You are a monstrosity,
A walking atrocity,
Feeding on fear with relentless ferocity,
Draped in control, masked as curiosity,
Preaching decay as divine necessity,
Crushing the truth at full velocity.

You rewrite the past with blind audacity,
Bleeding the future with cruel tenacity,
Shrouded in pride and dead opacity,
Silencing hope with ruthless capacity.

You wear your lies with a soft veracity,
Spitting out law with no sagacity,
Chaining the mind, gutting democracy,
As if blood were a price for your prophesy.
When a nation forgets its memory and fears its own people,
it does not become powerful—it becomes fascist.
And today, India remembers nothing.
The praise of death was a selfish desire.
You know this.
Yet the prayer comes every morning and night.
But, with no avail does your wish come.
So be it,
and let the desire eat you whole.
In the hush beneath powerlines,
through fractured stones,
no gardener knelt to bless them.
No springtime choir sang.
Still, golden heads rose,
leaning towards the shadowed light,
the kind filtered by clouds
like a half-remembered memory,
or a lullaby hummed to a ghost.
Roots thread through ruin,
tasting rust,
sipping rain
that fell before the world began.
They were never meant to be here.
And yet
yellow ablaze in the rubble.
A flicker. A flare.
The petaled armor of hope
unfurled against battle-smoked skies
as if the world exhaled
and breathed them into being.
Lawrence Hall
Mhall46184@aol.com
Dispatches for the Colonial Office

     Strange Lights, Strange Sounds, and Would You Like a Coffee?

In hospital one encounters strange lights
Strange sounds, visions – What is this all about?
Radioisotopes floating around in one’s veins
Dizzies, buzzies, shortness of breath, coughs, sighs

Reality tilts on an axis that isn’t there
Illuminations flash by at unwarped speed
Grey slabs curiously marked maneuver awfully close
Why does machinery slide overhead?

And a kindly voice says, “It’s okay. You’re doing fine”
And then those most welcome words: “Would you like a coffee?”
With gratitude to Saint Elizabeth of Hungary & Thuringen
A silent maw,
carved into the velvet of spacetime,
drinks the universe
without sound, without shape—
just the slow, spiraled collapse
of everything once known.

Its edge—a burning halo
of fused copper, liquid bronze,
and ionized fire,
spins at the speed of forgetting,
blurring into a ring of sheer velocity—
a lens where reality folds in on itself.

Around it:
deep red streamlines,
maroon currents of orphaned light,
taper and twist like oil on black water—
gravity made visible.

In the distance, galaxies drift—
fractured spirals in periwinkle dust,
nebulae bruised in plum and violet,
their tendrils stretched thin
by the pull of this ancient siphon.

It does not speak.
But it rearranges everything—
light becomes arc,
time becomes thread,
motion becomes stillness.


The accretion disk—a
maelstrom of starbone and ash,
where photons skim the surface
but never escape,
trapped in orbit,
a crown of failure and flame.

Beyond the pull,
light teeters, bends, breaks—
an aurora of shattered timelines
wrapped in lapis smoke,
flickering in rhythm
to a silence we will never unhear.

Each orbit marks a memory—
not ours,
but the universe’s—
stitched into the architecture of collapse.

There is no edge,
no true surface,
only the illusion of descent
into perfect black—
not emptiness,
but the compression of everything.

We are bystanders.
Frozen,
watching entropy dress itself
in colors we’ve never seen before.
Life's two words-
'acceptance' and' rejection'
which to choose for people
is difficult- hence the frustration
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