(I)

Whose coat is this? Sure as hell isn't my coat. I ain't got no coat with this parka ****, it's *******. I ain't no furry flamin' ******. I ain't no ****** chochy Molly-May-Ze-**** chokin' down chickens and nasalin' a'sniffin' snortin' nasty-*** choch; that ain't me. That ain't me. Look at this coat– I'm like an Eskimo *****. I'm like a butch-**** bull-**** crotch-lappin' a'swimmin' laps in that guy's swimmin' pool. Who's that guy? Who owns that guy? 'Ey, anyone here the owner of this guy– guy ain't got no owner? Whose coat is this? It's nice, real nice. Bet she said, "Does it come from France? Where do I buy one?" I want to buy one, I think I need to buy **** more. I sure as hell need to buy one of these. "And I need one these too and one of them too and I need a petticoat and a tipper-tapper and a whimpratic garfielder and one of them new bartlemores, I need more of them bartlemores. I need more, more, more, more, more, more..." That ain't enough. ****'s from France. ****'s from Paris, that's romantic. You think I'm romantic? I eat hearts for dinner, I chew down nails like nuts for my midnight snack. I smoke cigarettes and spit on concrete slabs, you think that's ****? I'll show you ****. I'll show you Paris, New York City, Rome, romance you in Rome. I'll get real ******' Roman. I'll take you to the desert and make love to you. That's how a free man does a woman, and I'm a real free man. Who's ownin' this guy? It ain't you, it ain't me. I don't own you, you don't own me. I'm a free man:

I said,
"Fire and wood, fire and wood, fire and wood. It is late, it is late, it is far, far too late."

I set
fire to wood, fire to wood; feel that fire fired fresh from that firewood.

I dug the pit,
he gathered the wood,
she started the fire.

She really does make that fire start.

O' how she makes that fire burn,
O' how the wood's wrapped in white hots,
O' how they smoke their smokestacked pipes,
O' tobacco teeming teenagers, tormented by and through youth,
O' adolescence, trending topics, and forget-me-not flowers,
O' old age, Floridan coffins, and coughing  cancers,
O' writers in the mountains writing to be,
O' painters and **** bodies in studies by the sea,
O' thinkers in their mindset, mindsetting the table for dinner,
O' tables set to bursting,
O' wallets so thick,
O' community,
O' society, our social games,
O' hope,
O' peace,
O' that I may be at peace,
O' that I may be content and pray only for peace,
O' how about them true believers,
O' how about that love at first sight,
O' sandstone. My sandstone. That guy sittin' on sandstone.

That's my guy. That's my guy. I own this ****.

Is a man breathing on a mirror the sum of his breaths?
Breaths foggin' a'mistin' my view,
my view of a body and that face,
you're a body.
You're a workin' day's bell,
you're my chill in an Icelandic draft,
you're my spare in a Middle Eastern draft,
you're my pawn in chest-to-chest chess.

You've got this. You've got this. You own this ****.

And it is ****, too. I'd be set, real ******' set, with someone like you. I'll make you a woman, check this parka ****. Coat's mine. I'm a classy igloo runner, runnin' a'ragin' a'czebelskiin' meriteratin', I'll be reiteratin' your points. Check the time, it's late! It's late! ***** was in the grassy knoll turnin' trap tunes on her turntable. Would you listen to that? She sounds late to me, does she sound late to you? I like the music; I like the music. What happened to Woodstock? Where's my watergate, Nixon? Where's my generation, Ginsberg? Where's the meaning? This music's too loud! We're so profound! O' profundity!

Tell me something I didn't know, I'm craving' the new.
Give me the new while I spit on the old,
while I spit on this fine art finely art'd by and for fine artists–
******' fine artists. ******* fine artists.

(You can realize radical-realist realism but you can't be real with me?)

O' fine art!
What fine art!
Which fine artists are dead?



(II)

Looks like they're dead.

Looks like them ******* choked out all them ghettos, choked out all them rednecks, chokin' a'stranglin' by-God-oh-God straddlin' the breeders. I sure did like them babes– babes with their laughin' a'lackin' o' cynicism. They don't know the word "****."

I sure am forgetful–
I forgot that smoke doesn't dissipate,
I forgot how to smell autumn leaves,
I forgot to check the heart against the fingertips,
I forgot why my fingertips went numb,
I forgot to cue in the meaning when the sentence was complete,
I forget to complete my sentences,
I forget who you were wanting when you said, "I want you."

I got as much depth as an in-depth discussion, high hats and electropercussion have got me going. I'm goin' downtown, uptown bourgeois tricked me out, johns and yellow Hummers laid me down and cussed me out. That's not a discussion. That's not my scent scenting my towel, this breath reeks of wintry air– my fingertips went numb.

"I want you."

"Oh would you look at that moon?
Take a look at that moon.
Look at that moon with the ******' mountains.
I love that moon.
That's my moon."

I love darin' a'dusty dareelin' derailin' your dreams, whose dreams are these? They ain't my dreams– ain't no dream derailin' a'nileerad radiatiatin' some hint of joy or Jamison Scotch Liqueur. Drink that ****. That's my ****, I own that ****.
I'm sittin' on this stoop like I own this ****, like this **** owns me; I owed me. I don't own me, you owe me:

Pay up man, feet off the stoop.
Pay up man, be real with me.
Pay up man, you ever thought of a man as a man?
Pay up man, give it in.
Pay up man, give in.
Pay up man, I need you to do me a solid. Do me solid from crown-to-toe, we're toe-to-toe let's do-si-do bro-to-** I'm ready go, **, jo, ko, lo, get low… Now I'm ramblin'. You say, "Ramble in to the stoop and tell me a story."

What's a stoop– who's a stoop? That **** ain't stoop– you ain't stoop. You're stupid. You're a joke, check out the joke. Hey ladies, you seen this joke– joke ain't been seen by them ladies? I'm a joke. We ain't laughin' with you, they're laughin' at you.

O' hilarity!
Such hilarity!
What hilarious histories have passed?



(III)*

"I said I loved him once. I only loved him once."
(And how long once has been...)

I sure did like them hand-holdins,
them star-gazin' moments,
them moon phasin' nighttime nuances,
them fingertip feelin' a'findin',
them sessions o'meshin' limber legs unto steadfast *****,
heads cocked like guns toward the sky,
beyond the horizon
but well
below the belt.

Them star-gazing moments seeing stars seemin' small, I love how they gleam- gleamin' a'glarin' comparin' shine to shine, shimmerin' a glimmer shone stumblin' her way home from the bar. She's drunk. She's brilliant, brilliance of whit and wantin' a'wanderlustin' gypsy nomads- that ***** gyp'd me, no mad man would take a cerebral slam to the face lest them moving pictures are involved. Read a ******' book, it'll last longer. Kiss me on the collar bones, clavicles shone shining with slick saliva pining for my affections. You're clammerin' to feel me, clammin' up (Just feel me.) I want to run my hands through long hair and peg the nausea nervosa to the wall. The writing's on the wall:

The sun bent over so the moon could rise, chanting,
"Goodbye and good riddance,
I never wanted to shine down
on them seas o' tranquilities anyhow."*

O' what a day. What a day.

And the wind ruffles leaves and it ruffles feathers on birds eating worms in brown soil.

What a day. What a day.

And the men under the bridge gather in traitorous conversation of governments overthrown and border dissolution and poetry with meters bent out of tune.

What a day. What a day.

And the billboards are dry for all the consumers to consume, use, and review.

What a day. What a day.

And hearts break messiest when you're not looking.

What a day. What a day.

And the ego and the id and the redwood trees are talking. They're sitting **** in the marshes, bathing in the bogwater while fondling foreign fine wines and whisperin' a'veerin' conversations towards topics kept well out of hand, out of the game, nontobe racin' in races, rampant radical racists betting bets on bent, bald Bolshevik racists wagging Marxist manifestos in the bourgeois' faces, yes. Make it be. Nontobe sanity as the captain creases his pleats, pleasin' her creases and the dewdrops of sweat trailing down the small of her back– down the ridge of her spine forming solitary springs of saline saltwater in the small of her back. Aye-aye, guy's pleasin' a'makin' choices a'steerin'– government's a'veerin' a hard left into the ice.

'Berg! 'Berg!
Danger in the icy 'berg!
None too soon a 'berg!
Bound to bump a 'berg!
O' inevitably unnerving 'berg!
Authoritative 'berg!
Totalitarian 'berg!
Surveillance of *** and the sexes 'berg!
O' fatalist fetishist 'berg!
Benevolent big brother 'berg!
Homosocial socialization 'berg!
Romanticized Roman 'berg!
O' virginal mother 'berg!
City on a hill on a 'berg!
Subtly socialist 'berg!
Nongovernmental 'berg!
O' illustrious libertine 'berg!
Freedom of the people 'berg!
Water privatization 'berg!
Alcohol idolization 'berg!
O' corrupt and courageous 'berg!
Church and a stately 'berg!
Pray to your ceiling fan 'berg!
Biblically borne 'berg!
O' godly and gorgeous 'berg!
Ferocious freedom fighters launching lackluster demonstrations far too post-demonstration feeling liberty and love, la vie en rouge, revolving revolutionist ranting on revolution tangible as
an ice cold 'berg.

'Berg! 'Berg!
O' the 'berg, the ****** iceberg–
You'll be the death of me.

Pimples, spots and the hots,
lots of hots when you're fifteen.
Teens got one shot at it,
got to grow up quick
hair gelled
look slick, you
got the hots but you gotta be quick.

Life is the price that we pay for getting a bit older and older each day,
'not fair',
is what I say,
we're only fifteen forever it seems when we're only fifteen and still full of the craziest dreams,
gotta be quick
gotta be chic
got to have rhythm and be in with the clique,
fifteen and spots and that's all we can hope for and the hots, the hots are the dark horse, the shots on the wild course, the hormones that scream out about the time that we're fifteen, but
we gotta be quick.

This way to the show, folks
The most amazing show you have ever seen
Bigger, wider, deeper
Wondrous and terrifying
More beautiful than your dreams
Uglier than you can imagine
And all for free
If you speak very loosely, that is

Watch your step son
Don’t trip on the unintended consequences

Step right this way
There’s no time like the present
In fact there’s no time left at all
Take a peek behind the curtain if you dare
What’s the worst that could happen
Probably best not to think too much about it

See the man without a plan
Watch him stumble through life
Be amazed as he defies death on the streets
His struggles with addiction will amuse you
Enjoy the bitterness of his regrets

Be stupefied by the clueless wonder
Taken advantage of at every turn
Thrill as he turns into the human doormat
Feel free to wipe your shoes on him
He likes it, really

Prepare your senses for the shock of
The compassionate woman
Stand bewildered as she is betrayed by lovers
Gasp as she weeps for people she does not know
Make her a promise as you leave fellas
You will make her day

You will be stunned by the man who is not like you
Be horrified at his minor differences
Criticize all his perceived flaws
Feel free to mock him, he is used to it

What’s that ma’am
No don’t feel sorry for them
They like it here
Three hots and a cot you know
Only some humiliation each night
And twice on Saturdays

Come one, come all
Leave the show smug and satisfied
About how much better you are
Than these miserable examples of failure

All this and more and not one penny to enter
The only fee is part of your humanity
Just drop it in the box right here
On your way in

(1)
Wind seduced the leaves
attraction for each other
having hots for love

(2)
Kissing and hugging
ecstatic for love making
being lovey- dovey

(3)
Sensual eye contacts
head over heels in fresh love
vows and promises made

we're just as superstitious as our ancestors, we create fiction from superstition, we get the hots for haunted houses, the black dot on the bible like pirates... it's just these day, a person finding a £20 banknote would get superstitious about buying 20 lottery tickets with it, rather than a bottle of whiskey... and yes, our story-telling skills have diminished, it's more like dietary regimes these days... we pushed subjectivity so far down the drain that we're not telling stories anymore, we're simply regurgitating objectivity, facts after facts... less talk about surviving a tornado twirl and expressing the excitement from surviving such an event, and more: next! pocket that story, box it with the bar-code: adrenaline ******... we're not story-tellers anymore, we're on the verge of losing all plots... being exposed to polished narrations of Hollywood (hardly the case of being worried about doppelgangers, that was obvious in the 20th century) - as said: we like being bombarded with facts, we've stopped claiming narration for a commuting drive... we are the encyclopedia ~generation... well, we're way past being defined as a generational phenomenon... hence the quiz shows...  we started to hate the excitement of the subjective perspective, the parts were "we will never know", jealousy on this scale really killed it off... we weren't there, therefore it's untrue... coupled with this objectivity of: none of us were there, therefore it must be true... plate up ladies and gents! we're once more reduced to regurgitating facts, we're actually forced to regurgitate facts, we have no chance to score with emotions or personal thoughts... people only want to hear objective realities of our lives... we want uniform coherence like under Uncle Stalin... no deviation... none! i wonder what story will come from all this objectification... the usual, current affairs story, i blame feminism partly for this... the objectification of women lessened, and in came the objectification of everything else, as feminism has done, shoving its nose into everything from philosophy to history simply on the basis of numbers, and as to why there aren't enough women here, and not enough women there... my mother is a housewife... my father comes home with a satisfaction that at least one member of the family will not be stressed... add a second partner with stress and career ambitions and fairy-tales, and that's a house on sand-dunes... personally i wouldn't want to marry in any case... plus, feminism doesn't encourage the house-husband idea that Sweden has adopted... well... you'd think that the idea of househusbands would take off once feminism took off... apparently it didn't.

Darwinism is at odds with pop culture, i see these people
striving for fame like they might be buying penny sweets
in their hundreds, and what i find surprising
is that so much fame is being dished out,
me, jealous? yesterday i found
a twenty quid banknote on the street,
today i bought four beers and a bottle of Grant's
whiskey and i felt that: i owned the world -
yes indeed, a circus act - that's usurping
style of the khaki stormtrooper uniform...
a colon is also emphasis, without the italics...
it's not about grocery lists...
so many writers out there who put
the labouring over punctuation to others...
so many dyslexic still passing through...
mate... if you and me were *****... you'd
be tissue paper material, no, not even a ******
blockage waiting for the plumber...
or the ******* that sold condoms puncturing them
with needles for excess success rates of impregnation...
see, i peel the skin off, imitating Abraham's
madness at the excess, and cockerel
the **** like sunrise... all *sheered;
then i put the skin back on... so much for improvements
that desired God's approval... might as well
cut off all the cartilage: nose, ears, nails
(i swear they share the same category... oh wait...
nails and hair... well, n'eh bother, cut the rest off
until you enter the realm of plastic surgery).
so yeah, Darwinism is really the guillotine at
the moment, see them, watch the shepherds herding
them, they created something a Marxist would
never ever understand... the fame class system...
not some rebellion of strong idiots
working the plough field fighting noblemen bored
in their salons with ****-*** their only
exercise and solution to the boredom of a busy world,
mind being in such a world...
or do as i do... half of scotch through...
second jazz record playing in the background...
jazz doesn't translate into headphones,
you need the space...
what worries me is its trans-generational absence...
jazz is the classical music thanks to slavery,
it would never have been born in Africa,
forget it... but it bothers me it wasn't manicured,
kept pristine like some Renaissance painting...
it quickly morphed into Eminem and Vanilla Ice
and all that rap that wrapped it up...
fair enough, i can give credit to joshua redman
and his back east... but that's about it...
so as i sit sipping my Mississippi scotch of whiskey
and cola, having listened to
sonny rollins' ballads, i'm onto kenny burrel's
midnight blue... it's the sort of high culture
that's easy to cultivate... but i'm not the man you
want to revisit the Beat Movement chemistry,
i care very little to talk over the jazz with my poetry...
no wonder talking over classical music ever worked,
hence i contend to parallel myself with Bukowski
in that respect.. i shut up and write,
imagine myself on the Faroe Islands, very far
from what makes me uncomfortable,
the nearest thing to Eden, some remote place,
a village of 20 people where everyone knows
how long they take to a **** and at what hours
(given there's only one toilet) - and yes, the brackets
are also useful to make an emphasis, so example, : and ( )
all combine pretty well.
but they really are losing a one-sided battle,
given historical Darwinism, excluding our modern
perks to get into the raw caveman antics
it can be sometimes very demeaning to consider
both attitudes, simultaneously or correspond or even
excusing our modernity with intrinsic sushi (the rawness
that breeds no home comforts) -
and given the whole popularity culture...
you expect people to remember anything in
the next 100 years? the opening of a century is never
going to be enough to allow for that century's momentum...
i might be living in the 21st century, but all
my influences are bound to the 20th...
and that's where i'll remain, a beggar with a rich man's
vault of compact disks... clutter and a library...
unable to reread the books i've read (unless in snippets)...
like that tale of Neoplatonism and Plotinus
and that relationship with Christianity, but the job
that Nietzsche put in to criticise it came short of
what the actual religion did to itself, the archaeology proof
destined at Egypt, finding works there and not
in Israel along with the Dead Sea Scrolls...
fascinating how they cut Isaiah in half and the historian
Josephus placing the innovator of the Sermon
during Nero's reign, and how Nero is the first reference
to the 666... well, you know, once you zero out the preceding
years, and start again... telling the time will hardly
matter whether b.c. or a.d. - what with Darwinism
and the big bang, the Copernican west... well the Copernican
"west" - what a crazy carousel - get me off!
and indeed, with certain words...
we have encoded approximations to what each words
denotes... the brightest gem in the vault is
Hades... you don't say it as Ha A.D.H.D. -
you say hay and then you say dees, like bees -
yes, whether the d is a below the equator
and is summer in december, or whether b is above
the equator and is summer in july...
so you encode Hades but actually say: hay-d-and-many-e's -
still can't figure out how to denote a plurality of
letters with the punctuation marks given by English...
at present i'm using the inadequate possessive article
route - Peter's, Mark's, the mountain's...
the article goes off radar when there's plurality
in the thing ascribed possession: mountains' heights...
hay-d-and-many-eeeeeeeeeeeee? get the picture?
or hay-d-and-ease - baffling language,
i feel like some aboriginal looking at it from Ayers Rock
going: kangaroo the **** and didgeridoo?
no wonder the tetragrammaton is the tool to decipher
this phonetic encoding... there are too many chiral
symmetries in this tongue.
so again... i don't know why poets don't bother
to repeat themselves, on what they first concentrated on,
like the many water lilies by Monet,
or the self-portraits from varying angles...
or how modern fame, in concept, condemned itself
to c.c.t.v. and a brick wall as to how history is
experienced with mainstream Darwinism...
how quickly the guillotine chops the head off,
the finicky base for democratic applause...
and how in 100 years people might wonder:
well, Plato ain't going to be usurped, Plato will be
treated with the same faithful bias
as a blank blackboard, the established norm...
(that's all e.g. to say, it's not necessarily the
acceptance of such a norm) -
we'll still be ushered to normality by starting
from either the bleak big bang, led to an even bleaker
and bigger bonk... or we'll be cavemen admiring viral
infections - and fame and aspiration to attain
it will truly become bleak... for in these days
fame isn't competing for being remembered...
it's competing for being seen, again the c.c.t.v. model...
and given our overexposure to datums (the Oxford
authority is a bit slow to recognise that... well,
unless of course the same meaning can be achieved
with the word data... unnecessarily datii?),
advertisement being only one such source...
and would i consider the self to be an illusion?
i'd consider it on equal footing with π = 3.14159...
a piece of information, not to the fullest extent
a delusion... meaning i wouldn't discredit it completely,
given that so many people fall for it's existence
when plagiarism tempts us to swing with it...
and that there's the private, the public, the showcased
use of it... but it's still so ****** annoying
to have the lazy crew use the northern barbaric
reference to that pronoun and discredit it by treating
it as merely a useful prefix for compounding words
together to express automaton behaviours, and to have
to lie back on the psychoanalytical sofa and have to
deal with the atom of: ego, superego and id...
                                     (neutron, proton           and
the many that that that      / its its its -
the id is actually a scalpel in psychiatry - the cursor or
vector or quiet simply as stated already, scalpel,
incision maker -
                               the superego? also known as moralising
Nietzsche's übermensch - nein! klein Adolf
kann nicht spielen mit du heute);
well... might as well enjoy being trapped in
the stone ages from now on... because in between the cavemen
and ourselves, our contemporaries just called them
idiots (most notably the journalists) -
yep... only idiots separating us from caveman...
i must be double the idiot of wishing to be back
in the Dumas' France, or at the height of the Polish-Lithuanian
Commonwealth, when the Poles, second only to
the Mongols held Moscow.

All conflicts are resolved via coercion, implied or applied,
of the dominant party over the denied (Niebuhr).
Not news at the 2nd St. jail. But the Constitution
provides for moderation, persuasion and elections
as way stations, stopgaps, safe havens before the decision's taken
to go to war. Civil war, daily low intensity warfare is unavoidable
      when
chambers of commerce and large corporations wrestle naked
and who are the 1% controlling 25% of the wealth, name names,
hold a french revolution over it. This space I write from's
safe, comfortable but what about a Taco Bell cashier with 4 kids x 3
      men
who came and went when they found how human her bleeding and
      complaining was, how voluble, not faked.

This obtains when you consider Niebuhr: "That the limitations of the human imagination, the easy subservience of reason to prejudice and passion, and the consequent persistence of irrational egoism, particularly in group behavior, make social conflict an inevitability in human history, probably to its very end." (emphasis mine)

                         respiratory tract infection, hunger pains

Popper drops by: "Their story that democracy is not to last forever is as true, and as little to the point, as the assertion that human reason is not to last forever, since only democracy provides an institutional framework that permits reform without violence, and so the use of reason in political matters. It is clear that this attitude must lead to a rejection of the applicability of science or of reason to the problems of social life - and ultimately to a doctrine of power, of ******* and submission."

                                           split lip, fever blister

Cynical nihilist Niebuhr: "Educators who emphasize the pliability of human nature, social and psychological scientists who dream of 'socializing' man and religious idealists who strive to increase the sense of moral responsibility, can serve a very useful function in society in humanizing individuals within an established social system and in purging the relations of individuals of as much egoism as possible. In dealing with the problems and necessities of radical social change they are almost invariably confusing in their counsels because they are not conscious of the limitations in human nature which finally frustrate their efforts. So persistent are the moralistic illusions about politics in the middle-class world, that any emphasis upon the second point will probably impress the average reader as unduly cynical. In America our contemporary culture is still pretty firmly enmeshed in the illusions and sentimentalities of the Age of Reason."

                                            terror, runny nose

An apoplectic Popper: "And being a typical historicist, he accepts the judgment of history as a moral one; for [Heraclitus] holds that the outcome of war is always just: 'War is the father and king of all things. It proves some to be gods and others to be mere men, turning these into slaves and the former into masters . . . One must know that war is universal, and that justice -- the lawsuit -- is strife, and that all things develop through strife and by necessity.'"

                                 lonely physics, national purpose

Poppa Popper proceeds: "Sweeping historical prophecies are entirely beyond the scope of scientific method. The future depends on ourselves, and we do not depend on any historical necessity. This prophetic wisdom is harmful, the metaphysics of history impede the application of the piecemeal methods of science to the problems of social reform. We may become the makers of our fate when we have ceased to pose as its prophets."

                                    fatal heart attack, fatty acids

Reinhold, while drinking orange juice: "Conflict is inevitable, and in this conflict power must be challenged by power. Since political conflict, at least in times when controversies have not reached the point of crisis, is carried on by the threat, rather than the actual use, of force, it is always easy for the casual or superficial observer to overestimate the moral and rational factors, and to remain oblivious to the covert types of coercion and force which are used in the conflict."

                                          alphabugs, antibiotics

Doc Wheeler runs the 2nd St. jail keeping the High School Dropout
      Prevention Program
breathing. The Sheriff's Dept. provides guards, a metal detector, one
      man with a gun (encased),
door buzzer (in out), sign in sheet, breakfast and lunch. None too
      clean, not too tidy.

Niebuhr goes nuts: "All social cooperation on a larger scale than the most intimate social group requires a measure of coercion. While no state can maintain its unity purely by coercion neither can it preserve itself without coercion. The inability of human beings to transcend their own interests sufficiently to envisage the interests of their fellow men as clearly as they do their own makes force an inevitable part of the process of social cohesion."

                                 3 hots and a cot, circle with a dot

Popper replies: "Instead of aiming and finding what a thing 'really' is, and defining its 'true nature,' science aims at describing how a thing behaves in various circumstances and especially whether there are any regularities in its behavior. It sees in our language, and especially in those of its rules which distinguish properly constructed sentences and inferences from a mere heap of words, the great instrument of scientific description, not as names of essences. To those philosophers who tell him that before having answered the 'what is' question he cannot hope to give an exact answer to any of the 'how' questions, the scientist will reply, if at all, by pointing out that he prefers that modest degree of exactness which he can achieve by his methods to the pretentious muddle which they have achieved by theirs."

            "when making an axe handle, the pattern is not far off"

Niebuhr nods: "The problem which society faces is clearly one of reducing force by increasing the factors which make for a moral and rational adjustment of life to life; of bringing such force as is still necessary under responsibility of the whole of society; of destroying the kind of power which cannot be made socially responsible; and of bringing forces of moral self-restraint to bear upon types of power which can never be brought completely under social control."

       Popper and Niebuhr were married yesterday at the 2nd St. jail
                      under the federal Freedom of Marriage Act

Joanne told me they would be clapped out.
Radio Luxembourg wouldn't play them.
No Glam you see,
frayed collars, Bar room Blues.
But I'm still into Bees make Honey.
Pawned my Zenith Quad-8 for a Seiko LCD Quartz.
Memorised Ashai Pentax's Reason #44. 
Still have the hots for Marisa Berenson's knees.
No censure.