Submit your work, meet writers and drop the ads. Become a member
Amitav Radiance Aug 2014
Absorb the silence around
Know the silence and it messages
Connect with the inner self
At rest is the soul and mind
Moments that reveals the truth
Silence douses the flames of uncertainty
Rendezvous with silence
As silence is there to be deciphered
RAJ NANDY Oct 2014
Dear Friends, kindly read the Foot Notes at the end for
better appreciation. I tried to convey some interesting
information in my verses for my few interested readers!
Thanks, -Raj

THE STORY OF ALPHABETS:
PART ONE

INTRODUCTION
Alphabets are the noblest and the greatest of
inventions of our civilization,
For transmitting human thoughts and concepts
through visible notations!
In the olden days those magical symbols and
signs,
Could be written and understood only by the
priests and scribes !
But with the invention of printing, literacy began
to spread, * (see notes below.)
When people began to read and write with standard
Alphabets!
The 26 English letters with which we read and express
ourselves so easily and well,
Has a legendary and checkered past, and an unique
Story to tell !

FROM PICTOGRAM TO WRITTEN SCRIPTS :
The story of writing can be traced back to over
thousands of years you see ,
From pictogram to ideograms and various cuneiform
scripts!
From the ancient Sumerians and the Egyptians, to
the Semitic tribes;
Up to the Phoenicians, the Greeks, right up to the
Roman times !
Till the Latin script got refined into modern alphabets,
And with 26 letters our literary aspirations were met !

PICTOGRAM & IDEOGRAMS :

Ancient pictogram and symbols were painted and
carved on rock walls and caves, -
But speech sounds and letters remained unrelated !
Followed by the ideographic, logographic, and the
syllabic stages ,
Evolving into written alphabets through these different
phases!
Ideograms expressed an idea through visual or graphic
symbols,
Giving rise to Chinese script without alphabets, but
with only ideographic symbols! @(notes below)
The Sumerian cuneiform and Egyptian hieroglyphs
were the oldest of these,
Let me now tell you something about the Sumerian
script !

CUNEIFORM WRITING :
On that land between the two rivers the Tigris and
the Euphrates,
Which the Greek’s called ‘Mesopotamia’,
Rose the earliest of ancient civilizations called
Sumeria!
Those Sumerians used a stylus, - the head of a
squared-off reed ,
To inscribe wedge shaped angular symbols on
clay tablets - for their accounting needs!
These tablets could be dried in the sun to form
hardened scripts ,
And also recycled if necessary, giving birth to the
Cuneiform Script!
The earliest clay tablets date back to 3500 BC ;
While archeologists and linguists could detect
and see ,
That with modifications over the centuries this
script was also used, -
By the Akkadians , Elamites , the Hittites and the
Uratians ;
And scholars say that it was the forerunner of the
hieroglyphs of those ancient Egyptians!
The earliest clay tablets found in Mesopotamia,
Indicate accounting of barley crops by the Sangu
of Sumeria!
Sangu was the Chief Official of their Holy Temples ,
Who recorded all temple wealth on clay tablets, –
with cuneiform symbols !
Herodotus the Greek historian tells us a story ,
About a letter sent by the Scythians to the Persian King
during the days of Scythian glory!
This letter contained symbols of a bird, a mouse,
a frog, and five arrows;
When translated it read: “Can you fly like a bird, hide
in the ground like a mouse, leap through the swamps
like a frog? If not, do not go to war with us, -
We shall overwhelm you with our arrows!”

EGYPTIAN HIEROGLYPHS :
Hieroglyph comes from a Greek word meaning
‘sacred inscriptions’ ,
Consisting of a large variety of images representing
sounds, as well as ideas and actions !
The images were depicted in rows or columns , -
oriented from right to left ,
And the signs were positioned as if looking towards
the beginning of the text!
They were used from end of Prehistory to 396 AD,
And the last text was written on the walls of the
Temple of Isis, on the Island of Philae !
The oldest one dates back to 3100 BC, - inside the
Temple of Ramesses II at Abydos ,
Where Thoth the ibis-headed God, - patron Deity
of Writing and Scribes is seen ,
Holding a scribal palette in one hand and in the
other a stylus of reed ;
And King Ramesses II holding up a water *** , -
To assist the great Thoth, their Writing God !

HIERATIC, DEMOTIC & COPTIC SCRIPTS :
The hieroglyphics were used for many varied
situations; -
Written on temple walls, statues , tombs , papyrus ,
and as monumental inscriptions !
Through its 3000 year’s long history it developed
into three other written scripts; -
The Hieratic, the Demotic and the Coptic, as
reformed hieroglyphic scripts !
Hieratic script was simplified with a more cursive
form ,
Could be drawn more quickly as over the years it
also reformed !
Though used in administrative and business text ,
Also found its way into literature and religious texts!
Around 600 BC it was supplanted by the most cursive
of all scripts,
Herodotus called it ‘Popular’ so it became a ‘Demotic’
script, meaning 'popular' !
Unlike the Hieratic, which on papyrus with a stylus
and ink was written ,
This 'popular' one could be engraved, and also hand
written, -
On a hard surface, and on papyrus by the ancient
Egyptians !
This script was found in the middle section of the
famous Rosetta Stone, $ = (see notes below)
Which for centuries held the secrets of the Hieroglyphic
Code alone !
And finally, during the 4th century AD, when Egyptian
was written with Greek alphabets,
We arrive at the last stage of the Egyptian language;
Which came to be know as the Coptic Script, with the
adoption of the Greek alphabets.
During the 2nd and 3rd centuries AD , Coptic became
the pre-Christian Egyptian language.
However, after the conquest of Egypt by the Muslims
in 642 AD,
Arabic became the main language of Egypt gradually.

A PAUSE & A BREAK :
It is interesting to note that all these ancient scripts ,
Inscribed on rocks , or written on papyrus or
engraved on wooden strips ;
Were written from right to left, with only consonants ,
Without any punctuations or any break!
Till centuries later, due to the innovative Greeks, -
Vowels got introduced to shape up the Alphabets!
Here friends I pause to take a break .
In my Part Two I shall tell you about those Semitic
Scripts ,
About those seafaring Phoenicians who preceded
the Romans and the Greeks;
Those worthy forefathers of the Latin alphabets ,
Which gave birth to ‘English’ with its Anglo-Saxon-
Germanic roots ,
Happily blending with some French vocabulary, -
Making English as unique as it possibly could !
-by Raj Nandy

FOOT NOTES : -
Friends, I tried to keep it as simple as possible for my readers;
adding Notes as explanations & for all knowledge seekers!
= Johannes Gutenberg in 1440 set up the first Printing Press in
Europe. William Caxton in 1476 set up the first printing press in
Westminster, England, he was the first English retailer of books!
* = Lascaux cave paintings of animals in SW France are 16,000
years old! Similar types also found in Spain and Africa!
= Pictogram date from the earliest cave paintings; represents
concrete nouns. Some civilizations like the North American Indians never
ventured beyond pictogram stage! Ideograms – the next stage, represents an abstract idea and verb also.
The Egyptian word-sign showing image of an Eye +a Bee+ a leaf = meant ‘I Believe’, i.e. Pictogram & Ideogram combined ! Since they did not write verbs, we do not know how they pronounced it!
Logograph = each written sign represents an actual word & Not sound of the word!
A tree is shown by the image of a single tree. A single logogram could be used by a plurality of languages to represent words with similar meanings.
After 3000 yrs of use, a large no. of symbols & the chasm between oral & written script made the Hieroglyphs obsolete!
The Semitic people tried to improvise a better script with limited consonant signs only!
@ = The Chinese use a combination of pictogram & ideograms along with complex symbols, but with only through association of spoken words; instead of alphabets!
$= Rosetta Stone, discovered by the soldiers of Napoleon in 1799 in Rosetta. The hieroglyphics on the stone was inscribed in 196 BC in the Ptolemaic Era. The French scholar Jean Champollion deciphered the script, and thereby solved the mystery of Egyptian Hieroglyphics for the world! .
*
ALL COPY RIGHTS RESERVED BY RAJ NANDY
INFORMATIVE 'FOOT NOTES' HAVE BEEN ADDED JUST AFTER THE VERSE.
Omnis Atrum Aug 2012
Don’t think I’m trying to make or break you spirit
Just giving you a thought from my soul, if you would only hear it,
I can’t fully express (or repress) exactly what it is I think
So I babble incoherently and leave my decision on the brink.
I can’t decide if I should drop my pride and let the words flow
But a fear far worse rises of sad surprises and having to let you go,
So I stand back though I feel you close and I try to leave you be
But I know I can’t conceal or forget the words you’ve said to me.
So let me know (or find a way to show) exactly what I should do
But know as soon as I leave I find myself lost without you,
If you could just see a glimpse or peek for just a second of my mind
And what’s inside then you would know all thoughts for you are kind.
Only protecting (but not correcting) when I think I should step in
Because I’ve been in the same place and I’ve felt that hurt, my friend,
And I don’t want anyone to feel a pain so real, especially not you
Ignoring potential ulterior motives you know every word I say is true.
I swear without err that I couldn’t miss you more when you’re not here
But I’m fighting back fears when you’re holding me near whispering secrets in my ear,
And I’ve told you truly you hold more beauty that all of the stars in the night
Though you show it, I guess you don’t know it, or this knowledge you seem to fight.
(Who could forget her covered in glitter with sweet revenge in her eyes?)
But you’ve got this kid confused and blurry no matter how hard I try
To figure you out, your words still seem like an undecipherable code
That I try to map out and reconstruct in an abstract uneven ode.
I’m not playing, only saying that whether my words seep through or not
That you need not fear, because I’ll be here, my promise I haven’t forgot,
And when it ends, as it inevitably will, and you feel nothing but hurt and pain
I’ll soften my tone, and tell you you’re never alone, and you’re safe in my arms again.

A lifetime of waiting in wonder if you were really true
A trillion seconds of wishing my worries I could subdue,
Countless nights spent praying that you would become real to me
But a moment in your arms and worries are but a distant memory.

I have spent the greater portion of my life searching for a person that has certain distinguishable qualities. I have often been told that my standards were unreachable. I have spent years defining unconditional love, the difference between love and infatuation, and in general what love is. I was not until I met you that I was able to distinguish one emotion from another figure out what I had been missing all along. Since I met you I now know that love is:

When their heartbeat reverberates inside your very soul. When you find the answers to all of the questions of the world inside their eyes. When the only desire that you have is to fulfill all of their desires. When your body trembles at its inability to contain all of the emotions that are trying to burst forth from within you. When their voice sounds sweeter than any angelic melody could ever desire to. When you are dreaming of them and upon waking you try as hard as you can to get back to sleep because you cannot wait until you actually get to see them again. When they are the first thing that you think of in the morning and the last thing that you think about before going to sleep. When you try so hard to conceal how you are lost in bliss when you see them smile. When every touch and caress makes your heart race faster than you thought possible. When you wish you could lose yourself for an eternity in every kiss. When every day spent with them passes by in a moment and you find yourself wishing you were with them again. When your biggest fear is waking up and not finding them next to you. When your greatest desire is to hold them close. When all of the great problems of the world become minor details. When you search constantly for a stronger word because you know that love could not possibly encompass everything that you feel. When you know in your heart that you could drown in a single tear that they cried. When you would give up everything else just to hear them say "I love you" and know that they meant it. When you know that there is no one else in the world more beautiful than the person you hold dear. When you cannot help but smile when you think back on the memories you have made.  When you plan out every moment of that special day just so it will be as memorable as possible to them. When the only reason that you have left to fear death is that you would be without them. When you know that to hurt them would be the greatest crime that you could ever commit. When you realize that these words do not do justice to the meaning behind them.

Yet…even though those words cannot fully express how I truly feel…I still use them for lack of a way to show you to a further extent.

I love you. I love your kisses. Your smile. When you tell me that all that matters is us. That the rest of the world could fall apart and as long as we have each other that we'll be fine. That little thing you do when you think no one is looking. The way you lay there and stare at me for hours on end. Not needing to say anything. The way you smile because you know that it makes me happy, even if you don't want to. The way you call me just to see what I’m up to...even if you already know. The way you act surprised even if I’ve ******* up and you already know what's going to happen. The way that you look so innocent when you lay there sleeping. The way you laugh at me when I’m acting ******* just so I won't feel bad. That look you give me. The way that we argue about who loves who more. The stupid things we do when we're bored. The way that you make me feel complete. The way you hold me so tightly. The way you make me feel like I’m the one protecting you instead of the other way around. How it seems like I’m not alone when you're here. How you pour out your soul because you know I won't ever use any of it against you. The love you give, the hope you continue, the happiness you sustain.

A thousand thoughts of you are but a sand in time
but those thoughts of you are always in my mind,
Swirling slowly, completely through, even to my soul
and these fragments of thoughts of you are what makes me whole.
I piece them all together as hard as it may be
so I can remember every moment since you said yes to me,
And as I get lost in these memories deep in my heart’s core
I think in bliss of how in time there will be so many more.
I piece my life together like a puzzle full of truth
but the puzzle now can make no sense without the thought of you,
The only time I’m more confused is when I’m lost within your eyes
Because I’m lost within the one that I love to be beside.
I have eternal comfort when I’m holding you tight
But even that eternity must end when I let you go at night,
And even though I leave alone, I leave with a smile
Because I know before I see you again, it will only be a while.
The happiness you’ve brought to me this poem cannot explain
Because even now I can’t tell you how much I’ve gained,
Ever since that night when you said that you’d be mine
So I just wanted to let you know that I have the best valentine.

puzzles are easily put together, codes are easily deciphered, riddles are easily solved, questions are easily answered. the things created by the mind of man can be easily solved by the mind of man. it is only the questions that words cannot be found for that cannot be answered.

if a heart could cry out in an audible tone then i am afraid that i would go deaf from the constant murmur that would be produced from the depths of my chest. if love was an object i am afraid that i would tuck mine away forever so that such an irreplacable treasure would not become worn with time. if time could stop itself i am afraid where i would be found when it did so. if sleep could lash out and attack me for ignoring it for so long i am afraid that it would never cease its assault. if errors made were corporeal then i am afraid that i would lock them away forever in an inescapable prison to never be seen again. if my apologies grew limbs i am afraid they would die from exhaustion from constantly running from my heart to your ears. if my desire could be contained i am afraid no container would be found capable of storing such a great mass. if it was possible for me to find that which i seek i am afraid that it would dissolve and leave me without the one that none can replace. if i could tell you everything that i feel i am afraid that you would think me truly mad. if all my fears dissolved i am afraid that i would have nothing left to run from and would be found standing still. if i should be found standing still i am afraid that i would give all i have to give. and if i gave my all i am afraid that it would all be for nought and i would be found where i once was, without...

my father recently told me that i run from everything. i follow some "run and gun" pattern as he described it. he does not know how right he truly was. i could not explain it to him just as much as i cannot fully explain it to myself. but to put it simply...i fear. i fear love because i fear that it will always end as it has in the past. i fear confrontation because in the end someone always ends up hurt. i fear sleep because i cannot control the dreams that are created by my own mind. i fear hope because i am afraid that i will be disappointed. i fear my emotions because i am afraid that they will become greater than what i can control. i fear closeness because distance will inevitably set in. i fear looking into your eyes because you may see how i truly feel. that you may feel sympathy, that you may look down on me for admitting what is known to be true but never stated, that you will see how much you have helped me through what i could not do on my own, that you will see through my eyes and into my soul and be overwhelmed.

and though i fear many things, and though because i cannot often be found because i run from all those things which i do fear, there are some things that i have never feared and i doubt i ever shall. i have never feared your voice. i have never feared being with you. i have never feared losing what we have developed through the years. i have never feared that anything will ever come between us. i have never feared that the love i feel for you should ever subside. i have always given you my heart in whole because there is no fear that you will ever break it. and though i know that i have never nor will ever find a greater friend than you i do not fear that i should ever have to search for another. in a poem that i once wrote to you the words "all i have ever wanted, but more than i could ask for" still stand true. you mean the world to me. and if you were not here i have no idea where i would be right now. i just wanted to thank you for being there for me through everything that i've gone through. you have brought light to a once dim heart. you are the only proof that i need that there are those out there deserving all that i have.

these words mean nothing without the meaning behind them.

smile love, just smile. i will make you the happiest woman in the world. i will give you everything that you've ever wanted. i will make you forget the entities of sadness and regret. i will love you and you will love me, i'll make you lose yourself in the everlasting bliss, never leave you without a smile. i'll leave you wondering how you lived your life before now. he will fill your head with empty promises...

in time i have come to learn that love is a many faceted colossus. and depending on the angle of approach and point of view you can see many different things in it. that is why most people view love in different ways. it's not that their love is less true, it's just they have been one of the unfortunates that has been led to view love from the wrong perspective. finding love is easy if you approach it from one of the more easily accessible viewpoints. but if you work at it hard enough you can gain a vantage point that shows you the true beauty of love. the whole of this gargantuan emotional construct will be within your heart and mind. and once you have conquered the understanding of this which some might call an obstacle you can share what you have learned and teach those who were so unfortunate to not achieve what you have achieved. because although each facet complicates the next, and every love is different, is the goal not always the same? to extend your boundaries of happiness with another past what you could accomplish by yourself.

...and when you are left unhearted wondering why this love has collapsed upon itself. i will simply tell you that you saw love as a simple emotion when it was really a complicated goliath. and as you cannot build wonders out of empty boxes, you cannot build love with nothing but empty promises.

and there was a man. the frigid chill of winter blew behind him pushed him forward into the warm embrace that stood before him. and he knew that never again would he be able to turn around and face the cold void that he had left behind. he would never be able to follow the trail of frozen tears to find what he had once called his own on the other side of the blizzard. once he had found his way out of the storm he knew that he would never again have to feel such pain, such numbness. but the warm embrace that held him now made him forget all of those things. because that from which he came was so cold the warmness he now felt was euphoric. it lit a spark in his eye and caused him to glow. and of this fact alone he is forever grateful.

All i want is to be with you
but i don't know how to let you know,
if somehow you found out and knew
all my worries and fears would go.
If the wind would whisper in your ear
this secret that i'm forced to keep,
and all of it you could hear
so much pressure would be lifted off of me.
My unease to tell has filled me with disbelief
usually it is so easy for me to throw it all way,
but your friendship I do want to keep
and I can't find the way to tell you today.
I can't just let go like times before
there's something about you that makes me care,
I feel like this is something more
but with you this secret i can't share.
maybe i'm afraid you might shy away
or I'll just ***** everything up again,
but if i ever found out that you would stay
I'd break down and tell you right then.
All I want is to be with you
but I don't know how to let you know,
If somehow you found out and knew
new fears would come when the old ones go.

when you lay there staring up at me i realize
that i can almost see your soul through your eyes,
i can see all your desires that i'm trying to ignore
because i'm so afraid you'll say "don't hold me anymore".
the love i feel for you will surely outlast the world
but in this love there is no lust even as our bodies were curled,
i  just want to hold you and know that you are near
to move any further than this would again spark the fear.
my mind was running in circles as we laid there so long
so confused, so petrified, so afraid to do something wrong,
but even though these feelings were welling up inside of me
every time you smiled i felt nothing but relief.
knowing that you were there sheltered me from all that i hide
and hearing "i love you too" makes me forget what i've been denied,
makes me forget all but the wholeness that i feel when i'm with you
so whole because i know and feel that every word you say is true.
So here's to a friend that i know i never will forget
and not letting love and closeness turn into regret,
here's to the emotions for her that i can no longer store
she's everything i've ever wanted, but more than i could ask for.

Yesterday I knew the answers to all the problems on my mind
as you layed there trying to keep from falling asleep,
I found myself looking forward and not behind
and sharing these secrets i thought i would always keep.
But I must have stirred too much or breathed too hard
because your eyes slowly opened up again
and i knew the feelings i felt i no longer had to disregard
as you, as if lost in dream, looked into my eyes, my friend.
You sitting there so beautiful, a smile crossed your face
I knew there was no concealing the smile on my own
in this complete comfort that i know i can't replace
no mat
To me eternity lies in thy eyes,
and thy rejection my demise.
If so but accept and heal me likewise;
whilst shun and stab my sore heart, otherwise.
Thou hath always been to me a surprise;
Though a doubtful, but sparkling surprise,
So any dejection of thine shall be odd,
And a thousand times bitterer than a cold rapid retort;
For thou art pure; and sometimes too pure and fine
As how thy immortal soul stayest still, and growest not old
And in toughness and roughness is to remain,
So long as thy dried flesh shall age, and afford;
And with such songs so prolific as prayers
By friendly laudations like bewitching storms
Thou shall forever stay, and newer grow fader
And in such coldness thou shall offer me warmth;
Beside yon raging fire, and about thy manly arms,
Thou shalt but lull and cradle me like a baby-
until sleep comes and whispers dreams onto me,
Thou shalt be far more tender and smart-
Unlike that ungrateful preceding heart,
Which claimed to be civil, but uncivil,
United but then left my unsuspecting heart apart;
So unlike thee, who is but a smart little devil
Thou who earnestly tempted my soul, and lured my blood
Thou returned my blushes, and caught away my heart
Ah, and now-whenever I thinkest of thee,
All pain and gloom shall revert to oneness,
But how still I know not, as whose days remain but a mystery
For everything in which is at times barren and colourless;
But when alive, they are just as simple
as those brief dreams of thine and mine,
With a love but too sufficient, majestic and ample
Delicately shall they turn troubled and unseen,
But caring and healing and blinding and shaking,
taking turns like oceanic birds which go about
swimming and singing and strumming and swinging,
like a painting of prettily sure clarity-but unseen,
or perhaps a pair of loving, yet unforgettable winds.

To thee whom I once loved, and now still do,
To thee towards whom my hardened heart-again, turns soft,
To thee whom my delirium is all kept safe and true,
To thee for whom I canst feel never reproach-and only love,
And to thee-ah, to thee, thee only-by whom
the grandeur of the blue sky shalt melt;
Ah, thee! And betwixt thy gaze,
All fictitious sunsets shalt perhaps become wet-
Just like those azure spirits in thy fair eyes,
Sometimes too indignant but unquestioning,
and too pure-as to whom even the Devil hath no lies;
To thee only, to whom this enduring love is ever assigned,
And forever, even its temptation be mine, and only mine,
Like unforgivable sins, which are sadly left unatoned
In its eternity standing still like a statue;
beside its wrathed, and bloodied howling stone
And to thee merely, to whom this impaired heart shall ever return,
As it now does, with cries and blows that makest my heart churn
And canst wait not 'till the morn, for on morns only,
thou shalt creepest down the stairs, and stareth onto me,
Often with eyes full of questions;
Questions that thou art too bashful to reflect,
So that turn themselves later on, into emotions,
Which withereth and dieth days after, of doom and neglect.
Ah, but still I loveth thee!
For this regret makest me but loveth thee more and more,
and urge my soul greater, to loveth thee better-than ever before.
For 'tis thee who yet stills my cry, and silences my wrath;
The one who kills my death, and reawakens my breath.
Thou on whom my love shall be delightfully poured,
A love as amiable as the one I hold for dearest Lord,
A love for thee, for only thee in whom I'th found comfort,
A comfort that is holier than any heaven, or even His very own divine abode;
Thou art holier than the untouched swaying grass outside,
Which is green, with greenness so handy and indulgent to every sight,
Thou who art madder than madness itself,
But upon Friday eves, makest my joy even merrier,
And far livelier-than any flailing droplet of rain
Showering this earth's clustered soil out there,
Which does neither soften nor flit away my pain
But makest it even worse, as if God Himself shan't solicit, nor care
Like any other hostile love, which thou might kindly find, every where.

To thee whom I once loved, and now still do,
To thee towards whom my hardened heart-again, turns soft,
To thee whom my delirium is all kept safe and true,
To thee for whom I canst feel never reproach-and only love,
And to thee-ah, to thee, thee only-by whom
the grandeur of the blue sky shalt melt;
In my mind thou art the lost eternity itself,
And by its proud self, thou art still even grander,
For thou makest silence not any more silence,
but joy, in return, even a greater joy.
Ah, thee, thou who the painter of my day,
and the writer of my blooming night.
Thou who art the poet of my past,
and the words of my courteous present.
Thou shall ******* flirty orange blossoms,
And cherish its virtue, which strives and lives
As a most sumptuous, and palpable gift-
Until the knocking of this year's gentle autumn.
Ah! Virtue, virtue, o virtue-whose soul always be
a charm, and indeed a very generous charm-
to my harmonious, though melancholy, *****.
Ah, thee; o lost darling-my lost darling of all awesome day and night,
My lost darling before starlight, and upon the pallid moonlight,
My lost darling above the reach of my sight, and height;
Thou art still a song-to my now tuneless leaves,
and a melody to their bottomless graves,
Thou shalt be a cure to their ill harmony;
Thou art their long-betrayed melody.
And even, thou art the spring
my dying flowers needst to taste,
fpr being with thee produces no haste;
and or whom nothing is neither early, nor late;
And whenst there be no fate, thou shalt be
yon ever consuming fate itself-
And by our inane eyes, thou shalt makest it
but adorable and all the way strong,
For thou, as thou now do, nurture it better
than all the other graciousness among;
Thou art the promise it hath hitherto liked; but just
shyly-and justly refuted, for the bareness of pride,
and often inglorious resistance-all along.

To thee whom I once loved, and now still do,
To thee towards whom my hardened heart-again, turns soft,
To thee whom my delirium is all kept safe and true,
To thee for whom I canst feel never reproach-and only love,
And to thee-ah, to thee, thee only-by whom
the grandeur of the blue sky shalt melt;
Ah, thee! Even in undurable haste, thou art still like a butterfly,
fast and rapid flowing about the earth and into the sky;
Thou who art grateful not for this earth's soil;
Thou who saith 'tis only the sky that canst make thou feel.
Thou who cannot sit, thou cannot lay,
but on whose lanes thou always art secure,
as though from now thou shalt live too long
And belong to this rigorous earth
to whom our mortal souls do not belong.
And as to its vigour, death cannot be delayed,
and words of deadness shalt fast always, be said.
Ah, yet but again, I cannot simply be wrong;
for thou art immortal, immortal, and immortal;
To death thou art but too insipid and loyal;
that willing it not be, to take thy soul into its mourning,
and awkward prayers so scornful and worrying.
Thou who needst not be afraid of death;
for breath shalt never leave thee, and thou shan't breath.
Unsaid poems of thine are thus never to remaineth unspoken,
and far more and more thoughts shalt be perfectly carved, and uttered;
Unlike mine; whose several mortal thoughts shalt be silenced, and unknown
And after years passed my name shalt be forgotten, and my poems altered.
But thou! By any earth, and any of its due shape-thou shalt never be defaced,
and whose thoughts shalt never, even only once-be rephrased,
for thou art immortal, and for decades undying shalt be so;
And to life thou remaineth shalt remain chaste, and undetached;
as the divine wholeness whenst 'tis all slumped and wretched,
and white in unsoiled finery, whenst all goes to dirt and waste;
For grossness shalt escape thee, and stains couldst still, not thee fetch.
To every purity thou shalt thus be the best young match;
Ah, just like my mind shalt ever want thee to be;
but thou art missing from my sight-ah, as thou art not here!
Our paths are far whenst they are but near,
and which fact fillest me still, with dawning dread and fear
Unfortunately, as in this poem, my words not every heart shalt hear;
And to my writings doth I ever patiently retreat, the one,
and one only; whom to my conscience so dear.

To thee whom I once loved, and now still do,
To thee towards whom my hardened heart-again, turns soft,
To thee whom my delirium is all kept safe and true,
To thee for whom I canst feel never reproach-and only love,
And just to thee-ah, to thee, thee only-by whom
the grandeur of the blue sky shalt melt;
How fate but still made us here and meet,
That clue shall never makest me blind, and forget!
Now blighted I am, by dire ungladness and regret,
for having abhorred, and slighting thee too much!
For should I still cherish thee before my mortal death,
and be bitter and testy not; much less grim or harsh.
For fate is what fate is, as how love is just it looks;
and God's doings cannot be wrong; and true and faithful
as words I found crafted, and deciphered in old books.
Ah, and God's blessings are to arriveth in time,
and to taste whose due I indeed needst to be patient.
Be patient t'wards the love on which I climb,
ah, as for me-and whenst the right time cometh-
thou shalt be my sole wealth; so dear and sufficient!
And so for thee, no matter how thou hath my heart now torn,
Still I canst, and shalt reward thee not-with scorn;
for thou art my fate, my path, and my salved destiny;
For of which I am assured, definite, and convinced-
with all my degrees of humble pride, and vivid certainty-
Ah, darling, and thou art my humbleness, but also too many a time-my vanity;
For whom I shan't go and venture but anywhere-
As long as thou stayest and last-verily and for yon whole eternity, by me.
Eleanor Sinclair Dec 2014
Eyes on the clock
Tick toc tick toc
Sipping a cup of coffee
Darker than the sky
Rain sliding down the windows
Pitter patter pitter patter
Watching people come in and out
Sitting at the table
"Order up!
Two Vanilla Blonde Roast Coffee's!"
Yelled a man,
But all I could hear was the music
Chiming around the room
And bouncing off the walls
Multiple conversations
I sat there
In that room
Writing stories
And Tales
Like no other had done
Such where the hero was the villain
Stories that could only be deciphered
By those who have felt the pain
Of the lonesome characters
That these stories depicted
Anand Prakasque Jan 2016
-a mind is well deciphered in silence as same as fingers decipher wetness of a ****.-

- how silently, silence enters my mind as same as his hand enters a wet ***** covering a pulsating **** -
this is a simile, both are truth but the ****** aspect is less touched while talks. indeed it'll be always.
Mateuš Conrad Feb 2017
anyone can be a dritte ***** fetishist... anyone! say one word in german, and the left will deem you adequate for a fist, rather than a lip... or at least that's how speaking german words, with their compound-anti-hyphen "getting together" looks like... the French utilise diacritical marks intended as syllable incissors: but frequently utilise them, unless you're Lacan and say: transcend them... i.e. move them to the side... ensuring that a monopoly on literacy is kept... the only remnants of Saxon in Anglo-Saxon is enclosed in chemical nouns.... the rarity of actually using a hyphen, you literally over-use in everyday sprechen... talk a word of deutsche and you're 1 centimetre away from saluting and to a hymn stating a sieg heil! Germany is originally community building, English, for all it's **** antics, isn't... Germany can have the concept of a zeitgeist tomorrow... German society is as thick as *****... Germans best represent *****... i never lived there, but i have enough instruments to see it... they have a tendency to disregard the individual when the mass is threatened... the Englsih? they don't have that tendecy... they are more into einsgeist than anything else... they are the single ethnic group that cherishes iconoclasm above anything else... i spent 3 weeks in Poland: how many times did i hear the word selfie used? not once, zilch... 0. i know that English is a lingua franca of modern times, but it's so easy to speak, given the fact that so many people speak, that i feel horrid using it... i want it to remain small, the tinniest of tiny in its post-imperial structure... comedy-hysterics prone... debating the question: why are Scots in the Houses of Westminster? making adequate demands? the English will never experience a zeitgiest... they're living in one at the moment, but given the disparity of accents: they''ll never accept it... which is why, whenever i travel to Poland, i have a luxury suite in how i deciphered diacritcal marks... i can't be recognised as a foreigner... but of course the gnat questions in Essex (England) given my Germanic physiogomy... it's self-evident... but why didn't god die in Auschwitz? i believe it to be akin to Jesus having no inkling into the struggle contesting the need to build pyramids... unlike the need for what later became a misinterpretations of Conquistadors seeing the Aztec similitude of Egypt... i.e. the scaffolds... capital punishment... ******* didn't get it... now the entire continent is overrun with them asking for the some obscure demand for a Juan buying them the next round of drinks... the English will never create a zeitgeist... my fascination with the dritte ***** is simply that: to see a zeitgeist... a complete and utter obedient ethnicity... a singular testmanet of a volk... Jews i too could praise, but they're too scattered, too "english" i.e. too individualistic, too disguised... i see them re-owning Israel a bit like some fetish ***** with latex and gimp... what i want to see is the volk, from the mistakes sentenced in Versailles... i want to simply see the volk... well... no can do... i can't see it, history says... it's a natural fetish of history students... American protests don't really do it for me... there's no omni-cohesion akin to a *****-like appropriation of the leader *****... that's the closest i'll ever get with getting to see a theocracy, minus the idiosyncratic psychosis... clear geometry! lines! shapes! regiments! i'm so tempted by it that i can't but lead my narrative with it! the English will never understand this concept... they're too idiosyncratic in their approach... they all think they're unique... or as that motto in school hanged over me echoed, it hanged there in the air like a guillotine, some anonymous dictator spoke to us: you're different... just like everybody else! it was never a concern for keeping a place of origin as ostriches might... ther was always that moral "obligation" surfacing from Hong Kong and king kong... and Timbuktu... which is why i said ω = oo and a pair of ****, or a bottom... and o = +h... or a breath central yielding to an islam of yhwh... versus the need for a macron over the omicron... and indeed the umlaut above the o merely invoked the siamese cut-off of e, so a tongue-curler... but the seeing the volk! we all go mad after a while... i can't see the years according to Adoolf as something worth a romance... it has all the traits of a noumenon about it... but you know why i write this? my grandfather remembers ᛋᛋ-men kleiden im schwarz in my home-town, just before the Russian army came with their youths who preferred to sleep with the animals in equivalent of Bethlehem grottos... he remembered the ᛋᛋ-men, not as kleiden im schwarz: but as.... herrbittebonbon... or should i punctuate that: herr! bitte bonbon! some have a fancy on remembering the romance of the Warsaw Uprising of '44... my only clue into the reality of world war ii was once said by my grandfather... and they gave him sweets... so that he ran home and had to put his hands under the tap, because the sweets were so glue-like, that only water could tear them apart in order that he might clasp something else... it's sad in a way: i ahve no memorial to go to... no need to express a pride... merely fragrant my vocab with a german word or two... to indeed see: that there must have been something human in that ******* embryo at some point... something counter Versailles... i can't feel being touchy about these neurotic spreading their opinions as if their opinions are above the facts that history dictates... and personal memories, however many generations apart... but at least kept... if my grandfather remembers ᛋᛋ-men being herrbittebonbon... i can only wish to have an unlimited amount of ****... given my libido... and the complexity of modern women demanding as they demand: the restrained man, the man not willing to explore easing ******* by having *** while she's in the cyclone... oh well.... thumbs up!

well... looking at it now, i can only see left-politics
without an economic model... or what happened when
communsim was undermined: my grandfather,
a communist party member has a state pension....
so it's not like he's on a 0-hour contract...
   what's missing with the current left-leaning
politics? an economic model...
the left has no economic policy in the west...
it was been weeded out, what with the original
model asserting Marx and Dickens' Oliver Twist
tragedy... the left has absolutely no
economic model, which makes for crude politics:
   once upon a time the workers
in eastern europe celebrated workers
day... and you had absolutely
no protest: i.e. not engagement in
Hegelian dialectics...
    minus: is there really a theological
dialectic? i'm not so sure
given that atheism is populist
in motto, and anti-centrist
and giving up the individual so easily...
i don't trust it...
       so i don't really
respect it, however many intellectuals
take to the pulpit...
   i too ordain myself with a strict rigour
of "religious" akin dynamics:
i drink to excess, daily...
   well... wouldn't you:
given too many wanted you dead...
you'd start to imitate them
and take gambles at your own life,
finally! **** me! they suddenly disappear,
those same people who wanted you dead!
****! gone... blah blah and pa pa much
later...
                i still think i'm more useful
rhyming snipptes i call poetry
and necessarily not rhyme: because i don't
like orthodoxy, whether church or
poetry bound... because it just seems
too much like ping-pong after a while...
   i never knew why rhyme needed rubric, strict,
only identifiable by rhyme...
  never knew why that was the case...
i always thought: impromptu against rhyme...
                  but i'll give Islam
one thing that overpowers the rest...
the fact that "saints'" heads are on fire...
rather than encapsulated in halos...
       i see the item: halo like
the fact that left politics is needy in a care for
anything but a rebellion against an economy...
left-wing politics have no economy to support...
you can't teach people communism
     without being left out in the cold
without Marshall Plan antics of benefits
and left with an idea of Marx...
            the shadow of Hegel looms too heavily
over the attempts...
  the shadow of Hegel is too thick
and coercing... to do otherwise...
                 leftist politics is without an economy:
therefore they have to imitate
  far-right tendencies...
  they have to employ damage...
well: this is coming from someone who's grandfather
was a communist party member...
                        i can't see the left....
i can't see a purpose: an economy as a wanking
hippy commune? really? is that all?
                     smashed windows, is that all?
i always liked the fact that Islamic saints
had their heads set alight... on fire my son,
on fire...
   no halo, akin to the current leftist attempt
at dialectics: by halo i mean: membrane,
i mean: the untouchables... meaning pristine ego...
if only the Sunnis allowed the artists of Persia
to come to their calling, to ease the strain
imposed by Muhammad...
but now... well: if writing is supposedly "holy"
what will the Sunnis ever make
of the iconoclasm of words in adverts?
nothing... are we being temped with a warring spirit,
are we? aren't we?!
   who's waking up the populists?!
you really want germans on the warring path?
of course... let me tell you how *william burroughs

noted the creation of the schutzstaffel
as over-heard:
pet a kitten for month... then gauge its eyes out.
oh i have no care for a romance:
i'm seeing Paris contained in an envelope
citing the address: Hades... arise!
it's not the same Paris i remember, not the Paris
of 2004 or 2005...
       it's really a case of playing with
    an elastic band.... you pull it, stretch it...
but finally it snaps! and yes...
we'll be drinking schnapps in Libya at some point...
i'm thinking: what will ever make a man
relieve himself of using a hammer and a nail
as a carpenter, and take to a machine gun?
there must be an enzyme-point that just festers
in its ability to give momentum...
there must be... perhaps when being global merchants
leaves people too ordained to wait for death
that they start seeking it in the ***** of Mars?
   when utopia nears and merely breathes into
man's ear, and says no word, unlike a god:
that the fatality dynamo begins...
    akin to the fateful comparison of Damocles -
dangling, but at the same time: tickling... teasing...
isn't the Islamic world merely agitating?
  trying to move the Christian world from
fully engrossing the "protestant"-liberal
easy adaptation working from unearthing
the nag hammadi library?
              well... the left is without an economic
model... so it's politics is what it is:
    the original intention of Hegel:
        outlines of the philosophy of right -
what's the genesis of Marx... funny enough
the book is merely a collection of notes on lectures...
      there no thesis involved...
nothing as grand as what could stand alone
akin to the phenomenology of spirit -
they're just notes... just like i'm reading heidegger's
ponderings ii - vi... notes... half-baked scripts...
   so my post-communist inheritence...
just when inflation gripped Polish economy...
and we had the Kantian idea reaching pulpit
1000000zł, i.e. so many denials of a stable 1...
    thus the inner working of modern capitalism...
how certain things are really worth
nothing, as such: £0.000001 -
i can only guess to state, the only class of people
able to experience this counter-inflation    
in western societies are "artists"...
    or artists, in the context of a harold norse
autobiography: memoirs of a ******* angel;
i.e. getting published, giving ****...      
   it would have been easier under Stalin or ******...
at least the chance of martydom
and the holy ghost of censorship...
  at least it would have made sense then...
but the concept of counter-inflation isn't that alien...
it exists for a reason to suggest:
we really don't need so many contestants
in an x-factor show... we don't need so many
artists... counter-inflation is at work already...
   the same sort of inflation that worked its way
to ensure plumbers and carpenters, roofers
from eastern europe at the end of communism
were necessarily exported into western europe...
given the communist work ethic...
    hence the power of money, so inhuman and
akin to an elemental force that man
can contain with pocket-money as a child,
but as a man, can't contain neither forest fire
or tsunami, so too money: with the economic crisis...
money overpowers man, akin to the elements...
the same inflation in poland at work
to shift people is apparent now, but as counter-inflation...
because England can't be known as a nation
of singers... but of nurses and carpenters and
   shopkeepers, hence the counter-inflation:
when a song on Spotify is worth £0.000001 per streaming...
an immigrant plumber from eastern europe is
worth 1000000zł... or how the coordinate (0, 0)
cancels out... and we're left with what's later just
a pedantic fact stated by someone like me: a zzzzzzzz
coordinate...
            we can't control money no more than
we can control seas...
   could we ever not dream of being given enough
money to then not waste them on pointless urges
akin to a lottery win and the easy way, via no
business or syndicate?
   really? there's a reason we live in a time
that's necessarily soulless...
   i can't give it a piquant phrase (only a phrase
as germans put it, chemically, hydrocarbon spelling
akin to zeitgeist - spirit of the times,
and there's nothing holy about it...
   it just moves to the next generation,
and the next poker hand... so **** that trinity
um... person?) - it gets ***** with fashion...
   or as i see it: cannibalism of 20th century trends
as the neo-original basis of fashion in the 21st beginning...
this is the one time i'll get to coin a phrase,
i.e. pick up a penny from the street pavement...
   counter-inflation brought it about...
rather than a zeitgeist where we can share afflictions
and, perhaps succumb to empathy early on...
nein... none of that... let's see what we really see it as:
ebenegeist - or? the levelling spirit...
         ebene-    (level)... ah... even better!
   stufegeist... you hear it all the time!
                         buying a house and getting onto
the property ladder!
                                    stufegeist -
           always that tease, always that ******* carrot
and that donkey... well... that's one way to get
motivational... invert the inflation of Zimbabwe...
  ensure people stop dreaming,
   make a plumber worth £0.000001 in Zimbabwe
and £1000000 in England...
      likewise make an "artist" worth
   £0.000001 per poem / song / painting...
  and likewise make him worth £1000000
in Zimbabwe as a "good" person...
  well... by now completely mentally ill...
   but hey! it's money! look at money like you might
look at water or fire or earth... and it's not
exactly a Monday's edition of the Financial Times...
mind you: given that we're so "advanced",
and given how old the concept of money is...
   is it really not as primitive as it really is
in what it makes people do?
   oh sure, because i'm so not used to it:
i'd rather be paid with the currency of peanuts!
                but then my love for the art is greater
than my ability to buy a brand new kettle...
or a doormat... so... what's the word... m'eh?
Catherine Paige Aug 2011
when you hear my words
when you decipher their intention
i wonder what tools you use
i wonder what you will make of me

i hope your eyes see through the same lens
i hope your soul breeds like mine
that my intentions would scare you
that my intentions, in that way, hurt me

worried that my expression are never really mine
worried that once outwardly deciphered they become inwardly lost
though our language is the same our definitions never are
though my hopes remain the same your intentions never change
Written on August 15, 2011
A-nonymous Nov 2011
Doldrums stuck mind wafting lifelessly in time
Vigiling on what went wrong and was what I did right

Virulent thought’s had left me in reticence
With a wistful face I sat
Her bellowing pulchritude her mellowing soul
Her gleeful eyes her mirthful tone
A face more per fulgent then a thousand glow worms

Time slumbering though; Over turning sand clocks
Slowly perspiration leads to aspiration of love being deplumed

Affectations of love, Affectation of lovers
The infallibility of love, Inane for some profound for others

Smitten by the flaming arrows
Golden years golden times
Soon taking the color of a withered leaf

I have deciphered life, i have deciphered self
I have deciphered everything from rainbow to elf

But no wind so great to create the music in the pipes
It’s the love that comes through
So tell me how came it not come true for you too…



p.s
written on a sleepless night  ... pensive and lustfull
Amitav Radiance Apr 2015
Seek solace in solitude
There’s a world of silence
Mirrors the inner beauty
A reflective mind ponders
Enwrapped in the echoes
The mantra of eternal truth
Soul elevated to a stage
Sweet harmony of realization
Hymns of pure ecstasy
Pours through the ears as honey
Sweetening the existence
Shimmering light is kindled
An unusual radiance enthralls
Meanings of life deciphered
Gifted with moments of bliss
Adil Zaidi Mar 2015
Neither in the vividness of the arches of a cathedral,
Nor in the dangling bells and echoing rituals of a temple,
Neither on the holiest banks of Nile or Ganges,
Nor among the peaks of the grandest Mountain,

There is no augury, there is no God, is there no God? And if there is,

Why are the eyes of lives haunted by the cruel dreams of disbelief?
Why is banishment tangled around the feet of a truth seeker?
Why the perverse thoughts and deeds ruling the Mankind?
Why the pious body and mind are today full of grief?

If there’s God, Why is this sea of cold blood on a high tide?
If there’s God, Why are the innocent lives being wasted?
If there’s God, Why are the good being handcuffed?
If there’s God, Why the darkness is today the source of light?

The slaps of violence on the face of peace is a sign of doom,
If there’s no God, then these drops of bloods cry for whom?

But GOD is that moment which is beyond knowledge and wit,

That one cipher which has taken centuries and yet not deciphered,
That one point of thought where the minds seize to think,
That one decision which stops a man from giving up,
That one drop of tear from the eyes of an Oppressed,

That one source of energy which makes us to take a stand,
That one voice of truth which demolishes the works of lie,
That one smile of innocence which equals a million shouts,
That one silver lining which makes us believe in ourselves,

Calls Aloud and makes us believe, that there is A GOD,
And He’s Everywhere, With everyone, and Will always be.
Unrhymed, unrhythmical, the chatter goes:
Yet no one hears his own remarks as prose.

Beneath each topic tunelessly discussed
The ground-bass is reciprocal mistrust.

The names in fashion shuttling to and fro
Yield, when deciphered, messages of woe.

You cannot read me like an open book.
I'm more myself than you will ever look.

Will no one listen to my little song?

Perhaps I shan't be with you very long.

A howl for recognition, shrill with fear,
Shakes the jam-packed apartment, but each ear
Is listening to its hearing, so none hear.

— The End —