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Mateuš Conrad Mar 2017
too many youtube punctuation akins before my voice comes through, like: hi! i'm child-minding chalrie! ola! oo! advert gives a ****?! you see that? advert gives a toss! well... ola! original lost to marsh potatoes mash.

like i was led by a solomonic harem:

we're buggered;

   to be honest.... hugh grant could have
said that better, and, would have facied him...
if he made that one film from my youth
about a damsel in distress... and the return
of charles II to england... the thing adam and the ants
imitated: highwayman no robin hood...
clean shaven like a daffodil in early spring frost
for the eye to peer into...

as it turns out, you write one great piece of work
and everyone applauses...
you write a thousand symphonies,
and everyone turns flame-eyed and forgets
your one spectacular moment, which
you take into hades and wish to forget given
the total output, when they mention that it
was all great, but so comes cousin critic and you
know that most of it was... a bit ****...
               and because of that:
they tend to do better... they?
   the ones that hit the banknote of a one song
wonder... and then receded into life,
and debated with gay peerage in some restaurant
akin to bridet jones' diary scenario,
and oh my oh my: the palpitations necessary
like make-up... i can almost see flamingos take to ballet!

and then it's back to *quack quack quack

of promenades in the park watching mallards...
  
original jealosy fades.... no, nothing else,
it just fades... which can feel a bit weird,
basically it, just, fades - i take to foot what people
take to: speeding down the a408 thinking
about tax; well yeah, i tax my feet with a mile, or two,
sometimes i take to the mile or two
with a different pair of shoe.
                                   you a rhyming rhino too?
              
you write pachebel's canon,
you're going to compete with haydn's 103
symphony...
similar to a question: how many eggs am i
carrying in my basket?

dear reader, like i child i never fathered,
or like a dog i never petted,
          or should i simply aim at: dear ego?
what unit i had and never thought with,
never mind the thought of?

the fact that you can't cry, is the reason
that you are depressed,
that's another statement that's worthwhile,
stating apathy as a misery
without tears
, the original melan- -choly...

listen, i don't care because i don't want to,
  i care about something that i want to care
about because thte things i would like to care about
i can't or don't want to,
   so i take the "metaphor" (which means
half my hans zimmer is gone) that keeps
haydn's symphony no. 103 almost floating
above pachelbel's canon...
      i'd love to miss out the second l...
and there, the ****** white, the doves,
     the church, and... hail! the marching bride!
that feeling of consecration...
    can you realise that newspapers are stink
compared to dust-affording books?
              yep... newspapers are ****
compared to book... i kept a week's worth
of newspapers in my room, i realised
that it stank as if a cat ****** in my room...
  when i listen to pachelbel i'm supposed to think
of kent, or devon, aren't i?
thumbs up essex oi oi!
                   halfway house out of 'ackney
  or 'eckham...
      oh right, right, like i was ever invited to a
marriage...
                     some 'un 'as to be the black sheep
of the family...
   well... i hope she divorces aged 40 and has a miscarriage
aged 35... if i really wanted to give a toss...
i'd toss, a cricket 'ard ball of
                mahogany cranium and make
believe that i was loved,
instead of receiving postcards from strangers...
living about a mile away...
    so there i see pachelbel with his canon in D....
and there i see mozart, laughing in steppenwolf
as is worth citing:
      i wrote so much ******* i just had to
tickle my ***** like a philosopher might ****** his
beard... if that answers your question:
they remember him for only one song,
and do so rightly,
   me? i'm not quiet sure why they remember
me for a hundred.
   it's like pachelbel is the *** pistols
        and i'm the ramones, or the offspring,
or stiff little fingers... or the dread, ****!
green day?!
                 according to noel gallagher
who did say that never mind the *******
was something we didn't accomplish with his
oasis albums... even though back in the day...
on the european continent, no one sang anything
apart from oasis songs... you went to paris:
oasis... you taizé... oasis...
yes, what was, once, france... or frau hans...
and then the exagerration on the f....
like an alo alo alo episode...
                 that's basically what it sounds like....
pachelbel's           pa-she-sha  l          fix it bell's
   pashelbel's               it's also half check in czech...
     but that's what noel said akin to mozart:
to be honest? i'd rather just (have) written than canon in D
and ****** off; if i wrote more than that
i'd be anything but that spare prosthetic limb
for that one legged man, dancing at a party in Versailles.
Jay earnest May 2017
i ate
an apple


while the hamster

began swinginf from thte branch


and licking

juices
from the cat
droppings which
formed
an impressive pile in the corner of the room.


the door
swings open

and man
yells
for the broom
so as to bash someone on the head---

usually
a random child who would spit gum on the lawn.


laughter is evident
and the breeze is cool
and the sun
is healing

and the clouds

are soaring
over equador.


i eat 6 chicken fingers

and 4 burgers
with a glass of juice.

ciggarettes are $10 now
so **** that.


and the fat lady outside with her little dog alwyas on the phone and always
glaring at me
will one day be vaporized by an incoming meteor shower which
specifically targets
her hut on the culdesac.


worms
are eating my ulcers

and the sweat
quenches my thirst

when sometimes
i'd rather be out talking to myself in peace

because

no one bothers a crazy person
especially when they're just mere centimeters
away

and ready to ****
Lanna K Sep 2022
I know when you close your eyes the tentacular black monster of oblivion comes to gawk at your feebility. There you are, on your path of misery and broken bottles. This time, I’ll make sure heaven won’t pick up thte pieces.

Because the man at the end of the road. He’s got them now.

— The End —