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Terry O'Leary Aug 2013
Inhaling, hushed, from hashed cigars
    my mind implodes in Malimar
        where Naiads bathe in caviar -
            I dream of dwarves and three-eyed tsars.

The captive kiss of Princess Mars
    (who talks in tongues at seminars)
        burns red beyond Her blue boudoir -
            I writhe within Her pale peignoir.

Her Maids gloss lips with cinnabar,
    bedizen cheeks in dusts that mar,
        serve teas beside the reservoir -
            I sip them from a samovar.

Disguised in smoke and lamps of spar
    Her Genies gender gold dinars,
        evoking flames in ginger jars -
            I plea before the Commissar.

At Princess’ neighbourhood bazaar,
    white shadows slip through doors ajar
        to drape my dreams in ash and char -
            I long await the Avatar.

Her Merchants (preening, proud Hussars)
    paint pretty scenes on VCR’s
        while sailing ships to Zanzibar -
            I strum the strings of warped sitars.

Her Prophets sometimes cruise in cars
    else while at each and every bar
        to speak of space and time bizarre -
            I pass my pride for small pourboires.

Her Necromancers trace in tar
    tall tales of wisdom flung afar,
        transported by the Registrars -
            I hitchhike on their handlebars.

Her seers conjure repertoires
    where She and I are on a par
         in infinite surreal memoirs -
             I sometimes sense the void is ours.

My Princess never sees the scars
    cut by Her whispered “au revoirs” -
        I often wake to ask ‘who are
            these Gods that sail the distant stars?’
CamiliaMhd Aug 2017
How sad is it to fall in love with words instead of actions, to break over letters and drown in a body of water that doesn't exist.
sweatshop jam Feb 2015
i.
i'm twelve years old the first time my life ever ends. the streamers and balloons hung up in the hall are gaudy and reminiscent of a garbage truck. graduation goes by faster than any of the hour-long rehearsals. perhaps it's my imagination, but the audience blurs out before my eyes when they hand me my makeshift diploma and i bow a last farewell.

basement one.
doors opening.

ii.
thirteen is a big deal. god is found in the depths of an abandoned foxhole and lost to the fading glamour of megachurches, pseudo-friendships, pomp and circumstance. maybe some goodbyes are for the better. it's a hard lesson to learn.

level one.
doors opening.

iii.
i'm fourteen and i haven't seen the world yet, raw and naive and soft to the touch. i open the newspaper in the morning, hoary in my hands, and i discover that some names don't make the front page until they're in lieu of an obituary. i never read the newspaper again.

level two.
doors opening.

iv.
when are you closer to twenty than you are to ten? it's competition season when the stroke occurs in a land abroad i know nothing about. i visit every day after school. these are not all lies: sometimes it's harder to see uv drips and nurses' charts than a gravestone.

level three.
doors opening.

v.
sweet sixteen is anything but. the previous statement is a flagrant lie- but then it has always been easier to say goodbye to the bitter and the reviled, than all we have ever known and loved. the walls of hospitals, of schoolyards, of departure halls, have heard the sincerest au revoirs, spilling summer-stained from unpainted lips and falling into shaking hands.

level four.
doors closing.
inspired by lauren's final speech in circle mirror transformation (baker).

four in chinese is associated to death.
Michael John Aug 2017
the summer is coming to a finish
the anti-bite sits golden..

the dwindling at the sand-
an extra blanket at hand..

the blue swallow flies south
scattered showers on red roof..

we breath relief..
cool the devil´s tooth..

then sad au revoirs
see you next year..!

the air picks at us..
but soon dry our tears..

— The End —