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Francie Lynch Jan 2019
There's movement afoot.
Occupants and sycophants
Are scattering
From the Rainbow Rooms
To the more concrete setting
Of the Oral Office,
Where the North and South Porticos
Admit the transients
Behind the secure cement walls
Of the Skinners.
2019 should prove rewarding. From White House to Big House. From Oval Office to Oral Orifice.
I am the carnage
dripping with emoluments
reeking of duplicity
occupier of cities
torturer of insurgents
ruler by decree of tweets

A grand vision of myself
is forever fixed
in my mind’s eye

I am the zeitgeist
my murmuration
reverberates
through every
media channel
dazzling the
dizzy digerati
diligently tweeting
my precious
prescient
predilections

I descended from
my gilded 5th Ave tower
conveyed by a downward escalator
to save the common mass
from devastation and destruction

sweeping across
magnificent porticos
making grand entrances
through marine guarded gates
the glint of a rising sun
highlights the halo
of my golden coiff
and the fortitude of
my deep red power tie

I survey the global landscape
that fellow elites and I
have assiduously crafted
to loot unfathomable wealth
to indulge our idiosyncratic whims

The perpetual war
Toppled soverns
The viral terrors
The blighted cities
Ineffectual schools
Strangling bureaucracies
Egregious taxation
Omnipotent corporations
Offshored industries
Meager wages
Balooning wealth gap
Industrial stasis
Imminent domaine
Deteriorating health
Withering private life
Fractured families
Ubiquitous addictions
Disempowerment
Disenfranchisement
Stultifying work
Environmental degradation
Consuming violence
Government  spying
Police State repression
All was created by me
For the benefit of me

I alone can fix the carnage
I and like minded confederates
so cleverly created for our sole benefit


I understand the peril of
The Forgotten Man
He is under siege  
Hiding in the bowels
Of violent cities
He is foreclosed in
Shuttering suburbia
He is lost in the changing
Ethnicity of our homeland
He's been abandoned
By the perpetually elected
Politicians beholden to the
Monied interests
He is set adrift    
To wander among
the tombstones
Of a dying America

We are under siege
By Illegals stealing jobs
Victimized by their crime sprees
They live off the public dole
They undermine America
aided and abetted by the liberals
Who like the terrorists
Are waiting to pounce
with blood dripping fangs
to further their
UnAmerican agenda

I am the corruptor
I bought the politicians
Skidded the regulations
evaded taxes
cut corners
pushed every
envelop to
advance the
cause of me
-the devoted profiteer-
the dissolution
of Atlantic City
is the hallmark
of my handiwork

I gorged myself
at the public troughs
Reaping tax abatements
my skilled hand
always extracting
concessions and coinage
from the public purse
a clever businessman indeed

I am the art of the deal
the bankrupter of businesses
prince of crooked commerce
Defaulter on debts
Whelsher on payments
to workers for service due
I am the darling of the
double dealing derring-do

I am drawn to the beautiful
I am enamoured with me
My favorite pastime,
Watching Celebrity
Apprentice reruns
-the highest rated show
of all time… (a curious alt fact)-
more people attended and
watched my inaugural address
then any other president
throughout history….
PERIOD!

I have a proud collection
of trophy wives ….
the purpose of my family
is to affirm and flatter me
I agree with Howard Stern
that Ivanka is a piece of ***
I wish I could date her

As I walk the fantastic
performance stages of my life
I am radically entitled
to gleefully grab *****
insult disgusting subordinates
castigate uppity females
like Rosie and Megyn
while remaining
a titillated ******
visiting teenage
beauty pageant
dressing rooms

I am a committed
serial adulterer
that staunchly upholds
the sanctity of family values

I made my fortune
Extracting rent
trafficking in vice...
gambling and circuses
For the masses
These are my specialties
and I ***** my name
to all licensees
willing to pay me
to brand any
faux luxerient

I alone can fix the carnage
I and like minded confederates
so cleverly created
for our personal benefit

Tax me with requests
for insights to whom
I am and with whom
I do business
I will offer nothing but
the impenetrable
opaqueness

Look into the mirror
Every base impulse
Every fear, prejudice
Resent you discover
You will find me

I am settled into
every ****** crag
Every worry line
searing your brow
Skillfully plained by me

I am a paradox
wrapped in the
enigma of self
aggrandizing deals

I am the
daring deconstructor
of public schools
Rent seeking
holy privatization
will enrich fellow elites
together we shall
gleefully grease the slide
of the dumb down ride
abhorring facts
ideology, opinions
and optics rule

I cultivate a
suspicion of science
Preferring the superiority
of suspicion in service to
A bloated gut feel
as the ultimate arbiter of
The course to pursue

I pledge allegiance
to the ruthless exploitation
Of Mother Earth
Like a juggernaut
I will roll over the
Standing Rock Protectors
And any opposition
to the extraction
And distribution
of fossil fuels
I'll Frack
the republic to pieces
Direct my armies
To conquest oil rich nations
to quench my insatiable thirst
For the fuel of all capitalist tools

health care is not
a universal right
I care only for
The health of my own
and the welfare of
the privileged few
I promise to *******
Many with my Trumpcare

I am the defiler
of sanctuary cities
Disruption is my pleasure
the route of humanity
Tramping through
this burning world
Is welcomed to my hell

I distrust unity
I slice through cohesion
At ribbon cutting ceremonies

I drain The Swamp
And fill it with quicksand
I Enable anger
It's a sign of manliness

I collaborate with
a rising Confederacy
The Altright promises
To undermine the Union
With assault and battery…

My pout crowns
a cunning heart
My scowl is
the router of joy

Purple bunting
Perpetually hangs
On my heart

The blue line
Is not blue enough
the lawless half
Must be cowed
Into submission

I vow to scrub
The institutional memory
Of the Federal system
and all democratic tradition

I exalt  the fantasies
Of the forgotten man
I will fill his long memory
With fables of his foibles
And litanies of my
next great conquest

My Scepter of deception
Anoint the fictions of me
Attesting to my greatness
My craft is vanity

Putin is my model
I empathize with
How he deals with
dishonest journalists

I am empowered by the
Apartheid of Zion
I too am a builder of walls
Celebrant of separatism
Suspicious of the other
I burn the bridges
Severing all connections to them

Duplicity is our new national religion
My thumbs are bloodied by furtive tweets
My mind is pinched by anguish
The weight of myself
Strides across our
denigrated landscape
like Goya's Colossus
I am the carnage  

Music; Led Zeppelin
When the Levee Breaks

Lavallette
1/29/17
jbm
composed after the Women's March
to honor ****** Hair,
the 45th President of the US
the charm of French Colonial style
   with Cajun cooking promised -"genuine!" -
   at every second door
jazz bands at every other

the flair of well-groomed wealth and savoir vivre
   exuding from St. Charles´ porticos,
   the restaurants on Calle du Roi,
the campuses of Tulane, UNO, and Loyola

the grandeur of the superdome
the open space of Audubon and City Park
   oakes draped with Spanish Moss
alive with jogging, skating, biking, walking health
   between the nights -

all this makes you almost forget
the city project housings
slumming beneath the highrise business shadows
   crime ridden,
floating on neverending waves of dime-a-dozen tunes
from hi-fi stereos of cruising cars

the grand lake spoiled for generations
with the big city's waste,
the 'father of rivers' dwarfed beyond repair
by wharfs and cranes and fortified embankments
that line his banks as far as you can see
   and far beyond

a shotgun wedding of the rich and poor,
   the black and white,
   torn by the struggle to ascend
   from shotgun to colonial
to the soft sound of dixie

              * *
Written 20 years before Katrina ...

In N.O., a "shotgun" is a house thats has all rooms in one line - so you could shoot through all with one shot.
Liam Jul 2015
when one door closes...
then it can also be locked
an unintentional specialty of mine

some close of their own volition
others require a little nudging
leaving those that need be kicked

i've walked through them all
beneath their porticos of promise
over their thresholds of dreams

spaces beyond so warm and inviting
or ominously dark and foreboding
but entry is inevitably mandatory

a lament in keyhole retrospective
reduced in scope and visibility
incomprehensibly limiting foresight

begrudgingly resigned to redesign
wishes trapped beyond mortal reach
accessible only with a skeleton key
Speak to me thee wet
and lonesome lapping waves
Outrun evaporation of your grave
along this chiseled limestone shore
where you have passed
through distant bygone doors
Across the lake,
where terra cotta porticos
stand tall and dark eyed maidens
wait for men to call
with servant hearts,
and apron strings,
expecting all the good things life might bring
Explain to me the mystery of this place
The air is still; the sun upon my face,
weathering whiskered old men
leathered and tanned
who sell fresh fish from a wooden stand,
pausing to smell the cedars high on the hill
that long for a breath of winters chill
Oh, to be liquid just like you
and stare at it forever
through the eyes of a molecule

Written by Sara Fielder © July 2012
lina S Feb 2014
لأجلك يا مدينة الصلاة أصلي
لأجلك يا بهية المساكن يا زهرة المدائن
يا قدس يا قدس يا مدينة الصلاة
عيوننا إليك ترحل كل يوم
تدور في أروقة المعابد
تعانق الكنائس القديمة
و تمسح الحزن عن المساجد
يا ليلة الأسراء يا درب من مروا إلى السماء
عيوننا إليك ترحل كل يوم و انني أصلي

الطفل في المغارة و أمه مريم وجهان يبكيان
لأجل من تشردوا
لأجل أطفال بلا منازل
لأجل من دافع و أستشهد في المداخل
و أستشهد السلام في وطن السلام
سقط الحق على المداخل
حين هوت مدينة القدس
تراجع الحب و في قلوب الدنيا أستوطنت الحرب
الطفل في المغارة و أمه مريم وجهان يبكيان و أنني أصلي

الغضب الساطع آتٍ و أنا كلي ايمان
الغضب الساطع آتٍ سأمر على الأحزان
من كل طريق آتٍ بجياد الرهبة آتٍ
و كوجه الله الغامر آتٍ آتٍ آتٍ
لن يقفل باب مدينتنا فأنا ذاهبة لأصلي
سأدق على الأبواب و سأفتحها الأبواب
و ستغسل يا نهر الأردن وجهي بمياه قدسية
و ستمحو يا نهر الأردن أثار القدم الهمجية
الغضب الساطع آتٍ بجياد الرهبة آتٍ
و سيهزم وجه القوة
البيت لنا و القدس لنا
و بأيدينا سنعيد بهاء القدس
بايدينا للقدس سلام آتٍ


It is for you O city of the prayer that I pray
It is for you O splendid home, O flower of the cities
O Jerusalem O Jerusalem O Jerusalem O city of the prayer
Our eyes are set out to you everyday
They walk through the porticos of the temples
Embrace of the old churches
And take the sadness away from the mosques
O night of Al asra O path of those who left for the sky
Our eyes are set out to you everyday and I pray

The child is in the cave and his mother is Myriam two faces crying
For those who roamed
For the children without a house
For those who resisted and were martyred at the gates
And the peace was martyred in the homeland of the peace
And the law tumbled at the gates of the city
When Jerusalem city fell
Love left and in the heart of the world the war was settled
The child is in the cave and his mother is Myriam two faces crying
and I pray

The glaring anger is arriving and I am sure of it
The bright anger is arriving, I will command the grief
From everywhere, it will arrive riding the steeds of fear,
As if the overwhelming face of God it will arrive
The gates of our city will not be locked anymore so I am going to pray
I will knock the gates and I will liberate them
My face will be cleaned by the holy water of the Jordan river
And the effects of the barbarism of the past will be erased O Jordan River
The glaring anger is arriving riding the steeds of the fear
And will defeat whom is in power
This is our home and Jerusalem belongs to us
And in our hands we will celebrate the splendor of Jerusalem
by our hands the peace will return to Jerusalem
If you haven't listened to fairuz you haven't lived ..
Peace will return to Jerusalem. .
Daniel J Weller Jul 2018
Stern men line a path, to
Doors with plaques stating former occupants:
Chopin, Churchill, Napoleon III.

Overhead flags hang early evening shadows
From ornate golden arms
Across the first of nine or ten marble steps.

And up them walk folk with schmoozing faces
From cars with private drivers
And windows tinted black.

White limestone porticos are
Split by solid black adorned with gold,
And expensive gowns in violent colour.

And I notice the eyes
Fixed on my passing
As I slip into familiar grey.
St James' Place / King's Street, London, July 2018

As part of 'View from...', a collection of observational poetic experiments, whereby I allow myself five minutes to finish a poem regarding my surroundings at that time.
Chapter III
The Roosters crow in Persepolis

His disloyal mortals came from 70 km from the Iranian city of Shiraz, Fars province, near the place where the Pulwar river flows into the Kur (Kyrus). Its construction and destruction would be provinces that will be submitted until the conquest of the Persian Empire submitted in October by Alexander the Great. Persepolis was converted into harem rooms and bizarre magnet *** between slaughtered Gods. The transitions from the porticos to the sides are joined by angular towers in the Apadana of profane knots. The two great doors remained open for eternity, moaning salts of endless assets of predefinition and recharge in their ill-fated destiny.

Here were Vernarth's comrades groggy with preparations and attire from the slabs of Mars upon their shoulders, after tempests of oracles from the scorching sun on their heads. Anahita; goddess of nature, pouring out the blessed waters of nature that washed with morbid rains the bodies of those who died in the cheating battles with the roosters of Zoroaster, slicing the palanquin where he sat enraptured in polytheism Ahura Mazda almost like a cloister and hat, ad portas to wear the monarchical robes of Macedonia, before his kingdom defeated by the subjugated constitution of golden blood of Alexander and Vernarth linked to his Macedon or Zeus, fully Hellenic that ran the vast paths strolled by its reefs of muted streets, of basaltic cobbled stones and obsidians between vintage havens and fans. Accurately to reside later in the house of Hera and its windmills, of the fertile blood of the Aegean and death, or a narcotic poppy capsule, for matchmakers in the mills of the south pole of Tel Gomel, as a new foundation of their new lands for Hellenic Macedonia and the matriarchy of Hera.

In Tel Gómel vertical hope, fraternal Alikanto in addition to Beelzebub, were encouraged to leave towards a rough road of the encounter in the stormy and cloudy morning, even of discouragement and morality were alone in the footsteps. From Persepolis, once sacred, in great splendid rows, the calm of the Cosmos could be seen disturbing, of how the earth sowed the rigor of reign to delimit the overwhelming Fold of the Macedonian.
She stood ***** over the fire warming her mitts and shields, she thinks of her beloved wife Valkerina, and sets out to ride her steed that shook her head disconcertingly from so much cross rein on her long way to Gaugamela. After mowing down so much grass and chewing dream poetry, he thought about his beloved Valkerina, how he would wait one day to be together with the windows open, and then to be with the doors closed. From upstairs to the mandrake at night after drinking Convital wine, setting fire and cooking, talking until the greeting is mistaken for a sunrise with deep feng shui disorder. And from the magenta drunk night the constellation of Orion with the image of the candlestick that rests in its angular and calloused hands. Valkerina did not demarcate to stop incense spaces for her Hellenic warrior, go to her offensive in a fair fight.

As Persepolis comprises an enormous palatial complex on a monumental terrace that supports multiple buildings that had precise protocol, ritual, emblematic or administrative functions: audiences, royal apartments, treasure administration or reception, Valkerina always assisted the wounded of great confrontations. Near the terrace were other elements: royal tombs, altars, and gardens where she lay in the afternoons near the base of the graves of her cremated ancestors at the expense of the vultures' claws gargling acid. There were also the houses of the lower city, of which almost nothing visible to any visiting eye left today. Many bas-reliefs carved on the steps and doors of the palace represent the diversity of the peoples that made up the empire. Others consecrate the image of a real protective power, sovereign, legitimate and absolute, where Xerxes is designated as the legitimate successor of Darius the Great. The multiple royal inscriptions in cuneiform script of Persepolis are drawn in Old Persian, Babylonian, or Elamite. They are recorded in various places on the site, intended for the same purposes and specify which kings ordered the removal of the buildings. Especially in the arms of the ****** of Alikanto that run almost inciting to leave from where they should be, as an anti tatoo, enemies of their own being of the true protective gods.

Only 52 kilometers away, in the surroundings of Nurruguma that could be identified as Gaugamela, from the Neolithic to the present Ottoman period to the present day. Since then, so many lines of numbers of attendees could not be seen with their legitimate blessings and indulgences for this great event of warlike promise. Vernath on Alikanto,  as a single rider facing the horizon. He rode awake when his horse galloped; he rode asleep when his horse walked slowly. With only one eye open when the sand wind hit his face and his great War Animal presence until this great feat that is his regression session of man in several lives incarnated from the current periods until 352 years B.C.

Before reaching the neighborhood of Alejandro Magnus, you have to go through 36 oases where you will be attended by odalisque angels. They will place the energy probes of Macedonia of the immortal lineage of Macedonia, with extensive alchemical probes of the Bumodos River, on the front of his breastplate, to assist him in the conflagration of his existence placed at the great risk of being degraded by some arrow with poisonous of sudden physical death.
The great celestial umbrellas were opened with their straps on their backs, their arch stretched by Hera when I consecrated his espousal to Valekiria in the pilgrimages of Saint Corinth with its substantiated liturgical Doric columns, of which cycles, characters and before the recipe of poets are mentioned tragic, alluding to Theban cycles in the presence of Oedipus to Corinth son of Zeus.
Alikanto comes from the Blood of Horses of the Cordillera of harsh winters in the transverse valleys where the Amazon Luccica; her mother fed the herds of hazelnut and oatmeal lace to the herds of Chilean Thoroughbred Horses. Alikanto means "Fire Hoof". Its ceremonial premise is the back room, before leaving the ritual of insulting Judas in Lenten periods and preparing trips with resinous black flour, Patagua tea, bacon and two sentries with winchester on the massive cord to the adventure sands in Horcondising. He had wide legs with fever and his elbows were like ratchets to cut through the masked enemy grievances. On his forehead is the sphinx of the Mandragora; species of florae anthropomorphic irregular pom-pom, which every year took him from his head and took him through the black forests to shout howls of new lives to save eternal glories of endless agonies by the nine moons of Sudpichi, raining lagoons on the back of their embraced ancestors.
His namesake Beelzebub means "The Lord of the Flies because in the sacrifices the meat was left to rot until it covered itself." He is, among other things, the lord of darkness, the unmentionable, the very demon of the Philistines Beelzebub!! ... Its name means in Greek Ox head, nickname that the animal apparently received for the rounded appearance of its dolichocephalism face and the considerable width of its forehead, where a white spot in the shape of a pineal star also shone.

To be continued… / under edition
EssEss May 2020
There is always an unending stream of visitors to Italy's Pompeii,
A standout aspect that can't be missed by the tourist's discerning eye,
You brace yourself for an exciting, informative tour of the site,
Whilst being aware of it's agonizing history, that is so contrite

It is like an open book on Roman civilization in medieval times,
With glimpses of their lifestyle still apparent thro' passage of time,
Tragic that the glorious town was buried by Vesuvius' volcanic ash,
Whose unique non-hard nature left the town almost intact

The sprawling impressive Amphitheater construction is nothing short of grandiose,
Aesthetically and geometrically designed, with considerable poise,
Hosting of circus shows and gladiatorial games was apparently a regular feature,
Adding to entertainment and joy for the town's populace in no small measure

That the Romans had vivid imagination in planning and construction is never a moot point,
The Amphitheater having a velarium provision is proof enough to drive home the point,
Staggered cascaded seating systems showed social classes prevalence even during those times,
While the accessways to the seats are strikingly similar to those in stadia in present times

Paved with marble blocks, the majestic Forum stands out as an architectural marvel,
Once a bustling main square with a multitude of activities for our minds to unravel,
Surrounding buildings, porticos, temples and basilicas indicate an epicenter of activity,
It is as if the pompous thoughtful design of the layout was a lesson to educate posterity

As the town's highest God, the Temple of Jupiter is a towering structure on the north side,
Flanked by the Macellum - the town's large provision market on the east side,
Justice administration and business negotiations took place in the Basilica on the south side,
The magnificent Temple of Venus made of concrete and lava stones, housed the west side

The Temple of Apollo remnants stand out in magnificent splendor,
Reportedly it was considered the town's most religious epicenter,
The fusion of Greek and Italian architecture is a virtual standout,
It's white marble altar with Latin inscriptions are a lot to rave about

The Forum Baths behind the Temple of Jupiter depict meticulous attention to designing,
Luxurious options of cold, hot and tepid baths provide glimpses of detailed planning,
Hot water circulation through imbedded pipes in wall cavities was truly ingenious,
That the Baths also incorporated a toilet, pool and gymnasium; was pure genius

Remnants of houses ranging from modest dwellings to magnificent villas were truly insightful,
The social class divide of houses of simple workmen from the elegant noble was clearly meaningful,
Varied improvements in style and layout as the middle-class evolved, was very discernible,
Thro' additional rooms replete with embellishments and decorations, making it so perceptible

Pompeii's rich pictorial heritage is a classic example of the famous Roman art,
Full of color and life, the paintings were chosen to make the rooms appear less dark,
Incremental stylistic shifts in the paintings ranged from the realistic to inspirational,
Reflecting the prosperity and tastes during those times, in no way considered fictional

Stunning mosaic ornamentation in buildings depicted battle scenes, animals and human faces,
Rich in imagination with a flair for detail in houses and even laundries, to state a few places.
Adorning floors and walls, the mosaics display considerable clarity and a sense of purpose,
As if the artists sought to portray battles and philosophical thoughts with pointed focus

Inscriptions and graffiti that abound the walls of houses are worthy of note,
Seemingly indicating electoral propaganda messages urging citizens to vote,
Graffiti correlated with scrawled caricatures, messages and jokes on disparate subjects,
That also included calculations on buying and selling of merchandise for many projects

A visit to the ruins makes one experience a kaleidoscope of emotions,
You leave with an inescapable mix of feelings of fascination and adoration,
Visitors have the opportunity to see how a medieval town was built and dwelt,
An experience that goes beyond the whole nine yards, to know how it is felt

— The End —