He was one of those guys who marry money.
And you can grok that in any sense you desire.
But be forewarned, my friend,
I am well-versed in a multitude of
Marry-For-Money manifestations.
Take, for example, marrying the Boss' daughter.
Come with me, for illustration's sake,
Join me in one such dis-functional household:
George & Martha's place on campus--
A classic Tudor-revival home,
Ivied & plushly-appointed,
A coveted faculty perk
Which goes along with the gig.
And the gag, for that matter.
I speak, of course, of Edward Albee's
Two perversely miserable humans,
Married to each other, to wit:
George & Martha, leading lives of
*****-scratching desperation, in
"Who's Afraid of Virginia Woolf?"
She's the only daughter--
Daddy's precious jewel--
Only girl-child of the President
Of a small, rural college.
He's the middle-aged professor
With no great pedagogic or research prowess.
His working-class perspective,
Viewing the quiet academic life to be
A significant step up in genteel existence.
Except--and there's the rub:
Mere existence is a far cry from
Living the good life Dan Draper &
The rest of Satan's Mad Men minions
Taught him to take for granted.
So George & Martha,
In terms of core values,
Have little in common;
More like opposites, in fact:
His starvation diet as a child &
Her helping out Mom at the
Food Bank on Saturday mornings.
It's those formative razzmatazz years,
He lacked the behavior blueprint,
The overwhelming fatigue of acting.
He's perpetually memorizing lines,
Practicing ****** expressions &
Physical gestures & phrases.
Guard up, another Oscar-worthy performance,
Burton is superb & Elizabeth Taylor
Showing us precisely why she is &
Will continue to be revered as an actress.
George knows she has his number.
The thing about the play is the
Intense malice the couple feel for each other.
For the audience, an experience in stage drama
Best classified as an intensely painful morality play.
A good thing to remember: Live Theater
Adds value to a community.
Give generously, please!
But I digress.
