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That’s my last duchess painted on the wall,
Looking as if she were alive. I call
That piece a wonder, now: Frà Pandolf’s hands
Worked busily a day, and there she stands.
Will’t please you sit and look at her? I said
“Frà Pandolf” by design, for never read
Strangers like you that pictured countenance,
The depth and passion of its earnest glance,
But to myself they turned (since none puts by
The curtain I have drawn for you, but I)
And seemed as they would ask me, if they durst,
How such a glance came there; so, not the first
Are you to turn and ask thus. Sir, ’twas not
Her husband’s presence only, called that spot
Of joy into the Duchess’ cheek: perhaps
Frà Pandolf chanced to say “Her mantle laps
“Over my lady’s wrist too much,” or “Paint
“Must never hope to reproduce the faint
“Half-flush that dies along her throat”: such stuff
Was courtesy, she thought, and cause enough
For calling up that spot of joy. She had
A heart—how shall I say?—too soon made glad,
Too easily impressed; she liked whate’er
She looked on, and her looks went everywhere.
Sir, ’twas all one! My favor at her breast,
The dropping of the daylight in the West,
The bough of cherries some officious fool
Broke in the orchard for her, the white mule
She rode with round the terrace—all and each
Would draw from her alike the approving speech,
Or blush, at least. She thanked men—good! but thanked
Somehow—I know not how—as if she ranked
My gift of a nine-hundred-years-old name
With anybody’s gift. Who’d stoop to blame
This sort of trifling? Even had you skill
In speech—which I have not—to make your will
Quite clear to such an one, and say, “Just this
“Or that in you disgusts me; here you miss,
“Or there exceed the mark”—and if she let
Herself be lessoned so, nor plainly set
Her wits to yours, forsooth, and make excuse,
—E’en then would be some stooping; and I choose
Never to stoop. Oh sir, she smiled, no doubt,
Whene’er I passed her; but who passed without
Much the same smile? This grew; I gave commands;
Then all smiles stopped together. There she stands
As if alive. Will’t please you rise? We’ll meet
The company below, then. I repeat,
The Count your master’s known munificence
Is ample warrant that no just pretense
Of mine for dowry will be disallowed;
Though his fair daughter’s self, as I avowed
At starting, is my object. Nay we’ll go
Together down, sir. Notice Neptune, though,
Taming a sea-horse, thought a rarity,
Which Claus of Innsbruck cast in bronze for me!
Barnaby Harrison Sep 2015
I am the last duchess portrayed in colour and mortar
Flirtatious I was and thus the gardens rest now my being. My being
Rather mauled guarded still by an overhead warning to
The outer lands that surround this palace of corrupted souls. Souls that
Dance and feast upon nights such as now; Oblivious to
Reality and the threats that lie within rather than outside as I lay lost
And unheard to the outside world. Wonder I do if âTwas
The dainty hands of Fra Pandolf; Never a gentler soul
Though deceitful he may not seem he is more than the cover of manuscript
May show. Tis this same scroll though encrypted with ancient
Texts of lost love that tells trued stories of misconception in relation to
The floral talents of the master sculptor who, though
Faulted, has the innocent heart that only future beings will come to accept.
For Tis only this beating wonder though now so blackened
With the plague of dark deceit and dismal lies that embraces the heart of thee
And absorbs the greatest of woes. Try I did but shadowed
I was by the reputable artist that was master Pandolf who though so shy
Entered into the family name; his christened title inscribed
So deeply into the now dirt cast flag that before was written âbout by the greatest
Of laureates. These same laureates now bathe in the
Scandalous material so readily provided by a well seduced feminine figure
Who gave away money and a roof for the so seemed
Loving arms of inspiration. I ask now for the forgiveness of thy master:
The same titled being as that who scribed his
Shadow-cast name into my muscular ***** that now no longer pulsates in the
Same rhythmic tempo as the now lost lover
I used to so easily trust, under the false belief of a returned favour I was so
Quickly promised. Maybe Twas the sight
Of thee that provoked this audacious incident that now hangs over the same
Man that I became ignorant towards. Though
An arrogant human, tis him who I vowed my heart to; the same ***** that
Tis now eaten away by the feeders that have
Been placed inside this case I lie in. Many queries I have but say I cannot as
These dreaded feeders have taken away that
Same privilege that I once had. Why tis me that has to hold this great weighted
Burden? Why tis me that fell yet again
For the seductive methods of man? Answers will not be a given though as my pleas
Are not heard; I am the unknown backyard mistake
That has now destroyed the class a family such as my married one had worked
So hard to produce with intention to keep.
Tis this class that has now crashed to the same ground in which I writhe and though
Faulted, I want justice served upon that monster
Whose handsome looks created such a stir in my mental crevasse
I forgot the importance of appreciation:
And swapped all I had for the pleasures of pretentious love, whose creation has now
Caused the greatest of upsets not only for myself,
But for all that are joyed by the presence of the grand towers that overlook the city
In which I used to strut and sleep in:
The same city which is still plagued by the rodent that tis
Fra Pandolf.
Please read Robert Brownings 'My Last Duchess' for the context behind this poem.
The cursing from behind the curtain
Footsteps loom - soon the gloom
Is fading, soon a light blooms –
Illuminating the edging
of this room’s draping
Do you dare draw back my curtain? -
Fore my heart harbors hatred, it only worsens
when you appear to divulge my death diligently.
For my love of life, simply spread extensively
so - lo and behold - you hold aloe in your ecstasy.
You left my life in brevity, akin a living enemy,
pedantry and jealousy torn ye heart asunder,
Solely at the thought of your loving maiden’s wonders.
So, you had the magic of Fra Pandolf,
you ask him to trap me on a mantle.
“That’s my last Duchess painted on the wall,
Looking as if she were alive.” I bawl
and sob, - so frightened - as you recall the night when
Fra Pandolf’s drawing caught my likeness.
I am now caught inside it, you hold court before me
Talk of passion, power and –and of course- our sordid story
I saw you order sell-swords to execute me  
Peasants pulled me to the roof, whence they threw me
Now you see me cursed with wrath
When you pull this curtain back
Not a word is heard, Alas
‘Till this castle burns to ash
Another Creative Writing exercise: Adapted from Robert Browning's My Last Duchess

http://hellopoetry.com/poem/1881/my-last-duchess/

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