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"musashi" poems
I. *“You can only fight the way you practice” ― Miyamoto Musashi, A Book of Five Rings: The Classic Guide to Strategy* His lessons started late As always, and as always What is thrown is a question You grip tightly around your fingers as one would, as one always should. With a branch he beckons: “Come” he asks, *“if a stick is struck from this angle, what would your answer be?”* Always, the old man taught With each strike, each parry, Each disarm and lock, Each time my knuckles Would hurt. This way he makes it sure that my body remembers. This is always the first step. My mind might forget. But the body Remembers. II. *“It is difficult to realize the true Way just through sword-fencing. Know the smallest things and the biggest things, the shallowest things and the deepest things.” ― Miyamoto Musashi, The Book of Five Rings: Miyamoto Musashi* With him, everything starts The vague quality of nonwords Taught from pain, simplified Through science: the fulcrum and the lever. Each joint, each turn, a pattern to comprehend, all things work in context: *A framework of the undeniable Fact:* *the world is separate In only these two words:* Taub at Tihaya The colloquial words for Face down and face up; This is a pattern of the body. III. *“If you wish to control others you must first control yourself” ― Miyamoto Musashi, A Book of Five Rings: The Classic Guide to Strategy* Tihaya The lesson starts When he presses His thumb forward to a hand asking for alms like turning a doorknob too far to the right. Taub when I pull back four fingers on a giving hand too far to what is left. these are the means for control. When I know How much is necessary To push or to pull, To teach or to break. - 18 October 2017
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Oct 18, 2017
Oct 18, 2017 at 5:57 AM UTC
musashi
I. *“You can only fight the way you practice” ― Miyamoto Musashi, A Book of Five Rings: The Classic Guide to Strategy* His lessons started late As always, and as always What is thrown is a question You grip tightly around your fingers as one would, as one always should. With a branch he beckons: “Come” he asks, *“if a stick is struck from this angle, what would your answer be?”* Always, the old man taught With each strike, each parry, Each disarm and lock, Each time my knuckles Would hurt. This way he makes it sure that my body remembers. This is always the first step. My mind might forget. But the body Remembers. II. *“It is difficult to realize the true Way just through sword-fencing. Know the smallest things and the biggest things, the shallowest things and the deepest things.” ― Miyamoto Musashi, The Book of Five Rings: Miyamoto Musashi* With him, everything starts The vague quality of nonwords Taught from pain, simplified Through science: the fulcrum and the lever. Each joint, each turn, a pattern to comprehend, all things work in context: *A framework of the undeniable Fact:* *the world is separate In only these two words:* Taub at Tihaya The colloquial words for Face down and face up; This is a pattern of the body. III. *“If you wish to control others you must first control yourself” ― Miyamoto Musashi, A Book of Five Rings: The Classic Guide to Strategy* Tihaya The lesson starts When he presses His thumb forward to a hand asking for alms like turning a doorknob too far to the right. Taub when I pull back four fingers on a giving hand too far to what is left. these are the means for control. When I know How much is necessary To push or to pull, To teach or to break. - 18 October 2017
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Now for those that don't know I'm a huge fan of ninjas From cyberpunks like Hiryu and Jago I guess my subconscious is linked to them These warriors in the wind From Sheik to Smoke Ermac's telekinetic choke Ryu Hyabusa to scorpion subzero to Joe Musashi These warriors in the wind are part of what defines me Raven and Yoshimitsu I'm nowhere near the ability or agility of a ninja Ninjutsu probably would end up being the tool of my demise. I may never reach the skill of a ninja but that doesn't mean I won't try
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Oct 24, 2014
Oct 24, 2014 at 1:12 AM UTC
Warriors in the Wind
On my ship, I set sail, To where Musashi had failed, In search of a spot to rest my head Upon a foreign seabed. As I leave the city port I cast my eyes homeward in farewell And catch a glimpse upon a cliff Of a canvas on an easel. Perched upon a little chair, I spot a girl with paint at hand, Who takes a pause to watch the sea Part and mend at my hull’s command. I crease my sailor cap and raise it high, And wave to her as I pass by. She returns to me a gentle stare And dips her brush in paint with care. My wandering eye is now affixed Upon the glow of this fading girl Whose eyes meet mine for brief moments To watch my fleeting goodbye unfurl. Who does she see, from on that cliff? What boy will she now paint? Will she remember how I look? Or keep my features vague and faint? Her cliff now sinks beneath the sea To rise again, from under me, As this ship goes from trough to crest, Riding waves for seas southwest. The waves now pull me off, adrift, To oceans foreign, to currents stiff, Trapped within the torrent’s pull Where a storm awaits in full. I wonder when she turns to the sea Does the breeze redden the skin of her cheeks? Does she watch the rolling clouds Blend with the white of the crashing tide And find herself somewhat resigned To a deepening sadness trapped inside? How will she remember me? What will that painting look like when it is done? How long will she think of the boy floating away On a sailing ship set toward the sun?
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Nov 4, 2018
Nov 4, 2018 at 12:25 PM UTC
Kure