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It was hard in the Moonta Mines that year
For the miners, down in the pit,
It wasn’t a place for a weak man, but
The Cornish Miners had grit,
They burrowed deeper with every day
Extracting the copper ore,
And the skimps grew high in the heaps that piled
Not far from the Moonta shore.

They wore their helmets deep in the mine
With a candle fixed to the brim,
And worked in the glow of the candlelight
While the pumps pumped out and in,
They pumped for water, they pumped for air
For the air in the mine was rank,
And water seeped at the lowest lode
Where the atmosphere was dank.

They built their cottages out of lime
And mud, with a building board,
On Sundays, that was the only time
Once they had prayed to the Lord,
The Cornish Miners were Methodists
Built numerous churches there,
And Cap’n Hancock had said, ‘Attend!
Or your job is gone – Beware!’

Those men of flint had hearts of gold
And they raised their children fine,
Sons would follow their fathers then
And go to work in the mine,
One Christmas Eve they were gathered there
By their hundreds, on the green,
A candle lit on their helmets each
Like a glittering starlit scene.

The wives and children were there as well
With their voices raised in praise,
The swelling sound of an angel choir
With their humble miners ways,
They called it Carols by Candlelight
And the movement grew apace,
It spread all over the world from this
The Moonta Miners grace.

David Lewis Paget
Reece Jan 2013
Sweet home, sweet home I shall leave you tomorrow
Tires that tumble across complex scars upon the Earth
Under lofty bridges, over the romantic river,
past the whole length of shops that litter the town
Every location, a memory stands

As I perch upon the benches,
of the Walter Parker VC memorial square
Observing this community of mine
The young mother with a brood in tow,
and the lonely old grubber, pondering as he strolls
O sweet symphony, the cars and the folk
A rhythm from the heart of a proletariat town
O ****** government, the backdrop and burden

Sweet old lady she mumbles sedately, filled bags and pulled up socks
The youngster creeps and hides his face, the crippled wolf he is
Human in profile alas, cold blooded so it seems
Falling from that rock of Bob's
Much in the same vein as his ambition years earlier

O lonely car park, treading upon your solid concrete
Roaming in circles
Reading aloud, the prose poems of Baudelaire
Reminiscing on childhood wonder,
and the park in which I used to play
Soviet in style before renovation
Set alight multiple times, the skate ramps,
vandalism is rampant in such conditions
The place in which I often witnessed true cinema

And the Methodists disembark from their church
Comforted and clean, their children squirm and pray for freedom,
and the red sandstone looms with pungent fields of livestock at it's foot
More cars, more cars, there are always more cars
Everybody headed some place
Converging at la Roche

Hemlock, Hemlock, curse you Hemlock
Your shadows cast are but stains on the town
The addiction is rampant, but nobody is addicted to life
Not anymore, not like they used to be
The Saxon stone cross too casts a shadow, cruel shadow
O forgive me dear prisoner,
the labour was cruel and the scars of your body remain
Plastering our land with tarmac flesh wounds

The wars were fought by the men of this town
Their names a reminder of futility and sadness
Vein, so very vein the way in which they were sacrificed
But as is the very nature of our fair surroundings
Death plays a vital role,
beginning with those behemoth brothers from two million years ago

The grandiose escape plan implemented
and the tank completely full
I say goodbye to ones I hold dear
and set sail to foreign lands
For tomorrow I shall wake as a new man
The cliche shall only work if I mourn my loss first

To ****** a man is abhorrent , suicide too

But to crucify one's own ego and to walk without pride and free yourself from judgement, to believe in the unity of the stars and to learn from every land near and far. To lay within the long grass, to speak with the sky, to fly, O to fly. To run wild, maddening, screaming for life, to hold each and every woman and call her your wife. To love every man equally and to play with every child, to sample every fruit and to use the earth to maintain a constant high. O too gaze into the distance with wonder and imagine every memory, the intricacies of the people you shall meet and beauty of the land in which you walk.
And to realise how perfect this life of ours is,
O my friend it's a beautiful thing.
Where Shelter Jul 2017
raise ourselves, rouse ourselves, rising to race up versus the sun,
to ferry dock, to catch the first, the 5:10am to the mainland,
which is just an island-too-but-longer,
on the first boat of the workweek, the first leg
of an island to island to island journey-poem, but that
for another morning, unless already writ, but forgot?

the north fork, an herb garden of vegetables and fruits,
family farms & rural suburbs, towns of English & Indian names,
all cheek to jowl, corn rows, tractor museums,
high school football victory banners of a prior year,  
and alas, always fresh, aged-woe reminders,
too many streets, ferries, bridges named for young boys who didn't return from foreign wars and whom we all knew by right sight

me, a summer sojourner, a summer visa, an off-islander,
a Hebrew, living among the native island born hareleggers,^
the Methodists, Quakers, and the rest of a varietal potpourri of "Egyptians," come here by choice, all, living in a paradisal
farmers market, all faiths enjoying seven times seven
years of plenty

Country Road (CR) 48, plainly named, snakes it way to the city,  
a  hundred miles, a hundred miles, as the song says,
to a distant, invisible emerald mecca,
which magically emanates
waves of gravitational pull powerful,
where I heard that human city folk go to do derring do,
battling with numbers, creativity and keenest human instincts,
game playing for a throne that may not even exist

as we go west, the sun sneaks up behind us
spotted in the steve sideview mirror, watching our
winking red tails,
moving away, asking us why, are we somehow dissatisfied,
with the rich purple soil of this little refuge it protects?

this soil, blessed, brings forth the babies of summer,
truly a fruited plain cornucopia, the famed potatoes,
fresh eggs, for sale by unseen and oft unattended hands,
plant it and it will come, the peonies flowers, the sod, tomatoes,
the Christmas trees, local duck and fresh caught striped bass,,
over flowing fruit stands endless,
where they debate no politics but only
which fruit will become tomorrow's pies?

and always, first and foremost, the vineyards, the vineyards

not yet six am, sun still too weak, to do the ***** work burn,
fields full of snow white mist lying over man tall vines,
the mist, ground swelling up to the chest level, then north
to the nostrils and head, intoxicating the lungs, the brain,
inculcating the chest with a salve of moisture,
a blend of sea and farm fresh air,
containing the designer's secret arts of earth creation

the fine mist so thick, no different than a snowy white out,
leaves me marveling and a-wonder, why do I leave,
dictated to by boxes on a hardware store calendar?

why not bide and hide in the morn mist,
never will-would we-be found, the vineyards and corn rows,
my protectors, the bay and sound, my natural moats,
is the music of wind + leaves, symphonic insufficient,
isn't the theater of the birds, wild turkeys, families of deer, osprey,
tern, visiting Canadian geese, and the hard to spot, Broadway stars,
those little foxes, wondrous enough?

this guising vineyard mist offers solutions to questions
I should not be asking, especially, primarily,
where is shelter,

for that is asked and answered
July 2017
for the island and the fork folk

http://definithing.com/harelegger/
Mateuš Conrad Sep 2016
the oddity of it all, i can sound like a 70 year old, writing in 2016, by simply writing about 2004 - and that's the excuse everyone gives for lazy English text form: 2 (abc), 3 (def), 4 (ghi), 5 (jkl), 6 (mno), 7 (pqrs), 8 (tuv), 9 (wxyz) - where you had to press a button several times to get the right letter (even with spellcheck helping you shorten the digit-bag sequence) - but that's no excuse with digital phones and a complete keyboard... but that's how it looks, after only 12 years... i'm actually aged 70 given the advances of the technology advent... let's forget the technology of the 1990s... i've circled round and met up with people who collected vinyls... that's how old i am in respect to my buying habits... we're the silver-compact-vinyl kids: the ghouls of the 1960s, born in the 1980s and not getting down with the kids... and to readdress just two books: all that stream-of-consciousness made the latter end of Ulysses a bit like writing by candle-light... as was reading the plagiarism of the above stated in Sartre's iron in the soul... or as the puritans said: we're filling for at least a ¶ (pilcrow) to be inserted: not to mess up the idea of a river and "thinking aloud" where punctuation marks mean: stopping suddenly because you become self-conscious... i just needed a ****** bookmark! the monks at the time of Charlemagne used the ¶ quiet often, condensed bibles, ink was worth 20 camels and paper was worth 20 dresses for a queen... ah, the times when paper was as precious as silk... so the puritans condensed writing, they weren't as sparing in their inner feng shui - a room the size of St. Paul's... and two words in it: Jesus Christ... they were like modern day delivery guys, packaging words together, they didn't have the luxury to write paragraphs with the now established spacing afresh, i.e.:

            and Jimmy went up a ladder into the loft etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc.
             Florence was making a cup of tea when she heard Jimmy yell: 'my long lost golf clubs!' etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc.

i.e.

¶ and Jimmy went up a ladder into the loft etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc.

alternatively the ¶ went out of fashion in the literary world, once writing became affordable and changed into a profiteering case of bravado... but i still think ¶ is a bit like using a clef.*

or how to keep one's intellectual integrity: have a drink or two,
and muster enough creative energy to use this encoding -
or... how to make poetry akin to computer
programming - a subtler way to encode
the now slothfully rising moon:
half of it, not full, nor scimitar crescent,
a half bitten honey biscuit, just above the forest
horizon, and the semi-detached houses
of English outer-suburbia - in a sense
transcendentalism, a box with many words
in it attributed to the cause,
as is the reason why Christianity became
the most schismatic religion that has ever
graced man's "good will" (ambiguity,
not an approximation) - in line with philosophical
whims of vogue: idealism, realism, transcendentalism,
existentialism, ism after ism after the Methodists
and the Baptists and other mongrels of current
affairs... already stated: populist Platonism
and the ransacked and burnt library of Alexandria...
yes, decidedly, poetry as a variation of
computer programming - although more akin
to: the tetragrammaton and the Noah's
checklist of paired onomatopoeia(s) (plural
form is underlined, Oxford hasn't picked up
the circumstance: there are neurotics out there
who'd send you to the guillotine for not
updating "spelling mistakes" that aren't
"spelling mistakes" quickly enough!) -
to the cause or as signatures of being easily
recognisable as: yes, that's that... a moustache
and a bowler hat...            alternatively
watch a stand-up show by Miranda -
the very typical English-ness inside out:
hysterical from the word go... the ministry of
funny walk from Monty Python ***
                      the two walks at the airport -
or the trip-up on skewed pavement slabs
checking the impromptu socially acceptable
version of the other seeing us -
comedians do it oh so well: the inside-out,
stern exterior, boy ******* a thumb and relating
to a blanket as if it were an umbilical chord...
what a tightly knit individual...
                          made complete with about a dozen
patches...
                       but it is! it is! it really is already
ready to be likened to computer programming,
perhaps there's no <xerox> or other commands,
but poetry deals with encoding sounds,
no man can encode a proper roar of a lion
or a squirt of a skunk, that's sheer travesty that
so many people can actually muster enough
encouragement to encode these sounds...
i imagine a world where we don't even care
to write knock, and knock on a piece of wood
and a noumenon is born, the sound isn't noted
down, it remains a thing in itself (synonyms,
in italics) - it's probably akin to getting a tattoo,
great if you have a short-term memory loss
like that guy in Memento... but it's going to
be hard to displace knock-knock -
again this is already an approximation -
onomatopoeia upon onomatopoeia -
it doesn't even sound akin or properly dressed
to mention Plato's theory of forms -
sounds can be forms: apparently they're waves...
no waves are forms (shapes) -
or that demigod who fell in love with his shadow,
rather than his image reflected in a lake,
he fell in love: because it gave him enhanced reflexes...
every single time... boom... shadow... boom...
shadow... and so much of language goes into
these nonsensical types of encoding -
blah for: talking a lot -
                                           hmm - when negatively
pondering something -
                                            i believe that
there should be a grammatical elevation of the onomatopoeia
to the status of nouns, verbs etc. -
                           but it is, it is, it really is
like computer programming,
               above and beyond the sheltering vacuum -
how would we ever write a word to encode the
sound of lightning, or a volcano erupting,
or the earth spinning - in these areas i find god -
       i will find man in these areas:
but i'll be hinged on mathematical explanation:
and mathematics is pure optics -
                       so what that we can write one and write
1, write two and write 2, three and 3, four and 4 -
    by now we can write to, too, free and for...
and this is just the start -
                             by acknowledging onomatopoeia
for something, we acknowledge our limitation
of encoding something in that realm -
this inability gave us the emergence of nouns -
   sooner or later when someone started
talking about an earthquake... a litmus test of:
brr grrm boom bah dobble aah! etc.
we got the picture - and why would a monkey
evolve from its conscious-sleep reservoir
to say just as much as with a simple grunt and ooh -
actually, some onomatopoeia(s) became sophisticated -
a grunt is a sophisticated onomatopoeia -
       as is weeping and crying and shouting -
as is shooing (or to shoo) -
well, that's how i see it... poetry as reality programming -
since there's more than just a computer -
at the moment it just resembles a game of
whack-a-mole -                 although there's more than
the mere 26 primary moles -
      and all this talk does relate to something,
something very important at the beginning of the
20th century... well, a century later, and something
similar is being discussed... Ivan Bunin?
noble prize winner from 1933, the first russian to do so...
  anyway... this goes beyond his concerns...
his concerns were akin to that dud i made
with the word mruwka -
                               personally? i feel that the "correct"
version of the word is aesthetically displeasing -
and anyone who says otherwise treats orthography
not as an aesthetic question, but a question
of rubrics and regime - so there we have the "correct"
version mrówka                               (ant)       -
anyone agree with me? well, the English language
doesn't have any concerns for orthographic
regulation - it has excessive spelling and that's that -
what bothered Ivan was the Bolsheviks rewriting
orthographic rules... the word in question?
izvestia - that really peeved him off...
                      everyone in intellectual circles was
disturbed by the changes (can't recall the original) -
but the changes were approved by the Russian Academy of
Sciences (immediately before the revolution) -
there would have been any dispute about the "evolution"
in orthographic terms if done prior to Feb. 1917 -
the war postponed the changes, and with the Bolsheviks
in power... then obviously the suspicion...
   now... such changes are but farts in hurricanes
in comparison with what happened in the realm of English...
i mean, ****'s sake, we're talking minor aesthetic tweaks
here and there - the changes still encompass the form
that's understood by the ear, and it's only a matter of
taste where you write the word ant as either mruwka
or mrówka - well, mind you, i'm already asking
for the incorporation of the Czech š (sz) and č (cz) -
but what's happening in English... my god: it's terrifying!
all these acronyms? all these emoticons?
        i know that English journalists are in favour of
:) and :( and ;) ;) [wink wink] - and next thing you know:
you're talking to a monkey... you soon realise:
the deaf have nurtured a superior system of communication,
as have the blind than these poor, healthy, ably nimble
*******...                   how they're superior, i don't know,
and in all honest? don't care...
         for goodness' sake: a heard a story that a girl
wrote her g.c.s.e. English language paper in text format:
   e.g. c (see) u (you) l8r (later)          -
now you see why i think that poetry is like computer
programming?
these people are scripts from a classical software program
that looks something like: 3;r/d]]aq"pk.0    etc.    
it's a complete and utter mess!
                         fair enough saying: O Shakespeare O
Milton... those guys are turning in their graves...
and they ain't showering the English language with
graces mind you: they're calling it the new
***** & Gomorrah - and it's not England was the sole
inheritor of the computer -
                                       that's what not having
diacritical accessories does to you...
                             you get hacked...
and this... pretty much... is a form of a hack:
you'll wake up tomorrow with a pair of sunglasses
or think you're looking down a microscope;
i swear to god...       me and Ivan are just laughing...
he's not drinking, i'm drinking, but we share
the same intuitive devices - the same puppet strings
pulled him in 1919 as they are pulling me in 2016...
the same ****** trials of a variation of zoology -
some look at monkey behaviour,
            others look at how language is cradled in people:
and i'm not even going to bother
elaborating on anything by Chomsky -
which brings me to the following conclusion
(back to Miranda) - i don't believe in fame apparent,
fame apparent, as in: tabloid crap and c.c.t.v.
and 20 nannies and 50 bathrooms, and not being
recognised wearing a virtual reality gear when walking
down a street when otherwise imprisoned on
a television screen rewind - that's not fame,
that's tyranny under the masses -
                         i don't believe in it... which answers
one famous English scientist's question:
why does posthumous fame exist?
                                    it's like that Camus question
about suicide - well... i guess it's a question of
endurance... a bit like a fail-safe mechanism about
why the pyramids are still standing even though
they experienced so much weathering by the elements -
well, as endurance has it: posthumous fame is
filled by introverts...
                                          i dare you to name that
famous Bolshoi ballet dancer, or that famous 1930s
actor or actress... they're part of the extrovert side of
what's called "fame" - but that's only a minor point
i wanted to make... the real zest i already explained -
ah crap, summary in maxim:
   the concept of modern fame is the result of a god
that has been attributed such qualities as omnipresence...
               well, aren't modern celebrities... a bit like that?
Lawrence Hall Mar 2021
Lawrence Hall
Mhall46184@aol.com
https://hellopoetry.com/lawrence-hall/
poeticdrivel.blogspot.com

               The Men of the Bible Class Pose for a Photograph
                   on the Steps of the Methodist Church in 1968

My grandfather once threatened some other old man
With his pocketknife just before the ten o’clock
Maybe it was over a point of theology
That’s surely as exciting as Bible class ever got

The Baptist men were the city council
And most of the school’s board of trustees too
But the Methodists somehow had more self-assurance
You can see it in their bearing and their suits

They seem to be their fathers in 1898
With railroads and sawmills – great times ahead
A poem is itself.
Jeremiah Vaughan Aug 2017
Holiness, Holiness is denoting a Christian renewal among Methodists in the US,

emphasizing the Wesleyan doctrine

Holiness, The word "holy," in contemporary thinking, is closely akin to the term "nerd" which our children use.

Holiness, "For I say to you, that unless your righteousness surpasses that of the scribes and Pharisees, you shall not enter the kingdom of heaven"

Now Holiness means a lot but Holiness is not and can never be ankle-length skirts, purity rings, or immersion in Christian media to try to fight against the world.

Now you thought you had me didn't you?

You thought you had the answers

Jesus said it himself And so I will show my greatness and my holiness, and I will make myself known in the sight of many nations. Then they will know that I am the Lord.
A bit nippy out there
but I popped out and nipped
quickly back,
not before I was saved
in Stratford
by the Evangelists
the Buddhists and
The Seventh Day Adventists,
the Methodists were missing
and
the Islamists were setting up
their stall,

these are interesting times.
Earlier
I was out in Stratford and
got saved by the Methodists
but the Episcopalians fearing
it hadn't worked
saved me again

never a wasted journey
I need all the savings I can get.
Work
taken in small doses
is
one supposes
good for the soul.

The Methodist in me
is quite primitive and
I'm not sure if
primitive Methodists
made the cut

aha
there but for the Grace of..
..sod this for a lark
I'm tired
It's dark and another
workday tomorrow.
Ken Pepiton Jun 24
Being shamed
at having lived, survivor who hid,

ducked and covered, and lived, since

from when America
was a Grand Old Party, all righteous
free whites from foreign tyranny refuging

Come ye, to where the railroad grew,
straight across the Hunkpapa Lakota
happy hunting grounds
taken as
homeland
after the horses came
where

before the Methodists
Free Soil, and the making
of good Indians,
and relatively rapid fire ballistic devices
witty inventions circumvented careful aim
tedious patience selecting chosen heads
to remove from the great game,
played with boys
called young men, sent west, believe-ing,
we can take the land,
we can build a castle,
we can build a city and buy and sell
and get great gain, a city on a hill,
famed for sharing bombs, with
peoples of the book,

as sure as-
as sure as-

certain murders are not called ******,
American tradition holds tyranny,
under the banner
of land owners, requiring local labor
to eliminate hate,
by killing any who hate truth…

conserved order, leaders, managers, laborers,

and the cursed worthless good for nothings,
always bred to man the trenches, dig the ditches,

for which we now have machines, no slaves need apply.

Right, the Holy word for authorized readers.

We can all be heros, like

Caleb, whose land had giants, yet Caleb
had the conquerors's courage, his troops
had nothing to lose,
out of the wilderness,
into Ezra's exhortation, work or die,
Noah, Ezra, Joe Smith, same function,
heroic tales told
in Babylon,
under authority
from no less than the authority
of Moses, first witness to events in Eden,
whose will wrote the law, while atop Sinai,
obedient, to the letter, no lie, no lie
the command
not all of it,
of course, the ten commands,
one must clearly outlaw prevarication,
ah
wit wound windwise turning inward,
left and right, swirling axial role rights
tighten
time
BTW, jot and tittle
close inspection reveals,
"Thou shalt not lie" literally is not commanded.
Not one of 10 minimum obediances demanded.

Never the less, chosen to survive the womb,
despite definite spiritual cuckoo egged odd ducks.

Chosen-ness, excluding any not
of the blood, as determined, how, back when,
? serpent on a pole, no, what could determine,
who is included in the chosen to rule class of us

purging foul stench from shame on the mighty

by surging pride in rebuilding a people, a mind,

which when tuned
to prosperities patterns learns,
this is the old way, where good is, we sought.

We find, unnoticed,
here, held separated, by God,
not our fault, we did not choose
to be chosen, truth, Essene evidence,
is all the evidence
of Genesis we really have…

circumstantial historical happenings happened
to us, each one, made
from two, made
from four, made us, eventually deemed equal,

by virtue of a kinsman's redemption, shoe shucking,
symbiology symbolism recognition, by right, taken,

my ownable, fungible intellectual property, the air
I altered through mediating peace where none ever is,

at the core spin, the one, big spinning polarity that is,
present tension, hold us, each, in mindful now, this is,

as we have agreed, words work thought, we make
believe a verb, we use love as if it, too, is such, a verb…

active ability accounting for idle word, as such, loving

called to become, shapen
by time, the steady course correcting

force pulling,
momentum pushing, coagulating mass,

from once, when nothing was,
but the unspeakably
sacred potential
of you,

the one, you,
never one like you,
your unique role,
the one thing only you are,
and only you may be, that is
the one law
of life
in our bubble
of being, is to be, any must chose,

to be like whatever one feels like,
as birds of a feather flock on,
each parrot or person perfectly
randomly conceived to mature,
unique, vibration of reality
as manifestly difficult
to get through without learning

the root of beauty, is not beautiful,
its functional, essential no light state…
grow up, grow down, grow weary
become old and become soil.

All men decompose, no contest, all tie.
Dust or ash, same difference, pride

lay beside the heretic's troubled cognitions,
say true, pride alone powered all our wars.

-----------------------

Ontogeny, whence came we hence,
whither go we thence here after?

Bards sent forth with vatic blessing,
go, thou gifted with gab, go
say thus saith he with power,

to take the breath and the breather,
and punish each wrong imagination,
as adultery, in the core, in the heart,

done, done,
done… In deed, remarkably

non staining, resulting in no outward,
shame on the man, taken in the very act…

what standard waves the same
whether winds blow north or south?

Whose mind opens to recognized
authority, memory verses from childhood,
neighbor hood vacation Bible school,
instead of camp, great revelation,
instead of hell, your default after,

if, you wish otherwise, believe the good news,
it works, with patience, perfecting itself,

Magnificent, magnified,
eye to eye as any little child's messenger
app proves, there is here an interface,

a way,
a portal for important recognition
apropos your purpose driven life,

imagined, along mystical wilderness trails,
far as ever imagined from the maddened masses,

gravity, initially retracting reasonable doubt,
God, Elohim and Hermetic orderly revelation,

leaves us being, recent, new thinkers, thinking
original thoughts, using multifaceted wordforms,

holy invocations, declared knowns, all the people
said Amen, yet,
but

what if, the one turning universe, rewound,
stopped, sistere, reverse course, stand sun still

leave, this POV. Reader reading life in a book,
thinking time from a bottle, an ancient amphora,

thought possibly the uncorked source of story,
the Epimethean suggestion given hope, enough.

Make believe, let us pretend, behave as knowers,
leave us establish order, here,
believe my most used me to make you think

you know, what I mean, you hear, what I said,
filtered through beans in your ears, been there,
done that, read about it, heard tell, one time,

suffer not
a novice,
to teach or preach, eh, there oughta be a law,

lie not, one against the other brother, truth
is not elusive, after all's been said to judge me,

to weigh the worth of my time taken up, thunk,
functionally funky, rough shod, taken strength,

turning universally tightening chirality to work,
two wheels joined tighten toward forward
motion, heuristic conditional ifery, by word

righty tighty, taken to the left side, axially,
loosens and leads to wheels falling off,
and yokes breaking and oxen becoming
barbecue.
-----------------------

Through the industrial spinning
wombed men, leaving children
to fend for themselves, child wise,

never allowed to learn the art
used for casting spells to alert
receivers of magic papers read

as auspex read
the birds and feathers
informing ready readers
look up untested lies,
famously leaders seer's
methods for redemption
of unentertained mobs,
drawn by word of free bread,
too lowly for even the hucksters,

A poet's voice, oh, Emma, beauty,
make the New Colossus bow in shame,
"Keep, ancient lands, your storied pomp!"
cries she
With silent lips.

"Give me your tired, your poor,
Your huddled masses yearning
to breathe free,
The wretched refuse
of your teeming shore.
Send these, the homeless, tempest-tost
to me,
I lift my lamp beside the golden door!" (1883)

From <https://en.wikipedia.org/wiki/Emma_Lazarus>


Whose to shame, whose to blame, who
are we to say, we whose nation is so good…

steal from some mind feebler than thine,

self preserve,
within the life
after the womb,

where
in all potential variation
a we acquired local order
involving cascades
of coincidental
instances when next depends
from now,
by a thread, twisting
some how,
should the whole truth we swear
to tell, have fallen into JWST awful true,

look at us from a million miles away, wave,
make noise, holler like the last who in whoville.

What good does it do, who are you to ask?

A truth, fitly twisted,
takes any time paid attention a pinch of worths
good to know,
possibly freeing many children's convinced
fear
of holy wrath, likened
to a raging man,

stilled at the truth,
survivor
of a devious plan
to undermine heaven's command
to turn, universally, inverse, obverse, turn to

see men as trees, ently walking, literally as if,

we may say mankind knows the hero myth,
we may say ourkind knows the messianic version,
we may say kindness knows the kindest way

to say, God sent me, I am here to help.

Hey, sky pilot, what can you be proud of today?

Don't let an old vet make you doubt the whole
truth you are sworn to know beyond all doubt,
truth you serve, guardian of the story, faith tells

children, wordlessly, knowing seeps in, science
occurs, with first lottery lost, with last ditch crossed,
face to face with former soldiers lost to lies, true,

If, my son, you can keep your head…

ah, Kipling, I have wept with you, I, did not die.

My warrior days left me alive, did you feel that, too.

Common Form, we form, whatsoever we
agree, as ghostly reminders of spiritual facts, brave
is a spirit, diffidence and confidence, as well, mere

states of mind, kind of like standing, still, sol-stice,
sistere, tortuga, shields up stand, take the blow,
settle all accounts, love your neighbor, suffer
situations beyond mind's control, sequencing

Hallelujahs from trusters in horses, who deal in war.

"Should any ask why we died,
  Tell them, because our father's lied."
Free to publish any where, I said. Not my intellect's property, in truth.
Therapy is knowing somebody will think with me, and our agreeing may make a political force gone holier than any, humble itself under local face to face truth that killing does to a national mind dedicated to justice in truth.

— The End —