why doesn’t english phoneticism diacritic the non-trill r, or why doesn’t it diacritic the non-harking h? i wonder... where’s all the nation’s intelligence gone to... investing 650 billion in the ant mound that’s london? the politics blame it on the eastern european... ‘never blame it on the chinese or the arabs... they have the investments to come with boom & bust coordinates of new york’s 1920s hopes... followed up with depression.’ but oddly enough no recession in poland... perhaps because the poles have all the salt and lost all the dollars’ worth of edible mince pie (while the irish only lost ***** in hazelnut hangover forgetfulness on the titanic minding the class system of who got the lifeboats) - **** me, i’ve turned into a welsh longbows’ man with the famous V of agincourt... i’m not even welsh... but i’m assuredly an abacus: count to two sheep flights of suicide and towing two snorkel sneezes worth of bubbles before dozing off; ah... the celebrated humanity.*

that’s how it works... the r that lost the wheel and the ballerina twirl,
and the rolling-on requirements of a diacritic mark,
since all the available ones are inadequate,
and the h needs surgery to be honest...
it’s hardly a hay stack... as is the gnome eager to learn
about gnosticism and u-boats...
but did i tell you this one story that might
make you laugh?
in my post brain haemorrhage psychosis
i bought a martin & co. acoustic guitar for £600
while trading in a mandolin i bought cleaning toilets
in an edinburgh nightclub getting more than i expected
from a **** groper... sold for £25 second hand which i didn’t take
and just left it there due to honour
(who'd empty ****** in beer bottles from a toilet
getting harassed by a gay
in order to buy a £70 mandolin to play
only one song and then sell it for £25 and take the money?!)...
no, really, the english r needs diacritic markings
to distinguish it from the other european arms and arses
fidgety.
so this martin & co.’s guitar i bought
and took to my ex-girlfriends house...
which i left outside... and... oddly enough
in a guitar sheath the guitar suddenly spontaneously
decided to itch and break up...
my ex-girlfriend’s father said the cold did it...
he was always the handyman to break things...
then i started to head-**** the guitar until i managed
to weave a hole in it to sound more hollow...
so i fixed it in the end... a blind man could play it...
my ex-girlfriend’s father ended up as a nutcracker in
the mental health unit for a month while
england rejoiced when the pantomime season came along
in the local theatres - plates were thrown and dogs were walked...
like tonight... me in cognitive conversation:
‘hey stranger’s dog across the street, why you pausing
tail waggling and pavlov ready for a treat
and trying to imbue a french revolution’s cause off the leash?’
religiously you're reversing the due pundit of prayer
for the thing suffering... christianity almost feeds
the notion of prayer unto the continually suffering...
you wouldn't see prayer so easily given to
zeus ******* hera on the chair... would you?
pathetic, even morbid perverts of poverty
******* out the blood from the man...
if he deserved it he deserved it... it's not so easily
grecian polished into the realm of the undeserved...
the classical philosopher inquired: the gods exist...
but why are you sacrificing animals for their existence?
the modern philosophers inquired: the god exists...
but why are you sacrificing your emotions for their existence?
i will not sacrifice a goat on the altar...
but that was easier given the fact you're feeling
such sibyl s & m with that thing dangling on two planks of wood;
didn't i write of the malachi heresy...
the heresy that invaded monotheism and said
john smith postcode *** *** from the 21st century
will always be john smith from london from the 16th century?
malachi's heresy concerning the reincarnation of elijah
decisively spoke of the fractioned hebrew god... it spoke of 1
as 1/2, 1/3, 1/4, 1/5, 1/6, 1/7, 1/8, 1/9 etc.
i can't believe that... like hegel equated in
the book marx digested and rebelled against, i = i,
malachi you propagator & instigator of christianity and islam!
malachi! to the greeks & romans with you tied to st. paul!
(even allen ginsberg mentions this equation
in one of his poems: i am i, old father fisheye that
begat the ocean, the worm at my own ear,
the serpent turning around a tree;
kant and 0 as negation, hegel and the equals sign as being,
naturally ≠ has to imply non-being);
not building idols of forearm and knee for worship is what islam
got away with replacing them with the worship of words...
i'd hate to worship that night idol dictated by a man
who couldn't read... it's almost like a crow hunching
next to a statue of ramses ii about
where r a m s e s trivialised the six pack of the abdomen
there were the letters r a m s e s without definite form
to concern the suckling of favourite idol mantras...
idol holy word hum hum ham ahead of you...
thou shalt knot the casual reference of muhammad
in the corner shop for thou shalt not offend
the goosebumps sensation i feel when i hear the sounds...
MAKE THEE **** A HOLY **** WORDED & WORSHIPPED!
ARSES IN THE AIR GENTS... WE'RE GOING TO HAVANAH!
and so it was... the only fear of death i have
is to have lived to being aged 72... and then died;
death sooner... death... sooner!
my parents die i'm moving to the true england, up north,
to liverpool or manchester... **** the southern fairies
from dubai... i rather move to the faroe islands to be honest...
and **** a dozen orcas for a fry-up and the digestion of winter...
i rather **** time occupying the space in greenland
among the icy chinese known as eskimos;
i'd fit in among the føroyar kindreds... i love the doom & gloom
and hate the sun & tan of globalisation's adventures
with advertisements and juggling tourism
among terrorism's fictive narratives.

when i was born within the Chernobyl aftermath, and the nurse tried to **** me, in that she almost choked me, enlarging my heart, and when that didn't **** me, and they attempted to befriend me, and gave me a brain haemorrhage... and that didn't **** me... i started to think: what will? i can't say i'm in hell, i can only assert limbo: i'm not a monster, just yet... it's only later that i became *******, when they wrapped me in a blanket of denials, to ensure their society was a beacon of false hope and even more false love... that last bit is the cherry on the top... i once hated ridicule: now i started to loath playground like games of lies... i just started thinking: these people are a bit worthless... how could people i once respected become so... so... pointless? it's not a case of: oh poor me... i'm laughing... asking for the next quickened allotment of epitaph in marble... i prefer the pain rather than this kiddy game of denying something being true... that sort of **** just makes up for being thought about too much... it exhaust my mental capacity... limbo is quiet fine, i'm apprehensive where these people think they live... utopia isn't exactly a best-described vicinity... but when did people start to become so ugly? it's slow down here, the big bang just happened, or as i say: with the kettle boiling water... biology's darwinism timescale for a reaction, and physics's timescale of the big bang theory are not exactly fascinating for me, boiling my water to make a cup of tea... i am literally split-mind concerning these two "barometres"... it's just hard juggling these two (0, 0) coordinates... to stress a beginning... evidently juggling these two narratives leaves us living our lives on amphetamines... insect like... it's hard to even make time or emotional investment in: a death in a village... it's doubly hard to make adjustments for a tomorrow, giving our input in beginning: no one knows, billions and billions... years... and then back toward the befitting cranium... it really is man with an omni-characteristic, well... at least one of them... which clarifies itself in a way: given that we're no longer exploring this orb, globalisation ensured the tribe died... we can go in circles: round and round... there's never a clear vector in sight... no real unknown land to challenge... it's all been tamed... once the savannah, now the zoo... as one german noted: the melancholy of the completed house... all the work gone into constructing it, the thrills, all gone... it just stands as perfect, as it is already derelict... hard to keep track of a two-beginnings system... it's hard to find awe these days, i mean awe that might allow an Aristotle, rather than just looking stupid... i think that England really does require an invasion to shake it up a little bit, it looks so docile in its arguments... so certain: "poised" to conquer... i can get (0, 0) of the big bang, a big blank... my brain just became scrambled eggs... i store that **** in my head: i'll see forever-never-tomorrow... i store the monkey-suit in my head (the other (0, 0) beginning) - i'll begin to wonder: but the monkeys have it so easy! me panda! me and bamboo! darwinism has either killed of history that we made in the centuries a.d. / a few centuries b.c., or what they're prescribing us really can't fit into one head, or into a few, to make it into a crowd... because when a few ditto-heads ingest one wise monkey talking over another monkey... the atheistic crowd is the quickest to disperse... as with the constant banging on about the number of stars in the universe... i like to look at the number of carbon dioxide bubbles in a glass of Perrier water.

well, maybe because they aren't
my contemporaries... but i despise Chopin
like despise Liszt... the fact that the latter
smoked cigars is just asking
for me to abhor him... and that a poet
   succumbed to his virtuoso skills
with dire tears of
       a jealous thread (matt arnold)...
for me Liszt and Chopin battered the piano,
literally, battered the piano...
     could have slaughtered a cow also...
but then again there's a part of my that says:
well, if the god argument is infantile,
how about the nation argument, is that infantile also?
are we to be bleached entities,
or merely abstract pronoun users? you see,
   they stole Copernicus from the Poles,
and Mickiewicz, and evidently Chopin is no Pole...
but a prize nonetheless... so they keep him
as that rare thing: something born into an almost
inescapable state prone to disintegration...
   what with the monarchy being
     one of import, either a Swedish electer ruler,
or a Hungarian, or a Russian, or a German (e.g.
house of Sas) - a monarchical brothel,
   otherwise known as an aristocratic "democracy"...
    it's just a good thing i don't like him... i don't see how
a piano can be ***** as it has been by either Liszt or
Chopin, sure enough, nimple fingers,
joseph ii hapsburg, mozart, the film amadeus citation:
                                                               too many notes...
    a bit like me... for its worth, the piano is so delicate,
    so so delicate... how it becomes an instrument that
requires competitors, how you need more virtuosos
who can play the **** music than original from-scratch
composers... piano: it just asks for gliding hands,
it's not asking for these megalomanic
tunes that might leave you with a wish from an audience
memember: to break your fingers...
evidently nothing more than a death / ******* stare...
or why the true resting place
of Chopin is Japan... as odd as it might seem...
           plays the piano great... plays a woman
  like a bagpipe...
                  aren't the two related?
     and when i first heard *ola gjeilo on the radio
i was a woman watching a romcom...
                              the whole northern lights album...
my: a feast!
         just one of the few contemporary composers
that i can invoke...
     so coming back to the piano:
   me more of a Debussy and Eric Satie palette...
they just glide... i can only imagine
       a flight of migrating swans,
   or ice-skating...
    Chopin and Liszt is a mathematical headache...
        solo piano and the gentleness of approach...
    and only today,
   a lesbian couple travelling to manchester...
one of them phoned the radio station
and asked for a request...
      i've been dying to note this song / composer
down for a year or so... always heard the song:
never the composer's name...
                   ludovico einaudi,
much to my taste: the piano still remains
   a wardrobe item of the orchestral architecture,
rather than a door of your fridge...
constantly yapping for: more, more, more.
you glide across it,
tease it, rather than taste it,
  or subject it to a rubric of quickened calculation,
it stuff the room,
the best you can do is make it sound airy,
    make diacritical echoes from it,
than actual letters...
           say: the acute above the o, rather than
the o and acute in ó....
such a delicate thing: the piano:
which is why i never understood Chopin,
or felt a need for a national argument
       needing him, propping him on a peddlestool...
having him as a national treasure...
                  i always remained true to
those who settled for gliding over the alphabet...
    rather than immersing themselves in it...
that kind of composition, that simply fakes lazy...
     they are the ones i admire...
     and yes, given that dialectics has been
completely forsaken,
   the best we can do is give an indulgence
in an opinion, and make comments of
diacritic...
   women, chocolates,
men: dialectics...
                    or at least that's how i find myself,
making diacritic comments...
   akin to piano (contra chess,
    white notes consonants,
black notes vowels,
or should i say: any letter with a diacritical
distinction is the black note,
vowels and consonants are uniform in white)...

perchance an epic was necessary, to consolidate the scattered thinking, and indeed, once a certain life, and was lived with a cherishing heart, the heart broke, and life turned from adventures to a more studious approach, and in here, a comfort was found, never before imagined explorations - of course sometime a tourist in the arts does come, but such tourists quickly fade, and the pursuit becomes more enshrined - to levitated towards epics is perhaps the sole reason for the cherished memory of some - and how quickly all can revolve around a searched for theme, after many incorporations were minded - as one to have travelled the Mediterranean, another to have been eaten by the great mandarin silkworm of the library of Kangxi - heading along the silk route with spices - indeed the great mandarin silkworm of the library of emperor Kangxi; as i too needed a bearing - to inspect the trickster of lore and the godly blacksmith of the north.

by instruction - an accumulation of the the zephyrs
into a vector, headed north,
toward the gluttonous murk of ice, jesting
with aches to the bulging and mesmerised crescendo
of adrift stars captured in the tilting away -
to think of an epic, to keep out-of-time of
spontaneity and thistle like swiftness in the last
days of summer, that Mercury brings the new
tides of the tetravivaldis -
   brought by the λoγος of a γoλας -
for reasons that satisfy the suntan copper of
the ***** - the λoγος of a γoλας - yet not toward
Monte Carlo or any hideout of money well invested
and greedily spent for a charm -
no, north bids me welcome from afar -
this norðri fløkja, this    ᚾᛟᚱᛞᚱᛁ       ᚠᛚᚢᚲᛃᚨ -
by my estimate, i could not take the nonsense
of numerology of a certain specialisation,
i took what was necessary, i pillaged the temple
of Solomon, perhaps that the dome of the rock
might stand - with its glistening dome and
its sapphire mosaics - i don't belong among
palm trees and date trees - hence i turned to
deciphering and subsequently encrypting -
as i have already with *ᚱᚨᛒᛖ:
the journey of an Æsir through a birch forest
on a horse.
                    with this method in mind:
(a) ᚾᛟᚱᛞᚱᛁ       (b) ᚠᛚᚢᚲᛃᚨ:

(a)
the need to acquire possessions accumulating
into an estate, is a journey encountered
day by day, although a journey on ice

(b)
cattle only thrive near water,
auruchs did not, and hence illuminated
their way to extinction,
         by way of the Æsirs' harvest
(to eat up diversity of life, and create
a godless world of man).

my escape route came from ᚠ - mirroring שִׂ
although the former standing, the latter sitting
down, although the former fathomable
to my pleasure, the latter unfathomable
to ascribe numbers to letters for patterns -
i seek no patterns, hence my sight turned to
the northern sights, and meanings amplified.
                
the greeks were intended to explore abstracts,
having stated a triangle
they invented the ² symbol and what not,
it was because
they didn't bother extracting a phonetic unit
from something definite,
they classified such endeavours barbarian,
what reasonable greek of 13% reason and
87% reality would extract alpha from
the sound you made when
saying ansur (ᚨᚾᛋᚢᚱ) - i.e. attention -
i.e. deriving a definite sound differentiation
for alphabetical rubrics from a definite thing
(in whatever classification that might be)?
the greeks used the alphabetical rubric of
crafting a definite sound from an indefinite thing,
so they said: acronym, aardvark, assumption,
                       α                 α      α     α,
then they said α² - there are no antonyms -
but indeed there were, hence the Trojan nation
settling in the boot, that's Italy,
the Romans escalated the greek theory
beyond taking out a definite sound distinguished
from other distinguishable sounds,
abstracting what the alphabetic sound assured
a list under alpha: assumption, advantage,
acorn, etc. -
the latins were the first atomist after the greeks,
the greeks believed in atoms, but had no
microscopes to prove atoms existed,
such scientific faith found no parallel;
the latins ensured this was true,
ending with castrato sing-along -
the latins furthered abstracting sounds from
definite orientation which the greeks did
working from ice into iota,
the latins just sang i, i, i -
of course chiral behaviourism of such dissection
emerged - hatch a plan, plan a chisel -
it's very piquant i mind to let you know -
the greeks abstracted nouns in order to create
the alphabet, the barbarians still used
proper nouns to speak proper, the greeks
thus created synonyms and antonyms to add
to the spice of life - after all,
not deriving definite alphas from
cursors that acknowledged points of origins
created diacritical stressing like comma and
semis of colon and macron, not deriving them
from definite things, shunning a helpful
vocabulary bank to an unhelpful vocabulary
banked: synonyms and antonyms the Gemini's
birth of rhetoric;
but the latins were rejected with their atomic theory
of pronunciation, since they became laden
with diacritics - punctuation marks of a different sort,
you can measure a man sprint one hundred metres,
but is that also measuring a man to say
mān or män or mán? i know that the slavic ó = u
given the scalpel opening the ensō to craft a parabola -
but it's not necessarily an accent debate
but a punctuation debate... the emergence of
the diacritic symbols above the letters is due
partly to their joy of the popes listening to
castrato operas and the fact that the romans
went too far... hence the chiral nature of certain
symbols when dittoing - the barbarians used
definite things to assert definite sounds -
the greeks used indefinite things to assert definite
sounds - mind you, if the romans became too
abstract with their little units that became engraved
with punctual accenting, then the greek letters
became laden with scientific constants as necessarily
fathered, unchanging in the pursuit of Heraclitus' flux -
for example... Pythagoras and the hypotenuse:
                            σ / κ² = α² + β² -
           or?
                             c² (ć) = a² (ą) + b² / š (bubble beep
                                                           bop barman backup hop
                                                           of shackled kakah
                                                           or systematic oscillation
                                                           for bzz via burp);
πρ² is still more stable
                                 than what the latin alphabet allows -
hence why greek phonetic encoding was used in
science, and latin phonetic encoding was used in music,
can't be one or the other - added to the fact that
latin encoding had too many spare holes with
the evolution of numbers, and greek didn't have them,
hence β-reduction in lambda calculus and F-dur and A#

the one variant of the grapheme (æ) they didn't include
among expressions: graphite and grapheme
was the variant - gravitating to an entombing
of the excess aesthetic - geresh stress -
somehow the twins match-up to a single womb:
àé vs. áè: V vs. Λ - Copernicus wrote over all
of this with the flat earth uselessness
in terms of navigation - flat earth is useless...
huh? flat earth is the only system that gave
Columbus the chance to explore the new world -
no flat earth no Columbus -
that satellite named Luna was no tool
in navigating across the Atlantic - believe me
i'm sure -
                  or that grapheme (æ) varied like statistics
or like the characters in the book of genesis
that famous adam und eve (kim and kanye):
chances came, chances went:
it was still a draw on the tongue tied decipher:
àè and áé proved another notation for plurality
was necessary, not at the beginning of the word,
but after, hence the possessive article 's,
we could have parallelism, there was a crux,
how once the chiselling of letters came about,
more economic to chisel in a V than a U,
both the same, much easier though...
almost barbaric i might say...
sigma (Σ) enigma rune e (ᛖ) - this compass
is a ******* berserker, god knows if it's
mount Everest or the Bermuda Δ

but one thing is for certain, never you mind how
a language is taught unless you mind it,
not that conversational athenian is really what
i'm aiming at - but a lesson is a lesson nonetheless,
out of interest something new,
richard von Coudenhove-Kalergi,
and what preceded him, namely pan-slavism,
just when the polish-lithuanian commonwealth
did a little Judaic trick of its own,
although snorkelling in the waters of not writing
history for less a time than israel -
you can't beat ~2000 under water - although
you could if your little tribe had an einstein
among them, or proust or spinoza, then
you could effectively become a whale, popping
an individual out from the rubble to say a polite
'hello' and 'when will the dessert be served?'
but indeed, learning a language on your own,
how to learn from scratch, the greek orthography,
and why omicron and not omega,
the give-away? sigma - purely aesthetic reason,
                             νoμισματων

                             nomismaton

omicron                                                 omega

                 you write omicron at the front
                 and omega at the back
                 pivot letter? two: σ     μ &
                 νoμι-                                -ατων
                      ­                     |
                 anything here  
                 will use o            and anything
                                              here uses ω

alike to sigma:
                          χωρας (choras, i.e. country)

sigma (ς) not sigma (σ), i.e. digitalising languages
without a clear connectivity of letters,
block-a-brick-block-a-brick-digit-digit-digit
you learn that handwriting is gone,
two options, your own aesthetic reasons now,
remember, some paired for the ease of handwritten
flow - digitalised language changes the aesthetics,
you make your own rules (considering exceptions
of oh mega mega, ergo revision -

                                       χoρας,

but still the sigma rule, others esp. o mega
you stamp on them like βλαττια, i.e. cockroaches -
κατσαρίδα                 not         κατςαρίδα

all perfectly clear when you explore plato's
dialogue from the book Θηαετητυς (as you might
have noticed, the epsilon-eta project is still
in the storage room of my imagination) -
but indeed in the dialogue, between socrates
and the "hero" of the book theaetetus -
a sample, without an essay on the theory
of knowledge -
socrates: ...'tell me theaetesus, what is Σ O?'
theaetetus: yes, my reply would be that it is
                    Σ and O.
socrates: so there's your account of the syllable,
                isn't it?
theaetetus: yes.
socrates: all right, then: tell me also what your
                  account of Σ is.
                                                             ­   (etc.
or as some might say, a shrug of the shoulders,
a hmmpf huff puff of hot air, impractical interests
and concerns - well, better the impractical
problems than practical problems, less feet
shuffling and nail-biting moments with your
tail between your legs and an army of
intellectuals working out what went wrong
and how history will solve everything by
the practical problems repeating themselves) -
you know that inane reaction - others would just say
Humphrey Bogart and nonetheless get on with it.

some would claim i was begot a second time,
not in the sixth month period of the aqua-flesh,
how did i actually related to the life aquatic,
for nine months i was taught to hold my breath,
however did this happen?
a miracle of birth? ah indeed the miracle of
a crutch for a woman - spinal deformities -
9 months, sort to speak, in water or some other
fluid - merman - a beastly innovation -
next you'll be telling me beyond this life
we turn into centaurs, given the Koran's promise -
you'd need the appetite of a breeding horse
to satiate the 72 - or thereabouts - martyr or
no martyr - 72? that's pushing it -
or as they say among children - a chance playground
without swings or sandpits, but very careless
gravitational pulling toward a certain direction;
nonetheless, they might have that i did indeed
settle of a sáttmáli                  ᛋᚨᛏᛏᛗᚨᛚᛁ
                  við         ­                  Vᛁᛞ
                  tann                         ᛏᚨᚾᚾ
                  djevul                      ᛞᛃᛖVᚢᛚ -
the hands you see, fidgety -
     hond handa grammur burtur    úr   steðgur
     ᚻᛟᚾᛞ  ᚻᚨᚾᛞᚨ  ᚷᚱᚨᛗᛗᚢᚱ   ᛒᚢᚱᛏᚢᚱ  ᚢᚱ   ᛋᛏᛖᛞᚷᚢᚱ
         the hands give an ardent pursuit
                                                 away from rest -
well not that my poems will ever reach
the islands in question - and indeed an
uneducated guess propels me - what does it matter,
λαλος babbler meant anything, indeed λαλος,
language as my own, is a language that i can
understand - and should anyone omit
disparities - a welcome revision would never tease
nor burn my eyes - but the phonetic omission
peeved me off: woad in water, ventricles in a
variety of entanglements - it's just not there -
and indeed, orthographically, if there are no more
optometric involvements of omicron's twin -
then the stance is with you to use whichever pleases,
i can't tell the difference, unless i was a pedantic
student, aged 70, with a granddaughter i wanted
to be wed teasing a millimetre's worth of
phonetic differentiation between the two -
POTATO PA'H'TAYTOE TOMATO TA'H'MAYTOE -
linguistically one's american and the other
is british, which looks like greek and latin
upside-down and in a mirror: pəˈteɪtəʊ, təˈmɑːtəʊ;
or as the spaghetti gobblers would put it:
the tetragrammaton is working on their
texan drawl (dwah! ripples in china) -
or the high-society new england ******* *******
coo with a cuckoo's load of clocks -
before being sent off to england for a respectable
education, something en route Sylvia Plath -
but not to ol' wee scoot land - ah nay - well
perhaps for a year and then talk of north european
barbarism of a deep friend pizza and mars bar.

and when descartes finished with christina
queen of sweden, she became an animate portrait
of feminine attempts at philosophising,
she was basically ostracised from society,
well, not society per se, she didn't become a stray
dog, but she forgot certain functions of
the upper tier - lazily modern man decides
to hide phenomena from understanding
individual instances, with the kantian guise
of a noumenon, hence cutting his efforts short -
indeed queen christina of sweden was ostracised
by society - only after descartes finished educating her;
and indeed to most people a little bit of sloth
equates to an amputation of some sort -
yet only with the x-files' season 2 episode 2
i've learned of the effects of prolonged alcohol
"misuse", that little boxing match in my liver?
it's not a pain as such, it's actually a hardening
of soft tissue - with prolonged alcohol exposure
soft tissue organs harden, notably the liver -
and it's not a pain, it's a hardening.
but indeed queen christina of sweden was ostracised
by her tier of socialites - i'm glad diogenes
didn't get to her, but then again a bit of cloth
goes a long way this far north -
yet unlike the encounter with napoleon by hegel
diogenes' encounter with alexander lasted longer -
which tells you the old method does no service
to a little bit of material accumulation -
but perhaps the acumen was briefer when you were
ably living in a barrel - and to think, as only
that being the sole expression, not so much
a body without organs as stated in the thesis
of anti-oedipus by deleuze and guattari -
a consideration for a body without limbs - prior
to a footprint an imprint on the mind -
carelessly now, a diarrhoea of narration -
how rare to find it - perhaps this idea of epic
poetry is a default of writing per se -
with this my whatever numbered entry i seize
to find escape in it - a lack of ambition -
a loss of spontaneity that's a demanded mechanisation -
by volume, by inaneness - to reach a single
technique accumulative zenith, and then back
into the ploughing, rustic scenery and the
never-bored animals - i rather forget such escapades -
and there i was dreaming of a grand
runic exploration - some imitable game -
some scenic routes - yet again -

“A real man,”
She said,
“Must not be afraid to show his sensitive side,
But he better swing his *****
When he needs to.
He must be strong
But his strength must not make him weak.
He must be smooth,
But he must not slip or slide away.
He must be refined
Not ground thin.
He must be proud
But not haughty.
And then she smiled
Her cavalier smile.

And I said

“Let me show you.
Let me show you what a real man looks like.”
So I showed her.
I showed her my death
And rebirth,
I showed her my missing rib
And broken teeth,
I showed her my lying mouth
And my truthful eyes,
I showed her my deific wrath
And I showed her
The book I wrote
In ancient tongues
A thousand years ago
I showed her that holy book,
My seditious tyrannical spirit,
My unconquerable will to dominate  
Then I showed her my hand,
Its fine lines,
And the diacritic print of each finger.

Then she showed me,
Purpose.

the form might be that of a poem, but to be honest,
it has nothing poetic to it -
                  i wanted to feel angry -
to vent anger out,    i drank during the daytime:
daytime and drinking?
                                                       ­         bad idea.
                               daytime drinking
and fasting and smoking
and coffee? a doubled-up bad idea...
         but i wanted to feel
a wrathful voice... i got bored of my otherwise
gentlemanly attire and what not,
i wanted to waste my tongue into
anger... best propeller of the act?
drink during daytime...
                          when night falls,
the lazy one comes out.
                   consider this -
some use language to encrypt, not
to to simply memorise rhyming and
bounce bounce the bubbly pink ball
on stage...
                    Pavlov's lapping tongue
of a dog overheating -
             philosophy deals with
double phonetic encryption,
                  that's a psychological reevaluation
of what language is, from the standard
of the three tier cake:      consciousness,
                                      s­ub-  " and un- "    -
again Christianity plays a great deal with
the point of a trinity -
                               that's the secular version,
a populist version for each individual
regardless of the church's credo -
                    but as i was saying:
philosophy deals with a doubled variation
of phonetic encoding:
                      primarily for one reason:
this is primer for idea forming -
               isn't it?
                             the first level is that of
being able to read the encoding -
   like a music score...
                                   to write a s k
              and then say the word: ask.
but the second tier of encoding sound is
to translate it into optics -
                   the basis of idea forming -
not the basis of making sounds, but to peer
more deeply into any sort of narrative -
sometimes a single word can pull
the gravity of thought
                                 away from the narrator
ego, and into the realm of the id:
        which doesn't narrated, but
    conjures up ideas: to me the source of
all "magic" formulae -
                          here again, a classic plagiarism
working on the basis of a trinity -
          i dare say dualism is so unfashionable
to most people, as is monism -
             people prefer triangles to explain
their psychological life,
          and circles to explain the physical life...
   dualism is out of fashion that
it would seem to be more (dangerously) fashionable
to be of split-mind - but never mind that -
romanticising any medical condition is
a faux pas.
                                i was spurred on
by reading a review of O'Hara's poetry,
namely the poem sardines -
                  the reviewer writes how the poet
'actually writes his poem by breaking down
language into its most basic units - words.'
well... technically this is where the other point
of phonetic encoding comes in, the third tier...
words aren't as basic as you might think -
they reside in the realm of meaning,
but also a realm of being bound to a thesaurus -
(apologies, i'm not trying to be pedantic,
  you might see where this might be going,
in terms of sharpening the point of
               what's language and
the basics of language - yes, a niche topic,
as usual, pedants ahoy)
                          words are components
(or compounds)... letters are units, akin to
mathematical digits...
                          but then again,
kilometres are units -
                                 as are miles and hours...
surely then if worded
                   the representation would be that
of a/z                             rather than
                                   p/o/r/r/i/d/g/e          
      a/z seems like a better basis for unitary
conceptualisation of language
                        using a, b, c... z as the basic
units of language... yes... much more so than words...
            because the third tier of encoding
is based primarily on letters,
                                       yes, we know the
plight of the Palestinians, but the Jews have something
i want, and use, quiet frequently,
although with variation - there's no
              toying about with gematria -
i don't accept this method of investigation -
              i find absolute futility in it -
not that i can't grasp it, but i find it useless -
         it's this third tier where ideas are formed
without any distinct orthodoxy -
                           so:
tier 1. phonetically encoding a s k to say: ask
tier 2. phonetically encoding a s k to think:
                                      what am i going to ask for?
tier 3. phonetically encoding a s k to then
            (primarily) venture into encoding
                                              a s k i n g f o r p a t i e n c e.
we're not dealing with Chinese ideograms,
    we're dealing with a linear juxtaposition encoding
   e.g.
     a b c d e f g h i j k l m n o p (q r s t u v w x y z)
the bracket? i first learned the English alphabet
as a sing-along... to my memory i forgot the rhythm
of the song (i was 7 at the time) and subsequently
             the rest of the sequence... but that doesn't
necessarily mean my vocabulary suffered because of it...
still linear juxtaposition encoding, as above, only
         n y m p h  (x y s t)
                             a b c d e f g i j k l o q r s t u v w x z
                   (a b c d e f g h i j k l m n o p q r u v w z)
                                           e x o t i c s (friz)
          a b d f g j k l q r u v w x z
                              (a b c d e g h j k l m n o p q u v w)
                 ...
                                    
     ...
                         (b c e g
                                                            - interlude -
   well, technically, you could say that diacritical
marks are used for the purpose of dissecting
words into syllables, that's not to say
          latin compound fixations on meaningful
  prefixes, such as: aqua-        or omni-
                   (yes, the etymological section
of the dictionary is the most interesting part
of that book - as counter to Darwinism,
                     or something less intrinsic with
visuals, and focused more on a shorter history
of mankind, the less ridiculous time-frame,
         or history without Alexanders and Socrates -
                  SS... the English hasn't fixed
the notation of pluralism here...
            something akin to ß      or σ          or     ς
                    is begging to come out of this problem...
lets just say the ending variation of sigma denotes
the plural, so, etymology, or history without
       Alexanders and Socrateς / cruder or more
masculine Socrateç... Tess' - as in: it belongs to Theresa)
        as Plato noted, i too, like Socrates
are investigating how my name ought to be written,
by the looks of it, from what i discovered
               i apply diacritics as syllable identifiers,
or: how to cut words up -
   ergo? even though this is not orthodox,
my name, should be written as
                   Máteuš -
                                               the acute a
stresses the cutting up of the word, i.e. the first
syllable is identified, primarily because diacritics
stress non-prefixes, i.e. simpler variations of
what a prefix is (a loan word), or a sound that
has an ancient meaning, for example pre-
or pro-, meaning the word was forced into the shackles
of being accompanied by a hyphen
when the ancient tongue disintegrated and its grammar
was no longer adequate to accommodate
the barbarian tongues of the north...  
so it has come to this: diacritical marks are not
exactly aesthetic concerns where not writing an
acute o but rather u is displeasing to the eyes...
      it's about seeing where the syllable incision has
been made... shame the English never adopted it...
but then again: the Empire blah blah blah, Star Wars
blah blah blah... special relationship with America
blah blah blah... that old chestnut -
                  or can anyone forget their eccentricity
of doth and         all that Canterbury *******?
   or even Shakespeare's English?
                                  i'm on it... well,
apologies... internet encrypting, acronyms and
eight and L8 for late. it was never adopted -
        and never will be... ****-naked Charlie
and ****-floral-naked Angie...
              sitting in a tree, one two, one two three.

  - post-interlude -

              (b c e g...
                                           i really can't be bothered
   trying to finish this little scrabble -
           i mean, looking up words
                       so i'm left with the last possible letter,
or no letter at all...
                                  what with
    the six vowels a, e, i, o, u, (y)
                                                  nymph as a word (though)
is the closest you'll get to the pronunciation of
     y (why)               in                   Polish...
                            ny-                 or -ymph
                                 obviously cut off the μ and φ...
but if you're really bored...
                  you could probably finish that
little game... for no reason, whatsoever -
        as already stated i'm more interested in things
contained in the interlude, but then again games like
this provide the capacity to abstract and return
with actual application of an idea.

i only started collecting a library, because, would you believe it, my local library was a pauper in rags and tatters; apologies for omitting necessary diacritic marks, the whiskey was ******* on icecubes to a shrivel.*

ernest hemingway, e.m. forster, mary shelley,
aesop, r. l. stevenson, jean-paul sartre,
jack kerouac, sylvia plath, evelyn waugh,
chekhov, cortazar, freud, virginia woolf,
philip k. ****, dostoyevsky, aleksandr solzhenitsyn,
oscar wilde, malcolm x, kafka, nabokov,
bukowski, sacher-masoch, thomas a kempis,
yevgeny zamyatin, alexandre dumas,
will self, j. r. r. tolkien, richard b. bentall,
james joyce, william burroughs, truman capote,
herman hesse, thomas mann, j. d. salinger,
nikos kazantzakis, george orwell,
philip roth, joseph roth, bulgakov, huxley,
marquis de sade, john milton, samuel beckett,
huysmans, michel de montaigne, walter benjamin,
sienkiewicz, rilke, lipton, harold norse,
alfred jarry, miguel de cervantes, von krafft-ebing,
kierkegaard, julian jaynes, bynum porter & shephred,
r. d. laing, c. g. jung, spinoza, hegel, kant, artistotle,
plato, josephus, korner, la rochefoucauld, stendhal,
nietzsche, bertrand russell, irwin edman,
faucault, anwicenna, descartes, voltaire, rousseau,
popper,  heidegger, tatarkiewicz, kolakowski,
seneca, cycero, milan kundera, g. j. warnock,
stefan zweig, the pre-socratics, julian tuwim,
ezra pound, gregory corso, ted hughes,
guiseppe gioacchino belli, dante, peshwari women,
e. e. cummings, ginsberg, will alexander, max jacob,
schwob, william blake, comte de lautreamont,
jack spicer, zbigniew herbert, frank o'hara,
richard brautigan, miroslav holub, al purdy,
tzara, ted berrigan, fady joudah, nikolai leskov,
anna kavan, jean genet, albert camus, gunter grass,
susan hill, katherine dunn, gil scott-heron,
kleist, irvine welsh, clarice lispector, hunter thompson,
machado de assisi, reymont, tolstoy, jim bradbury,
norman davies, shakespeare, balzac, dickens,
jasienica, mary fulbrook, stuart t. miller,
walter la feber, jan wimmer, terry jones & alan ereira,
kenneth clark, edward robinson, heinrich harrer,
gombrowicz, a. krawczuk, andrzej stasiuk, ivan bunin,
joseph heller, goethe, mcmurry, atkins & de paula,
bernard shaw, horace, ovid, virgil, aeschyles,
rumi, omar khayyam, humbert wolfe, e. h. bickersteth,
asnyk, witkacy, mickiewicz, slowacki, lesmian,
lechon, lep szarzynski, victor alexandrov, gogol,
william styron, krasznahorkai, robert graves,
defoe, tim burton, antoine de saint-exupery,
christiane f., salman rushdie, hazlitt, marcus aurelius,
nick hornby, emily bronte, walt whitman,
aryeh kaplan, rolf g. renner, j. p. hodin, tim hilton... etc.

they never tell you about the seagulls and the pigeons, do they?
sure sure, they have the bees and the birds covered,
your #mama and your #papa - you overheard them doing the
piston orchestra and said: the sort of onomatopoeia that
sounds just like you, that silences the sort of: just like you.
but why not listen with covert  benignant anticipation -
i did think English was a rotten
tongue, but i think French is worse...
                                                        ­  endear you? sure:
                 they put these additions
to the encoding, but never, ever explain how it works...
if dialectical is gone then diacritical
remains...
                                          ­                               and it's there,
a pink ostrich doing the go-g'ah dance
imbecile pigeon: neck a strut and half
by half nearly hanging off a desecrated body that's in limbo
on the scaffold where Charles I met his first cousin ******
thanks to Ollie Cromwell.... none of the Versailles
i have you know....
                            there should be a Greek
                   Kn                  symbol....
             not K as in potassium... something more.
and i'd never hear ****** jesus' i'm
the mountain                            on the radio,
thank you advertisement.
               but that thing about Jihadist French?
well... it's here,
                               i thought the English
were bad with not using diacritical marks,
second in command? diacritics,
first in command? dialectics?
abandon the first, the second is hyenas' razor
sharp: bite and smile at the same time.
           no, i'm not joking...
i'm choking you.
                             this is what the Jihadist in France
saw...
                            main example? how diacritical marks
**** around the syllable laws...
             bypass them straight... past them...
             main example? they never teach this...
i was never taught this, i was taught this in
an anti-alphabet ruling - it's not atomic
(but it really is), hence it's compounded -
but it's really atomic,
               where are the ancient atomic scientists now?
nowhere.
                         all of this came from
a footnote from maldoror, by isidore ducasse -
i too thought about putting Uruguay on the map -
                    in the notes, the use of "accent",
yes, a revelation from on high -
                      look at the French, how they speak it:
aplatissement
                             apply diacritic revision
and cut off the excess: aplatissemą -
                             (humiliation) -
          if only the French, then only the French know
how to create dyslexia... excess spelling
where distinct phonetic units should exist -
they never teach you how diacritical marks change
the syllable cutting up, the butcher's or forensic's inquiry -
                 they never teach you the use of diacritical
marks like they might teach you punctuation markings -
                  they never do the science of liberated pause -
liberated i.e. understood -
                                    you're just given the fudge
and told... CHEW! CHEW! CHEW!
                                    they never tell you how to
cut-up words as they should be cut up..
                                   never did they say
colon = umlaut over u and means prolonged
   i.e. uu          or omega
                                        because never was the
current aesthetic questioned...
                             Dictator Blue, adherent of
the dictionary bible said: already said, rex, rex, ego rex.
                    but there's this thing going on
from above - on high -
                           and all they want is to understand...
                  even i would hate to be left out...
still from the notes from the book maldoror -
                s'arrêter à             (to dwell on /
                                     stress) -
ê (circumflex) is like the grave approach -
                 the circumflex is binding -
            i.e. the -er is optional, but a necessary
aesthetic for the form to be written, but not said -
meaning the sound units disappear -
                  hands on the joints, a book is closed -
ê represents this: s'arrêt
                                                         ­  (-er) -
                   saret -
                                            ugly, isn't it?
well, if you wrote             saret
                rather than      s'arrêter               you wouldn't
be looking at the Louvre -                again, even without
diacritical marks you don't say     Louvré -
                                          but Loùvre -
               so the ê
                                     binds the r and t
   and makes                  the   -er obsolete -
which is why French is worse than English:
it utilises diacritical marks
                                       for odd syllable intakes
and other surgeon oddities -
    to learn the proper use of diacritics (using French
as a canvas) is to learn syllables again, and again...
all over again... one might say:
at least the English do not use diacritical markings
and subconsciously are so thoroughly
accommodating to alien cultures...
                       and that's justifiable, they are the fathers
of globalisation... they use phonetic encoding
without diacritical markings to enshrine
a Bangladeshi English, as much as a German English...
   they are the propagators of accents -
even the Scots are speaking proudly about the
matter of fact...
                            so indeed, diacritical marks
are not only concerns for aesthetic reasons,
but is pronunciation markings within words,
                          not between words:
intra                     v.                inter                  (wording);
they never teach you how to extend a sentence
with a semi-colon (;), because they only managed
to tell you that means wink: ;) -
                          in the same way that they didn't tell
you that a colon is (a) making a list, but also
       (b) an emphasis - the alternative to italics.
they didn't! i know they didn't because they didn't
teach me this!             i had to learn it myself!
              which is why i find diacritics so fascinating
that dialectics and its abandonment can rot in hell...
at least i don't have to deal with nuanced opinions
or the discussion or the non-discussion of
                 opinions...
                                       i can look at something
and see the blatant pronunciation dynamics at work...
            not between words, but inside words...
French is the best to investigate...
                        maybe that's why the Jihadists are
attacking France, from sheer frustration at not being
given access to the cordiality of speech when
settling into their envisioned Caliphate misnomer -
                    but diacritical marks are precisely that:
and when amateurs teach they never bother explaining
the atoms, they just say: turkey! gobble up that frying pan!
and you do! you are never given the most basic units,
you're never told what the time-span between a
full dot (.) and a semi-colon (;) is...
                                        ****: you can run a mile or
100 metres in under 10 seconds, but when it comes
to an aesthetic pause you're told to start
the hyperventilation sequence or blame it on asthma
rather than
                                 what's actually the archaeology of
rhetoric - these are rhetorical symbols...
                                   and that's the foremost question
that needs a debate: how to make rhetorical puncture
symbols into aesthetic symbols -
                   how to steal from rhetoric and do a Robin
Hood for aesthetic? primarily because there are
punctuation signs above letters, or below letters -
                   < (more than)
                                 > (less than)
      and the circumflex and caron -
                                         tilde
  or approx. 5                              i.e. ~5...
            and the millionth additive to make decimals
shake...
                                you never get told this...
if i was told the basics of diacritical markings enabling
a smoother syllable dissection i'd probably speak German
fluently...
                       when i should have been given crumb-like
understanding of a language, i was given a whole
loaf of bread, for ***** sake; that ain't cool -
          teach me language from the basics,
on the promise of teaching me a language like i might
be taught penguin talk: on the promise of
an onomatopoeia deciphering: it sounds like this...
                   : + u = oo             onomatopoeia e.g.:
                       pool                    /                  pull -
yes, the quiet literal representation -
  but English can be ***** by this appropriation -
not utilising diacritical marks makes certain words
sound alike but be spelled differently,
            via the same methodology extending into
certain letters being pronounced as entire words;
e.g.                   why                                  &             y.
reason? missing diacritical marks.
             oh, and the most blatant form of Judaism
  given              y               h                    w               h
                   without Abraham, without Moses,
without circumcision         without Jesus...
                                                               choice is yours.

l'amours dont sui espris...

  me and the moon cower,
me and the moon peer into the night,
from behind the cloud
from behind a puzzling thought...
me and the moon cower:
before the altar of the night...

well... i would never **** a fly...
at least i'd try...
the kingdom of insects states:
by some "consensus"
that the females are bigger
than the males...
i've heard it's not so with
mosquitos...

i couldn't **** a fly...
but when Monday's garbage collection
happens and i'm left dragging
an empty bin
into the garden to clean it...
i find... maggots at the bottom
of the pit...
still wriggling in the leftover juices
of meat and others...

carelessly like jerking off:
i pour some bleach into the cauldron...
sodium hypochlorite...
then some water for the foam...
the maggots disappear...
i wish them well...
but not much good could ever come
from drinking a corrosive salt...
alkaline implies corrosive salt...
well... i drowned some maggots in
alkaline...
but i very much care to have
a clean bin...

i ******* crocodiles and tears and tadpoles
into a tissue while
on the throne of thrones and send
them to: nowhere...
just before i take the no. 1 & no. 2
(no. 3 to ease up)...
then baptise myself in the shower...

summer will soon be almost over...
autumn will come
the proper fruits will start to fall...
i'll be making my wine...
it will take me 3 weeks or circa...
maybe 4... the apples will fall...
the pears too...
winter... when insects sleep...
as much as i might appreciate the copper-neck
suntan... i'll be happier to find that
the insects are sleeping: along with
the bears...

i rarely **** a fly... a mosquito, though?
each and every time...
if i were a zombie and a fly *******
a maggot-load onto me... i'd beg to digger...
well...
    i did't feel like killing this large
specimen of mosquito... it wasn't going to
bite me...
never mind...
i didn't feel like merely killing it...
i caught it be one leg...

i have two spider twins either side
of the door to my garden...
one was sleeping...
the other was awake...
how did i know?
the sleeping one curled up its legs
into a bud...
it wasn't awake to play piano with
its cobweb...

        so i pinched this one mosquito
by the leg and watched it frenzied...
trying to escape... my hand led it to the altar...
how quick the spider! how quick
the spider made a mummy of the would:
juiced up mushy meat!
i didn't **** it...
i just fed a garden spider...
a catch it couldn't otherwise catch...

i felt indifferent... more indifferent about
vegans than vegans feel: "differentiated"
from debating the need for milk...
eggs... never mind the meat... cheese...
i don't understand veganism on these three pillars...
milk (cream)... eggs... cheese...
i couldn't be a vegan...

vegetarianism: i can understand...
but... no eggs?! no... milk / cream?!
no... cheese?!
        get out of 'ere!

       maggots swimming in sodium hypochlorite...
or rather... dying in it...
but the prettier sight than killing a bothersome mosquito
was feeding it to a spider...
it almost felt like...
   feeding a cat sushi turkey ******* on
the end of the knife...

this song has nothing to do with the experience:
chevalier, mult estes guariz...
none!
why do i abhor Darwinism...
it... doesn't tease my vanity...
it just kills off history!
from ape to "somehow": now...
that's it!
   **** similis: the ape was known to the ancients...
but the ancients did ancient "things"
and didn't allow themselves to be swallowed
up by a ******* comparison!
metaphor! they would have settled for
a metaphor... but not a comparison!
a synonymous-ness!

Darwinism is right: nature abhors vacuums...
nothing in nature is to be ever wasted...
everything has a purpose...
if... somehow... it doesn't have a purpose:
it will... it will evolve... it will adapt...
but... Darwinism as... the prime idea...
the one & only source of the genesis of
"idea"? only in the anglophone world...
no where else will you hear
Darwinism so celebrated...
Hermes asked... why did Galileo overshadow
the findings of Copernicus?!
why did even William Burroughs undermine
Copernicus by staging a "fact" that...
oh the ancient Egyptians knew!
the ancient Greeks knew too!
but... no mathematics...
then some pope-****-smear of a Galileo
was the one with the telescope
"probing": proving the heliocentric model
most adequate...

one spider whispered to another:
find any cobweb: piano concertos in the desert?
no... me neither...
let's just wait for some of these sand-*******...
camel-jockeys to catch up...
we'll show them... mummification:
hey presto!

- and they did... how quickly that spider
launched into the mosquito...
rapping it up like a... nothing to be
beside the futures of food-stuff...
it felt...
well... not ignoble... a pride in a sense
of hierarchy...
the spider easts the mosquito...
it's really levelled ground in the insect
dominion...
i allow maggots to swim in sodium
hypochlorite...
i catch a mosquito by its leg
and feed it to a spider...
the spider does the mummification
ritual... the world balances itself out...

it's a strange sensation: it's hardly a feeling...
one gets feelings on a graveyard...
count the bones...
wake up... re-wake...
the fickle faculty of memory:
so prone to amnesia...
i abhor dreams.... therefore i dream none...
less Freudian ******* shrapnel....
less & less...

i need a mirror to take a selfie...
i need... the apparition of 3D space...
you can't revise QWERTY!
you can't improve it!

i can type without looking down
at the keyboard: here's to imitating the Liszt...
the Chopin...

eh?!
i didn't cite:  E... did i?
i included the surd of breath...
EH?!

ask the ******* Hebrews why we have concern
to begin to laugh...:
it's trapped in their definite article:
HA! SANTA!

           i'm here for only one thing...
beside thrilling it alive in Thailand...
or... recovering fractures in Europe...
someone... maybe one... or two...
have... stolen my identity...
                  sorry...
             garlic pickled in some red wine
will always go under the radar...
electric six's album should never have:
gat bar! bay bar!

   it's the 1980s and sade...
smooth operator....
             best kept feeling...
feeding a mosquito to a spider
rather than simply killing it...
like... the inversed... imploded...
ploy of game...

who needs tiger blood?
bluff?
i need... a mosquito...
a spider... a spiderweb... like a piano...
i need an awake spider...
the red wine is not to be...
necessarily... mixed with garlic...
although last time i heard:
infusing ren wine with three or four
teeth of garlic (nuggets?)
is a slimming elixir...

father SLiM? *******... yacht...
bogus crew...
feeding a mosquito to a spider...
death soon arrives... "tomorrow".

- still need the geocentric model when
reading the map... hell:
i need the flat earth perspective when
reading a map... i don't really care much
for the equator, the Greenwich meridian
when getting from A to B...
funny how geographic "algebra" works...
from point A to point B:
a round earth doesn't really help...
perhaps if i were sailing but even then...
a straight line...

Darwinism didn't really undermine
man's final vanity... according to Freud...
nor did Freud undermine another vanity...
Freud & Jung created the divided schematic
of what once man:
i wouldn't say man was Leibniz's pristine
monad: something indivisible...
but it was close: to be divided by memory
fickle faculty:
how it dries up through the churn of
pedagogy... so much strain on learning
2 x 2 = 4... a, b, c, d, e... f, g, h...
fair enough: to later rearrange into words...
but i don't appreciate the classical alphabet...
the genius behind QWERTY...
i type without looking down at the keyboard...
it's almost like: imitation of reading braille...

maybe the alphabet should be less: a, b, c...
it's not like the vowels are at the beginning
while the consonants follow...
it just doesn't make sense:
rigid...
i wonder what would happen if children
were taught the QWERTY alphabet sequence...

or... just remember all the letters:
it doesn't matter in which order you remember them...
just remember that there are 26 letters in the English
alphabet...

- it's so pointless just killing  mosquito...
a fly... hardly...
but a mosquito... just at the right time
when it inserts its needle and become a syringe...
that's the sweetest of moment...
lord of the flies? who is the lord of mosquitos:
didn't ha-shem eat up all the lesser
gods of the Levant... but somehow avoided
gobbling up the lord of mosquitos?
i'm conjuring up a deity the Hebrew deity
didn't gobble up into his pantheon...

what name... what name?!
to challenge a name like... Beelzebub?
Be'el'zee'bub...
proper pronunciation with
the apostrophes: intra-verbum...
just so you know...
who: hoo! i'm getting hot from all the cider
and whiskey... god... i'm gagging for
some absinthe... the moon is ripe!
it's full...
     i need some slimming elixir...
some red wine infused with garlic...
to keep the vampires away...

what will i name you: lord of mosquitos...
KOMAR... mosquito in western Slavic...
Darwinism doesn't bug my vanity...
i.e. it doesn't bother me...
it bothers me that it's a history eraser...
nothing from yesterday here on in...
in the anglosphere...
the monkey: mammon key "happened":
an oops! ****! hey presto!
deluxe! no one grieves for Robespierre...
i might...
like i might for the wild imaginings of
the Marquis...
               if only... i prefer prostitutes to these...
"free"... masculine prototypes of... ahem... "women"...
once the woe... once the woo of man...
now?!
i prefer prostitutes...
no need for dating: plus... if they're Turkish...
they like a beard... a hairy chest... a hairy
stomach...

i'll push this dagger into that crux of:
et tu... so far so far as it can be harnessed
collectively that i'm... passionate about...
not angry... bitter... pickling my emotions...
there's a gherkin for a heart if anyone is
willing...

lord of mosquitos: raba'albaeud...
well, i could make that apostrophe disappear...
but i'd only replace it with a diacritical marker
above the A... to imply: "a.a."...
i.e. that there are two... Siamese vowels...
but it wouldn't help the pronunciation...
let's see...

raba'albaeud vs. rabālbaeud...
            eh?          ha ha... "no" difference!
so much for everyone being... "literate"...
they read like they might eat...
i've been told i eat in a way that...
invites other people to eat...
so much for others... dictating pleasures
unattainable...
i was a dinner once... with school friends...
i was the only one who asked for
rare beef... everyone else...
doubly butchered their wants...
they wanted them well done...
beef? well done?!
oh i'm a snob at that...
IT'S NOT MINCED BEEF!
YOU NEED... JUICE!

i kept my mouth shut and ate happy...
so much for friends...
i.e. "friends"... people you spend a lot of time together:
it works in a pedagogic environment...
school's great...
you are ***** into their presence...
you have to have... work-around tactics...
bullies... brutes... nerds... teenage mothers...

the full moon: while everything is attired in:
quicksilver...
the full moon: skin-head BISCUIT...
while everything is attired in quicksilver!

too many vowels... too many vowels...
raba'albaeud...
i "think" i'll rename him...
phonetically, though: ra'ba'alba'ood...
although there's an E & an U instead
of the omega...

Lithuanian: U'ODAS: ooh... not you...
i need bitter... twice bitter than an IPA
Czech absinthe...
i need to see straight... wonky too!
i need my tongue to be aflame!
i need teeth made from iron!

- history has become less linear than it used
to be... it has begot an ouroboros
of repeated... thanks to journalism:
history used to be linear...
time has reached a year 0...
but there's no revision taking place...
don't shoot the messenger!
i'm looking for the name of the lord
of mosquitos...

it's a hard name to conjure:
even though you have all the tongues in the world
available on the palette...
i need bitter... Czech absinthe...
i want to feel: hot... as rot...

Latvian: not Estonian... i.e.:
not sääsk (saaaask):               ODU...
主 / オモ (omo-odu)... that's clearly pushing it...
       オヅ
it would be so much simpler to just **** a mosquito
rather than... purposively...
feeding it to a spider...
i would "feel" much better killing it...
than having fed it to the spider...

Napoleon might have added:
sure... they're literate... but literacy only arrives
as useful when the literate are bilingual...
what use do i have for these people
distract by letters...
what use for the priestly class...
since... their safeguard is... "missing"?

sweet amber... whether beer: gods' juices...
or simply... mead...
from the work around of Hephaestus....
safeguard these names of the gods...
before they disappear...
before the Czech absinthe becomes too
bitter... still drinkable... but hardly enjoyed...

"too many vowels"... the "argument" follows
suite... i'm red... hot... chilly-esque...
chasing zeppelins... chasing diacritic markers...
covert: how you might say:
SPIERDALAJ: DALAI LAMA....
  ARES... his son...
                  Hephaestus....

             while i'm burning!

                         pronoun verb
custard: ich arbeit...
all the nouns the world might allow...

butterfass...
                   i'm itching to pass by:
butterfaß.... consonants ought to have...
better... phonetic encoding symbols...
like TH and PH have to encapsulate F...

who needs buTTer when one Tao might
have... MITE vs. miGHT?!
two consonants coupled...
not another night in Posen...
please... not another night in Posen...

chasing
i don't want to be English so much....
too many troubles...
too many fictions...
i want to be inherently "biased"...
too many frictions...
  too many fictions...
chasing  Zeppelin....
     ditto: base... the Warsaw "boat":
about to... sink.

i.

my writing is truly one thing, my life another - not
that's a statement clouded in excuses and guilt:
just the claustrophobic macabre -
and so it happens, that every few days i reach
the limit with wrestling the Minotaur -
the time comes when the liver k.o.s the brain
and the brain then starts punching the liver -
it usually stars in the afternoon, e.g. yesterday,
at 3 in the afternoon, a burrowed sense of guilt
comes over, cigarettes are rolled and chain-smoked...
a promise of not painting the front of
the house is the overpowering weight on the heart -
as is an ably bodied father: who, i might
as the source of my writing capacity: the silence -
but the day flows through... the excess nicotine
adds to the shakes, the detox period begins
with a big meal: chinese pork belly in five spice
and other additives, peppers, spring onions
until a thick goo sauce is cooked slowly to thicken...
served with 'it's called egg fly lice, you plick!'
(Uncle Benny, lethal weapon 4) -
the meal is ate as if a ****** ****** - this is
really the point of critically approaching the
concentrated detox - binge of television,
drinking orange squash and smoking -
playing some stupid video game between watching
an even worse movie - before the saga of
x files begins... at 5 a.m. with the most annoying
feline opera by the most annoying ginger cat
begins... the shades are drawn and the hours between
5 a.m. are spent in a quasi somatic state -
the pain in the brain is too strong to allow you
a kipper without the sedative being dragged from
the body: taking sleeping is avoided -
the blinds in the room don't have blackout plastic,
by 6 a.m. a t-shirt is rolled up and put against
the eyes, the eyes adjust to the light until 7 a.m.,
the body gets up and goes downstairs for more
orange squash, but this time breakfast is stomached,
yesterday's leftover rice, fresh eggs scrambled
and mixed with spring onion -
                                                     cigarette, and a daytime
news channel - Victoria Derbyshire -
the main topic of concerns? only 12% of Paraolympic
Rio tickets have been sold, a charity having raised
about £25,000 wants to sponsor Rio's children
to join in the fun... housing shortages in England,
Redbridge council buying social housing in
Canterbury (once a military base) - 7 people living
in one room (the Romanian standard is
14... you have to remember night shifts) -
oh i seen houses like that, i remember one Jew renting
out his house to 20 / 30 Poles before the Union
expanded... paid of his mortgage... no new reality
here for me... the major misdiagnosis of heart attacks
in women on the N.H.S.: a woman ate a curry,
thought it was only a heartburn... boom, two days
later drops in agony... in between the real
results of the detox... sitting...
not ******* out whiskey yellow ***** when there
are barely any toxins in the body... diarrhoea...
up to about 8 times on the toilet - more orange squash,
more cigarettes... then onto the piece the resistance...
the x files... which last up to about the twilight zone
hour of having reached the 24 hour mark of being
awake... one last **** and then shower, and
then doing the laundry (on a sunny day like this,
it would be a shame not to)...
                                                   at noon
tinned mackerel in sunflower oil... brown bread,
all the oil drank... but by the twilight zone hour
a realisation: ****! my headphones are broken!
i've been walking around these streets with those
very depressing sounds of vrroom vrroom...
i know how the old complain about the youth
and their headphones... yes, but you probably
grew with about 10 cars per hour passing your
house back in the day... and too the birds could
be beautiful, and the sound of children's games
and golden laughter... but all the other sounds...
so off to the shop for a very respectable £1.50 pair...
and then the moment when all the sights
on the streets are no longer synchronised with
what i'm hearing, my eyes sharpen and i dance
past the cars and people never bothering to press
the crossing lights on streets: ease the traffic,
ease the traffic... then into the supermarket and
the detox ends... i can go back to sleeping a decent
night... a bottle of Stella... the only thing sexier
on a hot summer's day on the street... good old,
good cold Stella Artois...
then up to another shop for two more beers and
tobacco...
                        after that? magic...
as the title suggests: on a park bench with Ernie -
something more grand than Beckett's waiting
for Godot... i.e. something resembling a scene from
Patriarch's Ponds, an encounter with
Mikhail Alexandrovich Berlioz (editor of a highbrow
literary magazine, abbreviated MASSOLIT)
and a young poet Ivan Nikolayich Poniryov -
a few clues to the less knowledgeable parties:
Behemoth ***** and chess, a book that makes
sense of the world interrupted by Herr Woland's
wonderful delights (among many), such
as the notable pandemonium at Ivan Savelyevich
Varenukha's Variety Theatre -
yes very much akin to Hector B.'s:
symphonie fantastique: dream of a witches' sabbath.

ii.

sincerest apologies... the sedative hasn't been bought
yet, and a patient father's invoice for work
done on the construction must be written in tangible
English - in ref. to the uttermost sincerity -
Polski nadal w mej duszy dudni,
                            taki ogrom organów i
                                         bębnów twki -
           że strach pomyślec - czy to wir zamkniętej
historii ludu: czy poczatek gorszych prwad o świecie?
   bo co o zamkniętej historii (skrawku) ludu?
      to przeciez moj dziad'ek w Partii uslugi dawal!
      a kraj podziekowal - i co Prawda to Walesa
   na Florydzie z lwa w zlota rybke sie zamienil.   (comp. diacritic
                                                       ­                                 pending)

iii.

as i knew, i should have finished this poem on
the principle of ensō - all in one piece -
thus i would have staged what happened on the bench
with Ernest -
                        but after walking to the supermarket
minding my own business and the jokes ensued
about how no one notices, how they know my name
as it's their mascot -
                                   after walking into a world
i found chaos; indeed if i wrote the poem on principle
of ensō, i would have included the phantasmagorical
details of something so simple you could almost cry at it...
the simplicity of it, the fluidity of almost 2 hours
spent in conversation... about what? i'm not telling,
and how was it spoken? i'm not telling either -
let's just they laughed at Ernest's bike, because
it was proper oldie...
                                     i mean, i won't mention the odd
details, but the essence? forget it man!
after writing my father's invoice, and how cut money
on the construction site, blame it Romanians but only
have themselves to blame with their model
of profiteering and that ****** fetish they have
Che's socialism of guerrilla warfare...
                            and the comments in the supermarket,
it just stuck with me about Ernie's bike,
nothing in comparison to the Tour de France's racers
doing up to 50kmh...
                                      it just made me happy to make
a clean bed... and prevent 36 hours awake threshold
glitches of abstraction: black strings and random
square objects popping out of nothing with me in a
variation of nervous startles... Ernest's bike?
an antique, a 1950s Raleigh...
- hard leather seat beneath that modern overcoat?
- yes; no one would even take it if i left it
  outside a shop, they'd probably sell it for parts.
- well, unless someone is smart enough to notice
  a vintage, and tries to restore it,
  buy the vintage green paint and cover the rusty bits.
oh **** it, i can't keep my own company to suit
being happy by saying: ooh, doesn't know a joke,
the happiest he felt after walking out with a stone heart
was making a bed... but to be honest?
psst... i haven't made it in over a month... last night i
was getting cold-heat shivers in the idea of it being *****
enough though i shower everyday... ok, every other day
sometimes, my socks have holes in them, and my
shoes are ripped.
but there's more to this... the bicycle is a pun
of a Heidegger maxim: man is born as many men...
but dies as a single man... imagine how many
influences are entombed in us, the education reformers
to begin with, motherhood tips, cot deaths...
but we die as individual men... so when Ernest said
about the bicycle being only worth spare parts,
i said what Heidegger meant: but i'd take the whole thing
as one.
- how many gears?
- three at the back, one at the front; you see this thing?
- the long tube beneath the seat?
- yeah, when charged it would power up the front
   and back lights.
- oh, i'm used to seeing that thingy-madgit that you'd
   press against the front tire and the principle would be
   the same.
- a dynamo.
- yeah, a dynamo, forgot the name of it.
it started so innocently, i just sat on the bench with my
earphones and two beers and started rolling a cigarette.
- may i invade the bench?
                                               (earphones out of the ears)
- sure.
                and we just sat there, i asking if he minded me
smoking.
- i used to, loved it, esp. after dinner, gave it up 15 years ago.
  then conversations about dogs, family,
                                         and children's games,
          i said
- i'm finding it hard to find people of my generation with
even friendly dynamic of the body: eye contact is gone!
- it's all the fidgeting on those ****** tablets and phones,
when we were kids we used to play marbles,
conkers, hopscotch, so many...
- and we used to draw a racing maze, fill bottle caps
with plasticine and flick them through the maze
(i can't remember if we threw dice to see how many
moves we could make).
  by the time we started talking about the dogs we liked,
and compared them to the dog walkers passing us
   we already forgot who died today: it was Gene Wilder...
the world is mourning him, and we sat there
and the best i could come up with was Richard Pryor.
- dumb animal luck...
- you know how i managed to train my dog to run
  around the park, but come back to me? i used a whistle
  to get the dog to come back and i'd give it a treat.
  until it got the hang of it, i sometimes wouldn't give it
  a treat... other times i would, the point being was
  to teach it both obedience when nothing was given
  and double obedience when something was.
- ever heard of Pavlov? he basically did the same thing,
  but your experiment had coordinates, it was three-dimensional,
  Pavlov's was just two-dimensional, instead of a whistle
  he used a bell... just to stimulate two senses
  as coordinated, the sound of a bell created saliva
  in the dog's mouth, poor dog received treats
  but in the end Pavlov put him in a car with closed
  windows in the middle of summer outside
  of Parliament square; obviously the dog died.
- German shepherd though... i had a friend, naturally
  obedient.
- could walk a German shepherd through Manhattan
  without a leash.
- exactly, not even half a metre away, and when the
  master stops, the dog stops.
(i started thinking, what a great way to invert theology,
in this way from dogs to gods.)
well... i guess there was more, but if i write more
about it, when i'll reflect upon this chance meeting of
complete strangers as more insightful than it
already was...
                         he managed to climb back on his bike
with a slight problem after his hip-replacement
operation... at 74 such things break... and he rode off
and i sat there trying to think about what the hell
i was thinking after watching the x files to find
something insightful...
                                        well, i got one thing,
i mentioned it before... i could never have believed
that adults created the most nightmarish version
of hide (negate) & seek (doubt) -
                   i thought it was just as bad as
  truth & dare with religion - with that motto:
          the Koran: this is the truth, and the only truth...
so truth or dare? i dare you to deny it!
                    can i just doubt it? you know, not be
a definite unbeliever, but an indefinite quasi-believer?
well doubt in the stated quasi-believer is wavering,
isn't it? the two of the most beautiful games of
innocence, morphed into these gargantuan abominations.

because i reduced my language to encode onomatopoeia, and because i didn't allow stresses to be pronounced on letters for the appropriate expressions of deviating local accents (instead concentrating on the snail slogans of organic produce, local, ******): to contrast the inherited Latin encoding system - i used aesthetic encoding to such an extent that i gave birth to dyslexia, or to put simply: over-spelling... i deviated from the other inheritors of the Latin alphabet without stressing certain sounds, hence i conquered the world, and subsequently giving up Hong Kong, became the ****-hole of the world, with 5 year old children being accused of ****** exploitation in the newspapers... i didn't follow the continental drift toward evolving Latin, yet i immersed myself in Darwinism, to preach the doctrine of the evolution of forms, the square remained a square, the circle a circle... the monkey suddenly became a man... and since i preached the universality of man, i was wedged in too many particulars in how i said things to be... which is why i believed in America and decided to exit Project Europe... which is why i became the F. D. Roosevelt island of hopes, isolationism being the cure, sure, everyone is employed, but on 0 hour contracts... which is why someone with enough oil in their head came among and said: Sa-id! we need a hyphen over a letter rather than keep it as a wavering compound awaiting the Oxford nod of approval... it's a shame when you care for the aesthetics, but never provide a system of directness, as in always providing a system of indirectness - meaning there's no mathematics involved in lettering - no stress - all the stress gets turned into exploiting forms that don't nudge into coerced trapeziums of disintegration, means you work more than the 9 to 5 prescription... all because you exploited children during the Victorian age, and left the young of our present age to premature ailments that only old people should succumb to... you can't be Romans just like that! too may oceans, not enough seas... you need to add stresses to the letter you are sorta borrowing rather than plundering, be like the Germans, the French, the Poles, invite the aesthetic scientists to desecrate the temples of Runes... but at the same time plunder the encoding with accents, to simply say: we're above, no matter the success of trade your empire provides... we say it chisel, you say it chive... we build, you cook, the end. but keeping it in naked diacritic lack will expose weaknesses in the physical realm of use when silenced... English needs to stress itself with this phonetic encoding if it's to survive at all... but it's too late for that, i fear... there are too many particular instances of its eccentricity that come as pride a minute from now, and as a landfill site the minute after... they are paying for keeping with the Latin alphabet unabashed to continue without mathematical stresses of saying things... but the times of George V and the empire are long gone... it's just that, or the fact that they don't know what their weakness is... since they battle stresses of phonetic encoding with political egoism on a populist scaling.*

i congest myself on the feline onomatopoeia, between a roar
and a meow - between the matured tree
and the bonsai replica i tend to do my quasi-cartesian thinking -
i don't really have an ego to verb together
things with a pristine causality akin to exercise equalling
perspiration - thought has no verb attachment -
no motivational speech to boot -
being is the same -
i simply concentrated on the exponential
existence of nouns -
like anyone with too much information
i find keeping a respectable investment in
nouns to be the source of my misery -
with such a high number of nouns and a pauper's
share of verbs i will obviously become a slacker
in the former category, as in the latter -
instinctively like a cat, speaking the universal
sound that i silence and then rewrite in
the onomatopoeia form i hardly think and hardly
am, a cat... i just have too many nouns to
take care of, most of which i'd only use
slouched with a book before going to sleep,
and never actually using in my everyday speech,
it's back to the garden of Eden and the fruit of
temptation: aiming for a high propane vocabulary
is like Adam given the fruit, gets a vocabulary
of a chemist, but ends up being a plumber...
no one checks this ****, ever!
i get the part of "we're in this together",
but mediating all our specialisations in a democratic way
will only create more tangents and the trigonometric
tan(gens) graphs of solipsism - offshoots and
somehow always "dark graphs" (σκότογραφυ) -
oddly enough, making the acute omicron into a u
never allowed the upsilon an endeavour into Y (macron
i) with any diacritic, other than the hint in capital
of the mentioned lower-case encoding.
what the **** was i saying? i'm astounded at the
fact that i lost the fluidity, not what i was saying per se,
it seem the per se fluidity got blocked and i had
to reopen the Pandora box yet again... let me have
a while to guess where the narrative should realign
without the reverse of fictional characters as extensions
of the narrator - i.e. poetry's synonym of characters
is personae, meaning that poetry has personae
and fictional prose has characters... the fictional
prose narrator tries to piece a space together with many
characters he's conscious of as inventing...
the poet narrator tries to piece a person together with many
personae he's not conscious of, atypically a schizoid
symptom... or not... ... ... ... ... ... oh right...
the balance of nouns and verbs in the Cartesian sense
of exercise and perspiration, or the fact that Serena Williams
never breaks a sweat... love those thighs...
she never asks for a towel to rub her hands or face dry...
she must be doping with the Russians...
too many nouns surrounding us,
i feel like a proton surrounded by what i thought
was the limit (electrons), but no! oh no! there are
quarks, neutrinos, and ******* violins!
whirling whirlwind strings and chopsticks -
which translated into Chinese just means Chopping Suede Sue;
hey! i got a bell ding-**** knocking on wood just now...
funny how poetry can do that... knock on wood
you end up hearing a seashell tide break open
the coral restrictions with a tsunami gnash on earthly goods.

i like reading about urban living, primarily by accounts of Frank O'Hara -
no one else, to be honest - where i'm placed i can vocalise
both the vulgarity and the serenity of a Wordsworth -
better had i an art gallery to run,
but my heart is too stony to accept the
chanced frivolous - it's anything beside that,
chanced, basked in, celebration of life -
perhaps i am outdated, and i know i am,
succumb to Kantian idealism, and no strand
of realism - after going to a brothel and learning
a few things, i was told i was a good man -
never did ****, too eager to watch the ******* -
****** tied - and then silencing my ****** -
i guess that's how quasi-country-folk live
these days... i simply prefer the solitude,
not from self-love: but as a way of assurance -
and later assembling - but i learn of the lives
in urban areas, of their little pests and phobias,
of places where people congregate -
and i feel no inclination to do likewise -
i don't even know why i'm travelling to
say something at the Cheltenham festival -
i've got nothing to say...
                               i can create usurpers of older
men, and blind-spot the youth,
        and be incriminated for both actions...
because i can...
                              but there's still O'Hara to mind...
and "all that love he could give in **** pursuit" -
apologies if i don't share that,
  my mentor Spinoza learned as much
in other circumstances -
                         hence the twilight of the man
of contempt and great love -
   as said, paradoxically, frankincense is
a scent appropriated as possessing anti-depressant
properties... yet we speak of: the man of sorrows.
but about my pet peeve, linguistic, obviously:
    the french for hotel - hôtel -
mind you, not trilling the r with mutually respective
   examples of English and French, but nonetheless
harking the r and amputee h in French,
     hôtel - or h'ôtel or h)ôtel - the diacritic mark
above the o is like a bracket, or < (less than) what's
expected in tongue kitted to say:
                                               h'otel - or simply o(h) tel -
        so too garçon - with ç extending into s
   and said: garçon / garson -
                           or with grave markings on a vowel:
that eats all other letters after it: cut-off grave e (è) -
    thus too the circumflex abuses invisible in
Cockney slang, and the eaten up h - via 'appening -
   'n 'appens only ounce -
                                            indeed the fighting took
places above as well as below the 26 symbols -
  in the diacritical realm of stresses and other punctuation
deficiencies - colon over the u for the umlaut,
there the fighting took place -
                      in an urban environment, would i ever
have spotted this? among fast food outlets, neon
and art galleries? probably not -
so akin said: lawlessness above and below the alphabet,
the warring fusion - but so they should have said,
in Mandarin - beyond vowels and consonants,
there are Surd variations of both -
              for aesthetic reasons -
our natural borders -                          and there are also
                    diacritical / exemplified stresses of
both sexes of letters -   some are silenced, some are
pronounced... they never told us that...
               they simply bragged about how naked
English was, and how certain people picked up
all the major eccentric intricacies -
                       to create a bourgeoisie levelling of
what's content with being a noun: intelligence.
there are rules beyond the five vowels and 21 consonants,
in that there's a trans-linguistic appropriation -
some become surds, some become pronounced -
   third limbs, six fingers, or Siamese twins -
                     given the book of revelation, and the phrase:
given power over all tongues - apart from ideogram
languages - and Arabic sidewinders on sand dunes -
you could, technically, incorporate all the particular stresses
onto the English language from all the Latin alphabet
languages... you could, in effect, paint onto all the
English particulars, all the brimful expressions of
diacritical marks being missing: English eccentricities -
you could, in effect, paint, once you have mastered
all the punctuation of pronunciation above the letters,
and below, not unlike (that that) what's already
deemed appropriate between words: i mean actual
letters - attach one diacritical mark to Finnegans' Wake,
and the whole work crumbles... you could effectively paint...
once you mastered the many particular instances of
atypical English deviation - making English, a language
less offensive in a sense that it already is:
for English is offensive in that its universal,
a franca lingua of commerce - and since that is the case:
there must be a status quo lingua - in this case:
English with diacritical marks - expressing all the
obvious deviations - this process, i am gleeful in stating:
will take as much effort as mapping out man's d.n.a.,
that's not pompous, that's actually hopeful,
hopeful in the sense that i spotted this, and someone
will take over in 50 years time, to incorporate
all the public uses of diacritical marks in other Latinißed
languages a pompous: congregation -
nesting on the bare rocks - after all that 16th and 17th century
******* in England and tongue and Empire: doth do, etc.
modernity says? Irvine Welsh's trainspotting Scootish
dialect excess - aye wee and e -
only when all the diacritical propositions are congregated
in the English Eden will we sing hallelujah -
this is a challenge, after all, English with its
Welsh and Scottish, Berkshire and Cornish, Cockney
and Richmond fluffy accents can be feed
this invasion of nuances already expressed:
thus in abstract:                      ABSTRACT

(originally herioglyphs)
        heliographic                     (v. the ideogram -
                                                      or no pyramid to ditto)
        and thus the heliocentric theory -
countered with this, or these the 26 fractions
      of the geocentric notion, England: bellybutton
of the world - as such... helioglyphic - glitches
  or graphics or glyph-on-glyph in that x = y combined with
   x squared and the parabolic curvature and foundation |)
                geographic - geoglyphic -
when then the Greenwich meridian turn into
the Greenwich universal accenting?      English
is fertile ground to apply the many stresses,
                                   sure, make it the universal tongue,
the globalisation vehicle, but dress yourself for that purpose,
accept all the invaders to your schemes invoking the 24/7 global
community... **** up! don't tartan up! **** up!
            with the wigs and the perfumes, and the bowler hats
and the neckties - you did it once... do it again!
                English is fertile ground for incorporating all
the linguistic "anomalies" - sure, little would look ugly if
written litle - soon to the invocation of lyre - or saccharolytic -
    dog's tongue lapping and a thousand slurs later:
                     cha cha cha and kappa and cholesterol
     and cheap and chasing foxes with bloodhounds -
                         and cappuccino - and chisel - chromosome:
                                          cistern (alter. çistern) -
    if something akin to this doesn't happen...
          we're all be playing the Mongolian harmonica,
by default of the 24 hours that are stressed to
be as important as an entire year of patience in waiting
for autumnal grapes and the wine pressed.

oh right, she's the *** "slave" that gets kissed on the lips after being given oral ***, getting paid £110 AN HOUR... i'm i'm just a free-radical floating about on an income of £120 A WEEK waiting for charity of food and roof? well then... i hope that translates when i speak with a *******'s tongue stolen while having licked all the former ***** out of her **** and said: only i was in there... oh for ****'s sake! take the ****** out, i can feel the mouse tail on the tip of it! so who's the ***** now? the only oil i apply to my brain to ease the pressure after going 30 odd hours sober without sleep is alcohol, i imitate a axe action on my neck feeling my third tonsil turning into a throbbing muscle.

the split apart grapheme in greek!
θ                      and                        φ!
the lost grapheme!
thermometer                                           the
                                                             ­     v'eh or d'eh?
imagine saying     θarmacology
and imagine saying φermometer! imagine!
the english empire... shushed in a second in Dublin,
god knows why Yeats was read by
Clint Eastwood, and to my surprise,
a toothache or a broken nose readjusted is
more painful than what i managed to spot
in the greatest boxing movie: million dollar baby...
some pains are greater, the pains of the past
the past not rekindled are greater than
those of the present, the present can be overcome,
the indestructible element, what with
fire, water, earth, air, electricity, the seventh being
soul - all the others are preserved in continuum,
why can't the soul be kindred of the others,
is it to forever remain a ******* from the *****
bank of Louis XIV, huh?! the soul is equally elemental,
all modern science can tell me a that it's
worth walking in a library rather than a forest,
that all trees will eventually be treated as
toothpicks, matchsticks or pencils,
but i am not bound to exist in the mind
of another person, i am not to be the host eternal,
for all the science, we've become less
individualistic and more prone to parasites
of theory... personally i'd prefer the membrane
of phobias to keep me safe rather than
transcend these little millimetre irrationality
segments to be captured by a frigate of the grand
theorists...

please tell me it's just a horror case of aesthetics,
please! but no, you won't...
i know the overbearing particularity of English
due to missing diacritic,
i know the significance of significant syllable
cutting-up due to diacritical application -
the Greeks had a premature ******* starting
to use them... they shouldn't have...
THE ENTIRE WORLD WAS WAITING
FOR THE ENGLISH LANGUAGE TO BEGIN USING
DIACRITICAL MARKS! why did the Greeks
jump too early into the whirlpool? look at English
culture, they're gagging, rather than laughing,
we were all waiting for them to catch-up to the aesthetic,
they didn't, the Greeks made a falsetto on the 100m sprint,
they should have waited, and waited, until
the English applied diacritical distinction to the print,
in order that they might deal with programming,
encoding, computer language, no wonder
English once so eloquent disintegrated into emoticons
and acronyms! look at it! there's no point feeling
a nostalgia for only one man, there's no point
keeping Shakespeare when there's an entire
century to decipher, Marlowe et al. (i preferred
his Faust to Goethe's - one breath reading session
in Dover) - with nostalgia come the many merry men
of Southampton, not one, you can't do nostalgia
primum uno, you need a species, can we find the
required shrapnel in the Caribbean or in the
Venice of the Indian ocean, namely the Maldives?
you can't do nostalgia like that,
you need at least one other, otherwise future literature
extravagance will be as short-lived as
the Counter-Reformation given Martin Luther,
he isn't god, never was, but imagine the feeling
of disgrace that even poor Charles Dickens couldn't
match up to!

indeed the Greek created the consonant grapheme,
and many other twins separated at birth,
to fuel an orthographic aesthetic -
a bypass necessity of the opposites and lacking
colour - false stance of defeat written on white,
but geometrically written in the *******-out of colour,
therefore mutating, deliberate encoding due to
how to write like an Impressionist or how to write
like a Surrealist...

but as i remember, the riff to Black Sabbath's
black sabbath* written in tabulation:

e ||                                                  (boo tome)
b ||
g ||
d ||
a ||
E ||                                                   (top um)

opening riff sounds like this:

d ||                    3
a ||                                      2
E ||    1    

                 for the trembling effect, quickly
                 interchange with

a ||                                      2             /            3.

sometimes you reveal a cognitive beehive, telegraphic notations: pleasing errors and a malignant internalisation of what democracy looks like in one man: voiceover canned laughter... i've only heard of two comedies without canned laughter - the royal family and the office... you know when you are permitted to laugh... rather than be fed the easiest way out... attributing a witty comedy with canned laughter devolves it from being a witty comedy... meaning mr. bean (jaś fasola, do re mi ti do) had more wit; because i want to laugh when i want to, not when i'm falsely told to as if i didn't understand the language i used and didn't find the canned laughter jokes utterly appealing to be unanimously convinced that they could take my stomach and put it on a torture rack of giggles.*

you have to turn into a child to decipher the patchwork of lies,
elijah had enough honour in him to have written
absolutely nothing, because he measured it out as:
they’re all trying to imitate moses’ style, and they’re
doing a very bad job at it,
my purely cognitive proof will send shivers down their spines:
and so it was.
the one thing that worries me about the greeks’ work
that’s the new testament, primarily...
the bit where judas becomes a slave dealer elevated from a thief...
so did jesus shave his beard off and cut his hair to roman standard
(short) that he, one of the most famous people at the time in judea
be so unrecognisable as to require judas kissing him?
what’s up with that? i’m sure that walking on water
and feeding five thousand strong with five loaves of bread
and two fish... you would make an indent in the public consciousness
and which would make you easily spotted... even in an age without
selfies and passports to identify you... so what’s up with that?
another thing (apart from the fact that i learned
that bottled beer tastes better than canned beer)
is this bit about elevating men above angels,
with angels in islamic theory being creatures without free will,
i.e. robots... which ensures man slaughters cherishing a day
of reflection (the sabbath), and engages in a 24 / 7 capacity
to trade goods...
the bit where gabriel answers the feminine aspect of translating
woman to man and man to woman... was muhammad a woman?
christianity gave us... for ****’s sake singing eunuchs...
worse still it turned grecian homosexuality into perversity...
choir boys got fingered by a priest... it turned homosexuality
into pedophilic homosexuality...
and you know that interest kant had at the beginning of his career
with the theme of swedenborg or hegel’s with böhme -
it’s tiresome, mysticism is, i mean you get man elevated
above angels / robots turning men into robots...
you get the wings of angels clipped...
you end up with men without testicles (bloodhound gang’s
pink floyd pantomime - all in all, you’re just another **** with
no *****)... then due to the wings being clipped
you get angels attributed the status of saint...
st. michael, e.g., st. raphael...
and you begin to wonder... what if devaluing angels to the status
of saints encouraged the complex schizophrenic dialogue of
mohammad’s revelation to reach into this pocket of logic
and denote him as the angel michael, the warring angel...
given the current implosion of islam into a warring reformation?
obviously it’s ridiculous for the humanist and what not
in attempts to appear cool... and in there in the secular realm
a clear voiceferous voice of conformity with scientific standards
upkept is like a tennins ball against a brick wall...
but philosophy begins in awe and ends in paradox...
you can turn into a clown once in a while and appear to weep
with a smiley face make-up...
the diacritic use in german polish swedish etc.
is a disease in english, with its diacritical nakedness...
it’s a negation of ease for one reason: c u l8tr -
what the hell is that? lol... liquidation of lombards?
very unsettling to say the least...
as much as the french antifix, for example
le alésoir - the affix is apparent because the “hyphen”
over the e  stressor is pointing east...
but an example where the “hyphen” over the e
points west... the thus mentioned e eats everything that
comes after, thus becoming an antifix, e.g. excè(s)
thus the use of diacritic marks also act as syllabled segregation
into compounds of timing pronunciation:
much more than the english expression of tomato
and the american expression of potato;
sub-refernce from the title: gnoch'e - imperfect,
no wonder dyslexia exists...
even though the majority of people are literate,
the pre-existent spelling complications still favour
those who invented them and subsequently allowed
the all-pervading literacy for pawns.

only a scouse inhabitant could have pointed it out (merseyside english / liverpool) to no better comparison.

i'd love to have the salt & pepper dilemma
between low alcohol sessions and
high ******* session, just did the low
alcohol sessions and laughed, after having
become equipped with marijuana "abuse"
starving / fasting, never gearing for chips
and munchies...
the streets of london look a lot different
walking about high & hungry
rather than jokey and as a jockey of an
imaginary horse...
god made sanity and soberness an ivory tower
that was not worth defending
unless for manual tasks... all other tasks
were never ready for the multipliers of human presence,
not all of us would hammer a nail
for all the scratches of a vinyl disk if all were able.
indeed the scouse lad knew it,
languages that clung to latin were left historically
naked, without diacritical marks,
instead they delved deep as to upkeep the latin
they forced the closure of grammar schools
along with coal mines...
and what they earned was not a sense of categorisation,
english slosh tongue said the 18th century
happened akin to the abhorrence of moral relativism
by socrates to make stab in the eye a ******,
to thus say bronze age was but a hundred years...
keeping latin naked as it was by the abhorred
conquered land of the romans due to its bad weather
may have made a milton or a shakespeare arable...
but because of a certain type of censoring not ever used,
what became beautiful in other european tongues
became the ugly spelling of the english tongue,
what became stress marks of "accent" for the french,
and german, romanian and polish,
there was none of that in english, instead
we became accustomed to aesthetic "marks", that
were "marks" because there were no actual examples
for a clear rubric... instead we received too many examples,
the particulars of why we wrote the and said a sharpened v
in written form v'eh off veer...
there are no unitary aesthetics marks other that words
themselves... rather than what we have in terms
of unitary diacritical marks of akin umlaut...
there's no where else to go... the Minotaur has caught
up with us and our shadow! there's no labyrinth to further
our heaving lung to cheat both silence and breath! there's isn't!
it's the end... not using diacritical marks on units
only creates aesthetics of multiplying units
where they are multiplied: riddle... mirror...
                 keep, kettle, leer, pass, throttle, amiss.

(the syllables are not perfectly connected,
therefore much of "coining the phrase"
with prefixes anti- con- un- sub-
being endeared into your vocabulary,
then again clearly, accenting and aesthetics
compare to reach a parallel,
never leave it naked i say, never leave it naked,
for fear of reprisal of that which ought
be buried still alive, and with clear
acuteness for certain letters appropriating
there is no originality in the british tongue
for origins of the a - z under virgil
who originated the letters to the plagiarism
of grecian theology with the trojans
moving from turkey to italy -
therefore you become akin to other european
nations enacting a parasitic semblance
for the simple reason of ease coupled
with the many "loop holes" of the tongue,
or you reach absolution with the missing diacritic
as reasons for the modern acronyms: l8r, o.m.g.,
b.a.e., i.r.l.... all of this crap is a byproduct.)

but to say latin is dead, you must recreate the latin
alphabet with an ethnic particularity of a modulation
that might be compared to the migration of goths /
huns / vandals... to say 'latin is dead' and keep the
latin a without a modulation to craft an ą,
is a darwinian heresy that demands counter-evolution;
there's hardly one coliseum in london, although
i admit plenty of football stadiums;
still the evolutionary need is still necessary
and consistent, because it's not the case of the three
wise monkeys seeing, hearing saying no evil...
if this phonetic geometric is to survive and the crucifix
not be a vanity shield of artists due to the wrathful lamb,
it will need to specify whether it's gaelic english,
welsh, australian, london based, come home county based,
arizona or texas draw.

once rastafarianism entered language ploys with wittgenstein's language games in mind it misplaced pronouns, existentialists just dittoed the signifying moral singular with the un-signifying immoral plural; like i was partly holocaust bound, ha ha (example); cherub and a scotch bonnet of my opinion tingling a contest of: chilli v. pepper v. horseradish. let's just say i'm a plasterer rather than i.q. me as a drinker. slaps in chequers on a bench to sober up momentarily.*

trust the saxon, trust the saxon to speak worse german
than the bavarian, and entrust german to the turk
above the saxon; trust the audacious saxon to leave the alphabet's
diacritic out, to spell like a roman would, from the celtic netherlands of gloom
in scotch egg on a couch, the potato of them all,
trust them with audacity and vocabulary  to conquer the world:  
relieving us norse with ****** never mind
the geese of brazil; exact roman care for all dwindles and fibrous excesses,
conquer the world what have you,
at least you have black skin and opera sunsets
while i have white skin and grey clots of 7pm in september,
or as the censors announced:
rather my vanity than the proof of god,
rather me than you in the minotaur's prison of winding zigzag vocabulary;
you're left politico correct i have three thousand
longboats waiting, you're right i have the same number
awaiting wind and sail. trust the saxons among bavarians to do the following:
but you have the caribbean and that's worth more than kenya
in a 100m sprint. you have the caribbean and i'm african,
nuance the scandinavian proust waging war with
a burnt toothpick not giving enough warmth. each me of the lost tribe walks asking:
blondish in the sea i dare you to walk and reason
the heraclitean suburbia of the river of emptied housed-in arsons worth a life.
come alaskan winters come!
trust the saxons to conquer the world without a holy implied for empires
and lost tracts in order that the romans might utilise proper a and proper o
while the saxons in **** with normans and celts said:
we'll roman-speak about the amazon girlies while our girls party out
a craft of whitened cotton for champagne ship-sailed virginity!
trust the saxons to speak worse german thank turks in order to bind by migration
an island as a ship, and sail away sail away wondering
why the roots of other european nations used the goggles to speak
as much microscope as microphone when accenting
and, in so doing accepted dialectics rather than a pompous excess of fibrous ginger plastic
known as dialects: in england dialectics is known as dialects - caged owls elsewhere
didn't coo coo but mooed with gags in nostrils sneezing when snorkelling:
we say error in sussex and say wok cumin seed sizzle in essex;
close enough to be a cockney in hackney rhymes up a mango.

i sometimes find myself listening
into the zeitgeist narrative...
the sort of talk that
is spoken by people who...
have a hard time figuring a hammer...
heidegger's:
can two labourers have
a discussion about philosophy
when solidifying themselves
in perfecting the: repeat labour?
my answer is... not really...
              crack a joke, sure...
but wouldn't a subject matter of
metaphysics counter them
     ineffective in the physical
endeavor?
           the question is still intact...
but the supermarket cashier
is more suspect...
                my question is:
       the jobs that are so pointless
they require sitcoms,
humour,
                        cubicles...
   and not one will you hear
talk of philosophy,
because... narcissus has taken
over...
           as as his brain-child birth
of the sister - solipsi - (σoλιψ:

now i'll ask...
the rubric break-down...

why is it σoλιψ...
  and not σoλιψι...
or for that matter,
not σoλιπσι?

      the Greek fathomed
to give noun-status
to some of their letters...
so...
             alphabet...
prefix-
                and -suffix point of
attachment...

ah...
but no one would read
σoλιψ as σoλι'ψ...
and no one would
read σoλιψι as...
             anything worth
adding the added iota...
unless...
   and the dot above ι
is of what distinctive
                             posit?

but σoλιπσι = σoλιψ...

me? i like trivial observations,
pedantic, yes...
  but my letters are not bound
to having a noun category...

alpha-               -male...
means something...
but in my castrato-sing-along
i have AH...
                      beta-        
  becomes be(e)-             -h...

       punk-*** orthography
of the english language...
intimidating & supposing it
has any orthographical markers...
j & i do not count...

        begin afresh:
and i would know something
about leaving a ȷustιfιed
aesthetιc comment...
  ȷust so!

the Greeks are riddled with
an excess of diacritical
mark application...
they have to look pedantic
before the Latin inheritors...

this is the point where you say:
being overly literatre
isn't helping,
when the English,
the prime inheritors of
Rome look... slumbering...

   i share their burden,
whatever happened to
the Polish-Lithuanian commonwealth...
and whatever i am
of a concern for birth...
listen...
they had their chance to breed
a blank slate man...
but as long as they left
the bricks & mortar of grammar
intact...
   they started attacking
grammar...
             what am i not to do?
cook you a ******* k'eh'b'āb...)

     - who was born out of
  solipsism...
                     it's such an airy subject
matter,
         at best: all of it requires
a status of noumenon...
   and someone who has access
to a very frictive vocabulary of
technical terms...
    spotted once in a while...
              crux-verbum constructs...

abortion at 9 months,
state of the union address speech
of the president:
   i'm not walt whitman
and there's no: o captain my captain
from me...

  but what i see...
       the old gods that were conquered
by the hebrew god
of its people resurging...
like Milton's fallen angels...
resurging...
   being reborn...
                with that speech
about abortion: i see, Moloch...
i too see Beelzebub...
mastering the craft of lying
tongues...
     the old gods are back, baby!
there's no need to congest
oneself with h. p. lovecraft
inventions...
      once the old, conquered
gods lose their fallen angel status,
once they are
   liberated from
the thesaurus of confusing
nouns of the lost time...

to me Moloch stands
the most proud...
and yes, i can listen to ricky gervais
talk about:
   the pinnacle
of darwinistic realism,
cultural darwinism,
how there is nothing ever
too suspicious about the natural
world,
and how i have to accept
the ****-manner of
"appreciating" the natural
world...
                   the octopus,
and the platypus...
            and... like...
                between a rock and a god...
the absolute death-row
narrative...
  there are only cul de sac
avenues for thought to exist...
and... given...
i am the deluded one...
then... where's the ******* asylum
and jimmy savile?

              but no one tells you
about anything: enlightening when
they have experienced
auditory hallucinations...
oh... everyone's almost
unanimous about visual hallucinations
esp. if they have ingested
fungus or Hofmann teabag...

as a person who has
experienced auditory hallucinations...
believe me...
   esp. when "thinking" is also
deemd "auditory"...
    in that casual: i can't hear myself
think...
                  auditory hallucinations
are no... pleasant...
    however much visual hallucinations
are championed...
because the fear of the unseen:
yet heard...
contributes to a more potent
fear of what is... seen: but on mute...
because by being auditory:
you can relate to it having
a... ******* mind...
a consciousness of some-sort...
auditory hallucinations are
that much more scary because...
you experience no fatigue,
when the sort of fatigue
you would experience...
from thirst... in the desert...
           "seeing" a fata morgana...

me? i hate it how...
biology and physics have reached
the status of mainstream...
while whatever chemistry
was allowed, of nibbling on
the mainstream
is left rotten in the arms of a zombie
attempting to read some
alchemy text from the middle-ages...

no... i am not mezmerized...
****... mesmerised...
****...
    mez... z'oh: **** it... might as well
employ the german diacritic
marker:                meßmerißed -
because the, "softness" of the S
in that word, is never really: SOFT...
is it?!

      auditory hallucinations...
i can't explain them...
          it's not like you can actually
ingest a fungus...
that would allow you to hear...
say... the philharmonic crescendo
of Pandemonium...
   find me a drug like that:
then we'll talk...
              
   and, if ever, on the side:
poetry would be dead in a day
if everyone started to have a darwinian
hard-on for nature or
the Aristotelian genesis bound
to awe...
                       fear...
                       and it's not like
fear is a pathological complex
that man needs to be rid of...
     sure, i'll make it more subtle:
being... apprehensive...
           and you know what fear
doesn't allow...
          stagnation...
dulling of the senses...
                                     apathy...

mind you:
that half a liter of whiskey,
and listening
to the corvus corax song
                    la i mbealtaine
could never do much wrong in me...
coming to this bud of a blank
space,
and letting it exfoliate into...
this, bargain, of extracted words.

what england needs now is no **** & dump king, it needs a lethal combination of edward the confessor, philip augustus (the 2nd, house of capet), and george iii (house of hanover); the first for the bluntness of truth, blunt knife of honesty is not honesty per se, per se a weakness isn't a weakness at all, esp. if it's colliding in polite society that understands it as rudeness; philip augustus for the genius of plotting: playing off richard i with henry ii, and richard with king john... george the iii? the one that went into the cuckoo's nest? i need him for the halo and the innocence of others, provided the innocence of others is simply a way with lies.*

which had me thinking,
the bit where i mingled linguistics with chemistry,
the asymmetry of c & k,
of s & z... cat, kettle, empiricism,
i don't know know of another s & z example
that does't involve the ß, sure the s is sharpened
into a z... perfect contortion for 90°...
fair enough... acute angles...
but i mean this quasi chiral sentencing...
c is non-super-imposable on k,
s isn't quite a z in alice's adventure
the other side of the mirror...
but in some instances (due to the lack
of diacritical marks in the english language
to bespeak australian and american and south african
and canadian accents as proof of moth / ćma)
it appears as if i mistook my spelling
even though the english language is the easiest dyslexic,
even i make spelling mistakes in the odd bit of phrasing,
but that's natural, there are no clear phonetic quanta
to base my judgement on...
clearly i can mistake on letter for another...
it's the clear over-individuation of worded distinction
that gets me bothered, finding semblance
in current celebrity culture of the:
gone with the wind / farted into the wind /
****** against the wind looking a locomotive
of dry cleaning, as was don quixote at the dry-cleaners
lance and delusions in hand...
i can arithmetic the word onomatopoeia
from the sound: on oh mah toe *** ah...
but where the hell is the vowel i?
can't find it... found a baboon quicker
shoving it's crimson **** cheeks into a birthday cake
quicker - laughing at whatever i.m. weasel said
when cartoon network was fun and intelligent
and had a chessboard logo and m.t.v. was
all about music videos and not about
16 year old teen mums... is that music to my ears?
indeed it is i.r. baboon ****.
a anyway... it's chiral in the mouth that c and k
it's super super impress tactic of two left hands
acting like one right hand...
but on paper even C or K could say that
one stroke-curving was like 3 segments:
down, north-east across to centre co-ordinates (0,0)
and south-east across to the same centre;
it's symmetrical in the mouth, but
asymmetrical in the eyes -
hurts a lot, like watching english (historically
speaking / moving on / a quality lost with time,
non-possessiveness of a quality,
came the pakistani post-colonial migrants
and gave a shoo to shoe-shine as under the carpet
and all was well in multi-culture of a sociological
experiment) governed by so so many
worded accents as to produce one a and not
one moldovan j (ж)... it's almost japanese
given the news!
so if quanta are incremental units of energy
in the french lingo 1cm,
then higgs are incremental units of mass,
in french lingo 1 of something...
it's still coconuts and palm trees with polar bears wandering
free in poland, given the english perspective
of the colonial past, with polish girls migrating to
the islands of discontent by storm eve;
those prone to eloquent scheming are in confession clumsy;
and those mad are capable of the highest intelligence...
but those with strap-on-****** will hardly manage
a zoo, let alone a human decimal of involvement;
fractions sounds better though,
we need surd markings on some of our phonetic symbols,
akin to diacritic marks... but whereas diacritic
marks stress... surd marks make pronunciation dissolve...
hence the need for censorship in theology akin...
we might require a pseudo hebrew take on things...
hiding the vowels will only elevate all other languages
to the extreme of hebrew, but it will not be enough;
we'll need for an ace of spades over a bible passage:
then revelation and poker faced tango.

i'm not working from standard definition,
nor am i too fond of the phonetic alphabet
that denotes the sounds of latin with /ˈlætɪn/,
working backwards, noticing the modern
excesses of those little bothersome flies
that insinuate the necessary stressors,
noticing the blatant similarity of how latin
was written and how english is written...
latin œ or æ is like the german ß...
interchangeable symbolism that's hardly more
o than e or a than e... but an interchange of s and z...
most noticeable in english,
for example the even word and the odd word:

size... zebra... symbol...
           desire... sophistry
           spasm... sequence
           sugar (no one says soo gar... sh')
           suspension... sorrow
silk... zero... satire...       
                                      
like i mentioned once... disease is not easy
with the prefix dis- relegating ease into
the realm of broken arms / fingers...
how it sounds and how it's written:
dißeaße / disease    
(primarily due to y in the prefix original,
  but when compounded changed into i and
  thus invoking the scharfes s -
  w polskim szarfes es)                                               
see.. it works a tomahawk into slicing tomatoes
right off the 100ºC scalp achieved when boiled...
you can even squeeze in a ripe potato if you wanted...
many e e e, many... i thought about reading philosophy
in english, but it was no use... i never solved
the enigma of the ditto ensuring first person, 'second person'
and "third person" how and why it was used...
joyce irish was used akin to the polish method...
hyphen-sequencing dialogue in one, two, three:

- i think.
- i take oaths!
- we're both commanding.
- reminder of the remember:
                                                       ­                                  etc.
usually it was just i said
and then                    "
that                             "
nothing.

it's ****** confusing, but english is the ideal
playground to write philosophy,
written philosophy is so weak in english that
only three maxims guard it (interchangeable to hide the weakness):
beauty is on the inside not the outside,
good things come to those who wait...
altruism per se / utilitarianism per se;
you can write with as much weaved fabric of words as you
like given the english scenario...
but i mind the forest for the acorn
and the crispy autumnal loss of chlorophyl kindred of snow crunch,
so i can twist further in the latinised kabbalah,
moving away from hidden nouns
and into the territory of unsophisticated
pause symbols... revelatory pardon with a and o hidden,
electrified hyphen or comma misplaced,
hence excess poetry extraction from the populace
not loving the musicology of modern grime,
hence the bewilderment of ancient lore of english
sentenced with: that thou shalt not lore;
why did rome survive in the most detested
part of the empire, so naked so ancient?
it's bewildering beyond the extent of natural bewilderment!

so if i were to ever teach english as a foreign language,
i'd more pretty much all the diacritic marks
of other european languages into english,
which is the diacritic blank canvas, and each of
the odd words would be written, for practice and
memorisation of an atypical english accent,
e.g. deßire, spaßm and all the -isms like
empiricißm, psychologißm, egoißm etc.;
and i certainly wouldn't mutilate the language
like native speakers have done with
pseudo-stenography -
'ere, 'av 'sum pears up... th' ladder,
                                         so we know u woz 'ere, lolz.

some might call k the "misnomer" / mis-sonus of c...
but q it also bargaining to take that same oath
of being entitled, as is s.

some would call it a profanity - from the islands of northern Europe i liked the Scots the most, in my first year at Edinburgh Scottish weather played a joke, i don't remember a single gloomy day - i do remember not sleeping one night, and trekking up Arthur's Seat to watch the sunrise, then climbing down, buying Kellogg's cornflakes and full-fat milk and eating them - that magic moment just between daytime fully sets in - it's so fresh, a reality proof, just before the mundane job applicants get up, you get a sense of what's truly taken for granted in society - it only lasts for a few minutes - before the commuters' nagging sets in, and everything fresh (awaiting the new dawn) becomes custard thick - sticky, sickly honey glue pungent... anyway... i'm making a grand profanity at the moment: tier 1 - whiskey and ice, tier oblivion - whiskey and coca cola... but what i'm drinking is like a virus immune to antibiotics, no amount of citrus barley caramel can mask the smoked salmon with a tinge of variously fruity accents can mask it... Glen Moray, single malt, an Elgin Classic - it is a profanity, i agree - i should drink whiskey like mulled wine - but i'm in a hurry for a mindset, and i'm not bothered that much about passing down aesthetics - my palette says otherwise. yeah, my love for Scotland came from climbing up a ladder in the English hierarchy at school - everyone wanted to be taught by Mr. Thomas Boonce - aged 15 went into B1 (or however they noted the selection process) - aged 16 on top of my game, A1 class - a blazing comet trail of ambition, shared the same desk with my enemy shoulder-to-shoulder, the one who promised me a south american plant would give me grand hallucinations, ****** the mother of my ******* son and wa-lah! elephant trunk pulled from a top hat playing jazz - that Jesus bit about loving your enemies? esp. if they're your childhood friends and are **** crazy? you don't love them, your heart turns to stone and it says skipping on lake: what a shame... so much potential in him wasted on jealousy, the way he trusted a woman that is now on some sort of psychiatric medication... i can't love enemies, what i can do is feel sorry for a waste of human potential... (knock on chest)... yep, this ol' ticker is solid stone... and sooner or later it will be added to a mountain i'm constructing in my mind.

thank god for rabbinical literature -
i could pour days over these pages - i literally open a book,
a compilation of entries -
why hasn't anyone noticed the genius of written Hebraic?
i know in the middle east is a wasp nest of harking and
memorable achoo - or quasi (~, literary denotation,
thereabouts, so so, kinda, well, approximate too,
hand gesture in that symbol, good-in-bad-bad-in-good) -
just now i was admiring the fact that Hebraic hides vowels -
truly, they hide them, ingenious buggers -
all the vowels in Hebraic are hidden -
in translation to Latin the Hebrews treat vowels
like post-Latin users of the original S.P.Q.R. alphabet
use diacritical marks - and newspaper Hebraic doesn't
include them in print, only: i suppose in poetry and
rabbinical writings are they exposed -
which stems largely from what is cordoned off -
or rather the fruits of the work of encapsulation -
Latin is slightly biased, no letter is truly encapsulated,
shut-off from another - aye, be, cee, dee, ee, ef, hay'tch (
a distinction), em, en, ***... zed (an exception), ex, you
get the idea - there are no nouns in the post-Latin
alphabet as such - which is why in science Greek letters
were used as constants - these consonant constants
encapsulated not only the phonetic content of a symbol,
but also allowed for an encapsulation of some higher
purpose - e.g. α (angular acceleration) -
β (sound intensity) - γ (gamma rays) - δ (heat in chemistry,
the perfect error, the Laplace operator, etc.) -
ε (set theory, the limit ordinal of the sequence -
    html disapproval to be written as: ω (tier squared ω,
    and one above the squared tier ω, ω root ω double root ω -
    variant alias of this? Hebraic notation of u .
                                                               ­                   .
                                                               ­                      .
     *shurek) - Θ (Debye notation) - θ (potential temp. in
thermal dynamics) - ι (orbital inclination in celestial mechanics) -
κ (curvature) - Λ (lattice) - λ (decay constant in radioactivity) -
μ (micron, SI prefix, one millionth) - ν (a neutrino) -
ξ (a random variable) - π (too obvious, πr squared) -
ρ (correlation coefficient in statistics) - Σ (summation operator) -
σ (area density) - τ (torque) - φ (the golden ratio, 1.618...) -
ψ (the cat in a box, wave function, quantum mechanics) -
ω (the infinite ordinal);
                                         it's precisely because the Greeks to
encapsulate their phonetic symbols that so much stability
was brought up - look how poverty stricken the Latin variations
are - these are not merely letters, they are actually nouns!
you can recite the whole Greek alphabet a bit like going
to a party and being introduced to people: Jim, Charlie,
George, Rosemarie... obviously there are exceptions for
this observation to be bullet-proof (i.e. μ, ν, ξ, π etc.)
but did the scientists mind not using them? no! they kept to
this interpretation that symbols of sound need to be encapsulated -
held together, stable, each symbol needs to be a balancing act -
an ~equal amount of consonants and vowels need to be
invoked when writing either a or α, b or β, g or γ -
there needs to be an invocation of names to these symbols -
not mere ah be c e ef gee... English for its laziness in omitting
diacritical marks did the unspeakable when digital paper came
about - it turned itself into a quasi encryption tongue,
acronym fuelled and in all honestly - self-conscious of its faults
yet basking in them! but the real genius in encoding signs truly
belongs to the Hebraic school...

you find them so coerced by naked pictures,
that their outer resembles no inner -
you find them bound to an idea that the inner can
somehow compensate - but it can't -
the outer as the inner reveals nothing,
no love, merely a **** - the winged-Hussars die
in Ukrainian fertile land, and with the music,
you can only think of the drudgery of walking
through knee-high mud - you can just picture
the Cossack moustaches wedged behind the ears
like earrings - i too would have eaten my tongue that way
had it been permitted - without permission
i spoke of a stake tartar and my tongue into one -
then the mantra came - kametz, tzeré, chirek, kametz,
tzeré, kametz, kametz, tzeré, tzeré, cholem, kametz, kametz,
- i will not be treated like some dumb farmer!
      your Yurt empire is fledgling into the sunset!
  and my heart is enshrined into a bitter toil! it will love
as it pleases! not with you saying what there's to love!
tzeré, shurek, kametz, kametz, tzeré, kametz, cholem, tzeré,
chirek, kametz. what a mantra!
a, e, i, a, e, a, a, e, e, o, a, a, e, u, a, a, e, a, o, e, i, a -
patterns strangre than in a poetic rhyming scheme -
respective incisions into still-life motives of movement -
i.e. if a vowel be my hand, a consonant be a chair i sit on:
kametz of aleph (א), tzeré of bet (ב), chirek of gimel (ג),
kametz of dalet (ד), tzeré of heh (ה), kametz of vav (ו).
kametz of zayin (ז), tzeré of chet (ח), tzeré of tet (ט),
cholem of yod (י), kametz of kaf (ק), kametz of lamed (ל),
tzeré of mem (מ), shurek of nun (נ), kametz of samekh (ס),
kametz of ayin (ע), tzeré of peh (פ), kametz of tzadi (צ),
cholem of kof (ק), tzeré of resh (ר), chirek of shin (ש)... and
finaly the kametz of tav (ת)* - we really like our matchstick
men, don't we? in terms of ancients tongues,
we like our curvatures in modern tongues of Greek
and Latin, don't we?
instilled the names of vowels! kametz (a
                                                 tzeré (e
            chirek (i
                                          cholem (o
                 shurek (u
                                                           pentagon thus far,
    revealed vowels with diacritic interpretation
           kametz, as soured: חָ - tau, vowel as diacritical mark
elsewhere -
                       tzeré - or umlaut below the letter - alternatively:
           וָ qàmetz                   וֵ tzeré
וִ ḥìreq                              וֹ ḥólem                   וּ shùreq
     (c, k, q - make it quick, à, 1st),
                (é - prolong it, to catch a breath, or the first
                      tetragrammaton H),
that's the genius of the encoding though... the omission of
vowels, or vowels as diacritical marks - one shurek (u .
                                                               ­                                   .
                            ­                                                                 ­        .)
among 10 kametz and 7 tzeré - gematria at its purest -
one shurek, 2 chireks and 2 cholems -
a form of encoding deviating from obscure onomatopoeia
and the void and meaninglessness, toward
a sound ushering a word for word, and actions parallel -
but this encapsulation of breath taken and
breath released, as in writing, the speaker does not
suddenly breathe again - but is kept within limit,
a consonant starting point, the zenith of breath or soul
and a return to one body, v A v (e.g.).
but imagines being able to avoid noun insertions -
then Hebrew is very much as modern English -
when modern English ought to utilise diacritical marks
on either vowel or consonant, it does not -
it doesn't have a single sound encoding worthy of a name -
there's no omega, there is only oh -
Hebrews treat their vowels as diacritical marks -
their language is one massive crossword -
how do they even read HBRC? who the hell taught them
when to insert the vowels from following the roots
as stated HBRC toward the tree that's HEBRAIC?
this is ******* bewildering - i don't know how they do it!
what's agonising is their notion that patterns in letters
having numerical values is somehow meaningful,
as if something horrid can be averted - to me 1 + 1 = 2
is enough - i don't need alef / αλεφ / αλεθ (א) + bet / βετ (ב) =
anything but gimel / γιμελ (ג) -
this is the ****-pile of having so many prophets in your society
and not enough philosophers - the Casandra Standard -
Greeks had the philosophers, the Hebrews had their
prophets, both in excess - in the end the cult of prophecy
in Hebraic society turned into a Casandra Standard
borrowed from Greek myth - while Greek philosophers...
i don't actually know what happened to them -
i think most of them became dentists after Aristotle suggested
women had fewer teeth than men.

indeed shakespeare, the world's a stage, but give me
the stage and not the world, give me the actor's proper
compass to define himself in the stage without
the onslaught that bothered nietzsche: imagine speaking
for the entire humanity. i have one for one, where the
"actor" owns the stage, but cares little for the world
in which things are acted according to heidegger's da sein.

inside a room sits a man, reading aloud canto xxxviii,
taking in the funny parts... with ezra's specified decor
of the trilling r, the lip numbing vibrating of m and half m (n),
just to don the evening jacket pipe and waistcoat...
all the way from idaho... losing the accent of course...
like me from the backside of poland, although nearby
the signing of the treaty of *lublin (1569)...
so there he is, sitting like a crow with a crown,
or a crown that's a crow, hunched, nonetheless eager to enjoin
with the surrounding choirs...
in the room händel's tecum principium (psalm 110) -
if händel never bothered to expatriate to
england... we'd only be left with elgar and
vaughan williams as the sole exports... what shame...
here's to the fireworks! in the room this scene... but outside
a first movement of ηoλιδες by franck...
so indeed the voodoo ****** needed for the giggle
from canto xxxviii (contrary
to what was suggested, and the suggestion
was that i could enjoy music & poetry
as much as i am now with a woman,
to prevent the waterfall from mt. ****,
the boredom, the scaly crocodile the
erasing ink of octopi... all that with a hope
for censored ****... and children and the absence
of private thinking... to appreciate it once is
not enough... and with woman of choice
only one account holds sway... tear jerker at the opera
and furthering this withstanding joy at beauty...
perhaps knowledgeable with an operatic spouse,
but no step further... in that great foundation
of life and grey matter... a tier below the merchant...
the buyer... the exchange of rotten deeds for
glistening goods - with woman the scarcity of
fed inhibitions expressed in the pure inhibitions
of sentencing blissfully haloed loneliness
into the resounding exchange of thought & voice
(esp. of someone else, once written);
no, we dare not invite profanity of such
crescendos as woman is capable of to replace
the ecstasy of the violins harps and trombones...
for indeed with a woman i'd be chained to
hear the worsened sense of symphony...
and more angina or animosity for what i prize
are relevant coordinates of executed choice
that leave no wall of my vicinity cold and
ghostly as if a dialogue with someone
was necessary; but to the poignancy of the canto:
1. the cigar-makers automation requiring recitation
    to combat the capitalistic rat infestation,
    known as mechanisation / automation,
    according to dexter kimball,
2. because of a louse in berlin
    and a greasy basturd in austria
    by name francios guiseppe.
3. on account of bizschniz relations.
4. and schlossmann suggested that i stay in vienna
    as stool-pigeon against the anschluss
    because the austrians needed a buddha
5. der im baluba das gewitter gemacht hat...
6. kosouth (ku' shoot)

and i end with that... there's more but i cannot
spare not inviting this gentleman in smockings
who said:
i say... didn't the english forgo the use of
other europeans the necessary stressors of accent
to singular letters rather than words
or word compounding, all cockney ****-side-up?
i dare say those french bass tarts
put the ' over the e, and the papa turds on top
of the o... while our kin too to sharpening and shortening
things... taking 'em fo' d' fool...
so if there's direct correlation, my german compatriot
said... itz zys: diacritic of french with o and le v. la
is the english of would not with wouldn't.
now i think the modern fictional hannibal
has a mirror proper... without the mexican doctor (
cannibal etc.) but with this villager from idaho,
making it big in london and paris...
as all "little" villager folk do...
given there's less cosmopolitan conversation about
among the slapstick nobility humour scheming
and socialite consciousness with the odd dry martini -
given there's less of all that, where you can
go to sleep at 9pm, and wake with the roosters at 5am
(in summer), milk the cow, feed the hens, pluck an organic
tomato... and get excite about village traffic - tumble weeds
speeding, ol' mcdonald wrote a poem:
a tad bit cornish, nonetheless, the sort of nourishment
that redeems.

i love winter for the sole fact
i can invent living
in alaska or honningsvåg,
and never see the sun for four
months - it helps that in england
the skies are blissfully gray
at sunrise in this ideal season;
i'm adding to the cult of the moon,
a subplot of islam you might
call what i'm doing - no cult
of the sun, copper skin and
the cliché holiday in the bahamas,
no dream of all-you-can-eat buffets
at a holiday resort - tatar steak
for me and a chance conversation
over hákarl (kefir meat) watching
a volcano errupt in the night.

p.p.s. (pedantic post-scriptum):
the diacritic a in hákarl
is a sign of elevating the k, or at
least prolonging / exfoliating it,
stressing the two syllables -
well at least in my optic theory
of interpretation; or interpreted
to ensure the first syllable acts
like a definite article (the) in hebrew,
e.g. ha shem (the name) - not that
it does act like a definite article,
i'm sure in icelandic the definite article
is not spelled like the hebrew articulation,
but it's about the distinction in
the presented syllable compound
with the diacritic mark over a - also
inverted using a different notation
akin to compounded words,
id est ha-karl.

all i want to be in life is a bit of colonel tavington;
i executed loosing my mother
tongue and when i gripped
the new diacritic i earned a famous colonial greed,
even though i was lied to,
because polish diacritic was there in ś
while english was yorkshire nudist blank slacked
so i had to go back to augustus looking over my shoulder
utilising the d but not the ∂ like chiseling a v for a u in marble
to question the existence of parabolas easier.
i mean, i like that arrogant frown and i’ll admit it
unabashed into liking it, i want that ******* twinning
to pop that corn into popcorn for goo awe ah of the cinema goers.
i can be silent throughout the day,
but at night i lose the lazy drunk and soak the soap in carbonated
and bubble the words out: vengeance! thrill the jaw to munch on un-edible edibles! crack the bone **** the marrow!
all i want to be in life is a bit of colonel tavington,
very few sentiments for being loved and loved in private,
loved i can handle but only in the public domain
as prime antagonist.

all i'm saying is that the tetragrammaton was lying about in full view, an umbrella on the train; the tetragrammaton was just there for the taking, in english... and no jew noticed it, or picked it up.

poetic proliferance comes at a price designated the role
of anti-oratory - imagination and memory
are scattered narratives, thought the prime of the three,
an animal is bombarded  with sensual impressions,
a feline pet is the ultimate unit of fighting against
this constant bombardment  of sensual impressions,
before us, the ultimate leisure  activity, albeit without us
actual engaging in it personally; we created such utensils
as memory and imagination to counter-act the vacuum
of unnecessarily narrating a sunset and a sunrise, a comet's
flight. pro life interference - a snake shedding its skin, e.g.
non-oratory, even anti, poetry for bookshelves, for dust,
migraines, moths and bookworm larvae;
for shrapnel ego... for stances in aesthetics like:
run DMC's *it's like that, countered
with... 'and i thought disco polo was bad.'
cheap thrills, scribbles on toilet paper,
marquis de sade made an inkwell from
his wrist, blood on white:
Boabdil gives the Granada key to Ferdinand and Isabella
v. kazimir MALEVICH's red square,
                                painterly realism of a peasant woman
in two dimension -
a Faustian gamble... mental retardation...
no curly curves on pillars, no mention
of Pompeii... mythical Atlantis with its sea-monkeys
agile in water but hardly acrobatic on earth
(exceptions due to Russian Lolitas)...
no regime, no rigour, too much jealousy surrounding
the Renaissance art-schools, jealousy, greed,
fat parasites invoking their name, say, Raphael
as useful as the noun tree, hammer, ship tried to be...
hell the mad dog without a KA GA NIEC
and off the leash... you really can't expect more
abstracts... but art follows science,
what with anti-matter, subatomic particles,
art will see less beauty and science more complications,
both will be working on abstracts...
enter the art critics with their narratives...
also due to the fact that calculators replaced our
natural ability to process arithmetically...
hence a lost technique of arithmetic and a more
sensual engagement in the motto: precipitating
toward a MALEVICH black cross, black square etc.
was the art movement cubism - unravelling
the cube post-scriptum in it all... *******
this ultra-modern fascination with Python-gruesome-oraz
(oraz translated as: also) -
come the critics and their narratives
of triangles without a thinking-do-d'ah suggesting
trigonometry or a squared + b squared
equates to c square (or a hypotenuse...
likewise with hippopotamus i'm dyslexic to mind the
matter too much... honest to god,
i'm dyslexic with certain words - mainly because
it's hardly a scene in a pub: 'pint of ale my good man'),
and added to the chaos of lack of diacritic
in english, you tend to be chaotic with punctuation,
and the words stemming from the latin
æ grapheme (graphite, the tertiary carbon representation)
simply coagulate into a rancid custard of
non-differential puzzles via sūdoku - now repeat
after me, the sharp Japanese HI! sù doku!
HI! HI! well, aye, but it's sùdoku! HI! HI!
si sense... and there's the roundabout.
i'm probably the first poet of darwinism,
i got a blank in my head and i just allow the poem
to evolve... why sù and not sú?
you aim to repress, insert a quasi pause, stress
the would be associated categorisation of sù
as prefix... the doku comes as an suffix -
in culinary terms that's representative of
a hunchback leaning over a *** of sauce and
invoking a movement, a whiffing to get the scents
ticking the nostril fibres - wave in, entice - so indeed
the Japanese punctuation omitted in universal
encoding: - (the hyphen), the sharp impromptu
HI! (HIGH... *******, they're one and the same!)
sùdoku hin ji roo shika! that's samurai for:
i said sharpen my samurai sword like a mathematical
rubric of the 2 times table: 2 x 1, 2 x 2, 2 x 3... etc.

You have the same name as my dead lover, that is why I cannot be close to you. It's not your fault, I know. It's just that that dead lover is my most recent dead lover. Having so many dead lovers is something endemic to these times. Up to now, we have survived a plague, yes, but it has left a more than squirrelly effect on me. Not just me, also. There are other squirrels. We scuttle about in certain circles, mostly running into each other at survivor groups. I've not seen you pass through, but since you're here now, hello. I know you're hurting, it's why we walk through that door. How did he pass? Were you with him at the end? How long were you together? You see, this is how it goes here. So, would you mind not sitting so close and gazing at me that way, I'm still readjusting to the sound of your name. I'd rather marvel over you from afar at this present moment. We can be nuts for each other later. Ok?

ząb... or tooth... zęby... or teeth... the lesser Ezra in me is more bewildered by the non-existent strain of either vowels or consonants in English, than the Chinese ideogram... i agree: you must have an idea when reading Chinese, and a population of over a billion... and subsequently a well-known linguistic complexity, a thrice-over Chinese wall in the eye and off the tongue, to later precipitate into an ease in making the mathematic tongue acrobatic... but then have no theoretic procession to study the complexity, or hear a xylophone... i'm the membrane mid-way between burying the Latin anecdote Beijing... and asking to kiss the hand of Marco Polo... had he wrote the Quran... i'm just simply juiced for one reason, this is my take on the corner-stone rejected... ******* the crucifix, and tickling the feet of the crucified one... as anti-jew as i can be... well: volk zu γoλγoθα... or volk zu γoλγoφα... compass! mein kompaß! alter: volk zu ßιναι! oh look... quantum physics... it behaves gleiche y = w, ~i, >ł.... and into a p.s., as γ = Υ (upsilon contra gamma)... once more, the lesser Ezra in me is bored with the Chinese ideogram, it's translated plain and simple, perfécto arithmetic! and the billion-strong populace... applause to the Chinese politicians... democracy as an pure English export is not wanted... it's decadent, and ripe for only decay... please, god or yoga no... we can do without it! this is the lesser Pound... i could be fascinated with the Chinese ideogram, but i'm frankly occupied with addressing the English encryption.... mind you, that translates as: you missed a spot... and they did keep their language so diacritic-free in order to form the global empire... which can only mean that mad geniuses and other akin stipend students will ever appreciate... but my fascination with diacritical marks, or their lack, is akin to Ezra Sr.'s fascination with the complexity of the Chinese ideogram, or rather the syllable form of not enraging the trinity, therefore concise, xi (ξ), chi (χ), chow (χω) mein (μεjn / μει - gagging ιota: main... mejn... replaced by additional curvature of j), kfu mang thu! kuchi kuchi, kat(h)mandu.. gucci gucci... rattler... or pinky on the black key in a piano concerto... the odd number... thus the english siamese of i and j, the only letters with diacritical marks, beginning with ιota being the one under-dressed... and they are indeed there, for clear syllable intake, as a way to pave for the architecture of punctuation, and what could be later described in the real world, as a punctured rubber tire, or a sewing technique, in the guise of tartan to a cayleigh whirl / orthodox scot that's: ceilidh... ****** me, god's a pauper, leaving him out in the cold of nonsense when man just asks for kejl i, p.s. dogged out hound harking grammaton, and some random number outside of tetra.

pst! look in the woods! you might find him there!
music always overpowered my
need for women, i always found music to
be antidote
  to ensure women exist -
               dunno, dough]nut -
or dunno, it just happened...
      CENSOR MR. CENSOR!
HELLO?!
                  LOSER. HTML
IS INFECTED.... now i'll come off as paranoid...
    but then i am typing in paradox
  land...
                my keyboard is ******...
a case of etymology... *wargi - and
pysk - or usta, and buzia -
one's kiss kiss,
      Tarkan style...
  but i wonder why when i listen to
  in extremo's rotes haar...
i imagine dwarfs dancing,
        but then the prancing pony of
hedningarna's vargtimmen -
       which might    
mean *******, but
then it might mean something
in Finnish... vargtimmen: meaning: close your lips...
in Finnish; so bound to the word trim...
trim your lips.
even though the people didn't move,
a lot of ******* children made Poland their
home... for example wargi, which
means usta... add a p to usta
and you'll end up saying: she's empty, barren.
no wonder the transgender movement
occurred in english... words have no
feminity or masculinity... so ***...
they're asexual, apathetic...
   a male can't own a table
in the Freudian sense of signifying a phallus...
stupid me blaming St. Thomas' gospel,
when the problem lay within the realm of per se...
       i have to add: it's a bit foggy where i'm right
now... and my html is a bit bonkers...
     but it still stands as Finnish and Polish
versus English non-mythical when sniffing
the **** crack of America...
          fog ought to be enough, apparently it isn't,
you need to care to
economise and work to an ethic of working
so hard throughout the year for a 2 week holiday,
   and then end up throwing away your food produce
and then feel irritated by a homeless person...
   so yeah... you're grand!
          i mean i am...
the we is automatically bewildered...
i couldn't pet a woman, women are much more
than cats, and i pet two cats and hate them...
     not having women means i am resistible...
if i were irresistible i'd be insane...
      the magnetism of prefix convergence...
   re- means again, not against...
   and in- can also mean a-,
          every time i speak the scandi tongue
like i might found saying the lazy way an english
man says ****-,
               i feel like jumping up and down...
hed- -nin- -garna!
      hey hey **! jump you mo fo!
                     and i live in england and i care to
take to escaping english, that's really messed up...
i can't listen to the tongue... a bit like my russian
girlfriend said to me: Polish is just static,
sh sh sh sh ch ch ch ch... i mean, the best
***** in the universe are done by the people that
really hate your ethnicity,
they love you as a person, and the person they
love to ****, but then the collective unconscious
comes along, and they say the most horrid
things in between the orchestra of vowels during
the ******... babe, you drowning? i know
i am.
            if a yiddish man would come along,
he'd write yzwz... because that's how h became
z in the grapheme sz and ch...
                 and paradoxically: it's not the smallest
sound... and if the Latin grapheme continued its
existence... and was regarded as the smallest
linguistic unit, it has to mean that
    two names converged... it means that
the coliseum will overpower the church...
   which means that the Latin man had names for
his letters... and it was never all about music
and castratos... it was never a simple a when
the Greek said alpha, or it was never as simple
a b when the greek said beta...
vargtimmen! purse yer lips! ye gods, pout!
  duck-alliances throughout!
   yack yack yack... quack... ******* ponces
and narcissistic nuances...
yes, when w = v = w = ł -
               when it is meant to invoke the ugly duckling,
and a swan, and a łabądz -
my soul is already Scandinavian bound...
  like Frankenstein's Jr., to the fog, the snow, the frost...
      if Spinoza is the prince, then i'm the king,
the tetragrammaton just drops out like
a birth of an antelope - it just drops out of language,
but it only drops out, once you have used
a language associated with diacritical marks...
knowing solely English or Russian Cyrillic won't
help you... it really does just drop out from
the ****** of nothing like an antelope on the savannah
plain... but given there's no diacritical
distinction in it... being born into a language that
uses diacritical markings to ensure there are
distinctions, makes studying the tetragrammaton
all the more fascinating...
English uses no diacritical marks, neither does Cyrillic...
the Greeks are cosmos (polish slang reference
to them being on l.s.d.) with their niqab of
diacritical usage when English Latin remains
slap-stick naked... come on! put on a ******* bow-tie
that might be at least the french acute over
e!         éh?!           knowing the lazy sod, he won't!
but such is the joy of experiencing etymology
with music... to associate
vargtimmen... a Finnish compound word,
with the English word trim...
         or the word dimmed...
           and the Polish clear-denotative word
for lips... i.e. wargi... or usta...
  timmen might also mean: to bite...
  warga is the singular of wargi, i.e. bottom lip,
    to bite the bottom lip...
            does the music in hedningarna's expression
say much? no it doesn't...
   poetry can be the least musicological
         when analysing music...
             the best poetry can attest to is:
gauging your eyes out with it's bewilderment that
it has become such a primitive art,
   compared to the etchings in the caves of
Lascaux...  how that's really said?
                 obviously las-cow...
                  or proper: lascau(x)...
            the two tier of language... those who live
off it as noun-to-noun... and those who live
off it as hand-to-mouth... solely verb in action...
    it's actually a great shame that i should be writing this
and having a father who perfected the craft of roofing...
  i feel more an imbecile, and even more a rooster
in a wheelchair...
        so much for having a russian girlfriend for a summer
and an egyptian friend for no reason;
don't worry, you won't write a biography about me,
  such nuances of language with a personal twist
can remain where they are, in the archeological
dept. of nowhere.

well d'uh, of course thinking can become more toxic
than the toxins "ruining" my kidneys liver and breath,
i'm not prone to automated cognition,
automated cognition is applicable to rudimentary tasks,
perfected in the lineage of manual labour,
and to be hanky panky frank, i sometimes wish my lived
revolved around a perfected manual labour,
than this scrap / dung-heap of writing.*

when i was making paella today
(kashmiri chilli powder is milder
than the usual ****!
paprika, turmeric, main ingredients:
mussels, prawns, chouriço -
match the c with the upper part of an s,
and the diacritic mark with the
lower part of the s, i.e. ɔ - chicken)
i had a thought, democracy, or current
democracy ought to be fed the f. d. Roosevelt
spirit of isolationism... this warring democratic
Zeitgeist can't go on forever...
there are no real city-state alliances
these days, e.g. manchester (osbourne's
northern powerhouse is competing
with the blond mop-head london of booritz)...
the countries being attacked are cities
in rubble... they can't couple city- and -state
together... they're given the option of
puppet nationalism... and cities can't function
under that... i think it's necessary to make
democracy less war-like, less warring,
it's exposing its weaknesses by warring
with its scientific strengths but its inherent
organic weaknesses, just today a heterosexual
couple couldn't tie the knot in a civil partnership...
because it appeared the church was pushing
subverters into secular ranks...
the secular ranks dismissed secularists for ****'s sake!
now they'll have to go back to the church
and tie the knot... it also appears secularism
is only reserved for homosexuals and confused
homosexuals (transgender peeps)...
i still think a warring democracy will not provide
an argument, a democracy practising f. d. Roosevelt's
isolationism would do itself justice,
after all we never hear of new york's grandfather:
york, england... do we? what's in york?
ah... no broadway... just a ****** cathedral and
an archbishop at war with the the archbishop of
****-and-berry.... nothing much... everyone
turns off their lights at 9pm for the early doze-off /
early rise... farmer folk... you know: baa'h baa'h
ol' mc'donald 'ad a farm.
i know that the grand city-states of our times
want Baghdad to join them...
i know... it's not really working out.

only today i learned ø denotes
        an encoding of diameter,
and it's Scandinavian,
                     or how the globe is
past the equator,
         and the lob-sided earth,
winters in Australia in the Summer months
in Europe.

    high philosophy begins with Beijing
dialectical highs,
    but take the route of lower philosophy
and encounter diacritics rather than dialectics,
because that matters, too,
        θought, a moral ought,
   and φilosoφy - and missing ought -
          and the two being irreversibly twins
in said... or θought an immoral ought,
                 sure, tubes, mistook ø74 for something
akin to φ...
    high philosophy never acquires a diacritical
dilemma...
                  or why local don't do anything
but actuate automatic application
   and those immigrant, or bilingual troops question...
    ø = diameter, not to be confused with the θ;
             higher philosophy begins with dialectical
beginnings,
               "lower" philosophy also begins with
dialectics, but it ends with diacritical application,
rather than utopian: nowhere from nothing.

what am i going to say next? *machado de assis's
philosopher or dog? introduction.

          ........................................­..................................
..............................­......................................................
..........­.................................................................­.........
.......................................................­.............................
...................................­.................................................
...............­.................................................................­....
............................................................­...........
(or a paragraph on the pleasure of drinking,
    or how to save you an optometrist appointment,
or how to take an interlude,
   to do the opposite of the Andy Warhol stipend
for making enough buggers hearing your
opinion, unchallenged,
                    but never having a diacritic concern).
hence the pending, or what everyone seems to
desire these days, circa 100 years later,
     how to provoke an interlude, how to hunger
for interludes rather than fame,
           i also drew a sketch before starting,
       shat -
                  and hey presto!
           ****!
                   yuck in orange in florescent.
yellow (florescent), F, pretty pretty pretty,
          in pink the bit about diameters and phi,
           again in yuck orange: swigs and the wiggle...
a paged concern for graffiti.
                  again, pending, yet to be hottie
and poster boy of a poem,
        again the impromptu break worth of fame that
actually isn't fame, but a chance to compare
                   how much whiskey makes up for the
Niagara continuum.
        again, (pending):
............................................... (how the hell do you
write pending ~15 minutes later?!)

the concept of Monday is greatly undermined
by Darwinism,
    as is Tuesday through to Sunday,
generally the function-able week desists the idea
of an Iron Age, as does the pantomime
of all that's worth celebrating -
generally speaking Darwinism is anti-history,
theology has nothing to ask of Darwinism
to argue against,
                             theology isn't a history,
but Darwinism is the purest variation
of history, variance of how we define logic
and its applicability, whether it's
i + think            /             1 + 1
    and have the moral attraction toward a 2
         or variate a moral action into a 3:
cos Radiohead simply sang 2 + 2 = 5 in a song:
cheat! matchstick principle regarding counting!
machado de assis? Darwinism is peppered with
overt imagery than salted with:
you get to sneeze a lot...
             a writer's voice: irony, mockery,
         consolidating the lessened counter-productiveness...
Flaubert, Dickens, Zola, Balzac, etc.,
                    homie, rap that **** out, condense it,
i thought Brazil was half the way America should have
endeared you? i had problems with Prussia
Austria and Russia... guess i was wrong how thuggish
i had to be with the Orpheus *******...
       cos the lyre was dumbo blunt deaf and therefore
cacka...
     higher philosophy begins with dialectics,
"lower" philosophy begins with diacritics -
     a return to the source, a debate with Ivory scales
concerning the Rosetta - a neo-formatting of
what's quiete
                           right: Sophia: hence anew: Rosetta.
and all for the pear that's woman and whether Satan
chose the fruit prudently according to Milton.
or the progress of a drunk:
centipedes and Fitzgeralds, Hemingways,
lust and last said...
                           the cf. of every apparent transitory
made to provoke the quasi and quack,
              ducking the Donald and the *****,
in agreement,
                     a happiness toward the tiresome
encrusting of what's worth being stated,
and then the deviatory,
                              as marketed a deviation
from a Louis Napoleon -
                                    because no Belarus was
to be chequered by an impeding force...
                      hence the cha cha cha...
                                    and hence the stanzas of
Argentinian tango...
              juicy and later the cruelty choking
of what some might make of Macbeath's habitual thinking
                                       worthy of a classroom
                audience; and that too is
exposable in return for being disposable.
higher philosophy is regarded as such with
dialectics,
                        but "lower" philosophy is
yet to be regarded as such with diacritics -
     not a case of what's to be said, and thus bedded,
but a case of how's something said,
                                and thus given a freedom
of: bedded, wedded, pimped, or whimpered into
                                     surviving writing a poem about;
also achieved by Humphrey and that chuckle of
revising Casablanca for an unnecessary quote dynamic /
diatribe when Hiroshima said
                 much more than the above certified:
boom! 1 million ******* dead.
       that's an overt-quote that gropes the many
amens among the citations of Marilyn, and still gets away
with                     a memory of J.F.K.,
           because that ****-honing masterpiece
was needing my memory rather
                                   than a b. b. q.    scewing.
          i find people rather forgetting:
jeopardy battered boundless gym orientational
                     thoughtless two shots of tequilas
            and three paraphrases of sours in biting a lemon
to upkeep a trough of a suntan with the H-He:
boom boom, higher tier laughter,
             ingesting that inflation of prop
                    boom boom, v bomber,
                     squeeze...
                    lob-side lo & behold,
                                       'n'        - squiggly extra thus born.

to write in Latin these days, is to write the Vulgate, i am inclined to this graffiti for i abide by no cherishing of the tongue, Nietzsche said that Christianity is Platonism for the people... indeed the morphing of his maxim (God is dead) is likewise a Platonism, in that the populist reinterpretation is: Latin is dead; - so that the Vulgate might live.

we all heard it when *Dominique de Villepin spoke
against any sort of invasion - in uncertain times we
called for uncertain measures - and all we got was
more uncertainty with a failed intelligence -
populist poetry, as you like it - keep Shakespeare on
a peddle-stool long enough and Marlowe will
join the circus - the pseudonym for one of Lady Macbeth's
lovers - i have seen the marches of protest,
common sense overruled democracy, democracy failed,
common sense suffers - Mr. Milošević (sheer as former
diacritic, and itch as the latter) is handcuffed
while the western war criminals are
patted on the shoulder while *******
their pants with excess grey of gorillas' aged backing
for the entitlement of silverback and hip-replacement -
bred by children, we are governed by children,
in the end we end up punishing children,
the Disney shadow is never far away
from western politics - populist i я fox - desert?
(if ever a rune, it'd be this AT: Ѧ - post-Babylonian
AM to consider), alter:
do i look like a ******* camel herder to you?
that's whiplash with a blink given those
camel niqabs you did arson to with Jarred Jeff Chaucer -
suits you well... je suis Jarry, et je suis Papa ****...
get your ******* pokers out
you Algerian rapists? *** zee policé! (acute e,
missing hatch) - get a breather - minus the olives
at the street-market - shingaloong - na na na na (h multiplier),
meaning there's a supposed person itemising tribal secrets -
like this Amazonian Turk sourcing out an insomnia cure
with a cross-dressing Chilean Aztec with a
postcard from Azerbaijan stitched in -
while a white boy towed a burden no admiral cared
to whisper on the frothing encapsulation
of a destroyer and the cold cod look with mermaids -
and that literally was a minded fact - meaning?
generals on first dates with goats - horned eyed they were
bashing atoms about like the Hadron Mr. Switz.
(almost wrote Hydron, alias Hydrogen, gateway
to mind, ratio 1:1, as Rodin sculpted the kiss from Dante,
Francesca and Paolo - a paperaeroplane with
the following note attached via ultra-digression
and as poet's know, no paragraph rubric or break
for afternoon tea:
they were critical of communism to perfection
with what's happening in Turkey - an Army coup d'état -
i've never seen so many politicians anorexic on a diet
of fingernails - never in my life - prior... i have the tongue,
the rhetoric of bullets aimed at your head...
a storm-trooper with a gun: i have about 1000 100m sprinters
aimed at your head... bang bang and indeed you might be dead...
bang bang bang... you're dead, and Cinderella goes
to her ballroom gown event completely solipsistic.
what the Solidarity movement criticised wasn't
Communism, they were critical of the coup d'état -
communism and automated spying,
communism's Darth Vader voice-over is matched
with automated spying - why was social media invented
if we didn't want to be informed? i can tell you
how long it takes me to ******* - and are you to beg to
differ with me? capitalism never automated spying,
it automated freedom, a sorta-post-humanism when
people were allowed to perform the ultra-perverse acts
of freedom and later told: well, you can't really write a book
after all you've done, can you? and why would a book
like that... the European convention of authority wanted
straightened Brazilian bananas anyway...
Darwin laughed with words: they got over the skew!
modern phraseology? a smiley: or?
banana's tummy to peel and topple t'eh d'oh Cherokee chop chop
awaiting a garçon for the perfumed-airs of cold espresso
served awaiting a tip nonetheless with gusto! ah, die gusto...
when it comes to printing press it came down to
the salt mines being safer than the print genesis -
meaning that with printing companies asbestos was used -
the Chinese are famous when over-shadowing cockroaches,
prime with fireworks, last with gunpowder -
prime with prints, last with... whatever writing freely
meant for democracy when freedom was to be undermined
and democracy embraced - and autocracy (mono-republicanism)
rugby tackled - i can actually see mono-republicanism,
a Saddam Hoot-Sane - and i can actually see
mono-democracy - bring in James Cameron and a dozen
start-up app. geeks... we'll debate for ~15 minutes
(as in, fashionably the doors are closed, and we closed them
because we could hardly articulate what would be the forecast
with the weather prophets about the safety mechanism
of an orange thrown up into the air, levitating
or  being brought back down in the form of orange juice at
whatever Newton assemblage was obvious) -
and so we decided it was necessary to treat each individual
mention of event non-chronologically,
but as historian supermen would, with hindsight,
quantum June , a month of the highest rekindling of the sun
to shine supreme - to not dwell in chronology,
but as heroes of hindsight, to write post-eventum as if
glorified in numbering mentions akin to Achilles, heroes
anti-prophetic and endearing the whispering of
bookworms for their agitated mention of others' glory.

believe me, you grow out of it
(*******),
   you reach the natural conclusion
as women do,
    experiencing menopause,
your's the least actrattive cunterpart,
no choice...
          you just grow out of it...
you just get bored
                       you just grow out of it...
it literally become a case of
   huh?
     yep, it becomes a hmm equation...
and if you're not married,
  5p.m. feels like 9a.m.,
                         the **** is going on?
fyck, uleterior motive for spelling
   thick...
           so what the fyck's going on?
pop culture... fuckle me...
                   send some more sleeping
pills my way,
    so i can pretend to be in a
heavyweight boxing match
         fighting both klitschkos
   at the same time, in street fighter mode
of pretending to be blanka /
            zangief / vega?
    i'd **** over him
               any-day-of-the-week,
such **** ******* /
     dhalsim - mr. stretch-armstrong /
                           mr. fantastic...
tekken never conjures up
an equation
      that music does
   i.e. the beatles (street fighter)
vs. the rolling stones (mortal kombat)...
tekken never really made it
         for "equality" status:
                        equal status, i get it;
nonetheless, men tend to grow
out of the practice of *******,
  just like women
   are automated to experience
menopause...
                       you just get bored
of the hand as ****...
                       d'uh dummy dum dum
+ a mongolian harmonica
    (index moving up & down
with the lips perforking
          the motorboat effect,
encapsulated within the brrrrrrrrr;
sure, the missing trill of the r in english...
    and there are no diacritic indicators
that the letter ought to be the sole-source
of vibration...
           hence no roll with the umlaut ä -
   sounds like chinese wow wow wow yo
  boat...
             yoyo that ****?
      count that as two:
          hämmer, i.e. haamer...
          i.e. hāmmer...
              or ha'mmer... so what's with
the trigonometry of the m?
  how many more times do you have
to wave a goodbye?      
                  but the scandi- version?
middle-class english,
   i love their slang,
        they slang a longer word into
a shorter word,
   but never bother to adffix a hyphen
for invigorative measures...
    it always seems to be: oxford approved;
if americans are yanks...
                   the british? wanks;
jiggy-jiggy-mah-jig.
         totality bound by sources found
    in either peckham or hackney;
oh right, the roll...
  an aangstroom, i.e.  ångström...
                    linguistic ballistics...
        **** gets funnier when writing fiction,
the irish and the slav prefer the hyphen
of differentiation in a convo, i.e.
  - and so
- so what?
the post-germanic tribes of anglo saxons and
americans?
    they prefer the inverted commas
and the he said...
                          e.g. "i was saying," he said.
yes, i know that's a fictional character
"speaking",
     but you could at least count,
   toward expressing the correct arithmetic,
i.e. 'i was saying,' he said;
                            yes,
i know no one was saying anything,
             you were thinking someone
was saying something you "said"...
          so why was it never the irony of "citing"
with only two index fingers,
   as opposed to
         two index and two middle fingers?
i swear to god, that's not how
you quote...
                    if you're ever going to quote;
it can only mean
   a beginning of ambiguity,
   by invoking "     ", you're making war
on the thesaurus.

you can never under-estimate the humanity
of one example,
as you already exampled undermining
the humanity of "you", or whatever choice
of pronoun that befits your idea of superiority -
as said Japan attacked, China retaliatory -
Mongol kept apart - bereaving Scandinavia
bereft due to the European ploy fancy;
you can never under-estimate the humanity
of one example,
as you already exampled undermining
the humanity of "you", or whatever choice
of pronoun that benefits with your idea of superiority -
as said Pearl Harbour: war against war
rather than war against society - indeed modernity
with the man in the high castle rather than
i'm the king of the castle - whereby the softened
consonants rather the hardened vowels -
ð adjacent of j - verifiable ðe- or -dje,
dje - or thus extreme English definite articulate of θη -
i won't give you answers, forget it ****!
i don't have a lifetime or likened vein of thought -
variations of f and some vowel, θ- e-i -φ - gobble up
a blah... due to η we endow θ with a calibre of vowel necessary,
fully... eta is like a missing diacritic on emicron, shortened,
ah ****, epsilon - one and the same...
still involved, softening, duck-quack-and-feather cushioning,
i admit it's regardless of being 90 years of age
skipping rope and boa entanglement to myth
in memory of a life actually lived -
the stink of my great-grandmother's apartment
the coal-set-piece of what could be a baking oven...
the whole place was scented in ferns...
i don't know why, ferns, it was just ferns...
it wasn't Parisian perfumes, it, was, just, ferns...
it was't the next trend of clothing, it was just fur,
you watched your neighbour's television because
you didn't have your own... ferns! ferns! ferns!
the myth told to children about a golden fern leaf,
the myth of Gutwin and the bee that stung my shin -
it's so long ago, i wish it remained,
all i have is America i'll never see, ever hear,
ever touch, America is just an advert, it's nothing,
all i have is America i'll never savour, ever feel,
ever know, it's just abstract, all i'll get from America
is Apache alcoholism as worth writing about
rather than taking a selfie... and that's about it...
otherwise i'm left with kardashian celluloid -
globalisation really has made London a village
and Abridge a capital.

i’ve learned all my trickling tricks of puppeteering from philip augustus of france early on in my schooling, richard the lionheart never came close, i was in similitude with philip augustus, that i even bought jim bradbury’s book to read and essay with.*

never become the alcoholic that denies his alcoholism,
you can’t hide an addiction, better embrace it,
when addiction enters the stage as the acted upon acting
there’s no point hiding it,
enter the realm of the full embrace, hiding it will only make it worse
than it actually is, i embraced it, and i think
the piggish commons are getting their tax payers’ money’s worth
with my poems, if you think otherwise... you stand
happy-idle at the supermarket check-out and tell me
the football scores from the big weekend
when a northern monkey team took a thrashing
from a southern fairy team.
the question is different thought - forget the beginning and end
planned - we already have the diapers and the coffin,
make what the middle ought to be, clueless narration, spontaneity,
off the streak of the river currents not expecting change
but having to accept change...
michael greilsammer’s la ville blanche
cream’s white room
or cat stevens’ into white?
none of them... moody blues’ nights in white satin...
but a funny emerged from trying to sing greilsammer’s la ville blanche,
i speak no french,
and in my mumble i managed to see the other imagination,
the skeletal one, not the technicolor one of images and walt
and the housewives sleeping beauty and snow white
(although i appreciate the other walt, the whitman),
i mean, through my “un-imaginative” mumbles i tried
to skewer the words of the song, i couldn’t,
i could usher in a single perfect word
but beyond this i was trying to imagine the god awful spelling excesses
of the french tongue... i mean bordeaux when you only say bore’s door /
boarded up door - no x oh... xylophone, yes, no? no...
oh no wonder dyslexia and spelling mistakes...
these letterings are phonetic approximates,
anyone can make the visuals complicated
and retain power... but few to own up and say:
1 + 1 = 2, but the priestly order said: e + ' = é
as jumpstart ready on the trampoline... but e + ' = è
means you get a sudden attack of the mute & mime.
that’s what happens with a missing diacritic that’s blatant in english,
you get to spell a french word like bordeaux with a zed and look at it and qualify
the tongue to say: yep, bored door... needs oiling... oil up oil up!
then spontaneously play a harp of unconscious snorkelling
(also known as snoring... boor hiccup shush... bore hiccup sheen):
it’s the last stronghold of the imagination, this invested in english
from mother tongue slavic... it’s like trying to sing to a song
without spelling glaring at you...
so you start imagining this blessed primitivity...snakes and matchsticks
to flare up... turn it all into a 1970s disco...
it makes sense to mumble then... for ****’s sake... bordeaux?!
who adds so many letters in between definite lettered sounds
to make it look more uglier than the pretty riviera? huh?!
monaco? oh... well that explains it: why vaduz (capital of liechtenstein)
doesn’t have a grand prix.

the byproduct of the aesthetics of orthography gave us dyslexia (dis- / negation and                -lexia / lexicon), as if already apparent... because dislexia would not look as pretty; alt. meaning of dyslexia? unease with vocabulary, a trouble finding a personal vocabulary - i already mentioned that letters are vox circa (approximate vocalisation), even i make spelling mistakes at times... given dyslexia not dislexia / disease not dysease. (in the polish vox circa the pronunciation of y is like a baritone or bass, while pronunciation of i is like soprano or mezzo, i could give a kabbalistic anatomisation of the mouth for they are indeed very much aligned... but let's just stick to the opera metaphor).

i trained my œsophagus like a
minor roman noble at a banquet,
now i can smoke and not take out the
**** foley puppet
whenever i want on an empty stomach
smoking the first cigarette and drinking
the first coffee of the morn,
ah christianity’s operating grace...
let’s categorise every pagan practice as
formidable ills,
have the reasons for the crucifixion
loosely knit with the lamb of god’s wool:
that’s two wool threads over my bare chest...
because, just because that new testament
story is so so tightly knit that you can
see the pearly gates with st. peter playing
outlaw cowboy’s quick-draw with the keys,
from havana (of all places) on earth.
poor *isaiah, i rather remember you: considering
the fact that you were cut in half at
the abdomen of all equators.
in conclusion? the added diacritic marks
on this latin alphabet came due to the barbaric tongue tie
on the œ and æ... from these two manifestations
we were given é and ó among others,
i still think it’s chaotic, chiseled v,
otherwise papyrus u and the umlaut.

i love this quote, esp. the way it’s orientated in terms of functionability of deciphering the timing and what-not:

"a  poet is an unhappy being whose heart is torn by secret sufferings, but  whose lips are so strangely formed that when the sighs and the  cries  escape them, they sound like beautiful music... and then people  crowd  about the poet and say to him:  "sing for us soon again;" that is  as  much as to say, "may new sufferings torment your  soul."  ~soren  kierkegaard
it’s:

a. ambiguity par excallence given that no one has yet sorted out
    quotation markings in the english language -
    so why does the “ “ enclosure really deviate from
                                                        “           “          “
proper usage?

oh it means quoting aloud what you could think of...
how about starting with ‘a poet...’
no? oh well,
but how did the english language begin with
using both “ “ notation and ‘ ‘ notation?
no diacritic on e o a c r and so many others...
typical stiff upper-lip bits and pieces...
- not content with the polish / irish (joyce’s ulysses) notation.
- i am sure of it.
- you’re not more sure than the reality of such blatant misjudgement.
- really?
- really dee dee indeed e.
- by hoghorn and the grunting snout!
- smoking cigarettes smoked outside, whiskey drank indoors,
   i’m really feeling a tango will precipitate.
- first good night of the thrill of a chill this year.
- i entered the supermarket with blood-red hands.
- it rained, remember?
- it did, and the air eased the chiseled of ice breathed into.
- are we really one but representing two?
- it’s the neo-fiction model,
   not first person third party smallprint
  sign the contract get satellite t.v. for 2 years and not the legal 1
  to mind changing the provider.
- o fortuna!
- dressed in a straight-jacket announcing the x-factor fudge-packers
   of taste by populist consenus.
- my that’s witty...
- it’s not, i borrowed it from psychiatric books:
   two schizophrenics in the nest of cuckoos’ borrowed eggs...
- technically and with proper terminology?
- see that dust over there as if it was winter in auschwitz?
- yep.
- that’s called the ready model / safe model,
   we’ll never get rid of it in either first or third person narration,
   we need to invite gymnastics into the realm of typing & typos,
   get the first person splits-aware...
- right on - tom petty’s last dance of mary jane...
- ever see stoners dance?
- yeah, once, when they abstracted the word dance
  and visualised it for the sake of giggles...
- exactly...
- what now?
- now you pretend to be the protagonist and
   i pretend to be the narrator
   and we mingle, leaving us with the only acceptable equation:
- narrator steals from the protagonist the limelight!
- yes!
so now that we have the whole problem sorted into tight
boxes, we can reclaim the bulge of plato in the demise of existentialism:
i speak the truth... although truth is “truth,”
it’s technically ~truth... ah... that’s better... better notation
that “truth”
which gives me worry though... so the guy who said the bit
about poets is approx. the guy who said the bit about poets?
that’s doubly confusing...
- i will tell the truth with ambiguity...
- but how can you if you take to be an ambiguity per se?
so if an approx. man said an ambiguous thing in relation to
a definite thing... an inapproximate replica of the man
said an in-ambiguous thing in relation to an indefinite thing...
vomo maxim;
the truth is bewildering within the realm of proximity:
the prefix-affixes do their dues to add to the confusion:
it’s a ceremony down the middle so nearly missed
but not so nearly meddled with:

definite article                                                         ­ indefinite article

red
                                                    ­                                  mars
                          ­                                                            fire
­                                                                 ­                     sunset
                                     ­                                                 apple
          ­                                                                 ­           cherry
                                               ­                                       (burgundy
                ­                                                                 ­      crimson
                                                         ­                              pink
                                                            ­                           coral
                                                           ­                            salmon)

                                                    ­                                 sea
azure
artichoke
asparagus
fern
admiral
brighton lauerel
aegean
arctic  
storm of the gray earl (etc.)

whatever... i'll just pour myself another whiskey and laugh it off.

Held hostage by the didactic rituals of
Diacritic mindsets,

It is a scourge to separate man
From his brothers.

The semblance of articulate postulations
Have been conceived in the wombs of liars.

This quo of assumed status,
This contemptuous agility
With regard to bias.

We toil under the same sky,
And drink from the same river,

And the caress of the wind
Falls upon all faces.

The earth has been bestowed upon those that walk it.
Upon those who have been returned to it.
To those who cleave its riches and separate its chaff.

The misbegotten, forlorn and forgotten
Lay in un-named graves
They seek the light of their identities

In cries of historic laments
And yet the world in gasping sighs
Sits as if they are deaf.

Low the time has come that men should stop and listen
And release this burdensome chain
Of self hate and loathsome disdain.

O, how hard the answer to such a common question,
It’s in the mind of man to continue to be simple,

But far worse in the reality of this
Is how difficult it has become
Filled with dark decay
O so Bitter some.

i hate technology, its automated typo system, i write one thing and then it starts playing hide & seek with me... i rarely make mistakes, but this a.i. automated typo system makes me look stupid, or neurotic in the least, i hate this automatic typo signification as if i am teaching someone!*

i love that drinking wins over writing sometimes,
like this strange neo-left asking me to top it all off
with my communist grandfather living under stalin
completely in agreement with them girlies weeping
when he stank the dog off the grave in terms of bio-tech
completion; he wouldn't be dear to the left epitaph,
he'd be like voltaire & the priest: given the devil
in the sickbed there was not time to choose enemies...
he'd be branded a ****... worded... the worst kind...
a pseudo pacifist of some sort... couple economy
and atheism and you get a darwinian exclusion
where the ants aren't oblivious to lions but exclude them
for their species so well organised, god can take
the hangover route and make the "self" less sellable;...
(economy of a species and darwinism
demands communism - exclusive economisation;
not inclusive economisation...
that's some sort of theological branch
of personification where man minds spider above
another man, etc.)...
there's no self included, esp. a (")self(") worth selling...
which means exactly that (the opposite of now)...
NO TOURISM INTO THE REALM
OF CELEBRITY LITERATURE...
WHICH IS ONLY BIOGRAPHIES....
GET YER **** OUT GIRLS!
YOU'LL WRITE A BOOK SOMETIME!
god this culture is barren, and to think i dressed up
in uniform for school listening to jethro tull once...
this ain't the same country...
it sold out to the arabs... charles iii
is a ******* traitor!
traitor!
charless the iii is john ii... character assasination
you like you did with diana...
diana's revenge... yeah i believe you
were wearing silk straps of safety and the
driver survived and the parapazzi blinded the driver:
one thing about jealousy... it has dwarf legs.
they pass into the political realm they do....
easier come easier to take on in politics...
economic migrants (we'll see about that,
your philanthrophy just took to faking flight
via an invisible magic carpet flapping its trims)...
i told you once that democracy is like inverse voyeurism...
mark the x on paper, ***** an ****** into jugs for
pale ale... excess carbonation... it turns all fizzy...
the geese marched into winter...
the swans marched right into a royal edict...
the neo carta was never crafted...
but i got the hang of the diacritic marks...
i was walking drinking a belgian cider...
C DER.... in belgian french there's an accent,
stress the c, makes the vowel missing...
cídre - not really acute i, but an acute c...
c         dr. dre, i.e. dre, c dre...
it's the acute stressor of c that makes the vowel
disappear... not that a vowel can actually
become acute... vowels like women wear
mascarra to look pretty, the consonants are
serviced for a complexity... via hebrew original...
c                        dre
not
               si                        ahem...               dre.
in passes on the pompom for expected pomp -
i can't believe it took a bottle of belgian cider
to get that across.
oh sure they can hang me... by the snout...
for i won't be able to march into a field of truffles...
but hey... big snout worthy... never mind
trying to wear leather shoes given the hannibal
treatment for tacky snakeshoe leather.
most say that difficult literature is literature unread...
there's no other difficulty in literature...
difficult literature is simply unread, that's why
it's difficult... simple literature trickles down as easy as water...
and that's why it's easily managed by what
the chinese done already, having no hollywood and
damning india's bollywood... their phoneticism
is lodged in ideograms... pictograms...
european phoneticism is lodged in a skin to number,
B akin to 8, e.g., we get rich owning ovens
televisisions and satellites... but we also own
watiers and cooks who are mechanised...
and have no richness of thought...
who cares if beijing is clouded in smog?
we have 15 more years of carbon emission to wait for
before our idealism is profitable!
ah but the arab girls will migrate to london every year
between may and august... i should be so lucky lucky
australian girl pop lucky with them shopping
in only one hot spot, a grieving egyptian's legoland
of tacky known as harrods!

it comes from casual phrasing of / off something, the known pride & joy of any intellectual: coining a phrase. most stick to the cliche zeitgeist, i invented zeitreich (empire of the times, rather than a holy ghoul)... anyway...

so i'm reading this article about the L.A. dating scene,
it's better than a binge on horror movies
in a thunderstorm - the pictures aren't there,
but the words are, words, such is their nature,
the awkward silence amplified with encoding -
pristine ****** and any other -ism you can
think of - amateur psychology for starters,
Nietzsche made psychology so pop as if
it were the once despised arithmetic reinvented
that the calculator looks grim reaper-ish
(and everyone's a psychologist these days) -
writing extended maxims (i.e. aphorisms)
is a chance to avoid dialectics, i trust the rigidity
of the systematic approach, limited vocabulary
and the act of juggling, set parameters, known
formulae, and off we go into the labyrinth of Hegel
or Kant or some other German and his morose boozed-up
persona of a Minotaur - but this article, it just poured ants into my
underwear about the iceberg conundrum (i misspelled
that first time round, the English language, due to
its lack of diacritic marks and too many particularities
cistern, cat, crow, kettle, camomile... chamomile...
cheap... has an inherent dyslexia in it, very natural, this,
it's the least bit surprising, never mind mentioning
text English as written by one girl in the news
at her English G.C.S.E. exam - i can't write it properly,
but it involves the Pandora of U w8 4 me @ th-     -θ
school gates - oh right, the ****? chew but you say ski
resort paraphenelia, paraphenalia, paraphenilia, para
**** **** ****... dictionary! paraphernalia... thank you!
nwt the origin of the negated-ease (disease), what two
compounds am i not remembering to use? etymology,
scalpel nurse, cut open the syllables, technique:
para-     -phernalia...     well from chemistry para-
using the benzene ring is a location, i.e. para meta ortho-,
medieval latin! of course! no wonder i'm dyslexic with
this word, if the origins aren't pure Latin or Greek
then i'm sure to be dyslexic and burn witches at the stake
and believe in omens and hell... this is hell, resurrected,
-phrenalia: cut up further into a derivative of
pherein (to bear, modulated into a dowry), and
the ς-suffix of -al, like et al. i'm guessing, but this is
kabbalistic territory right know, -al doesn't exactly make
aqua sense unlike Al (aluminium) - that's when
chemistry picks up language, and other sciences, picking
up from the little nits (knit, gnome, knife... hush the first letter),
in the end paraphernalia means:
to have bearings side by side, or beside, at one side...
daydreaming? having a meal in a restaurant on a Saturday,
but realising you have mortgage obligations from
Monday to Friday? well, i guess something like that.
anyway, literary coinage, coining a phrase, a catchphrase
moment, so this article about the L.A. dating scene,
horrid mothers of artefacts in the woman's psyche,
the unflavoured Freudian theory of the Madonna-*****
complex... and all the ladies say... it's easier for us
to call these men schizophrenics and shove them into
the hyphenation than acknowledge either Madonna
or ***** in us... i get it, men watch too much *******,
but... here it comes... women watch too much
romantic tragedy (romtra), men go out there and they're
like... this is turning out to be an R.E.M. song
the one i love* - props! too many ******* props!
it's not exactly **** culture, that's about five minutes
simulating an **** with your hand (or if you prefer a
bony ****) and a tissue but no tears... it's not exactly
RomTra culture either... it's the dating culture per se...
and this whole self-profiling like we're all F.B.I. agents
spying on ourselves with either authenticity or lies.
so there, you have your literary coinage, a phrase, a word,
the most belittling quest to some El Dorado ever
invented.

i never understood why people have to treat all
writing as raw: crude oil, for example,
and never the refined product -
far from championing several books,
i like the pendulum of power having read them
reside with me, like any literary critic:
who primarily dissuades someone from
grabbing the ******* / reins, as it were -
there's a problem, but thinking about it
gives no solution, because, as most people realise
that thinking is, essentially, a luxury,
a comfort zone, mostly eradicated by
quasi-Buddhism of the west: mindfulness,
tech detox, you name it... i treat thinking
like i might do sitting on a sofa - it's not that
we're not thinking, it's the notion that thinking
somehow solves all the awkward verb ventures
by primarily being occupied with nouns -
apparently no one has heard of day-dreaming
and said: thinking coagulates all the cognitive
faculties together, and if you can escape daydreaming
Freud will catch you - thus said:
never trust an Egyptian with a triangle and a square...
bad move... you have to realise the audaciousness
of man to bring forth a wrath of that magnitude
that you end up either lying about it,
putting on the glove of Coptic Christianity and
later Islam... or accepting it as, well: given
the timescale and 24 hour north east west south
relevance of being hooked like on ******
the back-burner (sort of speak) and imitate
******* strokes standing-up beside the wailing wall...
   usher in the time-bomb - spatially we're
used to the hydrogen mushroom, now the advent
of the time-bomb of ageing Japan and ****-soaked
Brits gagging for some humanity -
             as of now, the state robs... it doesn't provide,
it robs.
              there are problems and i have no solution,
the **** it attitude works, if your hero is
some *** by the name of Diogenes:
                oddly enough the Nazarene did nothing
spectacular - this Greek *** was bothered by
fashionable ladies sitting in his kennel urn with dogs,
that Jewish guy? a *** that bothers others,
well... wayward fro, toward'e Golgotha -
or how English was written ridiculously without
diacritic marks, perpetuated, oddly enough,
by trademark grammaclasm (oh sure,
they still bend their knees at the sight of an icon,
sharing indulgence with the cardinals accordingly
in Russian, rev. simony and i too think
Ezra was justifiably a grand economist at heart) -
i just don't understand how people expect
all written material to be based upon easy arithmetic,
there's more arithmetic involved in putting
a      r     i     θ      m     e       t      i      c
together than it is putting
1     18    9     6    13      5      20    9      3
and he ****** them for gematria -
oddly a ridiculous gematria result, let's say
$6,000,000,000 doesn't translate as Napoleon,
a rich chum of a chimp cross-dressing in a shopping-mall...
so they should have been looking at grammar
than inventing this "magic" calculator -
anything to do with the above in bold?
   both θ (theta)    and φ (phi) have the numerical
value of 6 - using the PLAIN LATIN TEXT.
anyone can reach up to this level of bog stench -
          what, the, hell, is, going, on?!
oh, i assure you, i'm actually aware of myself
writing this, i'm not that (much) hooked on the topic,
i can retract and tell you: just a passing fancy -
topically a rainbow, silver for the magpie's jealousy,
the myth goes: magpies are the werewolves of the sky,
although they ****** a greedy glee sparkle at
a silver spoon: i might as well have written
a Persian proverb having written that...
with me there this... as already written,
and a whiskey sharpshooter and creedence clearwater
revival... i'm not bothered about someone claiming
this to be theirs... all i see is puppet strings attached
to their tongues... waggle waggle yeah,
       waggle waggle blah...
                                               lies have short legs,
or let's say: stumps for legs...
                                                   lying
is the moral equivalent of dwarfism - short
tempered asking(s) for wants of similar literary
gifts / curses - assuredly - i don't know why people
want most of anyone's writing output to not lick
something akin to J. Joyce's Finnegans Wake -
and not expect someone having read such a feast
to not feel inclined to remember it, in turn,
by fleeing from conventional blockbuster
ex narrator - i wasn't even planning to write
a self-help book, or instruction manuals for Ikea
to assemble a table... you got the map,
but you don't have a compass... well... better sit it out
till sunset to know where the west is...
                          any help from Copernican imagery,
         i wouldn't expect... having an image of
our gentle blue orb will not save you from the 2 dimensional
representation of where you need to go;
conclusively? con ex narrator? ex personae: thespian
                                                                         dabbling.

you never really say piranha.... it’s more like piraña... no wonder english without the necessary diacritic spans north america and australia and the emoji platform, so the romans said: bonum, sed ν (nu) *** linea obliqus, sic ha est ad hoc tetragrammaton pars, et allah est la la; quamvis latin est mort scriptio autem non clara voce - basically just write some latin using english grammar, what’s beneath it? guess.*

i’ve written almost 10,000 poems and still i can only
remember having said one or two memorable things,
i mean, for god’s sake, the pedigree maine ****
that lived with me for the 7 years he lived to
dying of kidney failure said more memorable things
than i did, having only said meow / miał (i.e. he had it, once),
maybe that’s because i don’t actually cradle these outbursts
to much appreciation, hence my own worthy critique -
but like i said it once admiring spiderweb threads and the washing lines:
by the casual phrasing ‘killing time,’ i’m sure people invoke
the meaning: to occupy a definite space;
the antonym? that’s a bit what philosophy preaches - ‘to stand outside
all of time and space,’ well the first one i can do and feel remorseful
concerning boredom, but that gives me an indefinite space,
although this whole ‘killing time’ is a great option, i’m going to
schwarzenegger time with a sawn off umlaut, ooh... kick to the groins
watch the crouching tiger hidden *** change - and occupy
a definite space. see, you have to find the hammers and the chainsaws in language
to escape the waterfall of fictional narration, obviously grammatical
categorisation of words makes it easier to suddenly realise:
am i really typing, or actually hammering a word in?
but realising that grammatical categorisation of words
exposes unlikely-to-turn-rusty tools gives writing a whole worth
of sanity, as no longer the chance encounter, but a safe environment
to abseil like a spider which lost the plot of creativity famed by the cobweb, just ******* out a piet mondrian.

i wouldn't be looking for a grain of sand
(biology and physics involved in
the extreme of timescales as necessities
of prescriptive ontology akin to paracetamol),
to pass the time looking at paint dry
or the kleptomaniac amphetamine ******
trying to allocate time a spacing: clepsydra -
i'd be looking for a Napoleonic mountain -
something grand, something audacious -
something crowd pleasing; i'd be looking
for a mountain rather than a grain of sand,
a Mohammed's brow of pleased foresight
forged by pleasing excitement: when
-ed got in the way of -ing upon revision -
the necessity of the verb: (to) please.

and of him they said three things:
1. the death of death
2. the man who turned himself into a tree
3. of the men that will instil fear
    into the children of others
4. did you know that there was a child
    born without a brain in Poland?
    yep! no brain, he could talk and walk
    but he didn't have a brain... no, not that he
    was a hillbilly intellectually... he literally had no brain...
    just a woodpecker in the cranium of war-drums bellowing
    out a familiar tune of geese strapped to a
   methodology of synchronisation...
(5. rightfully alcoholic and apostate catholic,
      know any better sedative?
     Priest Rydzyk: radio Maria:
     hoi hoi huj! as if the Vatican isn't the
     oldest name for Mafia -
     usurper of education in orthography,
     a question of aesthetic and lessened
     rigour is relevant: as is the prevalent
     notion of *chomąto - or the missing tail
     on the a, as in o & n:  the ą stress was always
     nasal, so, chomonto - unless we encourage
     the English to use diacritic marks,
     we'll have to unravel what makes a couplet
     of diacritical vowel and consonants -
                                  and not cheap -
      but hope -                   c's apparently
      optional, or, would you believe,
      a monopoly... d'uh, what else?
      the more i hear of Poland
      these days the more i make assurance
      to not speak anything but English...
      chomąto, i.e. noble herb? no!
                               horse collar - to oar the fields
for french fries - just like the modern children
who say milk comes from a supermarket
and not a cow... the Bermuda ****** tweak
of revisionists' scandal: to improve humanity.
altogether another way to say
                     behind this man there was no woman
for you to imitate writing and outright
subordination -
                              shady creatures, women,
long lost artefacts of womanhood:
the Graeae sisters and Medusa - ******* saints
in the feminist dogma -
                                       soon to be released:
feminism and Plato, feminism and Nietzsche,
feminism and ******, feminism and Leibniz,
feminism and Einstein, feminism and Putin,
feminism... **** me! the long lost theory
of everything! we've found it! stop digging!

b.** she’s in love with kierkegaard, i borrowed a quote by him
about poets...
i was going to end the poem with sarcasm...
the poem got deleted without being saved...
now to remember:
the missing diacritic in english of phoneticism
gives chaos to how english is punctuated:
bewildering that there are two types of quotation in english
rather than the polish / joycean irish
use of quote / dialogue,
in the latter instances we have the use of thye hyphen,
in the latter
the problem of what freedom of speech invokes:
how was it said if it wasn’t said?
  “      “    “   “   “  “      “        “    at all?
the english language has moved away from the classical
sense of the ditto...
it has moved into the confusing territory aking to its excessive spelling:
- i said you could have said it better.
- you thought that prior though?
- i did indeed.
this is the polish / joycean example of how dialogues flow.
but in english there’s a disparity of the usage of the dialogue “brackets”
that are “ “ and ‘ ‘...
in philosophy the ditto brackets are ambiguity stressors...
the mis-understood words in servitude of specified usages...
but there’s no contentment in applying
such notation to stress ambiguity when the mathematical
symbol modelling is already apparent - approximately:
i.e. instead of noting the ambiguity of meaning of a word like
truth via “truth” is no better than the notation ~truth:
since the former only revels in the negation of the meaning of the word
truth... that there’s a meaning & and an ambiguity of using such a word...
rather than the mathematical observance that there is an approximate truth:
the one that’s experienced / the one that’s related to / the one that’s
neither as a mere historical interpretation.
i detest being tested by a diety in the platonic sense...
i know what i'm writing about...
i can remember it and explain it - but of course poetry's
verbiose and sometimes ivory extravagence is self-explanatory,
poets know what metaphors are...
poets know what imagery is... but i hardly expect
there's a need to itemise which words fit the terminology
of identification for an essay... there would be
not creative fluidity if that was the sole intention behind poetry.

i just love the monday gray sky, mixing nicotine phlegm cough-up roughage taking part of my larynx and the oesophagus wall off while drinking coffee and melted hazelnut flavoured ice-cream (baileys).*

european languages tend to stress an atomised syllables,
therefore encouraging a “cheating” mechanisation of the tongue,
don’t get me wrong, due to the lack of diacritic
in english, we have a wide diversity of accents,
no scot would say a posh yes,  but rather say aye
like a pirate to a squire in a top hat...
the asiatic languages tend to twin letters rather than breed them
as unique and segregational, but then come across the problem
of outspoken dyslexia: cat ketchup.
the asiatic countries solved the matter in the rubric:

ni               in
hon            noh
ar               ra
el                le
po              op

hence so much grammatical schrapnel in european languages,
the prepositions and the conjunctions etc.
it’s no wonder the complexity of compounding H or He or O
within CO2 or H2 or EtOH is necessary as is pictographic
representation in mandarin;
but it does make the european languages very musical,
actually that's what defines european languages
their musicology is due to phonetic approximation
of their characters a - z, alas if that were the sole +
on the matter... it's also a strand of languages
that fakes concerns, lies, and sees a quick gain
crafting a breed of ohs and zeros in the millions
for no apparent reason other than self-promotion,
white snail caviar pearl chandeliers ritzy champagne and yachts;
no wonder we have a second alphabet! i.e.
onomatopoeia /ˌɒnəˌmætəˈpiːə/.

you know Philip Larkin was the king of the selfie - the contrast a painter would have made with a self-portrait, a fascination we all inhibit or exhibit - how about a selfie to end all selfies, open hangman style?!

- ᚹᚨᚱᛞᚱᚢᚾᚨ son ᚻᛖᛚᚹᛖᚷᛖᚾ -
chisel in timber is nothing compared to ornamental marble
on the streets of Rome; the Coliseum god's chosen architecture
above pyramid by far, and temple prior -
as care worded: let man be entertained, even with the man
dead the entertainment exists to be furthered - athletes instead
of gladiators, less blood, more chemistry and cheats
who are asking for the full capacity, otherwise chemists
are extensions of dentist and fluoride pushers via pastes* -
the runes though - chicken scratches - etching -
i too croaked while the Barbarossa prophesy
resounded in my birth-town: the return
of the horde of nachtklappe -
me chasing a night butterfly in my bedroom:
in the glass eye you go; in!
fed the tarantula with you! but that's affirming
origin in the equatorial axis - dear moth,
my woollen jumper bemoans your larvae trims.
with me a Woad ****** tattoo -
with that song, hangover i preyed on misery
with a gratifying cascade of tear -
how some men strive for popular beliefs in their
coordinates outside their chosen realm of expertise,
a soldier outside of war, a gladiator outside a
coliseum, an artist without paint and canvas,
while the so called mediocre's search is done ever
so quickly with a shop selling necessary goods...
travesty transcendental or travesty simply necessary?
it takes trans-generational interest to become
a Turkish shop-owner in the medium of art,
it literally takes St. Samael (angel of death) to get involved,
you're writing poems, you're not selling tomatoes,
to become recognised while living, for your art
is, well, some would just utter the word: unfashionable.
unless of course you write utter drivel...
then the stage is yours - for the most part we're not
aiming to write oration pre, but aim to write echo -
capturing aquatic vibrations, waves, sine or cosine.
but i still wonder: given the lazy diacritic above iota
(and jasmine) - ι - i.e. dotty rather than comatose -
why is it necessary to have a Buckingham Palace royal
flag waver from í to ì via ι / concretely i but no
straight comma stress as necessary involvement pin-point
usage as rather the simply visible ιota without the dot?
no wind or simply a camera zoom to pinpoint
the tourists' fascination?
whatever the answer, punctuation marks
added to letters reveal: outside of letter-attachment: timing,
invoked with letters: stressing - shame no semicolon
made it to be added to a letter: thankfully we have ;) -
wink wink smiley - this is me,
reminiscent of Wittgenstein bedazzled by Copernicus'
late entry with the heliocentric system, later to be
replaced with an egocentric system - whatever good
that did to improve the geocentric beginning -
and the horizontal colon (:), the hyphen added / macron,
comma, full-stop, the approximate ~, but no semi-colon -
the Adam of emoticons - the reason most banker Jason
Fritzes don't use punctuation is because they don't
use diacritics.