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If I was in love,
with being loved,
breaths that covet the tang of your own
standing in stadiums, feeling alone
(waxing poetic, Sappho for the straight girl)
I would not love you, appositive.
For I do not miss hearing,
(I was always too close for believing)
but the rhythmic lap of my own words
(I love you, appositive)
Effortless, slipping from my heart
like a hollow ship on an airy sea
to Ithaka (you) from Ilion (me).
Kyle Kulseth Mar 2013
This town is famous
     for pretty faces,
     broken legs,
     and misplaced names--

A sentence penned,
An Oxford comma
          dangling off the edge of pages,
setting off appositive phrases,
lighting fuses--accidental--
          phasing out of view and staging
     tactical retreats

The winds of February mark off
intersections
                           Dow & Broadway
Midnight laughs echo off stratos
     then fall back--
     snowstorms at midday.

Caught in the rain on Sunday evening
this place don't stay awake so late.
Except, perhaps, for pretty faces,
misplaced names, or broken legs--
But forget the Oxford comma
         retreating, drenched, off of the page.
Kyle Kulseth Sep 2014
13 years, so many jobs
so many names you half forgot
got caught and collected
                    at the corner of your mouth.

Outside, it's one more night,
one more stitch in this rag doll year
and you can still hear the way she'd
                    try to talk while laughing
any given Sunday night.

Might be you half forgot.
Might be the roaring years
drowned out the hum of their names
in your ears
              earned your stripes, now wear 'em well
spell out your name in snow, then
go lay down in the bed you made.

Outside, it's lights and noise
and visible breath
footbeats on sidewalks,
forgotten names with smokers' coughs
all caught in the roaring tides of
                                                the time.
But it's blood clots inside;
a parenthesized appositive
                      redefining what you lost.

In the clot, one sunk to the silt,
                  to the dregs.
In here, your living room
               is outside the parenthesis,
closed out of the open air.
Spare change beneath the lamp
strangely mocking outside lights,
                 glinting bright,
                    but silent.
                       Inert.

And, just outside,
          those city lights
they flash for others;
those with jobs and funds,
          with lovers,
with smiles still left
                         in the tank.
Not fake ones constructed
by nights getting ****** up
or upended frowns painting
clown faces all pasty--
                 you'll get out.

                You'll make it back;
              black clouds blow past
       and the tide runs out fast. And--
                           lastly?--
    You're made of better stuff than that.

— The End —