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Victoria Rennie Mar 2018
It’s late summer and the red death of leaves

flow through the wide city streets.

It welcomes the thick smell of

the October night. And

I try to find faces in the red –

the faces of the children

in the blood that flows from

soldiers fatal wounds,

mother’s last breath,

the bodies that sweep across the ocean

and my television screen –

but soon forget.



It’s late summer and the red death of

the children’s blood flow through

the wide city streets.

But underneath the trembling stars

we soon forget.



We soon forget the child

that washed up on the shore

in a red t-shirt.



We soon forget him because

he doesn’t seem to

matter.



We soon forget because

we learn to like

the taste of empty.



We learn to like not caring.



We learn to like inaction.



We learn to hate the bodies that come across

our t.v screens – but we still

learn to forget.



It’s late summer and the red death of leaves

seem to mix with the children’s blood

that flow through the wide city streets.



But no one seems to care.
Victoria Rennie Mar 2018
Once upon a time,

you and all of your kind

lived under the ridges and

grooves of my mind.

Careening the folds and

uploading your endlessly

flowing line of words that

seem to cut and obliterate

the flowers of my mind into

a massacre of compost.

You turned beauty into ugly

with every syllable of

every word, like acid –

you scarred my mind

and left rough behind.

And every night as the moon

read bedtime stories to the

sunlight you took it as an

invitation into my darkness.

Offering nooses and pills –

claiming it was the savior

I so desperately wanted and

so desperately needed.

Praising my suffering,

and poisoning my mind –

you grew an unweeded garden

upon my lobes.

So that when I looked in

a mirror you showed me

poison ivy and

prickles of roses

rather than the

blush of marigolds and

phantom kisses of lilac –

you and all of your kind

distorted my mind –

and now I lay here

waiting and waiting

in the darkness,

for you to appear.
An emulation of Shane Koyczan's "Troll"

— The End —