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  Jun 2018 sheila sharpe
Austin Ryskamp
The pages that I rightfully write, are to right a wrong
They are an attempt to sing a new song, a new melody
To try and shift a paradigm of my confused insanity


IT'S JUST "NOTHING MAKES SENSE" ANYMORE


Tear stains on my cheeks that you have to answer for
In sorrow for today and tomorrow and honestly for months to come
The thought of your little finger wrapped around my thumb
As our hands happily danced together, for what was supposed to be forever interlocked as we walked
But maybe "nothing" is exactly what needs to make sense
Being satisfied with nothing, is how to receive everything
I caught you round the waist
The buckle of your coat in my hand
Blonde curls tasting of the wind
And a love so deep within.

Love Mum ***
  Jun 2018 sheila sharpe
Dev
he likes to have control.
you can have your freedom,
but don't forget,
you'll have to pay the toll

he tells you "Stop"
commands you "Go"
and everything
in between.

he whispers
sweet nothings
and firmly suggests
all the most obscene things

By daytime, sweet as anything
shouting food, making me smile.
By night, he's the devil,
making you work for every mile.

he boosts your confidence
oh so slightly
it's what they all do.
But if he asks you anything,
don't ever tell the truth.
the graveyards of Verdun
are full
with summer flowers

children are playing
hide and seek
among the crosses

their parents
   coke in hand
keep looking for the names
of their grand fathers
on the wooden beams

verifying the family album

swallows dive steeply
under darkening clouds
slowly approaching from the west

you try your best
to give them shapes
and faces

them
who in grey noisy nights
fell out of life
   bright red leaves
   flushed prematurely
   by sudden frost

* *
Verdun, France, has one of the largest cemeteries for soldiers killed (near) there in World War I
Bear came to do my garden today
It had got into rather a mess,
Sticky Jenny and dandelions,
Rotten roots and garlic shoots
Got poor Bear betwixed;
Hot and sweating, really fretting
Bear began to cry,
Why was it that I thought gardening
From painting let me hide.
But off he went along the fence
Pulling out the weeds
Found some bulbs that did not smell
Dug  them up, as fast, as well
Now they're  back in a different spot
Three short stems in an empty plot;
Made me laugh just to see
How silly that Woolly Bear can be.


Love Mary
Thank you to Ian my Gardener
Two eyes appeared from under a broadrimmed hat.
They looked around with astonishment.

In a schoolroom, far off in the distance, a boy was
Busy making a wooden bowl.
The teacher unaccustomed to such slowness
Requested a completion date.
“I am not slow thought the boy, just working
Away until I get it right.”
He met the teacher’s gaze with an expression
Of opacity and a sense of bewilderment.

On another day, at a later date, this same boy
Was found in his metalwork class applying
Cylinders of gases to his small creation, quietly,
Hoping for a connection before he was blown
To smithereans. Two blue eyes concentrated as
The jets of flames hissed into space.
Too long the gases flowed.
The master rose, the boy shook and his eyes
Widened.

In a playground, sometime earlier,
A small boy could be seen playing without a coat.
Gossiping women spoke of this unnatural act,
This exception to the fold. The boy stared back
Hearing their words with his eyes.

Decades later when his hair had turned from
Brown to grey but his eyes were still blue
And wide apart, he painted a little ***
Sitting on a pale surface, gazing into nothingness.
This painting took him a long time.
He had to get it right, the tones , the lines,
The connections.

After he finished ‘Little ***’, he sat down
And stared into the two blue blobs set wide
Apart on its surface and he thought, “this is
Me, the boy, the man, the painter, of wide
Apart, unnameable moments.”

The Beginning.

Love Mary ***
With love to Ian, and all my family
And in Praise of Slowness.
Mary **
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