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Duncan Brown Aug 2018
The Chelsea Hotel
We remember it well
An' its splendid interior decor
By never setting foot there
A very Bohemian Rhapsody
Two Dylans are thrilling
One Bob an' one Thomas
One life and one death
A song and poetic requiem
A Sad Eyed Beautiful moment
Another unquietly into the night
Embracing the dread valley below
Sweet Syd and Saint Nancy
Perished like lovers in drama
No light at yonder window
For a rocking Romeo and Juliet
Breathless in period splendour
Lovers in tragically beautiful embrace
Immortality in the perfect place
Edie set her room on fire
Our heroine couldn't get much higher
As the ceiling just got lower
Another window was another score
When the ceiling hit the floor
Unbroken she was beautiful like a woman
Dancing eyes across the hotel floor
Her world moving in that revolving door
The Chelsea Hotel has more to tell
That Hotel California couldn't rival
That's why it’s there in New York City
An island of dreams in a concrete ocean
Where all lost writers find a paradise
Checking in is our one remaining dream
Checking it out our beautiful possibility.
Duncan Brown Aug 2018
Beauty treads in coloured threads
Of shimmering silken silhouettes
Trailing shadows through the dust
Trespassing life's sweet mortal flesh
Shaped in realms of entrancing cloth
Traversing stone and this softer earth
In falling rhythms of coloured light
Reflecting images of luminous night
Caressing shapes of lyrical symmetry
Drifting in shades of woven mystery
A mirage unveils their sacred history
Wandering through the shared eclipse
Of time and nature’s mystic aspiration
Transcending all limitation of thought
The drifting image unveils the self
In unfolding waves of flowing soul
The falling falls of ascending truth
Revealing celestial images on Earth
Of the sacred soul of Mother India.
Duncan Brown Aug 2018
Duck walk quacking at the county fair
Nobody even knew that it was there
‘Til Chuck was Chuckin’it at our soul
That’s where we all got our rock’n’roll
Six strings screaming on a fender strat
Dancin’ to the rhythm of a strangled cat
That’s what they said, but that was that
Nativity can be some very strange things
Especially if the infant plays six strings
Rattlin’ your rolls an’ banging your tins
From such things great greatness begins
The original best of all our begotten sins
Drinking is drunk and drunkness is great
But never a way to help you play straight
That’s the precious secret in the alchemy
Transforming chaos into musical harmony
God maybe great but moonshine is beautiful
Nobody ever heard of a sober rock’n’roller
It’s the very thing that liberates the souler
It helps with walk and the duck walk quack
Once you’ve got that, you don’t look back
You’re condemned to a life as a rock’n’roller
Don’t you feel lucky, when a day is made
The bad moon up, and a good band down
That’s the time to really paint that town
An’ start the rocking riot all over the city
Then thank the good lord for that nativity.
Duncan Brown Aug 2018
Paradox Lost

May God forgive me
For all the sins that I committed
And could Satan forget me
For all the ones I didn't
When I had the opportunity.




Paradox Regained

Heaven shades to earth
Whene'er my eyes are closing.
Then falls away to hell
As soon as they are open.
Wi' heaven shut an' hell still open
Faith is blind but sin's still hoping.
Duncan Brown Aug 2018
Writing poetry is dead easy if you have two precious documents before your very eyes. The two documents in question are The Divine Comedy; by some 13th century Italian bloke called Dante Aligheri, and any copy of the Iliad that’s lying about the joint. You will also need a full-length mirror, a tin of Brasso and an English/Italian dictionary. When you have assembled this lot you can commence discovering whether or not you are a Dante, or just chancing your luck as a wannabe Homer

Having assembled all the necessary paraphernalia, you can begin your quest to become a poet, or discover that you are just another lost soul who wants to copyright spelling mistakes and grammatical errors in order to make a fortune from the literary outpourings of desperate to be Dantes everywhere. (Think about it, that’s not as dumb as it sounds nor is it as dumb as you will be if you attempt it.) That’s your first lesson in Danteness and Homericness. Writing literature is a paradoxical experience, and never a contradiction. So, you may have to shove Hegel out the window and line the floor of your pet hamster’s cage with the complete works of Marx.

Now you are approaching the very personal and very revealing bit of this exercise to discover whether you are a potential Dante or not. But, as always, there’s a but: before that, you may wish to check out a few historical precedents. Check out Chaucer Shakespreare. Milton, Pope. Shelley and Keats, and after the death of the Good Lord Byron, you might want to move abroad to Ireland and The USA, to get the best out of literature by having a glance at Yeats, Hopkins, Whitman and Emerson. Then there are a couple of Russian poets: Akhmatova and Ratushinskaya . Africa has the Nobel Laureate Soyinka, who shouldn’t be missed. Rabindrinath Tagore is beyond words and there is a Chinese poet named Wei Bo who is also a sublime read. World literature is like world music, a surprise around every corner-

Now this is the wonderful part of your poetic odyssey. At this point you get to look in the mirror, a lot. But first a word of caution: mirrors can be very strange, if not downright frightening things to see yourself reflected in. Put on your bravest countenance and look straight into the glacial glossy glare, and tell yourself you’re not scared of a piece of silver painted glassery that looks back at you every time you glance at it.
Duncan Brown Aug 2018
Why you got those boots on your feet
Are you the wandering jingle jangler
That heeled high feeling easy dreamer
Lending ears to become the audience
Marking antonyms like Julius Caesar
Trying to rise before the failures fall
Sublimely for the mad beauty of it all
In desperate dreams of the final curtain
Draping the fading drama in the folds
The weatherman never read the script
And left his quill on the top of the hill
When Romeo betrayed Juliet to the fool
Stealing his chance of everlasting fame
Casting shadows before his own naming
Everything in the lies of playing games.
At least that’s why he sold himself again
For *** and drudgery’s rotting role play
Once for the money and twice to show
That charity begins when gambling ends
Throwing dice at the shaming of the true
Believers in the obviously innocent song
That sang itself to deaths other oblivion
Dwelling inside the flickering footlights
Burning soles who tread the dollar less way
To stage their very own beautiful demise
Before a paying and praying audience
There’s no business like the dying business
That’s the dumb an’ smart career move  
As death consumes all; here and ever after
The three ring circus hits the super highway
To heavenly pay days in the after math
That stole the souls of the leading actors
Wasn’t that just the smart career move
To die happily on the wings of disaster
Farewell sweet prince an’ princesses
May flights of angels love your music.
Duncan Brown Aug 2018
Archie was smart; at least he reckoned he was, because he had what he considered to be the good things in life: dosh in his wallet, a Cat in the garage, and a detach. in the green belt; all of which he had worked hard to acquire. Worked, is not exactly the word for it. Archie did deals. He reckoned he could always turn a fiver into a tenner an’ a tenner into a pony; a pony into a ton and a ton to a grand. He was one of the cash economy’s natural alchemists.  The folding stuff was the measure of a person, he reckoned. Archie never thought about anything; he reckoned everything, and nothing on God’s good earth was beyond reckoning, he reckoned. An ever-ready reckoner; that was Archie, and he loved himself for it. Only John Wayne did more reckoning than Archie, his old dad, bless him, used to say, thought Archie. In Archie’s world a grand was currency; less than that was just spare change. He reckoned he gave superior meaning to the expression ‘it’s a grand life’. The only blemish on Archie’s horizon as far as he could see was the lack of a class bird, or ‘ream sort’, as he preferred to say; hence this evening’s extravaganza at a posh French restaurant in the company of a beautiful lady. Archie only had two serious weaknesses in his existence: a fondness for the last word in a dispute about anything you care to mention, and his infatuation with his dining companion, the beautiful Carmela.


Carmela shared a common background with Archie. They grew up on the same council estate in the inner city. They were aware of each other’s existence as kids and teenagers, but they didn’t really know each other. Carmela was a quiet child and very singular; even in company she could be by herself. None but she was wise to her sense of solitude. She had three passions in life: knitting, sewing and weaving; the blessed trinity of her existence. Carmela interpreted the world by these three gifts. Here she was, she thought, weaving her way through an evening, in the company of three strangers. One she knew, herself, another she didn’t know at all, despite proximity and semi-shared origins. Then there was the complete stranger to the trinity: the waiter in his new and very polished shiny black shoes, “You can tell a lot about a person by their shoes”, Carmela’s mum used to say, she was thinking about that as the waiter appeared to almost pirouette into vision.


The waiter was a patient soul, it goes with the territory. The waiting game wasn’t something you should rush in to, he often told himself, in one of his more existentialist moments. He appreciated the irony of the comment in a Sartresque kind of fashion. He was from a steel town in the Rhonda Valley of South Wales. Iron was in his veins if not his appearance. A creature of paradoxes, that’s what he told himself he was. He liked that assessment of himself. It complimented his passion for all things French: French food, French wine, French philosophy, literature and art. He was learning the language at night school. Alas, his accent was as lyrically refined as the landscape that bred him He shovelled the words onto a conveyor belt of sound and meaning as best he could in the general direction of the person he was talking to, more in hope than in faith that they understood what was being said .The other passion in his life was tap dancing, and as luck would have it he could wear the same outfit for work and leisure, hence the very shiny shoes which allowed him to dance around the tables of the restaurant, practising his language skills on the clientele, His life work and leisure dovetailed with his ambition and he was pleased to wake up in the morning and set about the mortal trespass with a skip in his step. The waiter imagined himself to be a cosmopolitan and enlightened soul, in a very Fred Astaire kind of way, and life was a flight of stairs which he could ascend and descend in a Morse code type of style, just like Mr Bojangles.


The fare was fine. the wine was rare, but the conversation was spare until the cheese board arrived.” Good grub”, said Archie to the waiter. “We don’t do grub, sir, we only serve the finest Gallic cuisine in this establishment,” replied the waiter, in his usual mangled French, whilst smiling that smile that only waiters can manage when registering disapproval. Archie looked blank. It was Carmela who spoke: “C’était magnifique! Mes compliments au chef.” “Streuth! You speak better French than Marcel Proust here” said Archie.” I studied Fashion and Design in Paris for five years “replied Carmela.” “An’ I joined the Common Market many moons ago. It’s good for business” said Archie. The waiter was impressed: “Food, fashion, wine, Proust and Paris. This must be Nirvana” he said. “Great band, but a very dubious heaven.” replied Carmela, knitting together the threads whilst changing the pattern of the conversation in a very subtle fashion that was more to her liking.” “It’s only rock ’n’ roll” said Archie, an’ if you’ve ever heard French rock ’n’ roll it’s enough to make you believe in Foucault” “Foucault, my hero!” said the waiter, “a philosophical genius”. “According to Foucault, a knitting pattern is the hieroglyphic of a consumerist and decadent capitalist society.” intoned Carmela.” “And ‘A recipe is a critique of a cake’, said the great Structuralist philosopher,” interjected Archie, so if you serve the gateaux we may effect the collapse of western civilisation as we all know and love it”. “Allors, Let them eat cake” said the waiter, and everybody smiled at the irony of the comment.

The waiter bojangled his way into the night, tapping and clicking the pavement as he went.  Carmela and Archie got into a black cab. “That was a night to remember,” said Carmela, “very Proustian”. “A la recherche du temps perdu”, replied Archie, pleased as punch to have the last word. Carmela just smiled as she looked at Archie’s shoes.
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