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 Feb 24 Jamesb
Vianne Lior
Wind-carved
spine twisted—feral, gnarled.
A body bent,
splintered—never severed.

Salt licked wounds raw. Brine sutured marrow.
Bark flayed to ribbons, limbs ink-blurred—
curling, unwritten. A thing undone, a thing refusing.

Roots plunged—teeth to brittle earth,
ribs against collapse.
Cliff crumbling, gravity unspooling—
but it held.

White-knuckled in ruin.
Fingers clawing the wind.
Wreckage. Crooked. Unnatural.

An old man exhaled— Survival isn’t always beautiful.

But what is beauty, if not this—
a body unmade, carved by violence,
and still, somehow, bloom?

 Feb 24 Jamesb
Stephan
.

*If I were a poem
I’d ask you to fold me up
and put me in your pocket,
then at the end of the week,
toss me in the wash
with the rest of the clothes

And when you find me later,
smudged and smeared,
ripped and tattered into
little unrecognizable pieces,
don’t worry about it,
I was already like that
I have been notified that this poem was plagiarized and posted on Poetfreak by someone using the name Blurry Face. I can assure you, this is my poem.
Death
is a foolish
construct

When we die, we simply
transform
from one body
to the next
We dump one
skin
like a worn out shirt
with holes and stains

When we die,
our souls ascend
leaving only a filthy pile of
meat
behind

Meaningless
Meant to be cast aside and
left
to
rot

And yet, like the foolish
mortals
we are
desperate for life to
mean
something
we take these empty
rotting
bags of bones
and build homes for them
and place them in the ground
and pretend that they will be safe
in their wooden boxes
avoid thinking about the arthropods
that will find their way inside
and clean up the mess
they left
behind

We cry
We weep in front of a
slab of rock
and leave flowers
for insects
rot
and bones

We mourn them
As if they have vanished
never
to be seen
again

We are so blind that we believe this
miserable place
is all
that there is

We need not look down
when seeking those we have lost
but up

For they have not died
not really
they have simply journeyed
to a better world

They wait
patiently
for you to follow
But you are afraid
We all are, no matter how we deny it
We fear oblivion
Nothingness
For we do not understand
who
we
are

Death, you see,
is a foolish
construct
 Feb 13 Jamesb
Vianne Lior
The canvas stares back at me,
Blank, unforgiving—
A mirror of my mind,
Its emptiness a cruel reminder.
I pick up the brush with trembling hands,
But every stroke feels like betrayal,
Each color too loud, too bright,
Spilling out in chaotic bursts,
Nothing like the picture in my head.

I paint, I paint,
But nothing comes close.
The reds are too red,
The blues too cold.
Each line, each curve,
A mistake I can't undo.
And still, I push forward,
Hoping for something that feels right—
But nothing feels right.

The shadows of doubt creep in,
Dark, relentless—
They mock every attempt I make,
Every flick of the brush a ghost
That haunts the edge of the canvas.
I try to fix it,
But the more I try,
The more I destroy.

The paint smears,
A bloodied mess under my fingertips.
Each flaw is magnified,
Twisted in the light,
A grotesque reminder of my failure.
The work I once cherished
Now looks like a battlefield,
A war between my vision and reality,
Where nothing wins.

I tear the canvas in half,
The fabric screams in protest,
But I can’t stop.
I rip it apart—
Brutal, raw—
The fibers of my frustration
Fraying in the air.
Nothing feels like it's mine anymore.
The brush trembles in my hand,
A weight too heavy to carry.

I collapse into the mess,
The chaos I’ve made,
And the silence comes,
Not as a void, but as a truth—
The eerie quiet of an artist
Who’s found their shape in the ruins.
In the stillness,
I see the pieces of my soul
Scattered across the floor—
But they’re not broken.
They are just pieces.
I wonder—
Am I the painting,
Or is the painting me?
And perhaps…
We both need this destruction to be whole.

I stand, brush in hand,
Ready to start again—
With the same trembling hands,
The same uncertainty,
But this time with a quieter resolve.
I lay a fresh canvas before me,
The blankness no longer a threat,
But a promise.
A chance to begin anew,
To make something beautiful
From the mess of the past.
And so, I paint—
Not for perfection,
But for the beauty in the trying.
The canvas, once a symbol of endless possibility, now feels like a reminder of the dreams I had as a child to become an artist. Aspirations do change, but the perfectionism that once fueled me has now drained the joy from the process, leaving me in limbo between creation and surrender.
 Feb 10 Jamesb
Lawrence Hall
Lawrence Hall
Mhall46184@aol.com
Dispatches for the Colonial Office

                      Pirates to Starboard next to the Dairy Cows!

My neighbors’ field is low; it tends to flood
Their children sail their kayak as pirates bold
And laugh and splash upon the sloshy mud
Swallows and Amazons in search of gold

Most comfortable with our feet propped up
We old folks sit upon the porch all dry
Each an admiral with his coffee cup
And let the heavy monsoon pass us by

We too were pirates in our dreaming youth
We wish we still were – and that’s the truth!
Allusion to SWALLOWS AND AMAZONS
 Feb 10 Jamesb
Lawrence Hall
Lawrence Hall
Mhall46184@aol.com
Dispatches for the Colonial Office

                                    Exposition Kills Poetry

Poem:

Most exposition is an imposition
Like the supervisor who shadows you
Babbling incessantly needless admonition
Blocking your work so that nothing gets through

Respect your verse, how it dreams, how it flows
Your poetry is your will, your work, your way
But if you choose to explain it in prose
Your verse is left with nothing at all to say

Your poem is in itself your exhibition
Of art – so ditch the cluttery exposition

Exposition:

What I’m saying here is we shouldn't talk about our poetry because that’s talking about work instead of getting it done and if we have to explain to the reader what a poem means we’re not allowing the poem to be true to itself and so why attempt the discipline of meter, rhyme, metaphor, simile, narrative flow, and the many other elements of poesy if we’re just going to repeat in prose what the meter, rhyme, metaphor, simile, narrative flow, and the many other elements of poesy should be doing if we have crafted our work with artistry as well as imagination because exposition implies that either we don’t respect your work and our reader or that we have been deliberately obscure in our verse which in the event is pointless because a poem is itself, it is supposed to communicate an idea, a dream, a hope and not simply flounder about as a soup of disconnected words in a sort of the king’s new clothes of deception which is patronizing and not clever at all because if a reader who is reasonably well read and understands an age-appropriate catalogue of literary, cultural, historical, and artistic allusion to make connections then we have failed the reader and, worse, failed our own attempts at poetic art.
All my memories  
stand
in the center of your palm.  

All my kisses  
on the slant of your right eyebrow,  
the one that tilts  
when I act foolishly  
just like that—  
deeply.  

don't read me  
don't look at me  
don't listen to my words.  

Just look at me sometimes  
with closed eyes,  
the way only you know how—  
quietly  
like the sea  
just like that
deeply...
I would like to write
only love poems
a short haiku
something like, I kissed your shoulder
and you smiled
but I don't know
if you turned around, asked why
...
I gently weave love into your hair
I kiss your bare foot
I whisper lies
that you would like now
and enjoy the sight
of your blossoming body..
-
I would
but actually I still don't know
what you would Like
so I pretend to be happy
while I kiss your back
and find that little hole
between your shoulder blades..
-
I would
but it doesn't matter
what I would like
just ask me once
why?
THE JOURNEY

It begins even before the first scream in the maternity ward and lasts without interruption, we rush through life with uncertain steps, looking for a goal...
a little to the right, a little to the left, up, down, we stumble over bumps, scattered stones, we slip, we get up and travel on...
If we are persistent enough, in time we master the balance, and the goal seems achievable, but challenges are there, they lure us, happiness, they want to throw us into their flow, their paths...
I have been traveling like this for a long time, small under the sky but bigger than stars, galaxies, black holes...
I realized that the beauty is in the journey, not in the goal, sometimes tired, sometimes happy, slow, fast, I travel
I kiss, cry, love, grieve and rejoice in every new step...
I don't need a map, signposts, sages or gurus, just the freedom to think for myself, a little love from my loved ones to push me when the climb is too hard, to lend a hand, find strength and carry them on the wave of my filled  sails...
nothing is just black or just white, every path has its shadow, but the sun always rises and sets somewhere, follow the light that awakens on the horizon and you can't go wrong...
Travel............
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