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Timothy Ward Jan 2016
these tsunamis
of rage
are submerging
your lust borne
hate disguised as
moral judgement
forgiveness has
expunged my soul
of you
and I am
a pacific
battlefield
when we remember
what the times have been
that made us into what
    and who
    we are today
we travel deep into our past
to hear our mother’s voice
our father’s not so friendly gripes
when we fouled up a task he gave to  us

our friends, our teachers, our loves
whose interactions shaped
who we eventually have become  
while we believe that we have always been
     so independent and  autonomous

it may be worth a moment to reflect
     upon the influences
     we are inclined to casually neglect
and recognize the fact
     that we are always part
     of that great whole
     which we so desperately try
     to disavow for individuality

only to recognize a few years later
the minimal common denominator

life is a wonderful excursion into space and time
always surprising, turning on a dime,
leaving us puzzled well unto the end
always intent to look beyond
the next bend of the river …….
  Jan 2016 Timothy Ward
Joyce
When we break
our walls.
Even if we
stumble and fall.
To dare and to live.
To take and to give.
To share and to care.
To feel this love everywhere.
More emotions you can bear.
Do we have the capacity.
To live our life just as
much as we wanted to be.
I wonder sometimes.
If all our dreams will
turn into reality.
Or maybe we stay.
Forever in the delay.
  Jan 2016 Timothy Ward
Mike Essig
To the many readers, I ******* with my poem about Bukowski.

I don't loathe Bukowski. My point is that he is a cult writer. His cult seems to be made up of people who are ignorant of other much better writers of his time. If they read the Beats (in particular Gary Snyder) or others like Richard Brautigan, Jim Harrison, Wendell Berry and many others, they would see how poorly his writing stands up to comparison.

Bukowski's persona is what seems to attract people. He knew that and cultivated it. It was his meal ticket. The poor, drunken, uncouth, outsider, loser who was scorned by the literati of his time. In truth, he was a writer of pulp poetry. What he needed was a good editor. You could take all of his books of poems, cut out the rambling, self-serving, tedious, self-glorifying *******, and cut them down to maybe two books of decent poetry. His prose is better, but not that much.

Young people, lacking better poetry for comparison, are mainly attracted by this cult of personality. Young people are attracted to rebels, even bogus ones. He himself said he didn't write, he just typed. Some hero.

He portrays himself as a big, tough *** willing to fight the whole world. Actually, he was a fat drunk barely six feet tall. That's why I laughed at him when he threatened me. I was 20, just three weeks back from Vietnam. The thought of fighting an old drunk seemed pathetic to me. I could have easily killed him. Who goes to a poetry reading for that?

There was also his attitude toward women. I believe he really hated women. He saw them as receptacles for his *****, nothing more. He used his fame to **** a good many young admirers. He's not alone in having done that, but he was obsessive about it. Women were a perk, nothing more.

In the end, his cult status will remain, but he will never be taken seriously as a writer, because - by his own admission - he wasn't. There is much excellent poetry out there by better writers of his time. Do yourself a favor, read them, educate yourself. If you only read mediocre poetry, you'll only ever be a mediocre poet.

Even at his most unheroic, he is the hero of his stories and poems, always demanding the reader’s covert approval. That is why he is so easy to love, especially for novice readers with little experience of the genuine challenges of poetry; and why, for more demanding readers, he remains so hard to admire.

Please: Join in. Tell me why I am wrong or right.

Mike Essig
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