Starbucks for the beach sleeper,
cigarettes for the cruise ship worker,
around the world a further three times more
with a six-a-day job, one on shore.
She smiled with Gatsby glare.
She smiled with  fair, tied back hair.
She smiled.
And how her love for Poe and Wilde
found its way to my ear a mere three year veer
around time itself.
Turkish delight is not a food nor a sweet
but a lady who gives a discreet smile to those she meets.
My cafe in my street has you across from me
and the books I read have you printed in an uppercase key,
black on the white and bound by the spine
for you are the cruise ship lady, the lover of mine.

I sit and try and be a lotus
after killing the third fly of the evening
with a pocket book of recipes and a
thirty centimetre ruler stolen
from bathroom **** measuring contests to our knees.

Young professionals tread these boards
and I watch, trying to paint them lotus.

I listen and learn like I was told to do
then clock watch, mop, cycle home to you;
I am still trying to be a lotus
even in wet shoes and no socks.

With less than five-hundred pounds to my various names,
an office-chair-***-clothes-horse, eight USB charging ports
and a future that stretches to Sunday’s last reluctant second,
I am sitting, trying to be lotus figuring out the professional path
David Attenborough heard in his gentleman’s class: that son of a-

- I walked into an army recruitment vault with dreams of being Gulliver,
though was asked to leave out the cat flap cathedral door back into war
as they’d got their laugh and didn’t applaud.

Perhaps I should’ve been better at maths
where apparently a career can be predicted on a scatter graph,
and the pigeons of today were the pigeons of next year and the months that’ll follow the century after that.

I am still trying to figure out the hoo-ha of *******
and ring fingers and collar sizes and the inner circles
of hyenas when the winter solstice splits the seasons.

There is no reason for this lotus procrastination
when what’s there to live for but a crooked world
and one bandage left.

What did you do to your hair?

It is not fashion or regarded as a
good sight, for sightseers whom fight
for the best sight to see.

Nor is it complementary to your main meal face,
no condiment would ever accompany you,
let alone a boy in a start of the month, moon-a-new,
relationship-race.

It is not natural, nor be it an attempt to
blend into your surroundings at large,
as a red and blue fringe
will never be camouflage.

So, what did you do to your hair?

Children are walking in flour again,
though these grains are the symptoms
and the symptom is pain.
Resting upon donated metal table,
this child is lifeless with only a label
around his ankle for identification.
Part time doctors and full time others
walk and pace and cry and panic around the mother,
lifeless, with a document for identification.

This is malaria.
This is infant death.
This is an epidemic of hysteria.

Filaments fixed on your eyes all night
and the possibility of a chance, of an opportunity,
that I’ll be able to talk to you,
because the club lights are blue
stretched like animal hide across your own hide:
complexion clear cheeks still rouged
though tidal club glow is still blue.

It’s pathetic, worse than any diabetic
with their HumaPen Memoir insulin
length of pen, recording the time
and date
and precise amount of pain
they inject from the last 16 doses.

My pen is my keyboard and records
miserable times
and forgotten dates in cafes
and precise amounts of pain,
though this diabetic is a pathetic poet
and he knows it.

Over staffed and under fed
Spanish waiters
rush around with
waistcoats of wisdom
wearing black shoes
of sordid shift-work soles.

They greet and speak to every new
tourist, and regular, as if a
brother, sister, mother, second-cousin-twice-removed
stepmother, yet really they are:

the ephemeral fodder of the
cheap, low-cost-airline,

the flash and it’s gone spine of most cities
on the map,

the ‘Sorry, I left it in a Barcelona Café, could I get it back on insurance?’
baseball cap, that most sightseer marionettes wear, back to front,

the standing in line, waiting to complain,
tourists that know nothing of decorum.

So the Spanish waiter served me my coffee
and whispered in my ear,
‘Disfrutar de su día senor’,
that was,
'Enjoy your day Sir’.

Taken, whisked, picked from the plug,
grass grows inside crack walled shrugs,
built by hand by a northern named man.
His dog lays still in the heather,
in the fog,
on the hill,
by the river;
resting in the bleak hill town, morning weather.

Skyward glints,
another hint from another sun,
London runs down,
daily commute over and out.

And how the weekday work is
coming to an end,
but what do they work on whilst 5 in the evening?
Spreadsheets saved in significant folders,
word documents in for a week on Monday,
presentation notes to be written, rehearsed, re-wrote and printed?

‘Beds, beds, beds,
prime town centre property To Let’
Broken brick buildings sit, they belong
to internet auction sites and in estate agent windows.
There’s no flow in this town no more.
Whatever river of commerce that once ran through here
has moved onto, and into, another course,
oxbow lake suburb by Government force.

It rains in the North.
Jewels in the tarmac,
rings in the walls,
stars behind the factory noise,
sound hidden behind an all-car-call.

My broken skin, my broken hide,
months of thought, a hunger for home.
Far flung, further thrown,
back to the up-north-hometown,
hometown of the known.

It’s a 5 day world out there,
followed by a 2 day scare
of baths and walks
and holiday forecast talks.

Planning goodbyes before you’ve left and gone
whilst sitting still on Subway platform one,
with stationary thoughts
like the stationary train,
wiped down and dried
by the city state rain.

It’s a 5 day world out there,
followed by a 2 day scare,
together another
7 day affair.

A leer leapt across his face,
it was not a surf smirk
that rolls up from coral cheeks,
but a snide smile that
surprised everyone there.

Coffee shop stopped and halted,
for this man fell to his knees
and asked to wed,
a girlfriend of small brunette proportions,
whom sat next to him
basking in good fortune.

Golden orbit
of metal bound
and knit,
graced her finger, slipped
down the knuckle,
fused to the skin
as every buckle ever worn.

For these two would make it,
sworn to mourn when the other fell.

Mannequin smiles with masks of plastic
stand and huddle, fight and juggle,
for their space in the crowd.
Elbows touching torsos,
torsos touching hips;
kisses under the darkness,
bonfire warming the lips.
A child sits on the shoulders of her rock,
hands resting in the lap of his head,
waiting for the fireworks to be ignited,
set off, lit and begin.
Eyes of raw astonishment,
watery with cold,
a deer eye mould,
looked up at the firework display.

Sharp colour crayon lines
were drawn in the night-time sky.
Sound followed,
cheers and claps, applauds too.
They were lost in the hollow hole
of the houses around,
this’ll be the one she remembers.
Her first display of sound and light
and she’ll remember how she jumped up and down
to carnival music and carnival folk, rides and light,
menagerie sights.


News from the blog regarding my new poetry pamphlet, check the link out>> http://www.coffeeshoppoems.com/2012/11/homeland-borderland.html

Beach, hotel,
One Direction and Bach.

Train ride, taxi connection,
Beer and other-language, confused information.

3 week realities and forgotten home-life mysteries,
Cat to feed, fridge to fill, neighbours to be neighbourly with.

If we leave the litter behind,
and run until our legs become a burden and our heads start to swell and come loose like a white-cloth-Arabian-silk turban,
we can make it home before 5.

Past the market that only makes sense in the sun,
along the terraces slipping from their foundations,
skip on-top of walls before falling back into our run
behind the street of seared spice smells, conjured up by different nations.

We’ve left the litter behind.

We’d run further than these cities and their boundaries,
take transport to the tops of heavenly high hills,
cause havoc amongst the machinery of the foundries
and make it home for five if we run through those mills.

We’ve left the litter behind.

Holding hands we’ll remember the brush of the grass on our thighs,
farmer’s fields and the dark brown cut-throughs we took,
our pockets full of receipts and chewing gum supplies
and the look of your pale blue eyes amongst your fresh air haircut.

I hope the litter don’t mind.

Goliath:
You buy your love with bourbon creams,
cans of beans and full cupboard brims;
steal clothes to hide a torso of lies
twist that in with teaspoon brown eyes,
deeper than any holy bible’s spine:
found in hotel drawers,
away from the preachy, needy, cast iron shrine.

David:
Whilst the girl you’re with has nothing to give,
no family member nor money splendour,
you battle on with the train rides
cross country,
cross country train track guides.
Audiobook it; listen to it; learn it and write it,
write the letter she deserves, explaining
the ins and outs of your hidden nerves:
the nerves entitled ‘I don’t love you anymore’


My first poetry pamphlet, 'Homeland & Borderland' is still available to buy for only 3.00 GBP with free P+P to anywhere in the world. Both handmade and self published>> http://www.coffeeshoppoems.com/2012/11/it-is-here-homeland-borderland.html

Wait for the door by the pillar
because she’ll be back again,
with an arm around her neck
to keep her warm against cold
eyes looking down, from the surrounding guys from around the bar.
Every jackpot ever, was won in their hearts that night
in that shadow of time that they called light.
Single girls will always be watched,
and those girls with a man attached
will always seem unmatched in the eyes of the lonesome.

I waited by the door and joined in with her stride,
a pace set with vigour and pride.
Did I speak?
No, never spoke up, just let it carried on
until it lit and flared up.
When that match hit okra runway slip
everything comfortable flipped and switched
into a cushion of stone that now dismantles backs,
blisters fingers and causes calluses that stop and linger.

Hate myself?
Increasingly.
Personification was me, to her
and to me, she was just that.
I should really get in contact,
and apologise.

She reads Neil Gaimen
by the light through the window,
a facing forward seat on the only train in Greater Anglia
without any heat,
yet still she peruses the pages with
a flick and a ****** and her eyes begin to wander
in marvellous repeating horizontal lines.
She is blonde and reading Neil Gaimen.

Another blonde another book,
this time Mr King under her palm,
spread like her great legs, wide
and easy to read, yet not easily led;
telephone-line straight eyes
on a north country face,
buttoned up below her is a white blouse,
lace-trimming hiding last night’s pudding-
cake baked by a daughter, I heard her conversation earlier:
there was laughter.
She is blonde and reading Stephen King.

for Barry and Tina*

Life experience is something I haven’t witnessed,
the fitness of waking up and going back to bed
50 years on the trot.

But I look to my father’s hands and see
all twelve-thousand morning mists
he has seen.

A gristmill heart, grained hands
and workshop walking feet are
all hidden from view.

He writes in capitals, written
with precision, and crosses the T’s
as he goes along,

So not to prolong the sentence writing chore,
making more time, conjuring up the minutes
to potter around and mend unbroken objects.
-
Life experience is something I haven’t witnessed,
the fitness of waking up and going back to bed
50 years on the trot.

But I look at my mother’s hands
and see remedies read about in those magazines,
all to look younger in the staff canteen.

A watermill heart, smooth iron fingers
and contoured, sculpted chiselled
corridor feet are all hidden from view.

She scrawls her sentences; they become the tide
hiding letters and numbers in the swell
of punctuation and dotted I’s,

The T’s cross themselves and she moves on,
another phone call to attend too or
a new BBC this-time-more-accurate historical drama  to view.
-
Life experience is something I haven’t witnessed,
the fitness of waking up and going back to bed
50 years on the trot.

But if you keep on going, stay out of strong sunlight
so not to rot, those years will pass
as a striking blur leading to coastal Big Sur
roads, where the next 50 miles
bring just as many smiles as the last 50.

Hooked and hung to the chair,
tethered by a strap-
colour akin to your hair-
you sat and stared
at another essay to be handed in
by three pm, next-week-Wednesday.

A-future-whatever is another
lustful thought, failed and
let down by little taught.
Again! Why a wife is so hard to find
in brambled streets or box hedged
squares, rectangular and receipt like?

Give up and give in,
walk drunk drinking sloe gin.
That way love is but blackthorn berries
the controversial, speechless adversaries.

Grab your Kerouac coat,
get on the road and
find everything you lost about yourself,
reclaim it from city street code.

Dust travels with the wind
when the wind is hesitant to go alone.
Along with the clouds that
cover the sky, cover the unknown.

Cars with driver and passengers
flee the mounting mess,
the debris of souls, money,
cash around the necks-

Choking on greed and new sofas,
deep porcelain baths, chunks of
meat: expensive, not kosher.

So grab that Kerouac coat
and get on the road.
Find something worth doing, before dusk becomes sweet-taste cold

another midnight I've seen this week:
bed times have gone from books and milk
and slightly ajar doors,
to long slogs far into the early morning hours-

-did I, did I try too hard to hold your hand?
If so I didn't mean to,
maybe the excitement of being held again
made my squeeze a little too much.

-

another morning afternoon I've seen this week:
primary education routines of get dressed
and ready for school have been lost to
fading light showers and foaming shampoos-

-did I, did I not follow the Curtis rules?
Should I run a bookshop? Be late time and time again?
Runaway to the continent and write a novel no one wants?
Lose a wife and fall for a model?

if so, I'm sorry I'm not that.

The car showroom warehouse unit has turned into a gym overnight.
Low lit lights
highlight the out-of-work-early
joggers and the two step, bought-a-new-ipod-for-this-run, sweaty runners.

Framed central in the glass,
they bounce on mountain passes
over Swiss clear rivers and
around back through
obscure European cities,
all whilst on the spot listening
to Radio 4 podcasts from the week before.

Low cut tops offer no support for the weary
and the lifting gloves of the man
at the back are fingerless and ripped,
unlike his overweight torso, though
his BMW makes him believe that
this warehouse unit on the outskirts of
Huddersfield is the Venice beach of the North.

Hook the loops of your bag
between your forearm crease,
let it swing not lag
whilst you walk to see your niece.

Your nephew is ill in hospital,
your parents too ill to help out,
your sister is depressed, it's postnatal,
and you've been there from the beginning, throughout.

Those aren't tears, but the effects of the wind
while you walk nervous to see.
******* in your cold coat you’ve thinned,
but no one will notice nor disagree.

As you’re there to help, encourage with wise words,
short bursts of helpful blurbs will
satisfy your sister just enough
for her to get through.

RE: an open letter to the sciences

                To the laws of science, physics and attraction,

it's the reaction when I wink
that I'm worried about, it's my weak link,
my loose link, a failing eye that cannot blink
in a ****, discreet, try-and-compete-with-this,
way.
In bars and upon streets is where I wish to catch the eye
of a woman walking the opposite way, on a wind
that makes her walk a little quicker than usual,
it's then, at this point, just as she passes,
that my left lid would close is a gentle flash
and I'd swoon into her memory
as, that-guy-who-gave-me-a-non-weird-completely-in-context-wink.
This­ is where you come in laws of science, physics and attraction,
I'm failing to achieve such a goal, I'm a gimmick;
they'd probably use it against me to appear the better person
in a conversation they may have without me,
help me laws.
I know you're just textbook pages stored in classroom drawers,
but you must be filled with information about casual flirtation,
maybe a how-to chapter on how to capture the eye of someone
or a section on how to practice the wink in a reflection, in a mirror,
somewhere else that isn't here.

Science. Physics. Attraction. I know my grades
in you were less than perfect, abysmal I will admit,
but I'm asking for your wisdom.
Yours,

Tim Knight
Age: Inadequate

Manhattan by line,
by subway track purr,
by foot in a midwinter
fresh, gale force air.

The dying battery in
Times Square's wristwatch,
halts hands in mid air,
each hailing the second taxi
that comes to them
every next minute;
definitely in the next ten.

Buried benches in thigh high
snow look lost, with
only their branching tops
on display for the tourist's show,
tramping through
this January snow.

Double-back, back
past the Chipotle store,
where diners stand and eat,
stand and greet,
stand with napkins to appear neat,
stand near the radiator to warm their feet,
stand-in-the-corner-and-text-your-wife-saying-you'll-be-hom­e-late-because-this-meaty-wrap-is-pleasurable-to-eat.

He was with another woman, kissing her cheek.

Manhattan is a horizon of horizontal lines,
drawn by pencil lead, led up a page
to create this fascinating portrait
that a point-and-click-camera
cannot comprehend,
let alone negotiate.

We can go unnoticed there, like
most others in this gale force air,
but billboard boys-
the ones that braid ****** building hair,
window panes
and balcony balustrade-
are the famous ones
of Broadway, with nothing more
than their commercial stare.

Break your arm again,
mould it a new cast,
sleep, rest, dig up your past.
And  this all comes from down near my heart, to the left,
where you’ve pitched camp in the forever sun of the forever nest.
Birds don’t perch there like they used to,
instead they flew south in
belly pains and stomach cramps,
another reason to sleep under lamps.
See the bowl, throw up in the bowl,
rub your nose with child like hands,
that swept hills from above moles-
back when playing in sand was accepted and fun.

When we wake from such anguished
pasts
memories waver and do not last,
nor do they retain any hopeful longing,
as they disappear out into the morning.
You are gone and you are forgotten,
but the rings in the candles tell me we share the common.

No thoughts were thrown around,
let alone conscious decisions bound
in clear evidence and concrete fence-post facts.

She was awake before the frost settled,
and my how her eyes showed the time:
Lengthy red lines pretending to be hands that chimed.

The parkland grasses awaited the
speckled dappled, sunlight shade,
to warm its back in the morning masquerade.

-

Only her body was thrown around,
alone across a car bonnet
in a clear honest, beautiful smudge of fashion and blood.

She would never awake the same again,
and how the nurses soothed her pain
with modern miracle, clear liquid rain, medicine.

The parkland grasses still await the
speckled dappled, sunlight shade,
to warm its back in the morning death march masquerade.

For the girl who used the umbrella as a walking stick,
this is for you.
No limp and leg slide followed your wake
just the upright roar of footsteps on pale shale-
Cambridge cotton stones that reflect and reverberate
the sound from around into the ears of the passerby.
I cannot wait, nor hold it in,
the urge to scribble 11 numbers
onto parchment paper, old receipts or
or that wilted vapour notepad paper,
that nestles in the jeans.
If I had, then we’d be at a meal now- a dining experience
just for two.

22 numbers and one letter was written,
illegible and wrong.
I forgot which phone number worked
and forgot which one you could reach me on.




**A poem from the upcoming poetry pamphlet, published by http://www.coffeeshoppoems.com, entitled "Leather Clad Warriors", available soon for £3. That's only 300 pence.

We all want someone to hold whilst the music plays
but this is a delayed reaction to teenage hormones,

you're clutching to not-a-lot-of-nothings,
smart jeans and smart cologne, a stolen ring

from your step-father's collection tidied away,
deep, in a box under bed sheets in that drawer.

Your mum says the right one will come 'round
soon enough, but so far the results

of dressing differently have resulted in
women speaking like spray from under a van:

rainwater white noise and not a lot else;
though you're still searching, if not for you,

for your mother instead, elderly and re-married:
some else's burden, another husband to carry.

Carry out of the bottom of drunken wine glasses
and into clear meadows on weekly walks
where discussions take place, peace treaty
talks about holidays in the Mediterranean,

upon balcony ledges they'll embrace, learn
about fading stars, the history behind buildings

visit local bars to drink sober cocktails
conjured up in off-the-web smoothie makers

bought with the ambition to make a living
and help the community out.

If not now then when, your **** shouts
hiding beneath moneyed material

cut in sweat shops, washed in sweat heaps,
delivered by the sweaty mail man of the Bronx,

will women love me you'll say,
will women want a house with me, stay the night

under reclaimed, bought from thrift shop,
lights and kiss until mornings turn into weeks,

those weeks into new jobs
and before you know it, retirement plots

in allotments off Broadway?

Take my hand to continents only known in the books,
the blue maps on tiny tables sat in stacks
ready for the lesson on Mexico, or thereabouts- third this week because
the timetable is weak, poorly thought through and cobbled
together out of half-dressed evenings in the lounges of
teachers; ones once loved by the master and mistresses, leaders
of the well dressed and caretakers.

Take my feet and walk with them, balancing
on borders separating language and currency,
the gymnast's beam looking out over the forestry,
its taller trees than you and me standing upon toes tipping
down towards the urgent ground, urgently warning to stay
upright and stick around, with her holding your hand.

Scribbled in a pre-*** haste
of hormones and awful
music taste,
your name on the back of a receipt
is no way to treat
a one night stand
that you met at the bar;
held hands with in the street;
and subsequently left when
the night became light and neat,
tidied up in a 10am alarm clock
call.

Could’ve waited until
we were both awake,
that way the alcohol would’ve warn off
and we could take this major issue
for what it was-
excitement;
and much anticipation; and placing into
action every lesson learnt from Nick Hornby books,
or pieces of information tucked
deep within our internet bookmark lists.

At least stay until after
Desert Island Discs
next time,
because then buses shall be running
on time, and you won’t have to risk
the public transport roulette table
that spins around this town,
this great noun in the Anglia east.

Now it's the news, and the news
is you've gone.  For a moment
I slipped back into a sleepy cement,
making for rough fingers-
that last night made the ascent
up to warmer climates.

And now back to lonelier nights
and Nick Hornby books,
afternoon wake-up calls
from Mum, back home,
asking how to download
the latest Google Chrome.

Cambridge is screaming
and as a result its throat is sore.
Everyone is every park and porch
stopped, looked and saw
the shot and killed on a Willow Street floor.

For a girl whom walked as if wind
over little river stream, ******
was the last thing that made her scream.
A thundering absence laid seldom slain
with a bolt of blood spelling innocent pain,
on porch-wood-decking painted cream green
salad leaf fresh, cut from the root with melded flesh.

From a platform, he was pushed
down onto the ground.

There he landed with a great cry, a lonesome sound,
where the beasts took him with teeth;

molars and canines in the form of sticks and swords for sheaths,
beat him till his lungs gave in, until they no longer heaved for a breath.

Collapsed sacks of skin in a broken body
on a broken roof
somewhere without a name,
just a news channel hook
and gambit,
theme tune and a corpse laying bare on a video screen,
shield your eyes, place a blanket over the body and boy.

The evergreen edges of the newly cut
box hedge border look greener now
with its cleaner lines and stronger bark-spines;
the train's in an hour so pack up and go,
leave Christmas where it is,
leave Christmas at home.

Un-sent Christmas lists sit in the flue still,
they never got delivered and never got through,
houses stand with their lights on up the hill,
they blink and sparkle and blaze and gaze at the night
with competition, cheap goodwill.

Creased lines in your cancer bed sheets
and red wine spills still remain
from that time you celebrated
your chemotherapy success.

Drug-blue cocktails were swapped
for beers from cans,
needles for straws and hospital-stock-
comfortable-armchairs for the advertised sofa in your part furnished floor.

Friends came with warm welcomes prepared
in the back of taxis coming from the city,
they came in wide eyed staring,
holding wine bottles remembering your once real wig of hair.

Nervousness speaks true thought
turning fresh air to gold as it travels
across the pub interior ether from
rough pale lips to your rouged
set, sitting tidy in front of me.

Shaking fingers shake hands with
thoughts and nothing, melding something
of answer to your question you asked
I think twenty-five minutes back,
I know not of Richard Feynman, please explain though.

Come the occasion of a plane crash or
shipwreck, can I sink with your voice
running soft laps around my head?
At least then your intonation's tread
and heel's step of educated well-read
can offset any pain caused by a wing in my thigh
or a timing belt leaving my tongue tied and wrapped.

Celluloid cells of candid smile fun
printed in race track, river-run stems,
the 120 down to the 35mm
fold it over to form the hem.

You can be my New York
that never sleeps
or that Venice Beach
with bright, chiselled high cheeks
or
the more probable
lesbian lover I’ll never get to meet;

meet properly for a drink.

Loaded dice love affairs
with snake eyed girl, downstairs
on chance, is multiplying on chance:
roll, bet, blackout, squeeze and a dance
with the winner.
He’s tall, with a
casino shirt and a seven card suit.
Linked up to the left arm of him is
8 ball eyed girl. She potted her way ‘round the table,
blonde haired wisps of hair
occasionally covering her view.

And now snake eyes is no longer new.
She left with haste, a wind a scent following her tail,
back to her hotel room, complimentary towels, free shampoo.





**Check out the blog for poems and pamphlets>> http://www.coffeeshoppoems.com/

Left bank beards
in Beat hotel rooms,
a boulangerie breakfast
down the street and to the left,
and for lunch fresh baked bread and brie.
Letters sent home to fathers and mothers
singing sweet serenades of Paris
dressed up in autumn shades,
cheques for the royalties that'll
get them to Belize to write and swoon,
chat up ladies in the early afternoon;
where hotel fees that are treble those in the 5th,
bookshop stalls that'll never be found
another closing-down-establishment myth.

They were climbing with oxygen
long before we came along,
base camp poems written under
floor lamplight right before
the eyes of others.
Jett powered prose and wine in the light
sleight-of-hand punctuation and uptight
editors looking for finer narration.

Post Office:
Telegrams and Telephones

Tell me how the snow is where you are.

Traffic cones outside, must-be-done road works completed by no one nowhere men,
patched up walls clad in grit painted cream
shutters the same, shutting out the screams.

Graffiti bridges, restaurants on ridges-
river's rising fast, finish your entrée
let's leave.

Walk linking arms looking upon                                    
glimpses of brick, of an old home,
lived in years ago by someone unknown.

A rock around her neck
for a star sign birth:
another necklace bought by
another sandal-sock boyfriend.
Time for a new piece
of jewellery, don't you think?
One that’s classy, studded, anything but pink.
It might hang loosely lapping up
the line of air,
that will linger past you when walking to
train station, work station, another day
of painted creation.

Keep the brushes close
and the oils closer,
canvas in the post, ready for closure.
You’re the score and the baton, the lines of manuscript,
my composer.