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We walk out the black back door
With the broken glass window
At the warrant of a smoke
I let you lead me into the dark outside
Through the yard of twisting,
Tall sculptures made of tires,
Bottles, barbed wire, and foam

You grab my hand and fit me
Beside you in the circle consisting
Only of artists, some of whom
Stand, some of whom sit on old
Couch cushions, or lawn chairs
Which have been decaying
Underneath the wet, ***** snow

We, the huddled mass of jean
Jackets, knitted scarves, and nihilism,
Pass around a legal joint and cigarettes
Whose smoke rises into the fog
Of a mid-November midnight
As we freeze, and add laughter
To the hum of cars whizzing past
On the one-way side of 2nd Street

You and I find our place among
The artists, on a chair not once
Built with the intention of sustaining
The weight of two, but you ask
If I’ll sit on your lap anyway
And more than willingly, I oblige

We are now a part of this crowd—
The Burning Man drop-outs,
Too cool for our own selves
We shiver and vibrate in time
To the neon, changing streetlights
And not-too-far-off police sirens
And it is here, in your lap, surrounded
By the rubble of an artist’s junkyard
I look up and mouth /I love you/
And you mouth it silently back

-E (c) 2018
T R S Feb 2018
Junkyards.
Filled with oreos.
And dogs.
And cracked windshields.
And not at much filth
as a filth-ridden hilt
on a sword
of a king
or a god.
Alessander Jun 2015
It’s like some beast
whose roar startles
drowsy landscapes  
from a mechanical planet
where veins leak oil
where organs deoxidize
where bones lay scattered
unburied like discarded rods
homes are garages
churches are factories
cemeteries are junkyards
where all organisms operate
toward a singular optimum imperative:

EFFICIENCY

— The End —