teamara

As in the nub of the remains of crayola crayon that’s been used to color in so many smiling cartoon suns on a piece of paper-
Her favorite color is yellow.
And I don’t mean a wimpy *** pastel yellow or sometimes a pale yellow
I mean her favorite color is bright *** yellow.
Like Pikachu yellow.
Like she’s almost nineteen but she’s still willing to play Gameboy Pokemon yellow.
There’s something innocent yet corny kind of yellow about her.
She’s beautiful like yellow jirasol petals
She’s intricate as yellow thread woven in a Rasta Dom
She’s yellow like gold and Africa
She’s sweet like pineapples and delicate like daffodils
I still don’t know why her favorite color is yellow
Maybe it has to do with her fascination of Asian men…
I mean! ...with the continent of Asia
She thinks she’s more like pink Japanese cherry blossom trees in the summer
But I know she’s truly yellow petals on Paolo Verde trees blowing in the wind spreading around Tucson
A metaphor for her love
She’s yellow like the color in the middle of my pride rainbow- She supports me
She’s yellow like the big painted sun at the hospital with a big grin
I wonder why nobody smiles at hospitals
The place where life is easily given as taken
Where we are reminded that our health is sometimes taken for granted
Other than that great big yellow sun
She is the only that radiates yellow and smiles
In waiting rooms, she seems like she’s the calmest
Even though she’s the only one going through surgery
She’s so beautiful on the inside her body can’t even take it
She doesn’t deserve scions or scalpels to even be considered touching her bronze skin
I wish instead they would strip down the color yellow from my life
And give it to her to make her smile so bright that even word “cancer” would cease to exist
But still. Even through pain and hardships
She still smiles. Not only is she yellow when she’s happy
She tends to radiate yellow even when she’s gloomy
When I’m upset, her aura has way of rubbing off on mine
And I get insight to why her favorite color is yellow
‘*** she’s the kind of yellow that represents strength
She’s yellow like tall forts made from gold bars
She’s yellow like flames that roll of her tongue when she spits fire
She’s yellow like a crayola-crayon… except she can’t be broken
From her, I’m learning
That even when you’re hurting
You can still shine bright like your favorite color.

.
                                    red
                       ­      yellow blue
                         red yellow blue
                        red yellow blue re
                          yellow blue red
                          yellow blue red
                          yellow blue red
                          yellow blue red
                          yellow blue red
                          yellow blue red    
                          yellow blue red
                          yellow blue red
                          yellow blue red
                          yellow blue red
                          yellow blue red
                 yellow                  blue red
         yellow blue red    yellow blue red
      yellow blue red yel low blue red yello
        blue red yellow        blue red yellow
             blue red                      yellow

Yellow
Yellow is the colour of bananas when the're ripe.
Yellow is the sound of a bell ringing behind the door.
Yellow is the feeling of warmth when you're praised.
Yellow is the smell of sunflowers while you play.
Yellow is the taste of an ice lolly on a hot summer day.
Yellow is the colour of think cheddar cheese.
Yellow is the sound of any kind of music.
Yellow is the feeling after a great meal.
Yellow is the smell of buried treasure somewhere underneath.
Yellow is the taste of pineapples drowned in thick syrup.
Yellow is the colour of kids whizzing by.
Yellow is the sound of your friend laughing.
Yellow is the feeling you get when you're sleeping.
Yellow is the smell of the number 25.
Yellow is the taste of cookies waiting to be eaten.
And yellow is a colour that is vibrant and alive.

I

The Trumpet-Vine Arbour

The throats of the little red trumpet-flowers are wide open,
And the clangour of brass beats against the hot sunlight.
They bray and blare at the burning sky.
Red! Red! Coarse notes of red,
Trumpeted at the blue sky.
In long streaks of sound, molten metal,
The vine declares itself.
Clang! -- from its red and yellow trumpets.
Clang! -- from its long, nasal trumpets,
Splitting the sunlight into ribbons, tattered and shot with noise.

I sit in the cool arbour, in a green-and-gold twilight.
It is very still, for I cannot hear the trumpets,
I only know that they are red and open,
And that the sun above the arbour shakes with heat.
My quill is newly mended,
And makes fine-drawn lines with its point.
Down the long, white paper it makes little lines,
Just lines -- up -- down -- criss-cross.
My heart is strained out at the pin-point of my quill;
It is thin and writhing like the marks of the pen.
My hand marches to a squeaky tune,
It marches down the paper to a squealing of fifes.
My pen and the trumpet-flowers,
And Washington's armies away over the smoke-tree to the Southwest.
'Yankee Doodle,' my Darling! It is you against the British,
Marching in your ragged shoes to batter down King George.
What have you got in your hat? Not a feather, I wager.
Just a hay-straw, for it is the harvest you are fighting for.
Hay in your hat, and the whites of their eyes for a target!
Like Bunker Hill, two years ago, when I watched all day from the house-top
Through Father's spy-glass.
The red city, and the blue, bright water,
And puffs of smoke which you made.
Twenty miles away,
Round by Cambridge, or over the Neck,
But the smoke was white -- white!
To-day the trumpet-flowers are red -- red --
And I cannot see you fighting,
But old Mr. Dimond has fled to Canada,
And Myra sings 'Yankee Doodle' at her milking.
The red throats of the trumpets bray and clang in the sunshine,
And the smoke-tree puffs dun blossoms into the blue air.


II


The City of Falling Leaves

Leaves fall,
Brown leaves,
Yellow leaves streaked with brown.
They fall,
Flutter,
Fall again.
The brown leaves,
And the streaked yellow leaves,
Loosen on their branches
And drift slowly downwards.
One,
One, two, three,
One, two, five.
All Venice is a falling of Autumn leaves --
Brown,
And yellow streaked with brown.

'That sonnet, Abate,
Beautiful,
I am quite exhausted by it.
Your phrases turn about my heart
And stifle me to swooning.
Open the window, I beg.
Lord! What a strumming of fiddles and mandolins!
'Tis really a shame to stop indoors.
Call my maid, or I will make you lace me yourself.
Fie, how hot it is, not a breath of air!
See how straight the leaves are falling.
Marianna, I will have the yellow satin caught up with silver fringe,
It peeps out delightfully from under a mantle.
Am I well painted to-day, 'caro Abate mio'?
You will be proud of me at the 'Ridotto', hey?
Proud of being 'Cavalier Servente' to such a lady?'
'Can you doubt it, 'Bellissima Contessa'?
A pinch more rouge on the right cheek,
And Venus herself shines less . . .'
'You bore me, Abate,
I vow I must change you!
A letter, Achmet?
Run and look out of the window, Abate.
I will read my letter in peace.'
The little black slave with the yellow satin turban
Gazes at his mistress with strained eyes.
His yellow turban and black skin
Are gorgeous -- barbaric.
The yellow satin dress with its silver flashings
Lies on a chair
Beside a black mantle and a black mask.
Yellow and black,
Gorgeous -- barbaric.
The lady reads her letter,
And the leaves drift slowly
Past the long windows.
'How silly you look, my dear Abate,
With that great brown leaf in your wig.
Pluck it off, I beg you,
Or I shall die of laughing.'

A yellow wall
Aflare in the sunlight,
Chequered with shadows,
Shadows of vine leaves,
Shadows of masks.
Masks coming, printing themselves for an instant,
Then passing on,
More masks always replacing them.
Masks with tricorns and rapiers sticking out behind
Pursuing masks with plumes and high heels,
The sunlight shining under their insteps.
One,
One, two,
One, two, three,
There is a thronging of shadows on the hot wall,
Filigreed at the top with moving leaves.
Yellow sunlight and black shadows,
Yellow and black,
Gorgeous -- barbaric.
Two masks stand together,
And the shadow of a leaf falls through them,
Marking the wall where they are not.
From hat-tip to shoulder-tip,
From elbow to sword-hilt,
The leaf falls.
The shadows mingle,
Blur together,
Slide along the wall and disappear.
Gold of mosaics and candles,
And night blackness lurking in the ceiling beams.
Saint Mark's glitters with flames and reflections.
A cloak brushes aside,
And the yellow of satin
Licks out over the coloured inlays of the pavement.
Under the gold crucifixes
There is a meeting of hands
Reaching from black mantles.
Sighing embraces, bold investigations,
Hide in confessionals,
Sheltered by the shuffling of feet.
Gorgeous -- barbaric
In its mail of jewels and gold,
Saint Mark's looks down at the swarm of black masks;
And outside in the palace gardens brown leaves fall,
Flutter,
Fall.
Brown,
And yellow streaked with brown.

Blue-black, the sky over Venice,
With a pricking of yellow stars.
There is no moon,
And the waves push darkly against the prow
Of the gondola,
Coming from Malamocco
And streaming toward Venice.
It is black under the gondola hood,
But the yellow of a satin dress
Glares out like the eye of a watching tiger.
Yellow compassed about with darkness,
Yellow and black,
Gorgeous -- barbaric.
The boatman sings,
It is Tasso that he sings;
The lovers seek each other beneath their mantles,
And the gondola drifts over the lagoon, aslant to the coming dawn.
But at Malamocco in front,
In Venice behind,
Fall the leaves,
Brown,
And yellow streaked with brown.
They fall,
Flutter,
Fall.

out on the road,
driving right along,
comin' to a stop,
at the head of the line,
right at the light.

i look up,
and what do i see,
but a
Big Fat Yellow face
starin' back at me.

taken aback,
reminds me,
you see,
of one
big fat bus
with a big fat yellow bootay,
only just slightly differently.

i start lookin' around
and what do i see
but a whole
bunch
of big fat yellow faces
starin' back at me.

studyin'  big fat yellow face
of bus number
eight five nine,
i begin see a difference
or two.

Some big fat yellow faces
are flat,
hardly a nose
on 'em.

Some big fat yellow faces
have quite the
shnoz on 'em,
wouldn't Jimmy Durante
be oh, so, proud.

quite an education
in just the cycle of
only one light.

it turns green,
to left i turn.

one big fat yellow face
one big fat yellow bootay

two big fat yellow faces
two big fat yellow bootays

three big fat yellow faces
three big fat yellow bootays

four big fat yellow faces
four big fat yellow bootays.

racing by so quick,
lickety split.

so how do i know,
know for sure,
that God really exists,
and even more,
that she really loves me?

if there were no God
and if she didn't love me,
i'd be starin' at all these
big fat yellow bootays
through the
front of the windshield,

instead of seeing 'em
flying into the distance
when take i a quick glance
into my REAR view mirror!

i do love the look,
of a,
Big Fat Yellow Bootay
starin' at me
from my rear view mirror,
in the mornin'!

hey, hey, hey,
just another fine day!
whadda say!

It's that usual time of the year again – where everyone’s starting to feel that depression crippling in. The year has just started yet everybody is too concerned with the goals they had in mind since last month, as if they’re running out of time when it clearly just begun.

    In a dull-colored house located in a small town that’s not too known nor too popular – is a man in his 30s, an artist, sitting in the very corner of his room. Beside him was the last bottle of sleeping pills that he have. Every night, you can see him through the small window of his dimmed-light house downing those pills before the twenty-second of the clock hits. Some of his neighbors who sometimes see him buy those pills thought that it was weird for a man in his 30s to regularly drink sleeping pills every night, yet never sleeps.

    Little did they know, the man was clinically depressed, and he was not getting any better but still tries to maintain his medication that was prescribed to him during a free and quick mental check-up from several months ago. The pills were not of help anymore after a month but still he drinks as the idea of doing something for his mind, even if ineffective, comforts his soul. Well, it’s not like an unknown artist would be able to afford medicines that are being sold by the rich capitalists, he thought. The man’s arts were not something that everyone who sees understands. From the lines and strokes down to the colors and spaces he use, their eyebrows strike up as they can’t grasp the concept he’s going for.

    The sun shone and suddenly, the man in his 30s is no longer sitting in the very corner of his small room. He was now sitting in front of an old tree, looking at a lady who seemed to be in her late 20s. The lady was in her all-white uniform smiling gently as she hands the generic medicines to the seniors of that small town. Meanwhile, the man in his 30s was uttering words that only the dead leaves can hear.

    “She looks good in yellow,” he whispered, and the wind blew. The man in his 30s felt cold but did not mind as it’s not like he had any other choice but to endure. Suddenly, the lady in an all-white uniform turned her head and saw the man in his 30s.

    Ever so slowly in his eyes, the lady walks towards the man’s direction. At her soft and gentle hands was a blanket she kept for times like this.

    “It’s cold, have this. Are you going to show me your works again?” she asks gently while she wraps him in that blanket. ‘This feels warm,’ he thought. And that was a new thing for him.

    “Would you look?” in a stammering small voice he asked. The lady in her late 20s nodded and that was when everything has hit him. This gentle yellow lady always feels new to him, and he loves the feeling of this new. The yellow lady has always been gentle and soft and he loves it – it feels new and he loves it. She smiles brightly to him and the feeling of always wanting to see it surprises him every time because ever since he was born, this is the first time that he does not feel anxious or mocked. He finally feels loved, and there was hope; and it feels new.

    The yellow lady learned everything about the artist in his 30s – from his childhood that feels blurry yet clear (to him), how he came to that small town, how he started painting, why he started painting, the meaning of his works, his frantic days, his medications, and many more that the artist in his 30s never thought he would ever share to anybody. The yellow lady even started to learn that she has feelings for the artist in his 30s, and she was very willing to entertain and develop more together with the artist.

    Years gone by and they now live in an averaged-size house – average because it just fits them perfectly and they thought that was more than enough. The couple earns money together and they always feel that their money is perfectly enough for the family they are dreaming of. The husband gets paid by painting buildings located in the city, and every after he finishes his work, he rushes home to see his yellow lady. Yes, the artist who is now in his early 40s still refers to his partner as the yellow lady. No matter what day, occasion, or whoever they are with, she was still his yellow lady and that was so much more than he could ask for.

    Sometimes when the artist watches his wife work in her all-white uniform, he would talk to the children which he enjoys. He thought that children are much better than adults as their curiosity was never with malice. “Children might say mean things, but they will eventually grow up and be apologetic for their innocent mistakes. But grown-ups are never mistaken innocently nor are they sorry about it,” he once said to his wife.

    That day in January came and while he was waiting for his wife, a child came up to him and asked him where he could ask for a cough medicine. He touched the child’s shoulder, and pointed his finger to the yellow lady.

    “Can you see that lady in yellow? Ask her and she will answer you softly.”

    The child was confused; everyone’s either in white or ***** clothes, who is this man talking about?

    The artist in his 40s understood the child’s silent confusion and then said, “My apologies for your puzzlement. Just look for the only lady who smiles softly and lovely, she’ll help you.”

    The child ran towards the group of people who are either in white or ***** clothes, and looked for the only lady who smiles softly and lovely. He kept turning his head in order to look and when he found the lady who was smiling so gently to other children around, he ran to her direction and asked her if she was the lady in yellow.

    The yellow lady nodded her head and then kindly asked the child about what he needs. The child’s feet moved back and forth while patiently waiting for the medicine. He asked the lady why she is being referred to as the yellow lady, to which the latter kindly replied: I can tell you but you won’t be able to understand yet, love.

    That day ended and just like how every day usually happens, the couple walked home together while talking about their day and made plans about their dinner. After dinner, they proceeded to their bed and continued talking until the artist in his 40s fell into sleep while the yellow lady gently caresses his hair.

    Each day for them was always new yet familiar – and that never changed. Even when they had a child, when they had their worst fight and made up a week after, when one of them started losing hair, or even when they found out that the man who was once in his 30s is now being chased by cancer – the feeling of familiarity but different was never gone.

    When the man finally decided to take his rest, his wife started to wear yellow – everyday. And when she was asked by her son why, she answered with her utmost sincerity that she was afraid she might forget who she is and how deeply valued she is just because the one who reminds her every single day has physically left.

    Years after, and the son was now a working adult. He sighs as he sits in front of his late parents’ tombstones. He placed his military bag beside him and looked at the smiling photos of his mother and father. He was once again reminded of how much he missed them and how he wishes they were still there beside him or in their house waiting for his return after every war he fights. And in a small voice he said to his father, that he has now found his lady in blue, and how he wishes they were watching over them for he’s always going to need their guidance.

LEONOAH

I followed him down the trail until we got to the mouth of the mines. The life and energy of the surrounding maples and birches seemed to come to a still and then die as we walked closer, closer. The air was cold and dark and damp and smelt of mold and moths. Delvos stepped into the darkness anyways.
“Well, girl, you coming or aren’t you?”
I could see his yellowed tobacco teeth form into a slimy smile as I stepped out of the sun. It was still inside. The canary chirped.
“This tunnel is just the mouth to over two hundred others exactly like it. Stay close. Last thing I need this month is National Geographic on my *** for losing one of their puppet girls.”
“Delvos, ****. I have two masters degrees.” He rolled his eyes.
“Spare me.” He trotted off around the corner to the left, whistling.
“I survived alone in the jungles of Bolivia alone for two months chasing an Azara’s Spinetail. I climbed the tallest mountain in Nepal shooting Satyr Tragopans along the cliff faces. In Peru I…” Suddenly I felt the weight of the darkness. In my blinding anger I lost track of his lantern. I stopped, my heartbeat picked up, and I tried to remind myself of what I did in Peru.
I followed a Diurnal Peruvian Pygmy-Owl across the gravel tops of the Andes Mountains, no light but the Southern Cross and waning moon above. I am not scared of darkness. I am not scared of darkness.
I stopped to listen. Somewhere in front of me the canary chirped.

When I first got the job in Vermont I couldn’t have been more frustrated. Mining canaries? Never had I ever ‘chased’ a more mundane bird. Nonetheless, when Jack Reynolds sends you on a shoot you don’t say no, so I packed up my camera bag and hoped on the next plane out of Washington.
“His name is John Delvos.” Jack said. He handed me the manila case envelope. “He’s lived in rural Vermont his entire life. Apparently his family bred the canaries for the miners of the Sheldon Quarry since the early twenties. When the accident happened the whole town basically shut down. There were no canaries in the mines the day the gas killed the miners. His mother died in a fire of some sort shortly after. The town blamed the Delvos family and ran them into the woods. His father built a cabin and once his father died, Delvos continued to breed the birds. He ships them to other mining towns across the country now. We want to run a piece about the inhumanity of breeding animals to die so humans won’t.” I stood in silence in front of his deep mahogany desk, suddenly aware of the lack of make-up on my face. He smiled, “You’re leaving on Tuesday.”
“Yes sir.”
“Don’t look so smug, Lila. This may not be the most exotic bird you’ve shot but the humanity of this piece has the potential to be a cover story. Get the shots, write the story.”

“Do you understand the darkness now, Ms. Rivers? Your prestigious masters degrees don’t mean **** down here.” Delvos reappeared behind the crack of his match in a side tunnel not twenty yards in front of me. He relit the oily lantern and turned his back without another word. I reluctantly followed deeper into the damp darkness.
“Why were there no canaries in the mine on, you know, that day?” The shadows of the lantern flickered against the iron canary cage chained on his hip and the yellow bird hopped inside.
“I was nine, Ms. Rivers. I didn’t understand much at the time.” We turned right into the next tunnel and our shoes crunched on jagged stones. All the stones were black.
“But surely you understand now?”
The canary chirped.

When I first got to Sheldon and began asking about the location of the Delvos’ cabin you would have thought I was asking where the first gate to hell was located. Mothers would smile and say, “Sorry, Miss, I can’t say,” and hurriedly flock their children in the opposite direction. After two hours of polite refusals I gave up. I spent the rest of the first day photographing the town square. It was quaint; old stone barbershops surrounded by oaks and black squirrels, a western themed whiskey bar, and a few greasy spoon restaurants interspersed in-between. I booked a room in the Walking Horse Motel for Wednesday night, determined to get a good nights sleep and defeat this towns fear of John Delvos tomorrow.
My room was a tiny one bed square with no TV. Surprise, surprise. At least I had my camera and computer to entertain myself. I reached into the side of my camera bag and pulled out my Turkish Golds and Macaw-beak yellow BIC. I stepped out onto the dirt in front of my door and lit up. I looked up and the stars stole all the oxygen surrounding me. They were dancing and smiling above me and I forgot Delvos, Jack, and all of Sheldon except it’s sky. Puffing away, I stepped farther and farther from my door and deeper into the darkness of night. The father into the darkness the more dizzying the stars dancing became.
“Ma’am? Everything okay?”
Startled, I dropped my cigarette on the ground and the ember fell off.
“I’m sorry, sir. I was just, um, the stars…” I snuffed out the orange glow in the dirt with my boot and extended my hand, “Lila Waters, and you are?”
“Ian Benet. I haven’t seen you around here before, Ms. Waters, are you new to town?”
“I’m here for work. I’m a bird photographer and journalist for National Geographic. I’m looking for John Delvos but I’m starting to think he’s going to be harder to track than a Magpie Robin.”
The stars tiptoed in their tiny circles above in the silence. Then, they disappeared with a spark as Ian lit up his wooden pipe. It was a light colored wood, stained with rich brown tobacco and ash. He passed me his matches, smiling.
“What do you want with that old *******? Don’t tell me National Geographic is interested in the Delvos canaries.”
I lit up another stick and took a drag. “Shocking, right?”
“Actually, it’s about time their story is told.” Benet walked to the wooden bench to our left and patted the seat beside him. I walked over. “The Delvos canaries saved hundreds of Sheldonian lives over the years. But the day a crew went into the mines without one, my father came out of the ground as cold as when we put him back into it in his coffin.”
I sat in silence, unsure what to say. “Mr. Benet, I’m so sorry…”
“Please, just Ian. My father was the last Mr. Benet.”
We sat on the wooden bench, heat leaving our bodies to warm the dead wood beneath our legs. I shivered; the stars dance suddenly colder and more violent.
“Delvos canaries are martyrs, Ms. Waters. This whole town indebted to those tiny yellow birds, but nobody cares to remember that anymore.”
“Can you tell me where I can find Mr. Delvos and his, erm, martyrs?” The ember of my second cigarette was close to my pinching fingertips.
“Follow me.” Ian stood up and walked to the edge of the woods in front of us. We crunched the cold dust beneath our feet, making me aware of how silent it was. Ian stopped at a large elm and pointed, “See that yellow notch?” Sure enough, there was a notch cut and dyed yellow at his finger’s end. “If you follow true north from this tree into the woods you’ll find this notch about every fifty yards or so. Follow the yellow and it’ll spit you out onto the Delvos property.”
“Thank you, Ian. I really can’t begin to tell you how thankful I am to find out where to find this elusive Mr. Delvos and his canaries.”
“You don’t have to,” he knocked the ash out of his pipe against the tree, “Just do those birds justice in your article. Remember, martyrs. Tell old Delvos Ian Benet sends his regards.” He turned and walked back to the motel and I stood and watched in silence. It was then I realized I hadn’t heard a single bird since I got to Sheldon. The stars dance was manic above me as I walked back to my room and shut the door.

The canary chirped and Delvos stopped.
“This is a good place to break out fast. Sit.”
I sat obediently, squirming around until the rocks formed a more comfortable nest around my bony hips. We left for the mines as the stars were fading in the vermillion Vermont sky this morning and had been walking for what seemed like an eternity. I was definitely ready to eat. He handed me a gallon Ziploc bag from his backpack filled with raisins, nuts, various dried fruits, and a stiff piece of bread. I attacked the food like a raven.
“I was the reason no canaries entered the mines that day, Ms. Waters.” Delvos broke a piece of his bread off and wrapped it around a dried piece of apricot, or maybe apple. I was suddenly aware of my every motion and swallowed, loudly. I crinkled into my Ziploc and crunched on the pecans I dug out, waiting.
“Aren’t you going to ask why?”
“I’m not a parrot, Mr. Delvos, I don’t answer expectedly on command. You’ll tell me if you want.” I hurriedly stuffed a fistful of dried pears into my mouth.
Delvos chuckled and my nerves eased, “You’ve got steel in you, Ms. Rivers, I’ll give you that much.”
I nodded and continued cramming pears in my mouth.
“I was only nine. The canaries were my pets, all of them. I hated when Dad would send them into the mines to die for men I couldn’t give two ***** about. It was my birthday and I asked for an afternoon of freedom with my pets and Dad obliged. I was in the aviary with pocketfuls of sunflower-seeds. Whenever I threw a handful into the air above me, the air came to life with flickering yellow brushes and songs of joy. It was the happiest I have ever been, wholly surrounded and protected by my friends. Around twelve thirty that afternoon the Sheriff pulled up, lights ablaze. The blue and red lights stilled my yellow sky to green again and that’s when I heard the shouting. He cuffed my Dad on the hood of the car and Mom was crying and pushing her fists into the sheriff’s chest. I didn’t understand at all. The Sheriff ended up putting Mom in the car too and they all left me in the aviary. I sat there until around four that afternoon before they sent anyone to come get me.”
Delvos took a small bite of his bread and chewed a moment. “No matter how many handfuls of seeds I threw in the air after that, the birds wouldn’t stir. They wouldn’t even sing. I think they knew what was happening.”
I was at a loss for words so of course I blurted, “I didn’t see an aviary at your house…”
Delvos laughed. “Someone burnt down the house I was raised in the next week while we were sleeping. Mom died that night. The whole dark was burning with screams and my yellow canaries were orange and hot against the black sky. That’s the only night I’ve seen black canaries and the only night I’ve heard them scream.”
I swallowed some mixed nuts and they rubbed against my dry throat.
“They never caught the person. A week later Dad took the remainder of the birds and we marched into the woods. We worked for months clearing the land and rebuilding our lives. We spent most of the time in silence, except for the canary cries. When the house was finally built and the birds little coops were as well, Dad finally talked. The only thing he could say was ‘Canaries are not the same as a Phoenix, John. Not the same at all.”
The canary chirped, still only visible by the lanterns flame. Not fully yellow, I realized, here in the mines, but not fully orange either.

When I first walked onto John Delvos’ property on Thursday morning he was scattering feed into the bird coops in the front of his cabin. Everything was made of wood and still wet with the morning’s dew.
“Mr. Delvos?” He spun around, startled, and walked up to me a little too fast.
“Why are you here? Who are you?”
“My name is Lila Waters, sir, I am a photographer and journalist for National Geographic Magazine and we are going to run an article on your canaries.”
“Not interested”
“Please, sir, can I ask you just a few quick questions as take a couple pictures of your, erm, martyrs?”
His eyes narrowed and he walked up to me, studying my face with an intense, glowering gaze. He spit a mouthful of dip onto the ground without breaking eye contact. I shifted my camera bag’s weight to the other shoulder.
“Who told you to call them that?”
“I met Ian Benet last night, he told me how important your birds are to this community, sir. He sends his regards.”
Delvos laughed and motioned for me to follow as he turned his back. “You can take pictures but I have to approve which ones you publish. That’s my rule.”
“Sir, it’s really not up to me, you see, my boss, Jack Reynolds, is one of the CEO’s for the magazine and he...”
“Those are my rules, Ms. Waters.” He turned and picked back up the bucket of seed and began to walk back to the birds. “You want to interview me then we do it in the mine. Be back here at four thirty in the morning.”
“Sir…?”
“Get some sleep, Ms. Waters. You’ll want to be rested for the mine.” He turned, walked up his wooden stairs, and closed the door to his cabin.
I was left alone in the woods and spent the next hour snapping pictures of the little, yellow canaries in their cages. I took a couple pictures of his house and the surrounding trees, packed up my camera and trekked back to my motel.

“You finished yet?” Delvos stood up and the memory of his green and brown wooded homestead fled from my memory as the mine again consumed my consciousness. Dark, quiet, and stagnant. I closed the Ziploc and stuffed the bag, mainly filled with the raisins I sifted through, into my pocket.
Delvos grunted and the canary flapped in its cage as he stood again and, swinging the lantern, rounded another corner. The path we were on began to take a noticeable ***** downward and the moisture on the walls and air multiplied.
The canary chirped.
The lantern flickered against the moist, black stones, sleek and piled in the corners we past. The path stopped ahead at a wall of solid black and brown Earth.
The canary chirped twice.
It smelt of clay and mildew and Delvos said, “Go on, touch it.”
I reached my hand out, camera uselessly hanging like a bat over my shoulder. The rock was cold and hard. It felt dead.
The Canary was flitting its wings in the cage now, chirping every few seconds.
“This is the last tunnel they were digging when the gas under our feet broke free from hell and killed those men.”
Delvos hoisted the lantern above our heads, illuminating the surrounding gloom. All was completely still and even my own vapor seemed to fall out of my mouth and simply die. The canary was dancing a frantic jig, now, similar to the mating dance of the Great Frigate Bird I shot in the Amazon jungle. As I watched the canary and listened to its small wings beat against the cold metal cage I begin to feel dizzy. The bird’s cries had transformed into a scream colder than fire and somehow more fierce.
The ability to fly is what always made me jealous of birds as a child, but as my temple throbbed and the canary danced I realized I was amiss. Screaming, yellow feathers whipped and the entire inside of the cage was instantaneously filled. It was beautiful until the very end. Dizzying, really.
Defeated, the canary sank to the floor, one beaten wing hanging out of the iron bars at a most unnatural angle. Its claws were opening and closing, grasping the tainted cave air, or, perhaps, trying to push it away. Delvos unclipped the cage and sat it on the floor in the space between us, lantern still held swaying above his head. The bird was aflame now, the silent red blood absorbing into the apologetic, yellow feathers. Orange, a living fire. I pulled out my camera as I sat on the ground beside the cage. I took a few shots, the camera’s clicks louder than the feeble chirps sounding out of the canary’s tattered, yellow beak. My head was spinning. Its coal-black eyes reflected the lantern’s flame above. I could see its tiny, red tongue in the bottom of its mouth.
Opening.
Closing.
Opening, wider, too wide, then,
Silence.


I felt dizzy. I remember feeling the darkness surround me; it felt warm.

“I vaguely remember Delvos helping me to my feet, but leaving the mine was a complete haze.” I told the panel back in D.C., “It wasn’t until we had crossed the stream on the way back to the cabin that I began to feel myself again. Even then, I felt like I was living a dream. When we got back to the cabin the sight of the lively yellow canaries in their coops made me cry. Delvos brought me a bottle of water and told me I needed to hit the trail because the sun set early in the winter, so I le