Submit your work, meet writers and drop the ads. Become a member
Mike Bergeron Sep 2012
There was a house fire on my street last night …well… not exactly my street, but on a little, sketchy, dead-end strip of asphalt, sidewalks, weeds, and garbage that juts into my block two houses down. It was on that street. Rosewood Court, population: 12, adjusted population: 11, characterized by anonymity and boarded windows, peppered with the swift movements of fat street rats. I’ve never been that close to a real, high-energy, make-sure-to-spray-down-your-roof-with-a-hose-so-it-doesn’t-catch­ fire before. It was the least of my expectations for the evening, though I didn’t expect a crate of Peruvian bananas to fall off a cargo plane either, punching through the ceiling, littering the parking lot with damaged fruit and shingles, tearing paintings and shelves and studs from the third floor walls, and crashing into our kitchen, shattering dishes and cabinets and appliances. Since that never happened, and since neither the former nor the latter situation even crossed my mind, I’ll stick with “least of my expectations,” and bundle up with it inside that inadequate phrase whatever else may have happened that I wouldn’t have expected.



I had been reading in my living room, absently petting the long calico fur of my roommate’s cat Dory. She’s in heat, and does her best to make sure everyone knows it, parading around, *** in the air, an opera of low trilling and loud meows and deep purring. As a consequence of a steady tide of feline hormones, she’s been excessively good humored, showering me with affection, instead of her usual indifference, punctuated by occasional, self-serving shin rubs when she’s hungry. I saw the lights before I heard the trucks or the shouts of firemen or the panicked wail of sirens, spitting their warning into the night in A or A minor, but probably neither, I’m no musician. Besides, Congratulations was playing loud, flowing through the speakers in the corners of the room, connected to the record player via the receiver with the broken volume control, travelling as excited electrons down stretches of wire that are, realistically, too short, and always pull out. The song was filling the space between the speakers and the space between my ears with musings on Brian Eno, so the auditory signal that should have informed me of the trouble that was afoot was blocked out. I saw the lights, the alternating reds and whites that filled my living room, drawing shifting patterns on my walls, ceiling, floor, furniture, and shelves of books, dragging me towards the door leading outside, through the cluttered bike room, past the sleeping, black lump of oblivious fur that is usually my boisterous male kitten, and out into the bedlam I  had previously been ignorant to. I could see the smoke, it was white then gray then white, all the while lending an acrid taste to the air, but I couldn’t see where it was issuing from. The wind was blowing the smoke toward my apartment, away from Empire Mills. I tried to count the firetrucks, but there were so many. I counted six on Wilmarth Ave, one of which was the awkward-looking, heavy-duty special hazards truck. In my part of the city, the post-industrial third-wave ***** river valley, you never know if the grease fire that started with homefries in a frying pan in an old woman’s kitchen will escalate into a full-blown mill fire, the century-old wood floors so saturated with oil and kerosene and ****** and manufacturing chemicals and ghosts and god knows what other flammable **** that it lights up like a fifth of July leftover sparkler, burning and melting the hand of the community that fed it for so many decades, leaving scars that are displayed on the local news for a week and are forgotten in a few years’ time.



The night was windy, and the day had been dry, so precautions were abundant, and I counted two more trucks on Fones Ave. One had the biggest ladder I’ve ever seen. It was parked on the corner of Fones and Wilmarth, directly across from the entrance into the forgotten dead-end where the forgotten house was burning, and the ladder was lifting into the air. By now my two roommates had come outside too, to stand on our rickety, wooden staircase, and Jeff said he could see flames in the windows of one of the three abandoned houses on Rosewood, through the third floor holes where windows once were, where boards of plywood were deemed unnecessary.



“Ay! Daddy!”



My neighbor John called up to us. He serves as the eyes and ears and certainly the mouth of our block, always in everyone’s business, without being too intrusive, always aware of what’s going down and who’s involved. He proceeded to tell us the lowdown on the blaze as far as he knew it, that there were two more firetrucks and an ambulance down Rosewood, that the front and back doors to the house were blocked by something from inside, that those somethings were very heavy, that someone was screaming inside, that the fire was growing.



Val had gone inside to get his jacket, because despite the floodlights from the trucks imitating sunlight, the wind and the low temperature and the thought of a person burning alive made the night chilly. Val thought we should go around the block, to see if we could get a better view, to satisfy our congenital need to witness disaster, to see the passenger car flip over the Jersey barrier, to watch the videos of Jihadist beheadings, to stand in line to look at painted corpses in velvet, underlit parlors, and sit in silence while their family members cry. We walked down the stairs, into full floodlight, and there were first responders and police and fully equipped firefighters moving in all directions. We watched two firemen attempting to open an old, rusty fire hydrant, and it could’ve been inexperience, the stress of the situation, the condition of the hydrant, or just poor luck, but rather than opening as it was supposed to the hydrant burst open, sending the cap flying into the side of a firetruck, the water crashing into the younger of the two men’s face and torso, knocking him back on his ***. While he coughed out surprised air and water and a flood of expletives, his partner got the situation under control and got the hose attached. We turned and walked away from the fire, and as we approached the turn we’d take to cut through the rundown parking lot that would bring us to the other side of the block, two firemen hurried past, one leading the other, carrying between them a stretcher full of machines for monitoring and a shitload of wires and tubing. It was the stiff board-like kind, with handles on each end, the kind of stretcher you might expect to see circus clowns carry out, when it’s time to save their fallen, pie-faced cohort. I wondered why they were using this archaic form of patient transportation, and not one of the padded, electrical ones on wheels. We pushed past the crowd that had begun forming, walked past the Laundromat, the 7Eleven, the carwash, and took a left onto the street on the other side of the parking lot, parallel to Wilmarth. There were several older men standing on the sidewalk, facing the fire, hands either in pockets or bringing a cigarette to and from a frowning mouth. They were standing in the ideal place to witness the action, with an unobstructed view of the top two floors of the burning house, its upper windows glowing orange with internal light and vomiting putrid smoke.  We could taste the burning wires, the rugs, the insulation, the asbestos, the black mold, the trash, and the smell was so strong I had to cover my mouth with my shirt, though it provided little relief. We said hello, they grunted the same, and we all stood, watching, thinking about what we were seeing, not wanting to see what we were thinking.

Two firefighters were on the roof by this point, they were yelling to each other and to the others on the ground, but we couldn’t hear what they were saying because of the sirens from all the emergency vehicles that were arriving.  It seemed to me they sent every firetruck in the city, as well as more than a dozen police cars and a slew of ambulances, all of them arriving from every direction. I guess they expected the fire to get really out of hand, but we could already see the orange glow withdrawing into the dark of the house, steam and smoke rippling out of the stretched, wooden mouths of the rotted window frames. In a gruff, habitual smoker’s voice, we heard

                                      “Chopper called the fire depahtment

We was over at the vet’s home

                He says he saw flames in the windas

                                                                                                                                                We all thought he was shittin’ us

We couldn’t see nothin’.”

A man between fifty-five to sixty-five years old was speaking, no hair on his shiny, tanned head, old tattoos etched in bluish gray on his hands, arms, and neck, menthol smoke rising from between timeworn fingers. He brought the cigarette to his lips, drew a hearty chest full of smoke, and as he let it out he repeated

                                                “Yea, chopper called em’

Says he saw flames.”

The men on the roof were just silhouettes, backlit by the dazzling brightness of the lights on the other side.  The figure to the left of the roof pulled something large up into view, and we knew instantly by the cord pull and the sound that it was a chainsaw. He began cutting directly into the roof. I wasn’t sure what he was doing, wondered if he was scared of falling into the fire, assumed he probably was, but had at least done this before, tried to figure out if he was doing it to gain entry or release pressure or whatever. The man to the right was hacking away at the roof with an axe. It was surreal to watch, to see two men transformed from public servants into fingers of destruction, the pinkie and ring finger fighting the powerful thumb of the controlled chemical reaction eating the air below them, to watch the dark figures shrouded in ethereal light and smoke and sawdust and what must’ve been unbearable heat from below, to be viewing everything with my own home, my belongings, still visible, to know it could easily have gone up in flames as well.

I should’ve brought my jacket. I remember complaining about it, about how the wind was passing through my skin like a window screen, chilling my blood, in sharp contrast to the heat that was morphing and rippling the air above the house as it disappeared as smoke and gas up into the atmosphere from the inside out.

Ten minutes later, or maybe five, or maybe one, the men on the roof were still working diligently cutting and chopping, but we could no longer see any signs of flames, and there were figures moving around in the house, visible in the windows of the upper floors, despite the smoke. Figuring the action must be reaching its end, we decided to walk back to our apartment. We saw Ken’s brown pickup truck parked next to the Laundromat, unable to reach our parking lot due to all the emergency vehicles and people clogging our street. We came around the corner and saw the other two members of the Infamous Summers standing next to our building with the rest of the crowd that had gathered. Dosin told us the fire was out, and that they had pulled someone from inside the gutted house, but no ambulance had left yet, and his normally smiling face was flat and somber, and the beaten guitar case slung over his shoulder, and his messed up hair, and the red in his cheeks from the cold air, and the way he was moving rocks around with the toe of his shoe made him look like a lost child, chasing a dream far from home but finding a nightmare in its place, instead of the professional who never loses his cool or his direction.

The crowd all began talking at once, so I turned around, towards the dead end and the group of firefighters and EMTs that were emerging. Their faces were stoic, not a single expression on all but one of those faces, a young EMT, probably a Basic, or a Cardiac, or neither, but no older than twenty, who was silently weeping, the tears cutting tracks through the soot on his cheeks, his eyes empty of emotion, his lips drawn tight and still. Four of them were each holding a corner of the maroon stretcher that took two to carry when I first saw it, full of equipment. They did not rush, they did not appear to be tending to a person barely holding onto life, they were just carrying the weight. As they got close gasps and cries of horror or disgust or both issued from the crowd, some turned away, some expressions didn’t change, some eyes closed and others stayed fixed on what they came to see. One woman vomited, right there on the sidewalk, splashing the shoes of those near her with the partially digested remains of her EBT dinner. I felt my own stomach start to turn, but I didn’t look away. I couldn’t.

                                                                                It was like I was seven again,

                                in the alleyway running along the side of the junior high school I lived near and would eventually attend,

looking in silent horror at what three eighth graders from my neighborhood were doing.

It was about eight in the evening of a rainy,

late summer day,

and I was walking home with my older brother,

cutting through the alley like we always did.

The three older boys were standing over a small dog,

a terrier of some sort.

They had duct taped its mouth shut and its legs together,

but we could still hear its terrified whines through its clenched teeth.

One of the boys had cut off the dog’s tail.

He had it in one hand,

and was still holding the pocket knife in the other.

None of them were smiling,

or talking,

nor did they take notice of Andrew and I.

There was a garden bag standing up next to them that looked pretty full,

and there was a small pile of leaves on the ground next to it.

In slow motion I watched,

horrified,

as one of the boys,

Brian Jones-Hartlett,

picked up the shaking animal,

put it in the bag,

covered it with the leaves from the ground,

and with wide,

shining eyes,

set the bag

on fire

with a long-necked

candle

lighter.

It was too much for me then. I couldn’t control my nausea. I threw up and sat down while my head swam.

I couldn’t understand. I forgot my brother and the fact that he was older, that he should stop this,

Stop them,

There’s a dog in there,

You’re older, I’m sick,

Why can’t I stop them?

It was like
Breeze-Mist Aug 2016
I want to live for today
But keeping grades gets in the way
I want to be wild
But to get a job I have to be mild
They say "be yourself"
And throw themselves at your mental health
Welcome to high school

Welcome to high school
It's not exactly musical
Welcome to high school
Isn't it wonderful?
Forget what you know
I'm just here to show
You your classes in a place
You thought would be cool

You're underslept
You're somewhat upset
Mood swings, hormones
Family issues
A shitload of schoolwork
Mix them together in a class
And you'll pray that college will come fast
I found this poem/song in a journal that I kept in English class last year.
Josh Otto Dec 2011
Dear Ms. Di Prima,
I really,
Really,
Think that Alchemy—Alchemy--Al-Chem-EEEEE
Is a
Nifty
Topic.
But,
My mother has a ring
Of gold.
Standard Gold,
No lead. None.
Or had,
Until our house was
B-R-O / K-E / N
Into
By some lowlife scumbag with
Too much ability
And
Not enough intelligence.
With Alchemy
I could make a shitload
Of Gold (wasn't that the point?),
Provided I had the
Lead,
And not that
IMPOSTER
Crap in pencils (Graphite. My childhood was a shambles.).
But it's only valuable
Because
We're willing to pay so much.
Like with Diamonds.
Or Japanese Akita.
Or Wagyū.
It's not a lie.
Just a trick.
Making you think you want things that you don't need because it helps someone else who you've never met make more money than they'd ever be able to use in a legitimate way
                                   (HOOKERS AND BLOW).
All of these things are synthetic.
With the exceptions of
Gold
And
Graphite.
So,
       Maybe,
                      Alchemy did work out alright,
Just not in the anticipated way.
We can make all sorts of things.
But they become coveted only when they exist.
Just ask Swipey McStickyfingers.
It actually wasn't gold.
You just got a bunch of painted junk,
And passports.
No rubies.
We weren't international crooks,
Renowned and beloved
By jealous zealots.
It was purely sentimental.
But you can't understand.
You can't fondly look at the earrings as the last reminder of a deceased parent.
You can't flip through the identification booklet and be flooded with memories of your first trip out of the country.
You ******. You can't even cash the savings bonds that were bought to put someone through college.
No. He got a box of documents and some cheap jewelery.
But still. Probably called for celebration. A successful heist
Because his brain is still in his head.
                                                           ­     We create people as well as objects.
                                                   ­                                       Ms. Di Prima,
In the end,
      Some people will always be
     Clasping *******.
The form of this poem is all messed up. The lines are supposed to be jagged and all over the place, like Mallarmé's UN COUP DE DÉS.
[It's]
Something like
4 a.m. on the third day of Autumn,
riding about a fifth of a gram of some ****-ing fire Sass,
drinking Lagunitas Maximus IPA from an ornate glass goblet
with two batches of homemade chocolate chunk cookies
and Gunpowder/White Peone tea steeping,
jamming some killer music with rather passionate and talented friends;
when, suddenly, a voice of reason:

"Dude, you have work at noon."

And then, it came to me:
"Everything is as it needs to be:
this and every moment is a cosmic joke
and I am laughing through it
and I am laughing with it
and I am laughing as it."


I'll just drink a fuckton of coffee (or maybe just take a nap),
and/or another tenthish of a gram at about 11, regardless;
and bust some serious ***
and confine most of my obvious ******-up-ed-ness to my head
all the while dishwashing to ******* some bomb-*** music
on some ******-*** speakers, backstage,
at a super chill restaurant in my fairly chill foothill Berg
one calm, otherwise ordinary, Autumn lunch;
and it will be so much fun,
so mercilessly ******* amazing
after this
MDA "inspired" all-nighter:

Work
at noon on Wednesday
and then
Band Practice
after work
for a show
in Sacramento
this coming Friday
(Fun Fact: my third live performance ever, second with this band).

This is a form of coping, I suppose.
Some dope-*** ******* cope.

The things I do
to make me happy:
Life is ******* amazing.
Life makes me crazy.

I do this to myself;
this is the Life.

I do this to myself;
willingly and knowingly
and I don't much care;
that is,
I certainly recognize the concept of consequence,
but I give it the one-finger salute from time to time
when the only thing it's really gunna hurt
is poor, mortal, otherwise temporary
me.

This is not self-destructive, though,
it is constructive as ****;
a means of letting go
and moving on:
Empathic, introspective, enlightening;
not to mention a shitload of fun!
Evermore, let it be known:
that in terms of Ecstasy;
moderation
truly is
key.

Don't you see?
The only way to ever know
is to ride it out and to simply be.


All in all,
what a way
to close the ******* book on this Summer
and begin afresh a new one for Autumn;

Autumn's where my Heart is.

I'd say
all that
plus change to spare and share,
is fifty bucks **** well spent,
especially now-a-days
in a place like this
and, moreover;
with friends like these.
It's good to know yourself
and to push your envelope
one iota at a time.
-

THIS MOMENT IS A COSMIC JOKE
LAUGH WITH IT
r  Feb 2016
Dusting the inventory
r Feb 2016
A blue guitar, twelve pieces of silver-
ware, some feldspar, an essay on The Art
of War, two pine bookshelves, fifty-four books
about the past, a stone axe that must have
belonged to the last of the Mohicans, fifty more
books about bones, stones and famous pomes,
a sliver of glass from a mirror that shattered
the last six years like they didn't matter
plus one to go, a shitload of old liquor bottles,
a fossil of an inner earbone from a killer whale,
a spear-point older than 12,000 years+plus,
a tooth from a shark as big as a ****** bus,
dust marks from missing pictures of us.
Dusting off the Smundy blahs.
I get off the Belt Parkway at Rockaway Boulevard and
Jet aloft from Idyllwild.
(I know, now called J.F. ******* K!)
Aboard a TWA 747 to what was then British East Africa,
Then overland by train to Baroness Blixen’s Nairobi farm . . .
You know the one at the foot of the Ngong Hills.
I lease space in Karen’s African dreams,
Caressing her long white giraffe nape,
That exquisite Streep jugular.
I am a ghost in Meryl’s evil petting zoo:
I haunt the hand that feeds me.

Safely back in Denmark, I receive treatment
For my third bout with syphilis at Copenhagen General.
Cured at last, I return to Kenya and Karen.
In my solitude or sleep, I go with her,
One hundred miles north of the Equator,
Arriving at Julia Child’s marijuana herb garden–
Originally Kikuyu Land, of course—
But mine now by imperial design &
California voter referendum.
(Voiceover) "I had a farm in Africa
At the foot of the Ngong Hills."
My farm lies high above the sea at 6,000 feet.
By daybreak I feel oh, oh so high up,
Near to the sun on early mornings.
Evenings so limpid and restful;
Nights oh, so cold.
Mille Grazie a lei, Signore *******!
Andiamo, Sydney, amico mio.
Let it flow like the water that lives in Mombasa.
Let it flow like Kurt Luedtke’s liquid crystal script.
We zoom in. We go close in. Going close up,
On the face of Isak Dinesen’s household
Servant and general factotum. (Full camera ******)
Karen Blixen’s devoted Muslim manservant,
Farah: “God is happy, msabu. He plays with us…”
He plays with me.  And who shall I be today?
How about Tony Manero for starters?
Good choice. Nicely done!
Geezer Manero:  old and bitter now,
Still working at the hardware store,
Twice-divorced, a chain-smoker,
Severely diabetic, a drunk on dialysis 3 times a week.
Bite me, Pop:  I never thought I was John Travolta.
But, hey, I had my shot:  “I coulda been a contenda.”
Once more, by association only,
I am a great artist again, quickly made
Near great by a simple second look.
Why, oh God? I am kvetching again.
I celebrate myself and sing the
L-on-forehead loser’s lament:
Why implant the desire and then
Withhold from me the talent?
“I wrote 30 ******* operas,”
I hear Salieri’s demented cackle.
“I will speak for you, Wolfie Babaloo;
I speak for all mediocrities.
I am their champion, their patron saint.”

Must I wind up in the same
Viennese loony bin with Antonio?
Note to self:  GTF out of Austria post-haste!
I’ve been called on the Emperor’s carpet again,
My head, my decapitated Prufrock noodle,
Grown slightly bald, brought in upon a platter.
Are peaches in season?
Do I dare eat one?
I am Amadeus, ******, infantile,
An irresistible iconoclast and clown.
Wolfie:   “I am called on the imperial carpet again.
The Emperor may have no clothes but he’s got a
Shitload of ******* carpets."
Hello Girls: ‘Disco Tampons!
Staying inside, staying inside!
Wolfie: "Why have I chosen a ****** farce for my libretto?
Surely there are more elevated themes . . . NO!
I am fed to the teeth with elevated themes,
People so lofty they **** marble!"
Confutatis maledictis,
Flammis acribus addictis.

So, I mix paint in the hardware store by day.
I dance all night, near-great again by locomotion.
Join me in at least one of my verifiable nine lives.
Go with me across the Narrows,
Back to Lenape with the wild red men of Canarsee,
To Vlacke Bos, Boswijk & Nieuw Utrecht,
To Dutch treat Breuckelen, Red Hook & Bensonhurst,
To Bay Ridge and the Sheepshead.
Come with me to Coney Island’s Steeplechase & Luna Park, &
Dreamland (aka Brownsville) East New York, County of Kings.
If I’m lying, I’m dying.
And while we’re on the subject now,
Bwana Finch Hatton (pronounced FINCH HATTON),
Why not turn your focus to the rival for Karen’s heart,
To the guy who nursed her through the syphilis,
That old taciturn ******, Guru Farah?
Righto and Cheerio, Mr. Finch Hatton,
Denys George of that surname—
Why not visualize Imam Farah?
Farah: a Twisted Sister Mary Ignatius,
Explaining it all to your likes-the-dark-meat
Friend and ivory-trading business partner,
Berkeley (pronounced BARK-LEE) Cole.
Can you dig it, Travolta?
I knew that you could!

Oh yeah, Tony Manero, the Bee Gees & me,
A marriage made in Brooklyn.
The Gibbs providing the sound track while
I took care of the local action.
I got more *** than a toilet seat, a Don Juan rep &
THE CLAP on more than one occasion.
Probably from a toilet seat.
Even my big brother–the failed priest,
Celibate too long and desperate now–
Even my defrocked, blue-balled brother,
Frankie, cashing in his chips at the Archdiocese,
Taking soave lessons from yours truly,
Taking notes, copying my slick moves with chicks.
It was the usual story with the usual suspects &
The usual character tests. All of which I flunk.
I choose Fitzgerald's “vast, ****** meretricious beauty,”
My jumpstart to the middle class.
I spurn the neighborhood puttana,
Mary Catherine Delvecchio: the community ****
With the proverbial heart of gold &
A backpack full of self-esteem deficits.
I opt out.  I’m hungry and leaping.
I morph again, grab *** the golden girl.
Now I’m Gatsby in a white suit,
Stalking Daisy Buchanan in East Egg,
Daisy: her voice full of money;
My green light flashing on the disco dance floor.
I, a fool for love; she, my faithless uptown girl,
Golden and delicious like the apple,
Capricious like a blue Persian cat.
My “orgiastic future” eluded me then.
It eludes me still. Time to go home again to the place
****-ant Prufrocks ponder their pathetic dying embers.
Time to assume the position:
Gazing out from some trapezoidal patch of green
At the foot of Roebling’s bridge,
Contemplating an alternative reality for myself,
A new life across the East River,
In the city that never sleeps.
I crave. I lust. I am a guinzo Eva Duarte.
I too must be a part of B.A., Buenos Aires:
THE BIG APPLE.
But I am ashamed of my luggage,
Not to mention my baggage.
It’s like that last thing Holden Caulfield said to me,
Just before he crossed over the Brooklyn Bridge,
Crossed over to Manhattan without me,
Leaving me alone again, searching for our kid sister,
Phoebe, the only one on earth we can relate to:
“It’s really hard to be roommates with people
If your suitcases are much better than theirs.”
Ow! That stung; that was a stinger.
I am smithereened by a self-guided drone,
A smart bomb full of snide antigravity,
Transformational and caustic.
My meager allotment of self-esteem
Metastasizes into something base,
Something heavy and vile.
I drop to earth like lead mozzarella.

I am unworthy, unworthy in the maximum mendicant,
Roman Catholic mea culpa sense of the word.
I am now Umberto Eco’s penitenziagite.
I am Salvatore, a demented hunchback
(Played flawlessly as a demented hunchback by Ron Perlman),
Spewing linguistic gibberish in a variety of vernaculars:
“Lord, I am not worthy to live anywhere west of the Gowanus Canal.”
By East River waters I weep bitter tears,
The promise of a promised land denied.
I am a garlic-eating Chuck Yeager,
Auguring in, burnt beyond recognition,
An ethnic trope, a defiant Private Maggio
From here and for eternity,
Forever a swarthy ethnic stereotype
Trying to escape thru a small but significant
Hole in the ozone layer above South Ozone Park,
New York, zip code 11420.
That’s right, Ozone Park.
If you don’t believe me, look it up.
GO ******* GOOGLE IT!

And I just don’t know when to quit.
So why quit there?
Work with me, fratello mio, mon lecteur.
Like you, I took the LSAT so long ago.
Why am I not a distinguished American jurist
Asking the one question that seems to be on
Everyone’s eugenic lips today:
“Aren’t three generations of imbeciles enough?”
I am Charly from Flowers for Algernon,
A slow learner with a push broom, swept up in
Some dust from Leonard Cohen’s cuff.
Lenny: a grey-beard loon himself now, singing
“Hallelujah” for fish & chips in London’s O2 Arena.
“Suzanne takes you down, Babaloo!”
At last, I am Jesus Quintana—
John Turturro stealing the movie as usual--
This time in a hair net and a jumpsuit,
"Made of a comfortable 65% polyester/35%
Cotton poplin, you can even add your own
Ribbon leg trim and monogramming
For just the right look to be one of
The Big Lebowski’s favorite characters.
Mouse-over the thumbnail below to see our actual style
(Color must be purple). Style #: 98P, Price: $55.95. On sale: $50.36.www.myjumpsuit.com."
Fortunately, I am a savvy marketeer:
I understand the artistic potential, the venal
Possibilities of product placement. Go with me
To that undiscovered country.
The humanities uncorrupted till now by
Crass gimcrack television ads. That’s right:
******* commercials smack dab in the
Middle of a ******* poem. Why not?
Great literature has always been about
Selling something, even if only an idea.
Hey, **** me, Herman Melville!
We both know the publication costs of
Moby **** were underwritten by the tattoo artists &
Harpoon manufacturers of New Bedford,
Matched by a small research grant from some
Proto-Greenpeace, Poseidon adventure in some
Great white whale-watching swinging soiree.
Murray the ******* K, pendejo!
At last, I am The Jesus, a pervert & pederast,
According to Walter Sobjak—another post-traumatic
Post Toasty, like me, still out there in the jungle,
Still in love with the smell of ****** in the morning.
My bowling buddy, Walter, comfortably far to the right of
The Dude, and Attila the *** for that matter,
But who gives a **** if Lenin was The Walrus?
(“Shut the **** up, Buscemi!”)
“Once you hang a right at Hubert Humphrey,”
Said the streets of 1968 Chicago,
"It’s all ******* fascism anyway.”
That creep could roll, though, and as we know so well:
“Nobody ***** with The Jesus.”
Can you dig it, Travolta?
I knew that you could!

INCOMING!
I just heard from an old girlfriend who is miles away,
Teaching school in Navajo Land.
The Big Rez:  a long day’s interstate katzenjammer,
A Route 66 nightmare by car, but by email,
Just down the block and round the corner.
I had previously closed an email to her with a frivolous
“Say hello to my stinky friend.”
It was a total non-sequitur, an iconic-moronic,
Ace Ventura-mutant line from Scarface,
Which may have meant–in my herbal lunch delirium—
That she should say hi to some mutual acquaintance
We mutually loathe, Or, perhaps an acknowledgement that she–
My surrogate Cameron Diaz–has a new **** buddy,
Of whom I am insanely jealous.
Or maybe it was a simple Seinfeld “about nothing.”
Who knows what goes on in that twisted *****’s head?
She spends the next two hours in a flood of funk,
A deluge of insecurity.
A veritable Katrina ****** of self-consciousness,
Interpreting my inane nonsense in terms of vaginal health.

Hey, you want to ruin a woman’s day?
Tell her, her **** smells.
Em Sep 2013
I guess I'm too ******* up for you.
I'm not 'normal' enough.
I'd be the first to admit I have a shitload of problems.
I don't feel like I can trust anyone.
I'm not good enough for crap.
I'm way to nice to people who don't deserve it.
I'm tired of being walked on.
I'm tired of apologizing.
Sometimes I wonder why I'm here.
I'd hate to bother you.
I'm always here for you, but where are you when I need you?
I should stop expecting you to show up.
You don't care.
But did you ever?
I'm' tired of pretending everything is fine.
Cause it's not.
Written on 8.12.13
Em  Sep 2013
I'm tired
Em Sep 2013
I guess I'm too ******* up for you.
I'm not 'normal' enough.
I'd be the first to admit I have a shitload of problems.
I don't feel like I can trust anyone.
I'm not good enough for crap.
I'm way to nice to people who don't deserve it.
I'm tired of being walked on.
I'm tired of apologizing.
Sometimes I wonder why I'm here.
I'd hate to bother you.
I'm always here for you, but where are you when I need you?
I should stop expecting you to show up.
You don't care.
But did you ever?
I'm' tired of pretending everything is fine.
Cause it's not.
Written on 8.12.13
Mateuš Conrad Sep 2016
free from the irishman's arbeit macht frei on the building site:
****** worked the tools for a few years, got promoted and started
to kiss pig snouts - thinks he's the god Merovingian,
people hallucinate a potato where
his head ought to be and laugh -
well, how the most of society is sheltered
from the construction site in the west:
foreigners out! willkommen... now you
get you spoofs to do the hardened labours -
see how they fair, poncy fairies couldn't
even lift a shitload of bricks: but there they
go into the temple of hamster wheels
and brass muscles and kissing bicep meat-heads...
they could be utilised to generate enough
power to provide energy for a corner shops -
so yeah, the Romanians were on holiday,
it took them 5 days to reach their village
flying from London to Bucharest -
the cultural improvement of the Kazakh nation
was filmed there, after 5 weeks free from
the shackles of the irishman's version of
Auschwitz: a regular staple around here,
i get the smuggled cigarettes -
but after smoking tobacco smuggled from
god knows where, these Benson & Hedges
feel like torpedoes between the index and middle...
odd what 3 packets of 50g tobacco does to
perception, for a while i was smoking chop-sticks,
next thing i'm smoking torpedoes thick bulging
sticks - the smoke v. drink dynamic changes...
is Mary Poppins about to teach me a lesson
in how the HM & Revenue is sacred?
i hated that nanny when she said: to preserve
the health of the public, and to invoke a need
for proper taxation... well... **** that...
ever smoke Беломорканал сигареты?
       (belomorkanal sigarety)?
i thought you haven't, i have, i wouldn't even know
where to begin if i had to lie and tell you
i visited the Lenin mausoleum -
Беломорканал сигареты though? see the neo-Greek
in Cyrillic, or as? talk about evolution, i'd talk
more about more recent events in linguistic,
how Greek evolved in Cyrillic and Latin into added
diacritical markings: English held onto puritan Latin
impression way too long, instead of diacritical markings
we have U.S.A. accents, Scottish Irish and Welsh accents,
regional accents in England, Australian and South African...
it's like this inverse sense of insomnia:
    the sun never, ever, ******* sets on English,
steroids and amphetamines, continually news -
must be hard to keep up, to keep the local reference
in a world adequately suited for the day-to-day
marching orders - but yeah, smoked those cigarettes -
they don't have filters, well, cardboard "filters" -
you squeezed the ends and smoked the workman's
tobacco - while you were digging that god awful trench:
the white sea-baltic canal - and she was the lovely
middle-class lady who introduced me into smoking
them, after she realised she had the poker hand -
it always happens when the middle-classes meddle
with someone originating in the working class
who wants to become a chemist... they say: work!
whip for a tongue... i swear you need shampoos and toothpaste...
oh right, i'm from the land of brick and mortar?
well, if you're going to maim me, damage me,
obviously i'll stage a rebellion utilising poetry...
should have left me after infringing the damage on me,
should have left me to do the work...
but no... she calls me up and exposes me to
a schizophrenic virus: i.e. the atypical symptom -
and i'm like: huh? voices? what are voices?
what do you meaning you're hearing voices?
i guess the conscience kicked in -
                         oh how angelic everyone thinks they are...
    i call these symptoms: a rotten conscience,
  the fact that anyone would appreciate having one
is already a miracle... but seeing it rotting
    is a bit like a Dorian Gray revelation -
shock! awe! but the picture is there!
                                               funny how people who
plan a baby sometimes never score,
              and funnier still how some people invoke
   getting impregnated without the state's laws
of matrimony to blackmail a man into matrimonial
laws, use the meanest, bleakest, bile-fuelled mechanism
to erase the person from all the pages of life,
   then spectacularly fail: a bit like Jesus on the third day,
and the person in question blahs his way into
   something resembling life -  the typical
Hollywood plot: they killed him, but he got away...
        now i'm just waiting for a Mr. Chapman to finish
the job properly - because he might say:
                                his talent started waning...
    oh sure... i'd love to reach threescore & ten -
  and wait for the gimmick post-: every year after that
   is god's blessing... can i speak to the god in Sudan?
   can i get an audience? no? ah ****.
better start planning early mortality plans
while others are thinking of retirement.
                **** me! i used to be so into life that i'd
probably have written a poem a month apart -
    and now i'm left with a ****** biography that
could be encompassed in a year...
   i'm not even obsessing about it, it's just an elephant
in a box room that started snorting ******* and
playing jazz real good -
                                 then they blamed me on marijuana,
   i'd be the laziest person alive if i overdid that drug...
and however much i tried to become a Catholic
apostate, not getting confirmed and what:
   i was forced into Christian lessons of forgiveness,
only because i didn't have enough money to
pursue an argument in court... grand... just pitch-***
perfect -              mind you, they are really ****** lessons,
    i wouldn't go banging them to anyone
  who hasn't experienced injustice in this world:
gravity is probably the only law we can all experience
with true justice... as you can see, gravity wasn't
man-made... so good luck arguing your cases
     with murderers not being punished
  thieves not having their hands cut off for stealing jewels...
   if anyone was god at the birth of Christianity,
it was only Pontius Pilate - he washed his hands clean
from the matter... to me that's who god was in that
story... i'm washing my hands of anything that
might come from this.

— The End —