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nat  Dec 2014
heliotrope
nat Dec 2014
i don't know what heliotrope is
besides it has a wonderful scent

so i'm determined to smell nice
in the hope that maybe i'll at least
be remembered for something good
Hush, thrush! Hush, missen-thrush, I listen...
I heard the flush of footsteps through the loose leaves,
And a low whistle by the water's brim.

Still! Daffodil! Nay, hail me not so gaily,-
Your gay gold lily daunts me and deceives,
Who follow gleams more golden and more slim.

Look, brook! O run and look, O run!
The vain reeds shook? - Yet search till gray sea heaves,
And I will stray among these fields for him.

Gaze, daisy! Stare through haze and glare,
And mark the hazardous stars all dawns and eves,
For my eye withers, and his star wanes dim.


2

Close, rose, and droop, heliotrope,
And shudder, hope! The shattering winter blows.
Drop, heliotrope, and close, rose...

Mourn, corn, and sigh, rye.
Men garner you, but youth's head lies forlorn.
Sigh, rye, and mourn, corn...

Brood, wood, and muse, yews,
The ways gods use we have not understood.
Muse, yews, and brood, wood...
brooke Dec 2012
My hair was once all aquarelle
and peony, I wondered who

painted me
(c) Brooke Otto
For at least a week now,
shrivelled leaf-like globes
of heliotrope and platinum,
umbilical cords
caught on the top
of a lamppost's ***** finger,
jostling, huddled together
in the breeze
like players in a scrum.

I go past on the top deck,
see those wrinkled baubles
skirmish, wish to leave
and drift in mist
before rasping
with a whimper,
an out-of-breath splat
of colour caught
in some tree.
Written: March 2013.
Explanation: A poem written in my own time regarding a group of balloons caught around the top of a lamppost in a nearby town. Later uploaded as a Facebook status.
Torin Jun 2016
Your face on a grain of salt
Lost somewhere in raging oceans
I hold a stone in my hands
As I drown into the sea

Sign of the ram

Sign of the ******

This art has a hidden meaning
Lost amongst the gazing pupils
Eyes open wide for color
As I fade into the light

Bloodstone between my fingers

Salt of your skin



And if only now I could not find a way to die
**I could find a way
Michelle E Alba Nov 2011
Thistle pricked and tantalized by the hypnotist,
the heliotrope sunrise seemed bitter, offensive
at best. Ill-fated, my Magna Carta has been

stripped. Crossroads approach, I begin chewing at my
bottom lip. A simply shady azure, lewd blue lingered
our lime love had been missed. Departing, destructive at best.
I sat beneath a willow tree,
  Where water falls and calls;
While fancies upon fancies solaced me,
  Some true, and some were false.

Who set their heart upon a hope
  That never comes to pass,
Droop in the end like fading heliotrope,
  The sun's wan looking-glass.

Who set their will upon a whim
  Clung to through good and ill,
Are wrecked alike whether they sink or swim,
  Or hit or miss their will.

All things are vain that wax and wane,
  For which we waste our breath;
Love only doth not wane and is not vain,
  Love only outlives death.

A singing lark rose toward the sky,
  Circling he sang amain;
He sang, a speck scarce visible sky-high,
  And then he sank again.

A second like a sunlit spark
  Flashed singing up his track;
But never overtook that foremost lark,
  And songless fluttered back.

A hovering melody of birds
  Haunted the air above;
They clearly sang contentment without words,
  And youth and joy and love.

O silvery weeping willow tree
  With all leaves shivering,
Have you no purpose but to shadow me
  Beside this rippled spring?

On this first fleeting day of Spring,
  For Winter is gone by,
And every bird on every quivering wing
  Floats in a sunny sky;

On this first Summer-like soft day,
  While sunshine steeps the air,
And every cloud has gat itself away,
  And birds sing everywhere.

Have you no purpose in the world
  But thus to shadow me
With all your tender drooping twigs unfurled,
  O weeping willow tree?

With all your tremulous leaves outspread
  Betwixt me and the sun,
While here I loiter on a mossy bed
  With half my work undone;

My work undone, that should be done
  At once with all my might;
For after the long day and lingering sun
  Comes the unworking night.

This day is lapsing on its way,
  Is lapsing out of sight;
And after all the chances of the day
  Comes the resourceless night.

The weeping-willow shook its head
  And stretched its shadow long;
The west grew crimson, the sun smouldered red,
  The birds forbore a song.

Slow wind sighed through the willow leaves,
  The ripple made a moan,
The world drooped murmuring like a thing that grieves;
  And then I felt alone.

I rose to go, and felt the chill,
  And shivered as I went;
Yet shivering wondered, and I wonder still,
  What more that willow meant;

That silvery weeping-willow tree
  With all leaves shivering,
Which spent one long day overshadowing me
  Beside a spring in Spring.
I watched the sun rise
and fell asleep.

I watched the sun set
and became enlightened.
Aaron Mullin Oct 2014
There has not been for a long time a spring
as beautiful as this one; the grass, just before mowing,
is thick and wet with dew. At night bird cries
come up from the edge of the marsh, a crimson shoal
lies in the east till the morning hours.
In such a season, every voice becomes for us
a shout of triumph. Glory, pain and glory
to the grass, to the clouds, to the green oak wood.
The gates of the earth torn open, the key
to the earth revealed. A star is greeting the day.
Then why do your eyes  hold an impure gleam
like the eyes of those who have not tasted
evil and long only for crime? Why does this heat
and depth of hatred radiate
from your narrowed eyes? To you the rule,
for you clouds in golden rings
play a music, maples by the road exalt you.
The invisible rein on every living thing
leads to your hand--pull, and they all
turn a half-circle under the canopy
called cirrus. And your tasks? A wooden mountain
awaits you, the place for cities in the air,
a valley where wheat should grow, a table, a white page
on which, maybe, a long poem could be started,
joy and toil. And the road bolts like an animal,
it falls away so quickly, leaving a trail of dust,
that there is scarcely a sight to prepare a nod for,
the hand's grip already weakened, a sigh, and the storm is over.
And then they carry the malefactor through the fields,
rocking his grey head, and above the seashore
on a tree-lined avenue, they put him down
where the wind from the bay furls banner
and schoolchildren run on the gravel paths,
singing their songs.

--"So that neighing in the gardens, drinking on the green
so that, not knowing whether they are happy or just weary,
they take bread from the hands of their pregnant wives.
They bow their heads to nothing in their lives.
My brothers, avid for pleasure, smiling, beery,
have the world for a granary, a house of joy?"

--"Ah, dark rabble at their vernal feasts
and creamatoria rising like white cliffs
and smoke seeping from the dead wasps' nests.
In a stammer of mandolins, a dust-cloud of scythes,
on heaps of food and mosses stomped ash-grey,
the new sun rises on another day."

For a long time there has not been a spring
as beautiful as this one to the voyager.
The expanse of water seems to him dense
as the blood of a hemlock. And a fleet of sails
speeding in the dark, like the last
vibration of a pure note. He saw
human figures scattered on the sands
under the light of the planets, falling from the vault
of heaven, and when a wave grew silent, it was silent,
the foam smelled of ioding? heliotrope?
They sang on the dunes, Maria, Maria,
resting a spattered hand on the saddle
and he didn't know if this was the new sign
that promises salvation, but kills first.
Three times must the wheel of blindness
turn, before I took without fear at the power
sleeping in my own hand, and recognize spring,
the sky, the seas, and the dark, massed land.
Three times will the liars have conquered
before the great truth appears alive
and in the splendor of one moment
stand spring and the sky, the seas, the lands.

*Wilmo, 1936
Winner of the 1980 Nobel Prize for Literature
Phosphorimental Sep 2014
By the end of this poem, those once vibrant
shall slough off in horizons of necrosis.
As I tap out completion,
their summer cedes to countless performances;
actors bow before the closing curtain of Autumn.

The maelstrom of summer-lovers lulls to a murmur
And the great Mevlana’s couplets and Khayyam’s quatrains
Float away on the formations of down-bound geese.
You’ll hear the Doppler shift of devotion’s goodbye
On the whines of the locomotive’s whistle.

By the end of this poem, the thistle fades
from heliotrope to gun metal gray.
The clandestine scent of “once-whens”
Wafts into a future of “now-agains.”
Yet, this new Fall is bittersweet.
Before another ******* of trees,
a red rose blushes in reminiscence.

By this poems end, I’ll be in love
with the chill of an approaching season
wearing the brightest flower in my garden of poetry
One last choke on the rising smoke
as the last painful stanza goes
Into the solemn procession
toward the sacred pyre of leaves.
A Dare to Poets... take the last 3-5 word of each line and assemble into a poem...watch what happens:

…Those, once vibrant
…In horizons of necrosis
…Tap out completion
…To countless performances
…Before closing curtain of autumn
…Summer-lovers lulls to a murmur
…Khayyam’s quatrains
…Of Down-bound geese
…Shift of Devotion’s goodbye
…Of the locomotives whistle
…The thistle fades
…To gun metal gray
…Of “once whens”
…Of “now-agains”
…Fall is bittersweet
…******* of trees
…In reminiscence
…I’ll be in love
…An approaching season
…In my garden of poetry
…The rising smoke
…Of a stanza goes
…Solemn procession
…Sacred pyre of leaves.
Sara Teasdale  Aug 2009
Old Tunes
As the waves of perfume, heliotrope, rose,
Float in the garden when no wind blows,
Come to us, go from us, whence no one knows;

So the old tunes float in my mind,
And go from me leaving no trace behind,
Like fragrance borne on the hush of the wind.

But in the instant the airs remain
I know the laughter and the pain
Of times that will not come again.

I try to catch at many a tune
Like petals of light fallen from the moon,
Broken and bright on a dark lagoon,

But they float away—for who can hold
Youth, or perfume or the moon’s gold?

— The End —