Submit your work, meet writers and drop the ads. Become a member
Raj Arumugam Oct 2010
Owl slept in the tree’s hollow
but the silly Grasshopper
on the branch outside
made incessant noise

‘Kind Sir,’ said Owl,
‘would you stop singing
and allow me to sleep?
I’m nocturnal
and sleep by day
and so I need some quiet now.’

Grasshopper
looked proud
and rubbed its hind femurs
against its fore-wings
and it said:
‘Ah, Sir Owl -
Eminent Naturalists have come
to record me make my most melodious songs
and they kept away, if you must know,
from your uncouth hooting!
So I will continue singing
and you may live in envy if you like.’


‘Oh it is most true,’
said Owl.
‘You sing most wonderfully
and I but screech.
But come in and I have
a potion
that the Goddess of Song
has just given me
that will soften my hooting
and bring your song to perfection.
You already sing like a sensation,
O Highly Sought-After Grasshopper –
you’ll be even more appreciated after….’



And straight Grasshopper
with a magnificent leap
jumped to Owl’s home;
and straight Owl ate the singing insect
and indeed Grasshopper
was even more appreciated after….




And it is whispered in the forests
Owl’s hooting improved
due to a certain potion
Owl had acquired
from the Goddess of Song
Tammy M Darby Feb 2017
To my friend from Down Under



I was driving down the road and what did I see
But a grasshopper with his pants on fire
With a snake hot on his tail he was moving his feet
That grasshopper with his pants on fire

Hopping high as he could go
A moving fast and ducking low
That grasshopper with his pants on fire
Well the snake was closing in and his race was soon to end
With that grasshopper with his pants on fire

The hopper tightened up his hopping
The snake knew there was no stopping
That grasshopper with his pants on fire

He’s got long legs for a reason
He's the toast of the season
Silly grasshopper with his pants on fire


All Rights Reserved @ Tammy M. Darby Feb. 16, 2017
Robin Carretti Jul 2018
E-Emotion
Angry, E-book hunger
Tear diamond drop

      Join Me
@ The Body-book shop

The Gold bonds his book Hot Rods
She reads about the Angels and Gods

He covers her mind and book
with his lotion

Are we ready for the E-book
In tip-top condition motion
Someone is mysteriously trying to tell me something?

How the moon hangs low
The book made her eyes
Open to really know?

I phone to book she's the grab bag
I'm leaving on a Jetplane
One chosen E-Book
Was Scarlet love flame


How the book needs to grab you
The day you were born or reborn
Never to lose your sight
But why does he split your pages

In a hot rush* money wages

The heart is bleeding out words
Feeling so crushed the bookend
Energetic stare or the blank stare
Your enticing book
What happens underside me
The pages one-sided

You're the sweet of the complicated
getting bittersweet to be love mated


The sundae banana split
*My ring book marker my lovely curls


I couldn't share my book what it said
Do you really love me
The spinning wheel
Feminity of book so girly but
Love so dizzy

To be told overstocked to be sold
But someone loved it
Its been properly viewed
Buying and reselling hearts of
book timeshare

His workout
he loves his curls
Ebook he sees he memorized
all his European beauty
turning do you love her books madly
The beast  is inside Jekyll
Girls needed to hide but got
Hyde
The book seeing our life
From a blinded pageview
What's beside our words
We need to be upfront
Once in a million chances
The whole planet of funny books
beach house turned
Blank page
of a clown funhouse tree stalk

What is the point of view
Like an adult book raided
If you're the unadulterated
The innocents being naive
Wanting him so much
Whats the use it's like a
the blank page
Like your hairstyle
the sixties pageboy
You need book law and order
Like the Feng Shui book surrender
Be focused Graphically cool artist
And paint it colors no
gun it blanks no favors
My book place has the ambiance
Different mysteries
and suspense behaviors

Somehow it thickens
like "French" roue paste

You didn't want one
page to waste
E for the Exodus
A blank page is love minus
You're hitting a plateau
E- love of kiss-book
French Chateau
Ebook has a pattern the same thing
It repeats and devours your thoughts
The ancient Grecian her structural
form of statues
That rip page needed words to capture

The Clean-Slate page to restart
your flight
The prize
Emprise
Empire to the book hire
E-book desire
E-lust
It sets an example
we need to trust
Not to mislead your mind
Whats behind the book
Exhumed or to be doomed
Like Witchcraft magical hands

This wasn't the Godly land
The blank page had a spell
"The Burned Book" no one
will ever know
Can we take it back what was written inside
We need to restore give more (Cat and Mouse) chase

As my equal poison mind of sugar
Equally or naturally book gifted
Wrap silk ribbons or too much
the anxiety of red tape
Explosion of E=books
Elixir eyes to the Ebook doorway
But the blank pages were
still inside

E-book and the text
Whats next *** journalism
The kingdom of Elust
E-book became all excuses
Those blank tweets of
Hummingbirds
Like you got some
earwax all codes and emblems
My blank form income tax problems?

Storming damage to the max of my book

Hitting rock or book bottom
You're still living in a shape
of an eggcup

And reading by your nook
Your Ebook swish wish a nymph
floating mermaid

Things turn (Retro) just go
The book was the turn of events
More pages to heart mend

We are not experts or philosophers
Get inside the greener grass
like a grasshopper

Your lovely book a tranquil place
You were booked into your gown
But your ebooks is being
transported to other towns

Her heart was skipping his pages
She never got the chance to read
His chosen page
Life is so the open book
Eyes wide shut
E-book a cozy nook and where does it begin or end did I see some blank pages in between. I need a new for a taste for something on my speed I love to read it fascinated me every page but something stopped me to continue I wonder how long will this go on being fun and retro just go to the bookstore you may be pleasantly surprised of what you might see
grasshopper
                     grasshopper
hops above
the rest

trying to be
the best

but in the peak of
the hop

grasshopper
                     grasshopper
f
a
l
l
s

i will never reach
the top
Lefa Mzondi Aug 2017
It's in the way she moves her hips
It's in the way her lips touch
It's in the way she bites her lower lip,
Oh how my world turns inside out when she does that
It's the way she says my name
In the way she whispers it, "Lefa... "
Sends shivers all over my body, goosebumps all over again

Problem is, she is taken. Unavailable

It's in the way she looks at me
All the whole new universe inside those eyes I could just get lost in
It's in the way she smiles at me
Just can't help but shy away

It's in the way she wakes all the once buried feelings,
Back from the dead with no regard whatsoever what people might say
It's in the way she makes everything around just lose sense

I know its been years but I can still feel her touch,
Soft, warm feeling

One look at her and I find myslef in high school all over again
Can still remember the very first time I laid eyes on her
Priceless, all words needed to describe her
Short stature
German-cut hairstyle
Gold earrings
Furnished with a smile
Grasshopper shoes
Short grey skirt
One hand in the pocket
Complete with the swing of her small waist when she moves
Still takes my breath away

There is still one problem, she's a taken woman

Maybe I waited a little too long
Maybe it wasn't the right time then
Is it right now?
Maybe I need a hard slap to put some sense back into me
Because right now, I'm deeply in love with a married woman
The worst problem is, I think she's in love with me too..
The poetry of earth is never dead:
      When all the birds are faint with the hot sun,
      And hide in cooling trees, a voice will run
From hedge to hedge about the new-mown mead;
That is the Grasshopper's—he takes the lead
      In summer luxury,—he has never done
      With his delights; for when tired out with fun
He rests at ease beneath some pleasant ****.
The poetry of earth is ceasing never:
      On a lone winter evening, when the frost
      Has wrought a silence, from the stove there shrills
The Cricket's song, in warmth increasing ever,
      And seems to one in drowsiness half lost,
      The Grasshopper's among some grassy hills.
Lazhar Bouazzi Jun 2016
As the shape all sun
tore up the curtain
of blood and ululation,
everything in Tunisia,
as stricken by a wand,
came to a standstill,
and slipped away
from the senses -
Even rivers stopped.

Medjerda* froze
halfway
through the descent
to his destination,
as he realized
he’d been making a fatal error:
pouring forth all his passion
into the ocean.

So he stopped,
retracted his course,
re-collected himself,
and started flowing backward,
toward
the source
in the Atlas
that had bidden him
farewell.

In his spear head
there was a design:
start a new chaos
in the valley,
in which there would be
a sweet-water lake
and sailors drunk
with sunbeams, sweat
and pleasure.
Butterflies would flutter
around the scent of mint
and bluegreen rosemary.
Sweet Moon to Sweet Lake
would come, unannounced,
In the rays of the nightlight
of the fluttering night
to watch her self
shoot
the scene
of representation.

The river, now swimming
in his own water,  
carried the sky on his shoulder,
while an ant and a grasshopper,
holding a basket together,
watched the new scene.

As the figure all sun appeared ,
reason melted;
imagination
her hazel eyes opened.

*Medjerda is the most important river in Tunisia. Length, 460 km; basin area, 22,000 sq km. It flows out of the Atlas mountains into the Gulf of Tunis.
© LazharBouazzi, June 16, 2016
*Medjerda is the most important river in Tunisia. Length, 460 km; basin area, 22,000 sq km. It flows out of the Atlas mountains into the Gulf of Tunis.
Lazhar Bouazzi Jul 2017
I
When the ant had told,
That December cold
Night, the grasshopper,
Who had spent his summer
Singing in the tree,
To go dance now that
He was hungry & free,
He didn’t show the hurt,
Because he was alert
To the pain
Of winter and language,
So he left the village.
II
When he, thirteen years
Later,
Came back as a baker
(Who worked in the day
And sang in the night)
He went to see the ant,
A blue guitar gift-wrapped -
In his hand.
© LazharBouazzi, TUNISIA
Robert Bly  Nov 2010
Dawn
Some love to watch the sea bushes appearing at dawn,
To see night fall from the goose wings, and to hear
The conversations the night sea has with the dawn.

If we can't find Heaven, there are always bluejays.
Now you know why I spent my twenties crying.
Cries are required from those who wake disturbed at dawn.

Adam was called in to name the Red-Winged
Blackbirds, the Diamond Rattlers, and the Ring-Tailed
Raccoons washing God in the streams at dawn.

Centuries later, the Mesopotamian gods,
All curls and ears, showed up; behind them the Generals
With their blue-coated sons who will die at dawn.

Those grasshopper-eating hermits were so good
To stay all day in the cave; but it is also sweet
To see the fenceposts gradually appear at dawn.

People in love with the setting stars are right
To adore the baby who smells of the stable, but we know
That even the setting stars will disappear at dawn.
"Yeah, I get that, but, why's it so hard? Why must it be so painful?
Why must there be such emotional struggle and spiritual turmoil?"

"Aha, then you don't get it at all.
You study the map well, but have yet to hazard traversing the Path, itself.

Without all the pain, Grasshopper,
without suffering and perseverance,
why bother to try to learn these first lessons at all?
Would you have had the tools and motivation you needed?

Without adversity, where's quality control?

Imagine, if you can, what an eternity of bliss would be worth to One,
who had suffered countless lifetimes in the struggle for that Nirvana,
as opposed to One who was born into such bliss without lifetimes of sorrow to counterbalance; provide context. Is the discrepancy of appreciations apparent?

You see-
if you want to learn, to live, to experience anything worthwhile,
you must accept the pain. Life is pain. That's the deal how it is in the contract: you get to live, but then you have to die. It's called Mortality. It's a joke, an illusion. Get over it. Laugh at it before it gets the last laugh. Welcome it. Let it teach you. Invite it for tea.
Dare to look it in the eye.
It respects that.

That isn't to say give in to it, but, rather, listen to it. Respect it's counsel.
If you must suffer, learn to use suffering,
lest it drain you of your very Soul
and entice you to seek to the same of Others-
That's the corrupting agent, Grasshopper.

Though Pain may well be dark by nature,
it is made bad by abusive nurture.
It mustn't be a construct of Evil.
It can be made an excuse for Light, as well.
There's an example of the play of yin and yang.
Be keen to both, so as to make the most auspicious choices.
Choose to transmute that Pain,
whether emotional, spiritual, physical, or creative,
into a source of inspiration, motivation.
Reflection. Redemption.

Balance is qi, Grasshopper.

Also, try to avoid killing the ants. They're just finding their place, too.
There's no sense in causing more suffering than there must already be.
You wanna talk about suffering? Talk to the ants who carry off the bits of the other Ants you smash! How d'ya think they feel?
Probably nothin', they're just ants.

Point is, not unlike pain,
the ants serve a purpose, as do we all.
Unlike the ants, though,
we are free to define our own purpose.
We must chose wisely.

Now, contemplate that as you get back to sweeping the leaves off the deck.
I have tea that urgently needs my attention."

He combed his hair with his hands and looked off at the sunrise, smiling.

"You're welcome to join me once this chore is complete.
I sense you're almost ready to truly begin your study."

I was strangely afraid he'd say that. I hope he's right.
He always is, but I don't really even know what it means to be ready.
Maybe all just simply is as it must be, and I should just be open to it.
I think I'll sweep a little slower and let all that simmer down.
..raw..
(t4+4, for future reference)

Dialogue between a certain monk and her monastery's master.

13.3.15
I

Because I do not hope to turn again
Because I do not hope
Because I do not hope to turn
Desiring this man’s gift and that man’s scope
I no longer strive to strive towards such things
(Why should the agèd eagle stretch its wings?)
Why should I mourn
The vanished power of the usual reign?

Because I do not hope to know
The infirm glory of the positive hour
Because I do not think
Because I know I shall not know
The one veritable transitory power
Because I cannot drink
There, where trees flower, and springs flow, for there is
  nothing again

Because I know that time is always time
And place is always and only place
And what is actual is actual only for one time
And only for one place
I rejoice that things are as they are and
I renounce the blessèd face
And renounce the voice
Because I cannot hope to turn again
Consequently I rejoice, having to construct something
Upon which to rejoice

And pray to God to have mercy upon us
And pray that I may forget
These matters that with myself I too much discuss
Too much explain
Because I do not hope to turn again
Let these words answer
For what is done, not to be done again
May the judgement not be too heavy upon us

Because these wings are no longer wings to fly
But merely vans to beat the air
The air which is now thoroughly small and dry
Smaller and dryer than the will
Teach us to care and not to care Teach us to sit still.

Pray for us sinners now and at the hour of our death
Pray for us now and at the hour of our death.

II

Lady, three white leopards sat under a juniper-tree
In the cool of the day, having fed to sateity
On my legs my heart my liver and that which had been contained
In the hollow round of my skull. And God said
Shall these bones live? shall these
Bones live? And that which had been contained
In the bones (which were already dry) said chirping:
Because of the goodness of this Lady
And because of her loveliness, and because
She honours the ****** in meditation,
We shine with brightness. And I who am here dissembled
Proffer my deeds to oblivion, and my love
To the posterity of the desert and the fruit of the gourd.
It is this which recovers
My guts the strings of my eyes and the indigestible portions
Which the leopards reject. The Lady is withdrawn
In a white gown, to contemplation, in a white gown.
Let the whiteness of bones atone to forgetfulness.
There is no life in them. As I am forgotten
And would be forgotten, so I would forget
Thus devoted, concentrated in purpose. And God said
Prophesy to the wind, to the wind only for only
The wind will listen. And the bones sang chirping
With the burden of the grasshopper, saying

Lady of silences
Calm and distressed
Torn and most whole
Rose of memory
Rose of forgetfulness
Exhausted and life-giving
Worried reposeful
The single Rose
Is now the Garden
Where all loves end
Terminate torment
Of love unsatisfied
The greater torment
Of love satisfied
End of the endless
Journey to no end
Conclusion of all that
Is inconclusible
Speech without word and
Word of no speech
Grace to the Mother
For the Garden
Where all love ends.

Under a juniper-tree the bones sang, scattered and shining
We are glad to be scattered, we did little good to each other,
Under a tree in the cool of day, with the blessing of sand,
Forgetting themselves and each other, united
In the quiet of the desert. This is the land which ye
Shall divide by lot. And neither division nor unity
Matters. This is the land. We have our inheritance.

III

At the first turning of the second stair
I turned and saw below
The same shape twisted on the banister
Under the vapour in the fetid air
Struggling with the devil of the stairs who wears
The deceitul face of hope and of despair.

At the second turning of the second stair
I left them twisting, turning below;
There were no more faces and the stair was dark,
Damp, jaggèd, like an old man’s mouth drivelling, beyond repair,
Or the toothed gullet of an agèd shark.

At the first turning of the third stair
Was a slotted window bellied like the figs’s fruit
And beyond the hawthorn blossom and a pasture scene
The broadbacked figure drest in blue and green
Enchanted the maytime with an antique flute.
Blown hair is sweet, brown hair over the mouth blown,
Lilac and brown hair;
Distraction, music of the flute, stops and steps of the mind
over the third stair,
Fading, fading; strength beyond hope and despair
Climbing the third stair.

Lord, I am not worthy
Lord, I am not worthy

                              but speak the word only.

IV

Who walked between the violet and the violet
Whe walked between
The various ranks of varied green
Going in white and blue, in Mary’s colour,
Talking of trivial things
In ignorance and knowledge of eternal dolour
Who moved among the others as they walked,
Who then made strong the fountains and made fresh the springs

Made cool the dry rock and made firm the sand
In blue of larkspur, blue of Mary’s colour,
Sovegna vos

Here are the years that walk between, bearing
Away the fiddles and the flutes, restoring
One who moves in the time between sleep and waking, wearing

White light folded, sheathing about her, folded.
The new years walk, restoring
Through a bright cloud of tears, the years, restoring
With a new verse the ancient rhyme. Redeem
The time. Redeem
The unread vision in the higher dream
While jewelled unicorns draw by the gilded hearse.

The silent sister veiled in white and blue
Between the yews, behind the garden god,
Whose flute is breathless, bent her head and signed but spoke
  no word

But the fountain sprang up and the bird sang down
Redeem the time, redeem the dream
The token of the word unheard, unspoken

Till the wind shake a thousand whispers from the yew

And after this our exile

V

If the lost word is lost, if the spent word is spent
If the unheard, unspoken
Word is unspoken, unheard;
Still is the unspoken word, the Word unheard,
The Word without a word, the Word within
The world and for the world;
And the light shone in darkness and
Against the Word the unstilled world still whirled
About the centre of the silent Word.

    O my people, what have I done unto thee.

Where shall the word be found, where will the word
Resound? Not here, there is not enough silence
Not on the sea or on the islands, not
On the mainland, in the desert or the rain land,
For those who walk in darkness
Both in the day time and in the night time
The right time and the right place are not here
No place of grace for those who avoid the face
No time to rejoice for those who walk among noise and
  deny the voice

Will the veiled sister pray for
Those who walk in darkness, who chose thee and oppose thee,
Those who are torn on the horn between season and season,
  time and time, between
Hour and hour, word and word, power and power, those who wait
In darkness? Will the veiled sister pray
For children at the gate
Who will not go away and cannot pray:
Pray for those who chose and oppose

    O my people, what have I done unto thee.

Will the veiled sister between the slender
Yew trees pray for those who offend her
And are terrified and cannot surrender
And affirm before the world and deny between the rocks
In the last desert before the last blue rocks
The desert in the garden the garden in the desert
Of drouth, spitting from the mouth the withered apple-seed.

    O my people.

VI

Although I do not hope to turn again
Although I do not hope
Although I do not hope to turn

Wavering between the profit and the loss
In this brief transit where the dreams cross
The dreamcrossed twilight between birth and dying
(Bless me father) though I do not wish to wish these things
From the wide window towards the granite shore
The white sails still fly seaward, seaward flying
Unbroken wings

And the lost heart stiffens and rejoices
In the lost lilac and the lost sea voices
And the weak spirit quickens to rebel
For the bent golden-rod and the lost sea smell
Quickens to recover
The cry of quail and the whirling plover
And the blind eye creates
The empty forms between the ivory gates
And smell renews the salt savour of the sandy earth

This is the time of tension between dying and birth
The place of solitude where three dreams cross
Between blue rocks
But when the voices shaken from the yew-tree drift away
Let the other yew be shaken and reply.

Blessèd sister, holy mother, spirit of the fountain, spirit
  of the garden,
Suffer us not to mock ourselves with falsehood
Teach us to care and not to care
Teach us to sit still
Even among these rocks,
Our peace in His will
And even among these rocks
Sister, mother
And spirit of the river, spirit of the sea,
Suffer me not to be separated

And let my cry come unto Thee.
murari sinha Oct 2010
on the other-side of a grave wall
there may rightly be a water-vessel
that is chicken-hearted by birth  

there may not be around her
a stretching of water-body

do remember
when we all went that day to catch the train
the room of the rail-station was totally vanished

after enquiry it was revealed that
it had gone to observe holidays with its family
in the yolk of the eggs of the snipe

before opening the no-door to take a leap i also knew
that the top-branch of a green and large grasshopper
was mainly made up of white-stones

i did not also have
any mystic words  
given by the moon
to recite silently

so without caring for the water
i made a all-complete ocean
with sands and cement

throughout the  year  
solvency gets down
from the body of the traffic signal

even-then
the monsoon this year
has been under the poverty-line  

and the ray of hope is that  
it is this circuitous route
leading to the top of the himalaya

that would one day
play the tune of differential calculus
on her guitar
Lazhar Bouazzi May 2016
When the ant had told
that December cold
night the grasshopper,
who had spent Summer
singing in the tree,
to go dance now that
he was hungry but free,
he didn’t show the hurt,
for he was alert
To the discomfort
of Winter and language;
but he left the village.

When he, years later,
Came back as a baker
(who sang in the day
and worked in the night),
the first thing he did
was to go see the ant -
a gift-wrapped guitar
in his hand.

(c) LazharBouazzi

— The End —