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Raj Arumugam Oct 2010
Owl slept in the tree’s hollow
but the silly Grasshopper
on the branch outside
made incessant noise

‘Kind Sir,’ said Owl,
‘would you stop singing
and allow me to sleep?
I’m nocturnal
and sleep by day
and so I need some quiet now.’

Grasshopper
looked proud
and rubbed its hind femurs
against its fore-wings
and it said:
‘Ah, Sir Owl -
Eminent Naturalists have come
to record me make my most melodious songs
and they kept away, if you must know,
from your uncouth hooting!
So I will continue singing
and you may live in envy if you like.’


‘Oh it is most true,’
said Owl.
‘You sing most wonderfully
and I but screech.
But come in and I have
a potion
that the Goddess of Song
has just given me
that will soften my hooting
and bring your song to perfection.
You already sing like a sensation,
O Highly Sought-After Grasshopper –
you’ll be even more appreciated after….’



And straight Grasshopper
with a magnificent leap
jumped to Owl’s home;
and straight Owl ate the singing insect
and indeed Grasshopper
was even more appreciated after….




And it is whispered in the forests
Owl’s hooting improved
due to a certain potion
Owl had acquired
from the Goddess of Song
Tammy M Darby Feb 2017
To my friend from Down Under



I was driving down the road and what did I see
But a grasshopper with his pants on fire
With a snake hot on his tail he was moving his feet
That grasshopper with his pants on fire

Hopping high as he could go
A moving fast and ducking low
That grasshopper with his pants on fire
Well the snake was closing in and his race was soon to end
With that grasshopper with his pants on fire

The hopper tightened up his hopping
The snake knew there was no stopping
That grasshopper with his pants on fire

He’s got long legs for a reason
He's the toast of the season
Silly grasshopper with his pants on fire


All Rights Reserved @ Tammy M. Darby Feb. 16, 2017
grasshopper
                     grasshopper
hops above
the rest

trying to be
the best

but in the peak of
the hop

grasshopper
                     grasshopper
f
a
l
l
s

i will never reach
the top
The poetry of earth is never dead:
      When all the birds are faint with the hot sun,
      And hide in cooling trees, a voice will run
From hedge to hedge about the new-mown mead;
That is the Grasshopper's—he takes the lead
      In summer luxury,—he has never done
      With his delights; for when tired out with fun
He rests at ease beneath some pleasant ****.
The poetry of earth is ceasing never:
      On a lone winter evening, when the frost
      Has wrought a silence, from the stove there shrills
The Cricket's song, in warmth increasing ever,
      And seems to one in drowsiness half lost,
      The Grasshopper's among some grassy hills.
"Yeah, I get that, but, why's it so hard? Why must it be so painful?
Why must there be such emotional struggle and spiritual turmoil?"

"Aha, then you don't get it at all.
You study the map well, but have yet to hazard traversing the Path, itself.

Without all the pain, Grasshopper,
without suffering and perseverance,
why bother to try to learn these first lessons at all?
Would you have had the tools and motivation you needed?

Without adversity, where's quality control?

Imagine, if you can, what an eternity of bliss would be worth to One,
who had suffered countless lifetimes in the struggle for that Nirvana,
as opposed to One who was born into such bliss without lifetimes of sorrow to counterbalance; provide context. Is the discrepancy of appreciations apparent?

You see-
if you want to learn, to live, to experience anything worthwhile,
you must accept the pain. Life is pain. That's the deal how it is in the contract: you get to live, but then you have to die. It's called Mortality. It's a joke, an illusion. Get over it. Laugh at it before it gets the last laugh. Welcome it. Let it teach you. Invite it for tea.
Dare to look it in the eye.
It respects that.

That isn't to say give in to it, but, rather, listen to it. Respect it's counsel.
If you must suffer, learn to use suffering,
lest it drain you of your very Soul
and entice you to seek to the same of Others-
That's the corrupting agent, Grasshopper.

Though Pain may well be dark by nature,
it is made bad by abusive nurture.
It mustn't be a construct of Evil.
It can be made an excuse for Light, as well.
There's an example of the play of yin and yang.
Be keen to both, so as to make the most auspicious choices.
Choose to transmute that Pain,
whether emotional, spiritual, physical, or creative,
into a source of inspiration, motivation.
Reflection. Redemption.

Balance is qi, Grasshopper.

Also, try to avoid killing the ants. They're just finding their place, too.
There's no sense in causing more suffering than there must already be.
You wanna talk about suffering? Talk to the ants who carry off the bits of the other Ants you smash! How d'ya think they feel?
Probably nothin', they're just ants.

Point is, not unlike pain,
the ants serve a purpose, as do we all.
Unlike the ants, though,
we are free to define our own purpose.
We must chose wisely.

Now, contemplate that as you get back to sweeping the leaves off the deck.
I have tea that urgently needs my attention."

He combed his hair with his hands and looked off at the sunrise, smiling.

"You're welcome to join me once this chore is complete.
I sense you're almost ready to truly begin your study."

I was strangely afraid he'd say that. I hope he's right.
He always is, but I don't really even know what it means to be ready.
Maybe all just simply is as it must be, and I should just be open to it.
I think I'll sweep a little slower and let all that simmer down.
..raw..
(t4+4, for future reference)

Dialogue between a certain monk and her monastery's master.

13.3.15
Today, I am Grasshopper.

Pulling on many strings in preparation for a great leap

One small leap for a tiny, insignificant grasshopper seems like

Wisdom on a different plane

No safety net

Blindly jumping with eyes wide shut

Cause I'm goodwill hunting
Lazhar Bouazzi Jul 2017
I
When the ant had told,
That December cold
Night, the grasshopper,
Who had spent his summer
Singing in the tree,
To go dance now that
He was hungry & free,
He didn’t show the hurt,
Because he was alert
To the pain
Of winter and language,
So he left the village.
II
When he, thirteen years
Later,
Came back as a baker
(Who worked in the day
And sang in the night)
He went to see the ant,
A blue guitar gift-wrapped -
In his hand.
© LazharBouazzi, TUNISIA
There’s a shiny tree, in a shiny island, upon the shiny sea,

That looks upon the horizon with smiling leaves,

Creatures dwell there strange and weird,

Some with a moustache and some with a beard!

Some with green eyes, some with lots of lice,

Some foolish and some smart,

But two of them, pure of heart!



One is a butterfly with wings so bright,

yellow at day and blue at night,

she does not fly, just dances and skates,

coz her wings can’t hold so much weight!

She loves to eat and talk and laugh,

and care about her friends on her own behalf!



The other is a Grasshopper, that hops and hops,

every single day, till his heart nearly pops,

he is wise and strong, with a solid frame,

he knows it all, he knows all the same,

that everything has a end, and most of it is just a game



Both these creatures are really good friends,

Sometimes they eat on the butterfly’s demand,

And sometimes they hop on the hopper’s command

But never they fight and never abscond,

If one is in trouble, the other appears,

To help and to fill their hearts with cheers



The butterfly trips, when she loses fear and knows no bounds,

And turns into a bird, free and singing with lovely sounds,

But her brains reduce to mere a lump of clay,

And hopper has to guard her, lest she flies away



And the hopper, is not without a weakness, just like our princess,

He loses control over his heart and mind, sometimes obsessed and sometimes possessed!

The butterfly tells him to take it easy and not get so dizzy,

Hopping is not a business, it is just a silly recess!



The story has just begun and this is a prelude,

Wait and see what happens of the butterfly chick and the grasshopper dude!
thomas Nov 2015
The late afternoon sun shines amber rays upon a silent grasshopper.
A profound event is under way.

In the woodland's soft loam, mama grasshopper has planted her eggs, the ****** of a brief, worthwhile life.  Having evaded field mice, mantids, lizards, snakes, and birds, MISSION ACCOMPLISHED - almost.

In this little patch of sunlight, it is her time to "donate" to Mother Ecosystem.  It's an honor she shares with the butterflies, bees, squirrels, gnats, toads, termites, foxes, deer, hawks, robins, ants - and let us not leave out microbes and fungi.

Now sugar ants have discovered her and are dismantling, tugging, dragging her away in parts, reminiscent of an automobile salvage.  

Wayward workers stumble into ant lions' pits and become meals themselves.

The old, hollow white oak log, once mighty King of the Forest, is prostrate and bare.  Yet, with its last molecule, it continues giving.  Within its hollow, a disparate multitude is moving about, hiding, hunting, chewing, defecating, sleeping, reproducing and dying. 

In decomposition, the oak's material essence  melds back into the earth as nature's great Round River,*  an incomprehensibly slow, invisible tide.

It is late spring and waves of woodland sounds are pulsing through the community.  Cicadas shrill chorus fills the air. Distant flocks of song sparrows and warblers combine in a cloud of chirps. Above it all is the sharp tapping of a  woodpecker.

A charred fence post has become prime real estate:  a coveted,grand perch for phoebes and jays, and for a fence lizard, an elite high rise station for sunbathing and attracting a mate.  Mating azure damselflies dance in the air above the lizard.  They alight for a moment - snatched!  Above, a circling red-tail hawk eyes the lizard.

Across a draw stands an abandoned farm, tragic end result of disrespect for the land.  Goodbye sweet, precious loam, created over millennia.  You are being carried away with each rain.  Where, on where are you going?  
To brooks, rivers and the sea.

On a bleak ridge, a few oak tree survivors huddle together as they endure relentless grazing.  This parcel of land has nothing to offer anymore.  If you were to listen to the wind, you might hear its whispers of dispair.

But here, in this vibrant, buzzing woodland community where the land breathes life, there is home, food and an ideal place for all.

*  Words coined by Aldo Leopold, pioneer American ecologist, conservationist, and educator
Violet Crandall Jan 2014
I stand in a giant cement driveway-
a driveway of trials and blessings.
I look at my green hands.
Green hands.
They hold a red brick.
Oh, how heavy the brick feels to me!
Since I am just a small grasshopper,
it feels impossible for an insect like me
to carry an object such as this.
It scratches my hands, my chest, fingertips.
And the weight drags my light body
to the cold ground.
Cold ground.
Sometimes a cold ground seems terrifying,
but it is almost a comfort to me.
My eyes dart from the ground to this brick.
Darting eyes.
My body wishes with all its strength
to shatter this brick against the cement..
But the driveway is my home.
A home for a grasshopper?
Shaking green hands.
Shivering cold ground.
Raging darting eyes.
Help me hold this brick.
Lazhar Bouazzi May 2016
When the ant had told
that December cold
night the grasshopper,
who had spent Summer
singing in the tree,
to go dance now that
he was hungry but free,
he didn’t show the hurt,
for he was alert
To the discomfort
of Winter and language;
but he left the village.

When he, years later,
Came back as a baker
(who sang in the day
and worked in the night),
the first thing he did
was to go see the ant -
a gift-wrapped guitar
in his hand.

(c) LazharBouazzi
Jonny Angel Aug 2014
Do you hear the thunder, Grasshopper?
I am it's soft whisper
wrinkling your ear,
the chill that runs
down your spine.
I am come
& I beseech you to listen.
I trace your footsteps
when you're not looking,
carry all the keys to heaven.
I can bring you hell,
smile behind the knife,
can **** with a borrowed sword.
The plum I will burn
to save the peach.
And I will resurrect a corpse
to raise an army of souls,
for I am the Lord of eternal darkness,
I breath the ancient arts,
I am a shadow,
I can strike
when & where
I want to
& you cannot stop me.
Do you see the lightning, Grasshopper?
Robin Carretti Jul 2018
E-Emotion
Angry, E-book hunger
Tear diamond drop

      Join Me
@ The Body-book shop

The Gold bonds his book Hot Rods
She reads about the Angels and Gods

He covers her mind and book
with his lotion

Are we ready for the E-book
In tip-top condition motion
Someone is mysteriously trying to tell me something?

How the moon hangs low
The book made her eyes
Open to really know?

I phone to book she's the grab bag
I'm leaving on a Jetplane
One chosen E-Book
Was Scarlet love flame


How the book needs to grab you
The day you were born or reborn
Never to lose your sight
But why does he split your pages

In a hot rush* money wages

The heart is bleeding out words
Feeling so crushed the bookend
Energetic stare or the blank stare
Your enticing book
What happens underside me
The pages one-sided

You're the sweet of the complicated
getting bittersweet to be love mated


The sundae banana split
*My ring book marker my lovely curls


I couldn't share my book what it said
Do you really love me
The spinning wheel
Feminity of book so girly but
Love so dizzy

To be told overstocked to be sold
But someone loved it
Its been properly viewed
Buying and reselling hearts of
book timeshare

His workout
he loves his curls
Ebook he sees he memorized
all his European beauty
turning do you love her books madly
The beast  is inside Jekyll
Girls needed to hide but got
Hyde
The book seeing our life
From a blinded pageview
What's beside our words
We need to be upfront
Once in a million chances
The whole planet of funny books
beach house turned
Blank page
of a clown funhouse tree stalk

What is the point of view
Like an adult book raided
If you're the unadulterated
The innocents being naive
Wanting him so much
Whats the use it's like a
the blank page
Like your hairstyle
the sixties pageboy
You need book law and order
Like the Feng Shui book surrender
Be focused Graphically cool artist
And paint it colors no
gun it blanks no favors
My book place has the ambiance
Different mysteries
and suspense behaviors

Somehow it thickens
like "French" roue paste

You didn't want one
page to waste
E for the Exodus
A blank page is love minus
You're hitting a plateau
E- love of kiss-book
French Chateau
Ebook has a pattern the same thing
It repeats and devours your thoughts
The ancient Grecian her structural
form of statues
That rip page needed words to capture

The Clean-Slate page to restart
your flight
The prize
Emprise
Empire to the book hire
E-book desire
E-lust
It sets an example
we need to trust
Not to mislead your mind
Whats behind the book
Exhumed or to be doomed
Like Witchcraft magical hands

This wasn't the Godly land
The blank page had a spell
"The Burned Book" no one
will ever know
Can we take it back what was written inside
We need to restore give more (Cat and Mouse) chase

As my equal poison mind of sugar
Equally or naturally book gifted
Wrap silk ribbons or too much
the anxiety of red tape
Explosion of E=books
Elixir eyes to the Ebook doorway
But the blank pages were
still inside

E-book and the text
Whats next *** journalism
The kingdom of Elust
E-book became all excuses
Those blank tweets of
Hummingbirds
Like you got some
earwax all codes and emblems
My blank form income tax problems?

Storming damage to the max of my book

Hitting rock or book bottom
You're still living in a shape
of an eggcup

And reading by your nook
Your Ebook swish wish a nymph
floating mermaid

Things turn (Retro) just go
The book was the turn of events
More pages to heart mend

We are not experts or philosophers
Get inside the greener grass
like a grasshopper

Your lovely book a tranquil place
You were booked into your gown
But your ebooks is being
transported to other towns

Her heart was skipping his pages
She never got the chance to read
His chosen page
Life is so the open book
Eyes wide shut
E-book a cozy nook and where does it begin or end did I see some blank pages in between. I need a new for a taste for something on my speed I love to read it fascinated me every page but something stopped me to continue I wonder how long will this go on being fun and retro just go to the bookstore you may be pleasantly surprised of what you might see
Viji Vishwanath Oct 2020
Oh Green grasshopper !

How come green ?
And how the hope ?
Isn’t it a wonder
With tiny wings
That fills with lot of hope
And make our minds bloom
With all the green vibes
That cools our sight
Even refresh our hearts
With utmost happiness
Is a grace of tiny creature
That builds confidence
In each of us
Whenever it enters home
With hope for us

Oh Grasshopper !

You filled us with hope
And the green grass
Made you a grasshopper
That comes with good hope
And fortune for life
That fills our lives
With utmost joy
That we feel grateful
To have a view
Of your green vibes
That soothes our soul
Ever and forever
That enlightens our path
To move forward
With much patience
That brings
Luck for us
With full of zest
That inspires to live
And love our life
Again and again
With full of hope
Grasshopper comes with full of hope and luck
Kimberly Eyers Oct 2016
The truth will out!
Said Anna to the Grasshopper.

Whose bladed legs had cut her own
When it jumped into her pocket.

Grandmother moon got cancer
And almost died. Just like Anna.

But cancer didn't do it on purpose.

Now Anna doesn't wear pockets.
Or walk in the long grass.

Two things she loved to do.

Instead she paints canvases
Full of green and red.

Sometimes Anna feels worse than dead.
And then she reminds herself

Of all the grasshoppers
Still in the long grass

Who might hear her story
And empathize with the foreigner.

Soon she found herself in a forest
Evergreens planted neatly, but full grown.

And Bear lived there
And made her feel at home.

From there she heard a rabbit say
That Grasshopper would be locked away.

And Anna was afraid.
Almost like the moment

She felt the blood seeping through her shorts.
Before she knew the cause.

Suddenly long grass was everywhere.
And her screaming scared the Bear.

So Anna climbed a tree.
And from there she could see

A little brown bird
who told her
she could
fly.
Olivia Kent Feb 2014
You teach me with a heart of gold.
A gentle persuasion.
That indeed I am able.
Salvaged what I thought was lost.
Friendship is a gift of truth.
No vile tongue, nor be uncouth.
You teach me well.
Grasshopper.
With much respect for you I bow.
Sweet one, I'm not sweetness.
I'm just a holy cow.
Never will I be with you.
Never will I see you.
From a pile of rubble.
My being reconstructed.
For that my friend.
I thank you very much.
(C) LIVVI
This is dedicated to a friend who has taught me to use my ****** word processor.
He has supported my ridiculous writing ventures and makes me smile.
A smile is all I can give anyone at the moment!
Sent him a copy of my book as a thank you!
He has been a total star.
Lefa Mzondi Aug 2017
It's in the way she moves her hips
It's in the way her lips touch
It's in the way she bites her lower lip,
Oh how my world turns inside out when she does that
It's the way she says my name
In the way she whispers it, "Lefa... "
Sends shivers all over my body, goosebumps all over again

Problem is, she is taken. Unavailable

It's in the way she looks at me
All the whole new universe inside those eyes I could just get lost in
It's in the way she smiles at me
Just can't help but shy away

It's in the way she wakes all the once buried feelings,
Back from the dead with no regard whatsoever what people might say
It's in the way she makes everything around just lose sense

I know its been years but I can still feel her touch,
Soft, warm feeling

One look at her and I find myslef in high school all over again
Can still remember the very first time I laid eyes on her
Priceless, all words needed to describe her
Short stature
German-cut hairstyle
Gold earrings
Furnished with a smile
Grasshopper shoes
Short grey skirt
One hand in the pocket
Complete with the swing of her small waist when she moves
Still takes my breath away

There is still one problem, she's a taken woman

Maybe I waited a little too long
Maybe it wasn't the right time then
Is it right now?
Maybe I need a hard slap to put some sense back into me
Because right now, I'm deeply in love with a married woman
The worst problem is, I think she's in love with me too..
Jonny Angel Dec 2013
I’m an instinctive-intelligent-animal.
I come from a lost warrior-class.
I don’t need to run with the pack.
I make my own way.

I can read a map.
I can use any compass.
I can dead reckon.
I can follow the stars.
I know the constellations.
I can tell time without a watch.
I can read the weather.
I know the four directions.

I can evade.
I can keep myself from
human or canine-detection.
I can build shelters from any material
& if needed, I know how to camouflage them.
I can manufacture traps & snares
& skin & trim the animals I catch.
Fishing & wild game are mine,
whenever I want to eat them.
Bugs are not too bad either,
I’ve eaten several species.

I can manufacture water.
I can swim in water.
I can make a life preserver out of my pants.
I can carry you on my back for distance.
I can make beef jerky and rabbit stew.
I know about berries and slugs.
I know which plants are edible and which aren’t.
I can treat a snake bite.
I know how to set a broken leg & treat shock.
I can sew stitches on human skin & pull human teeth.
I can make a fire from scratch, even in rain.
I know about fire pistons.
I can get lost or I can be found,
distress-signals are my specialty.

I can track other animals or humans.
If you knew my martial skills,
you’d never leave my side.
I can use modern or make primitive weapons.
I know how to use the primitive weapons I make.
I can manufacture body heat.

My mind is stable.
I believe in the sacred.
I know how to endure physical activities for
extended periods of time in adverse conditions.
I know about jungles.
I know about deserts.
I know about forests.
I know about the tundra.

Oh, I am sure you can make it in your own too.

But,
when the lights go out for good,
when the **** really hits the fan,
when the Apocalypse finally comes,
who would you want to be with,
the ravenous pack or with me?

Go ahead,
take some time
to think about it.
Just remember Grasshopper,
I can be the pack’s worst enemy.
They will never see me coming……
K Balachandran Jun 2012
Freedom was,  
that field of  grass, tall and verdant,
undulating rapturously,
hand in hand-
with wind's sinuous dance.

The grass hopper ruled it all,
his mind, knew limits, not once, in his life,
he was a wild horse, in the jungle of grass,
but a great  regret he had,
gnawing his heart,
like malicious cancer cells
that would eat away all his grace,
he tried and tried
but never could whistle,
not even a haunting note,
like a nightingale.


His consort would
try to soothe him, with words
"How you make me swoon,
with your soulful croon!"
his eyes would turn bloodshot,
she would then  back off,
feeling left out, not able to share pain.
" Grass hoppers  
are left with no hopes-
they are a cheated lot,
left to rot"

he audaciously believed,
his face remained  always, cadaverously grim.

A boy and a girl, who ran away together,
reached there, to escape the torturous world
tasting freedom for the first time,
stood watching the grass hopper-
with admiring eyes,
and  hope brimming in their hearts,
they were so charmed by
the green freedom he seemed to enjoy!
Here, the wind swept grasslands,
looking up to the  heavens,
were a world apart,
even the muck didn't look crude!

**"Look at that grasshopper,
bless him, how carefree, he is
I wish I could be like him"
She wistfully said.
Lazhar Bouazzi Jun 2016
As the shape all sun
tore up the curtain
of blood and ululation,
everything in Tunisia,
as stricken by a wand,
came to a standstill,
and slipped away
from the senses -
Even rivers stopped.

Medjerda* froze
halfway
through the descent
to his destination,
as he realized
he’d been making a fatal error:
pouring forth all his passion
into the ocean.

So he stopped,
retracted his course,
re-collected himself,
and started flowing backward,
toward
the source
in the Atlas
that had bidden him
farewell.

In his spear head
there was a design:
start a new chaos
in the valley,
in which there would be
a sweet-water lake
and sailors drunk
with sunbeams, sweat
and pleasure.
Butterflies would flutter
around the scent of mint
and bluegreen rosemary.
Sweet Moon to Sweet Lake
would come, unannounced,
In the rays of the nightlight
of the fluttering night
to watch her self
shoot
the scene
of representation.

The river, now swimming
in his own water,  
carried the sky on his shoulder,
while an ant and a grasshopper,
holding a basket together,
watched the new scene.

As the figure all sun appeared ,
reason melted;
imagination
her hazel eyes opened.

*Medjerda is the most important river in Tunisia. Length, 460 km; basin area, 22,000 sq km. It flows out of the Atlas mountains into the Gulf of Tunis.
© LazharBouazzi, June 16, 2016
*Medjerda is the most important river in Tunisia. Length, 460 km; basin area, 22,000 sq km. It flows out of the Atlas mountains into the Gulf of Tunis.
Some love to watch the sea bushes appearing at dawn,
To see night fall from the goose wings, and to hear
The conversations the night sea has with the dawn.

If we can't find Heaven, there are always bluejays.
Now you know why I spent my twenties crying.
Cries are required from those who wake disturbed at dawn.

Adam was called in to name the Red-Winged
Blackbirds, the Diamond Rattlers, and the Ring-Tailed
Raccoons washing God in the streams at dawn.

Centuries later, the Mesopotamian gods,
All curls and ears, showed up; behind them the Generals
With their blue-coated sons who will die at dawn.

Those grasshopper-eating hermits were so good
To stay all day in the cave; but it is also sweet
To see the fenceposts gradually appear at dawn.

People in love with the setting stars are right
To adore the baby who smells of the stable, but we know
That even the setting stars will disappear at dawn.
Nargis Parveen Aug 2019
Hey boy! You are my grasshopper
Very restless speedy,
To lay in the field myself
Like grass I am ready.

You will be mistaken thinking me
Grass-flower and *****,
Again and again you will touch me
Not realising my trick.

You will move in the air
Being excited,
And will regret for being
Grasshopper of six-footed.

Being frustrated you will resort to
Trees full of thorn,
You will lose your beauty having pricked
And feel forlorn.

O sweet boy! My grasshopper
Come near,
I will be green field and love you
Immensely, dear.
murari sinha Oct 2010
on the other-side of a grave wall
there may rightly be a water-vessel
that is chicken-hearted by birth  

there may not be around her
a stretching of water-body

do remember
when we all went that day to catch the train
the room of the rail-station was totally vanished

after enquiry it was revealed that
it had gone to observe holidays with its family
in the yolk of the eggs of the snipe

before opening the no-door to take a leap i also knew
that the top-branch of a green and large grasshopper
was mainly made up of white-stones

i did not also have
any mystic words  
given by the moon
to recite silently

so without caring for the water
i made a all-complete ocean
with sands and cement

throughout the  year  
solvency gets down
from the body of the traffic signal

even-then
the monsoon this year
has been under the poverty-line  

and the ray of hope is that  
it is this circuitous route
leading to the top of the himalaya

that would one day
play the tune of differential calculus
on her guitar
I

Because I do not hope to turn again
Because I do not hope
Because I do not hope to turn
Desiring this man’s gift and that man’s scope
I no longer strive to strive towards such things
(Why should the agèd eagle stretch its wings?)
Why should I mourn
The vanished power of the usual reign?

Because I do not hope to know
The infirm glory of the positive hour
Because I do not think
Because I know I shall not know
The one veritable transitory power
Because I cannot drink
There, where trees flower, and springs flow, for there is
  nothing again

Because I know that time is always time
And place is always and only place
And what is actual is actual only for one time
And only for one place
I rejoice that things are as they are and
I renounce the blessèd face
And renounce the voice
Because I cannot hope to turn again
Consequently I rejoice, having to construct something
Upon which to rejoice

And pray to God to have mercy upon us
And pray that I may forget
These matters that with myself I too much discuss
Too much explain
Because I do not hope to turn again
Let these words answer
For what is done, not to be done again
May the judgement not be too heavy upon us

Because these wings are no longer wings to fly
But merely vans to beat the air
The air which is now thoroughly small and dry
Smaller and dryer than the will
Teach us to care and not to care Teach us to sit still.

Pray for us sinners now and at the hour of our death
Pray for us now and at the hour of our death.

II

Lady, three white leopards sat under a juniper-tree
In the cool of the day, having fed to sateity
On my legs my heart my liver and that which had been contained
In the hollow round of my skull. And God said
Shall these bones live? shall these
Bones live? And that which had been contained
In the bones (which were already dry) said chirping:
Because of the goodness of this Lady
And because of her loveliness, and because
She honours the ****** in meditation,
We shine with brightness. And I who am here dissembled
Proffer my deeds to oblivion, and my love
To the posterity of the desert and the fruit of the gourd.
It is this which recovers
My guts the strings of my eyes and the indigestible portions
Which the leopards reject. The Lady is withdrawn
In a white gown, to contemplation, in a white gown.
Let the whiteness of bones atone to forgetfulness.
There is no life in them. As I am forgotten
And would be forgotten, so I would forget
Thus devoted, concentrated in purpose. And God said
Prophesy to the wind, to the wind only for only
The wind will listen. And the bones sang chirping
With the burden of the grasshopper, saying

Lady of silences
Calm and distressed
Torn and most whole
Rose of memory
Rose of forgetfulness
Exhausted and life-giving
Worried reposeful
The single Rose
Is now the Garden
Where all loves end
Terminate torment
Of love unsatisfied
The greater torment
Of love satisfied
End of the endless
Journey to no end
Conclusion of all that
Is inconclusible
Speech without word and
Word of no speech
Grace to the Mother
For the Garden
Where all love ends.

Under a juniper-tree the bones sang, scattered and shining
We are glad to be scattered, we did little good to each other,
Under a tree in the cool of day, with the blessing of sand,
Forgetting themselves and each other, united
In the quiet of the desert. This is the land which ye
Shall divide by lot. And neither division nor unity
Matters. This is the land. We have our inheritance.

III

At the first turning of the second stair
I turned and saw below
The same shape twisted on the banister
Under the vapour in the fetid air
Struggling with the devil of the stairs who wears
The deceitul face of hope and of despair.

At the second turning of the second stair
I left them twisting, turning below;
There were no more faces and the stair was dark,
Damp, jaggèd, like an old man’s mouth drivelling, beyond repair,
Or the toothed gullet of an agèd shark.

At the first turning of the third stair
Was a slotted window bellied like the figs’s fruit
And beyond the hawthorn blossom and a pasture scene
The broadbacked figure drest in blue and green
Enchanted the maytime with an antique flute.
Blown hair is sweet, brown hair over the mouth blown,
Lilac and brown hair;
Distraction, music of the flute, stops and steps of the mind
over the third stair,
Fading, fading; strength beyond hope and despair
Climbing the third stair.

Lord, I am not worthy
Lord, I am not worthy

                              but speak the word only.

IV

Who walked between the violet and the violet
Whe walked between
The various ranks of varied green
Going in white and blue, in Mary’s colour,
Talking of trivial things
In ignorance and knowledge of eternal dolour
Who moved among the others as they walked,
Who then made strong the fountains and made fresh the springs

Made cool the dry rock and made firm the sand
In blue of larkspur, blue of Mary’s colour,
Sovegna vos

Here are the years that walk between, bearing
Away the fiddles and the flutes, restoring
One who moves in the time between sleep and waking, wearing

White light folded, sheathing about her, folded.
The new years walk, restoring
Through a bright cloud of tears, the years, restoring
With a new verse the ancient rhyme. Redeem
The time. Redeem
The unread vision in the higher dream
While jewelled unicorns draw by the gilded hearse.

The silent sister veiled in white and blue
Between the yews, behind the garden god,
Whose flute is breathless, bent her head and signed but spoke
  no word

But the fountain sprang up and the bird sang down
Redeem the time, redeem the dream
The token of the word unheard, unspoken

Till the wind shake a thousand whispers from the yew

And after this our exile

V

If the lost word is lost, if the spent word is spent
If the unheard, unspoken
Word is unspoken, unheard;
Still is the unspoken word, the Word unheard,
The Word without a word, the Word within
The world and for the world;
And the light shone in darkness and
Against the Word the unstilled world still whirled
About the centre of the silent Word.

    O my people, what have I done unto thee.

Where shall the word be found, where will the word
Resound? Not here, there is not enough silence
Not on the sea or on the islands, not
On the mainland, in the desert or the rain land,
For those who walk in darkness
Both in the day time and in the night time
The right time and the right place are not here
No place of grace for those who avoid the face
No time to rejoice for those who walk among noise and
  deny the voice

Will the veiled sister pray for
Those who walk in darkness, who chose thee and oppose thee,
Those who are torn on the horn between season and season,
  time and time, between
Hour and hour, word and word, power and power, those who wait
In darkness? Will the veiled sister pray
For children at the gate
Who will not go away and cannot pray:
Pray for those who chose and oppose

    O my people, what have I done unto thee.

Will the veiled sister between the slender
Yew trees pray for those who offend her
And are terrified and cannot surrender
And affirm before the world and deny between the rocks
In the last desert before the last blue rocks
The desert in the garden the garden in the desert
Of drouth, spitting from the mouth the withered apple-seed.

    O my people.

VI

Although I do not hope to turn again
Although I do not hope
Although I do not hope to turn

Wavering between the profit and the loss
In this brief transit where the dreams cross
The dreamcrossed twilight between birth and dying
(Bless me father) though I do not wish to wish these things
From the wide window towards the granite shore
The white sails still fly seaward, seaward flying
Unbroken wings

And the lost heart stiffens and rejoices
In the lost lilac and the lost sea voices
And the weak spirit quickens to rebel
For the bent golden-rod and the lost sea smell
Quickens to recover
The cry of quail and the whirling plover
And the blind eye creates
The empty forms between the ivory gates
And smell renews the salt savour of the sandy earth

This is the time of tension between dying and birth
The place of solitude where three dreams cross
Between blue rocks
But when the voices shaken from the yew-tree drift away
Let the other yew be shaken and reply.

Blessèd sister, holy mother, spirit of the fountain, spirit
  of the garden,
Suffer us not to mock ourselves with falsehood
Teach us to care and not to care
Teach us to sit still
Even among these rocks,
Our peace in His will
And even among these rocks
Sister, mother
And spirit of the river, spirit of the sea,
Suffer me not to be separated

And let my cry come unto Thee.
Yonnick August Jan 2019
Sometimes I would deliberately sleep on the couch.
(weird behaviour, one would say)
But the couch had something different.
With just enough room so you don’t feel lonely,
and the same warmth as that of human skin,
I always slept well.

One morning as I’m paralyzed in sleep,
A grasshopper begun to challenge me.
It is as if she was defending her home,
It is as if she was letting me know she ruled these parts
(meaning the couch, of course)

In the dimness of the light, I saw her.
And in one full motion I swung, as she crashed into the wall,
Fixed my pillow,
and attempted to sleep once more.

It wasn’t over though, she came back with vengeance.
Landed on my ear with a droning sound, waking me,
as she flew parallel to my eyes,
where our starring contest lasted a good 10 seconds.

With intentions of finishing the grasshopper later,
Looking like a zombie, I made my way back to bed.
Admitting defeat over the battle of the couch,
I leave her with this win.
Lazhar Bouazzi Feb 2017
As the shape-all-sun
tore up the curtain
of blood and ululation,
everything in Tunisia,
as stricken by a wand,
came to a standstill,
and slipped away
from the senses -
Even rivers stopped.

Medjerda* froze
halfway
through his descent
to his destination,
as he realized
he’d been making a fatal error:
pouring forth all his passion
into the ocean.

So he stopped,
retracted his course,
re-collected himself,
and started flowing backward,
toward
the source
in the Atlas
that had bidden him
farewell.

In his spear head
there was a design:
start a new chaos
in the valley,
in which there would be
a sweet-water lake
and sailors drunk
with sunbeams, sweat
and pleasure.
Butterflies would flutter
around the scent of mint
and bluegreen rosemary.
Through the flutter
of the midnight hour
Sweet Moon to Sweet Lake
would come, unannounced,
to watch her self shooting
the act of representation.

Now swimming
in his own water,
th river
carried the sky on his shoulder,
while an ant and a grasshopper,
holding a basket together,
watched the new scene.

As the figure-all-sun appeared ,
reason melted;
imagination
her hazel eyes opened.

© LazharBouazzi

*Medjerda is the most important river in Tunisia. Length, 460 km; basin area, 22,000 sq km. It flows out of the Atlas mountains into the Gulf of Tunis.
“One of the effects of living with electronic information is that we live habitually in a state of information overload.”                                                      
                                                                                      Marshall McLuhan
So, let’s review:
Man is a thinking animal.
Stanley Kubrick took us to space to get us to think.
Marshall McLuhan:  “There are no passengers on spaceship earth. We are all crew.”
Hemetucky: what was I thinking?
The Rapture for the 1%:   The Language of the World and The Language of Enthusiasm explains why Sir Richard  Branson’s ****** Galactic will only be taking the richest among us to space.
Ian (Limey Futurologist) Pearson:  “Binary is already the dominant language on Planet Earth with today’s machines having more conversations in 24 hours than the whole of humankind since the birth of Eve.”
Larry Flynt:  “**** is the answer to everything.”
Goofy:  “Yeah, I ****** Minnie. I shagged her rotten, baby!”  
Winston Smith:  “Do it to Julia!”
McNugget Buddies:   “Parts is parts.”                                          
Stunod: “Donuts-a -spella backwards issa stunod.” Think about it.
Tony Soprano.  “You ****** stunod, it's a joke.” (Stunod:  in southern dialect Italian means stupid, or a stupid person) http://(www.urbandictionary.com) define.php?term = stunod  / buy stunod mugs & shirts
Marshall McLuhan:    “Jokes are grievances.”
Mike “The Situation” Sorrentino:  “Antonio Gramsci thought that Stalin and Bolshevism could save him and Italy from Fascism:  stunod.”
The Cloud:  My acceptance of the Cloud into my life and my changeling cyborg self is by no means a capitulation to the surfing life.
Paulo Coehlo:  “The God you seek; that someone who awaits you is you.”
Howard Beale:  “That’s the God *******.”
God:   “Because you’re on television, stunod!”
The Elders of Zion:  Nu?
Meir Kahane:  “Let us not suffer from a national amnesia that causes us to forget who and what we are. No trait is more justified than revenge in the right time and place. I know that American and Israeli elections must be limited only to those who understand that the Arabs are the deadly enemy of the Jewish state, who would bring on us a slow Auschwitz - not with gas, but with knives and hatchets. Vote for Newt!”

**** Jagger:    “Get Yer Ya-Ya's Out” (40th Anniversary Edition, Rolling Stones)
Keith Richards +Fijian palm tree = Stunod.  
Marshall McLuhan:   “The more the data banks record about each of us, the less we exist.”    
Howard Beale: “If there's anybody out there that can look around this demented slaughterhouse of a world we live in and tell me that man is a noble creature, believe me: That man is not only full of *******, that man is  stunod.”
The Nam, Part I:   a demented slaughterhouse within a microcosm and grains of beach sand inside micro-Cosmo Kramer’s shorts. When I was in the Kingdom of The Nam I was always under the influence of some drug, mostly my own pure adrenaline when scared shitless--a frequent condition for me—not only my own piquant adrenal juice but other stuff like ****, hash, Thai stick, *****, amphetamines, H-Horse ******, quaaludes, horse tranquilizers and Russian *****. The drugs were always a welcome and needed friend, a respite from the horrors of war in Southeast Asia. To meditate & levitate, to transmigrate & navigate, to negotiate & regurgitate myself, I needed a head start if I was going to SLIDE through what would be called a wormhole today, making a three-dimensional movement between different parallel universes, a conquest of time and space. Cue our favorite narrator:
Rod Serling:  “You unlock this door with the key of imagination. Beyond it is another dimension--a dimension of sound, a dimension of sight, a dimension of mind. You're moving into a land of both shadow and substance, of things and ideas. You've just crossed over into the Twilight Zone.”
WWII, Part I:  A slider now, I SLIDE to my father’s war—the War in Europe in the years before V.E. Day, May 8, 1945. Suddenly I’m flipped right out of the jungle to Germania, to Deutschland in the winter of 1945. I am a P.O.W. of the Germans, sent out into the economy as slave labor. It’s February in Dresden, Germany, the Baroque capital of the German state of Saxony, the city called lovingly by her (****!) many lovers: “The Florence of the Elbe.” It was a long time ago, during the war and I Survived to Tell the Tale. I am a wet floppy Kilgore Trout; I’ve flopped right out of the Twilight Zone into what appears to be an underground meat locker in Dresden. There are animal carcasses hanging from the ceiling and the building is known as Slaughterhouse Number 5. I am a lucky ******* because even though I don’t know it yet, I’m in the safest place in the entire city. Cue the Bombing of Dresden, a strategic military bombing by the British Royal Air Force (RAF) and the United States Army Air Force (USAAF).  In four raids, 1,300 heavy bombers dropped more than 3,900 tons of high-explosive bombs and incendiary devices on Dresden. The resulting firestorm destroyed 15 square miles (39 square kilometers) of the city centre and killed many thousands, according to **** figures-- largely discredited by the victors who not only get the spoils but get to spin the history any which way but loose. Casualty figures were 200,000 and death toll estimates went as high as 500,000. Or maybe just 25,000 total, if you believe the ******* Anglo-American valkyries who unleashed the wrath of Khan’s Smoking Joe’s Barbecue Ribs and Hotlinks. Win a war, get a medal and a seat in Congress, maybe the White House; lose a war, get indicted. You’re going to Nuremberg, pilgrim, or the ******* Hague.
Kurt Vonnegut: “World War II was over and I was standing in the middle of Times Square with a Purple Heart on and a purple hard-on.”
Colonel Kurtz:  “We fight for the land that's under our feet, the gold that's in our hands, women that worship the power in our *****.  I summon fire from the sky. Do you know what it is to be a white man who can summon fire from the sky? ...What it means? You can live and die for these things, not silly ideals that are always betrayed  . . . I swallowed a bug. Who are you, captain?”
Willard:   “Please allow me to introduce myself, I'm a man of wealth and taste. I've been around for a long long year, stolen many man's soul and faith. Stuck around St. Petersburg when I saw it was a time for a change. Killed the Tsar and his ministers, Anastasia screamed in vain. I rode a tank, held a gen'rals rank when the blitzkrieg raged and the bodies stank. Pleased to meet you, hope you guess my name.”  
WWII, Part II:  The bombing of Dresden had to have been some kind of a violation of some International Code or Geneva Convention. But, of course, the bombers, the Victors, ran the Nuremberg show trials. The bombees didn’t get a chance to say much, didn’t want to make a fuss, seeing how generous the Army of Occupation was with their coal, gasoline, clothing and food handouts. But I was there when it was safe to climb out of the meat locker, and immediately got put to work on the après les bombes clean-up. I was there doing the ***** work, a corpse miner, tasked with collecting the fried grasshopper remains of so many unlucky Krauts who were simply burned alive, like heretics at the Inquisition. So it goes.
William Tecumseh Sherman: “War is Hell, Babaloo!”
Colonel Kilgore: “You can either surf, or you can fight!”
Sam Bottoms: “I dropped a tab of acid at the Do-Long Bridge, so I think I’ll surf for awhile: ‘I see a world in a grain of sand, and a heaven in a wild flower, Hold infinity in the palm of your hand, And eternity in an hour.’ Reading Blake: for years it was the only way I could block out the war, that and losing myself in a bunch of undercover assignments. Yeah, it was William Blake, I-Spy and lots more acid; that how I dealt with PTSD.”
The Nam, Part II, LT DAN:  “Good job, trooper; those ******* drugs got you coming and going, sliding so fast you’ve missed latrine duty 3 times this month. Now go get 5 gallons of diesel fuel and gasoline, mix it together and torch that ******* feces, soldier.”
** Chi Minh:  “This ain't no party, this ain't no disco, this ain't no fooling around.”
***** Friedman:   “The Democrats and Republicans are the same guy admiring himself in the mirror.”

Muhammad Hosni El Sayed Mubarak:   “Vote for Pedro.”
Drew Gilpin Faust, Harvard:    “Fight Fiercely!”
Marshall McLuhan:    “I wouldn’t have seen it if I hadn’t believed it.”
The Author:   I am a disaffected angry old man, formerly a disaffected angry young man; a Hopi-Italian Jew with Chinese offspring, namely my left-brained son, a mathematical genius but having a tough time dealing with idiots, the many truly stunod people in the world.  Then there’s my Rose, my sweet King Lear-jet daughter, like her half-brother, not yet finished paying for my sins. My offspring are haunted, visited upon daily by their father’s  ghosts, ghosts created, ghosts hovering over me, from wars hot and cold and peace lukewarm and cloudy, like the uranium ground contamination on the mesa, visited upon mothers and infants  and children who seek only a glass of cool water from the spring not to be glow worms in the dark, leukocytes made insane by something in the water. My sins, a father’s sins; things I did to curry favor, to ingratiate and advance myself with the 1%, things I did to get ahead in life, to get what I thought my father and others in the ancestral slipstream had failed to get, twice to the Rabbi for a get (Hebrew: גט‎, plural gittin גיטין), to get the edge my kids need now, the edge I never had, and life reduced to an exercise in ultimate combat, little more than a cage fight, man against man and God against all. The things I did for money and position shame me now. And shame is a large  source of my anger.  I will remain angry. I will hang on to my anger at God and myself and all who have been disappointed in me, by me, especially the cavalcade of short-term caretakers, women used, abused, left behind and forgotten. Why am I me? Sometimes I think that’s the way I’m programmed. But it’s okay, like Gaga: “I'm beautiful in my way 'Cause God makes no mistakes I'm on the right track, baby I was born this way' Cause God makes no mistakes, I'm on the right track, baby, I was born this way and will I continue to surf the Cloud: even though God is dead and I don’t believe you, or me, or them.
Basic: remember Basic?

10   A IS FOR ANGER NEXT 20
20   START STEP TWO ANGER KUBLER-ROSS INFINITE LOOP
30   GOTO 10
10   A IS FOR ANGER NEXT 20
20   START STEP TWO ANGER KUBLER-ROSS INFINITE LOOP
30  GOTO 10
10   A IS FOR ANGER NEXT 20
20   START STEP TWO ANGER KUBLER-ROSS INFINITE LOOP
30 A IS FOR ANGER NEXT 30
30  GOTO 10 Ad infinitum
Pennsylvania, 1948-1949

The garden of Nature opens.
The grass at the threshold is green.
And an almond tree begins to bloom.

Sunt mihi Dei Acherontis propitii!
Valeat numen triplex Jehovae!
Ignis, aeris, aquae, terrae spiritus,
Salvete!—says the entering guest.

Ariel lives in the palace of an apple tree,
But will not appear, vibrating like a wasp’s wing,
And Mephistopheles, disguised as an abbot
Of the Dominicans or the Franciscans,
Will not descend from a mulberry bush
Onto a pentagram drawn in the black loam of the path.


But a rhododendron walks among the rocks
Shod in leathery leaves and ringing a pink bell.
A hummingbird, a child’s top in the air,
Hovers in one spot, the beating heart of motion.
Impaled on the nail of a black thorn, a grasshopper
Leaks brown fluid from its twitching snout.
And what can he do, the phantom-in-chief,
As he’s been called, more than a magician,
The Socrates of snails, as he’s been called,
Musician of pears, arbiter of orioles, man?
In sculptures and canvases our individuality
Manages to survive. In Nature it perishes.
Let him accompany the coffin of the woodsman
Pushed from a cliff by a mountain demon,
The he-goat with its jutting curl of horn.
Let him visit the graveyard of the whalers
Who drove spears into the flesh of leviathan
And looked for the secret in guts and blubber.
The thrashing subsided, quieted to waves.
Let him unroll the textbooks of alchemists
Who almost found the cipher, thus the scepter.
Then passed away without hands, eyes, or elixir.


Here there is sun. And whoever, as a child,
Believed he could break the repeatable pattern
Of things, if only he understood the pattern,
Is cast down, rots in the skin of others,
Looks with wonder at the colors of the butterfly,
Inexpressible wonder, formless, hostile to art.


To keep the oars from squeaking in their locks,
He binds them with a handkerchief. The dark
Had rushed east from the Rocky Mountains
And settled in the forests of the continent:
Sky full of embers reflected in a cloud,
Flight of herons, trees above a marsh,
The dry stalks in water, livid, black. My boat
Divides the aerial utopias of the mosquitoes
Which rebuild their glowing castles instantly.
A water lily sinks, fizzing, under the boat’s bow.


Now it is night only. The water is ash-gray.
Play, music, but inaudibly! I wait an hour
In the silence, senses tuned to a ******’s lodge.
Then suddenly, a crease in the water, a beast’s
black moon, rounded, ploughing up quickly
from the pond-dark, from the bubbling methanes.
I am not immaterial and never will be.
My scent in the air, my animal smell,
Spreads, rainbow-like, scares the ******:
A sudden splat.
I remained where I was
In the high, soft coffer of the night’s velvet,
Mastering what had come to my senses:
How the four-toed paws worked, how the hair
Shook off water in the muddy tunnel.
It does not know time, hasn’t heard of death,
Is submitted to me because I know I’ll die.


I remember everything. That wedding in Basel,
A touch to the strings of a viola and fruit
In silver bowls. As was the custom in Savoy,
An overturned cup for three pairs of lips,
And the wine spilled. The flames of the candles
Wavery and frail in a breeze from the Rhine.
Her fingers, bones shining through the skin,
Felt out the hooks and clasps of the silk
And the dress opened like a nutshell,
Fell from the turned graininess of the belly.
A chain for the neck rustled without epoch,
In pits where the arms of various creeds
Mingle with bird cries and the red hair of caesars.


Perhaps this is only my own love speaking
Beyond the seventh river. Grit of subjectivity,
Obsession, bar the way to it.
Until a window shutter, dogs in the cold garden,
The whistle of a train, an owl in the firs
Are spared the distortions of memory.
And the grass says: how it was I don’t know.


Splash of a ****** in the American night.
The memory grows larger than my life.
A tin plate, dropped on the irregular red bricks
Of a floor, rattles tinnily forever.
Belinda of the big foot, Julia, Thaïs,
The tufts of their *** shadowed by ribbon.


Peace to the princesses under the tamarisks.
Desert winds beat against their painted eyelids.
Before the body was wrapped in bandelettes,
Before wheat fell asleep in the tomb,
Before stone fell silent, and there was only pity.


Yesterday a snake crossed the road at dusk.
Crushed by a tire, it writhed on the asphalt.
We are both the snake and the wheel.
There are two dimensions. Here is the unattainable
Truth of being, here, at the edge of lasting
and not lasting. Where the parallel lines intersect,
Time lifted above time by time.


Before the butterfly and its color, he, numb,
Formless, feels his fear, he, unattainable.
For what is a butterfly without Julia and Thaïs?
And what is Julia without a butterfly’s down
In her eyes, her hair, the smooth grain of her belly?
The kingdom, you say. We do not belong to it,
And still, in the same instant, we belong.
For how long will a nonsensical Poland
Where poets write of their emotions as if
They had a contract of limited liability
Suffice? I want not poetry, but a new diction,
Because only it might allow us to express
A new tenderness and save us from a law
That is not our law, from necessity
Which is not ours, even if we take its name.


From broken armor, from eyes stricken
By the command of time and taken back
Into the jurisdiction of mold and fermentation,
We draw our hope. Yes, to gather in an image
The furriness of the ******, the smell of rushes,
And the wrinkles of a hand holding a pitcher
From which wine trickles. Why cry out
That a sense of history destroys our substance
If it, precisely, is offered to our powers,
A muse of our gray-haired father, Herodotus,
As our arm and our instrument, though
It is not easy to use it, to strengthen it
So that, like a plumb with a pure gold center,
It will serve again to rescue human beings.


With such reflections I pushed a rowboat,
In the middle of the continent, through tangled stalks,
In my mind an image of the waves of two oceans
And the slow rocking of a guard-ship’s lantern.
Aware that at this moment I—and not only I—
Keep, as in a seed, the unnamed future.
And then a rhythmic appeal composed itself,
Alien to the moth with its whirring of silk:


O City, O Society, O Capital,
We have seen your steaming entrails.
You will no longer be what you have been.
Your songs no longer gratify our hearts.


Steel, cement, lime, law, ordinance,
We have worshipped you too long,
You were for us a goal and a defense,
Ours was your glory and your shame.


And where was the covenant broken?
Was it in the fires of war, the incandescent sky?
Or at twilight, as the towers fly past, when one looked
From the train across a desert of tracks

To a window out past the maneuvering locomotives
Where a girl examines her narrow, moody face
In a mirror and ties a ribbon to her hair
Pierced by the sparks of curling papers?


Those walls of yours are shadows of walls,
And your light disappeared forever.
Not the world's monument anymore, an oeuvre of your own
Stands beneath the sun in an altered space.


From stucco and mirrors, glass and paintings,
Tearing aside curtains of silver and cotton,
Comes man, naked and mortal,
Ready for truth, for speech, for wings.


Lament, Republic! Fall to your knees!
The loudspeaker’s spell is discontinued.
Listen! You can hear the clocks ticking.
Your death approaches by his hand.


An oar over my shoulder, I walked from the woods.
A porcupine scolded from the fork of a tree,
A horned owl, not changed by the century,
Not changed by place or time, looked down.
Bubo maximus, from the work of Linnaeus.


America for me has the pelt of a raccoon,
Its eyes are a raccoon’s black binoculars.
A chipmunk flickers in a litter of dry bark
Where ivy and vines tangle in the red soil
At the roots of an arcade of tulip trees.
America’s wings are the color of a cardinal,
Its beak is half-open and a mockingbird trills
From a leafy bush in the sweat-bath of the air.
Its line is the wavy body of a water moccasin
Crossing a river with a grass-like motion,
A rattlesnake, a rubble of dots and speckles,
Coiling under the bloom of a yucca plant.


America is for me the illustrated version
Of childhood tales about the heart of tanglewood,
Told in the evening to the spinning wheel’s hum.
And a violin, shivvying up a square dance,
Plays the fiddles of Lithuania or Flanders.
My dancing partner’s name is Birute Swenson.
She married a Swede, but was born in Kaunas.
Then from the night window a moth flies in
As big as the joined palms of the hands,
With a hue like the transparency of emeralds.


Why not establish a home in the neon heat
Of Nature? Is it not enough, the labor of autumn,
Of winter and spring and withering summer?
You will hear not one word spoken of the court
of Sigismund Augustus on the banks of the Delaware River.
The Dismissal of the Greek Envoys is not needed.
Herodotus will repose on his shelf, uncut.
And the rose only, a ****** symbol,
Symbol of love and superterrestrial beauty,
Will open a chasm deeper than your knowledge.
About it we find a song in a dream:


Inside the rose
Are houses of gold,
black isobars, streams of cold.
Dawn touches her finger to the edge of the Alps
And evening streams down to the bays of the sea.


If anyone dies inside the rose,
They carry him down the purple-red road
In a procession of clocks all wrapped in folds.
They light up the petals of grottoes with torches.
They bury him there where color begins,
At the source of the sighing,
Inside the rose.


Let names of months mean only what they mean.
Let the Aurora’s cannons be heard in none
Of them, or the tread of young rebels marching.
We might, at best, keep some kind of souvenir,
Preserved like a fan in a garret. Why not
Sit down at a rough country table and compose
An ode in the old manner, as in the old times
Chasing a beetle with the nib of our pen?
He was a Grecian lad, who coming home
With pulpy figs and wine from Sicily
Stood at his galley’s prow, and let the foam
Blow through his crisp brown curls unconsciously,
And holding wave and wind in boy’s despite
Peered from his dripping seat across the wet and stormy night.

Till with the dawn he saw a burnished spear
Like a thin thread of gold against the sky,
And hoisted sail, and strained the creaking gear,
And bade the pilot head her lustily
Against the nor’west gale, and all day long
Held on his way, and marked the rowers’ time with measured song.

And when the faint Corinthian hills were red
Dropped anchor in a little sandy bay,
And with fresh boughs of olive crowned his head,
And brushed from cheek and throat the hoary spray,
And washed his limbs with oil, and from the hold
Brought out his linen tunic and his sandals brazen-soled,

And a rich robe stained with the fishers’ juice
Which of some swarthy trader he had bought
Upon the sunny quay at Syracuse,
And was with Tyrian broideries inwrought,
And by the questioning merchants made his way
Up through the soft and silver woods, and when the labouring day

Had spun its tangled web of crimson cloud,
Clomb the high hill, and with swift silent feet
Crept to the fane unnoticed by the crowd
Of busy priests, and from some dark retreat
Watched the young swains his frolic playmates bring
The firstling of their little flock, and the shy shepherd fling

The crackling salt upon the flame, or hang
His studded crook against the temple wall
To Her who keeps away the ravenous fang
Of the base wolf from homestead and from stall;
And then the clear-voiced maidens ‘gan to sing,
And to the altar each man brought some goodly offering,

A beechen cup brimming with milky foam,
A fair cloth wrought with cunning imagery
Of hounds in chase, a waxen honey-comb
Dripping with oozy gold which scarce the bee
Had ceased from building, a black skin of oil
Meet for the wrestlers, a great boar the fierce and white-tusked
spoil

Stolen from Artemis that jealous maid
To please Athena, and the dappled hide
Of a tall stag who in some mountain glade
Had met the shaft; and then the herald cried,
And from the pillared precinct one by one
Went the glad Greeks well pleased that they their simple vows had
done.

And the old priest put out the waning fires
Save that one lamp whose restless ruby glowed
For ever in the cell, and the shrill lyres
Came fainter on the wind, as down the road
In joyous dance these country folk did pass,
And with stout hands the warder closed the gates of polished brass.

Long time he lay and hardly dared to breathe,
And heard the cadenced drip of spilt-out wine,
And the rose-petals falling from the wreath
As the night breezes wandered through the shrine,
And seemed to be in some entranced swoon
Till through the open roof above the full and brimming moon

Flooded with sheeny waves the marble floor,
When from his nook up leapt the venturous lad,
And flinging wide the cedar-carven door
Beheld an awful image saffron-clad
And armed for battle! the gaunt Griffin glared
From the huge helm, and the long lance of wreck and ruin flared

Like a red rod of flame, stony and steeled
The Gorgon’s head its leaden eyeballs rolled,
And writhed its snaky horrors through the shield,
And gaped aghast with bloodless lips and cold
In passion impotent, while with blind gaze
The blinking owl between the feet hooted in shrill amaze.

The lonely fisher as he trimmed his lamp
Far out at sea off Sunium, or cast
The net for tunnies, heard a brazen *****
Of horses smite the waves, and a wild blast
Divide the folded curtains of the night,
And knelt upon the little ****, and prayed in holy fright.

And guilty lovers in their venery
Forgat a little while their stolen sweets,
Deeming they heard dread Dian’s bitter cry;
And the grim watchmen on their lofty seats
Ran to their shields in haste precipitate,
Or strained black-bearded throats across the dusky parapet.

For round the temple rolled the clang of arms,
And the twelve Gods leapt up in marble fear,
And the air quaked with dissonant alarums
Till huge Poseidon shook his mighty spear,
And on the frieze the prancing horses neighed,
And the low tread of hurrying feet rang from the cavalcade.

Ready for death with parted lips he stood,
And well content at such a price to see
That calm wide brow, that terrible maidenhood,
The marvel of that pitiless chastity,
Ah! well content indeed, for never wight
Since Troy’s young shepherd prince had seen so wonderful a sight.

Ready for death he stood, but lo! the air
Grew silent, and the horses ceased to neigh,
And off his brow he tossed the clustering hair,
And from his limbs he throw the cloak away;
For whom would not such love make desperate?
And nigher came, and touched her throat, and with hands violate

Undid the cuirass, and the crocus gown,
And bared the ******* of polished ivory,
Till from the waist the peplos falling down
Left visible the secret mystery
Which to no lover will Athena show,
The grand cool flanks, the crescent thighs, the bossy hills of
snow.

Those who have never known a lover’s sin
Let them not read my ditty, it will be
To their dull ears so musicless and thin
That they will have no joy of it, but ye
To whose wan cheeks now creeps the lingering smile,
Ye who have learned who Eros is,—O listen yet awhile.

A little space he let his greedy eyes
Rest on the burnished image, till mere sight
Half swooned for surfeit of such luxuries,
And then his lips in hungering delight
Fed on her lips, and round the towered neck
He flung his arms, nor cared at all his passion’s will to check.

Never I ween did lover hold such tryst,
For all night long he murmured honeyed word,
And saw her sweet unravished limbs, and kissed
Her pale and argent body undisturbed,
And paddled with the polished throat, and pressed
His hot and beating heart upon her chill and icy breast.

It was as if Numidian javelins
Pierced through and through his wild and whirling brain,
And his nerves thrilled like throbbing violins
In exquisite pulsation, and the pain
Was such sweet anguish that he never drew
His lips from hers till overhead the lark of warning flew.

They who have never seen the daylight peer
Into a darkened room, and drawn the curtain,
And with dull eyes and wearied from some dear
And worshipped body risen, they for certain
Will never know of what I try to sing,
How long the last kiss was, how fond and late his lingering.

The moon was girdled with a crystal rim,
The sign which shipmen say is ominous
Of wrath in heaven, the wan stars were dim,
And the low lightening east was tremulous
With the faint fluttering wings of flying dawn,
Ere from the silent sombre shrine his lover had withdrawn.

Down the steep rock with hurried feet and fast
Clomb the brave lad, and reached the cave of Pan,
And heard the goat-foot snoring as he passed,
And leapt upon a grassy knoll and ran
Like a young fawn unto an olive wood
Which in a shady valley by the well-built city stood;

And sought a little stream, which well he knew,
For oftentimes with boyish careless shout
The green and crested grebe he would pursue,
Or snare in woven net the silver trout,
And down amid the startled reeds he lay
Panting in breathless sweet affright, and waited for the day.

On the green bank he lay, and let one hand
Dip in the cool dark eddies listlessly,
And soon the breath of morning came and fanned
His hot flushed cheeks, or lifted wantonly
The tangled curls from off his forehead, while
He on the running water gazed with strange and secret smile.

And soon the shepherd in rough woollen cloak
With his long crook undid the wattled cotes,
And from the stack a thin blue wreath of smoke
Curled through the air across the ripening oats,
And on the hill the yellow house-dog bayed
As through the crisp and rustling fern the heavy cattle strayed.

And when the light-foot mower went afield
Across the meadows laced with threaded dew,
And the sheep bleated on the misty weald,
And from its nest the waking corncrake flew,
Some woodmen saw him lying by the stream
And marvelled much that any lad so beautiful could seem,

Nor deemed him born of mortals, and one said,
‘It is young Hylas, that false runaway
Who with a Naiad now would make his bed
Forgetting Herakles,’ but others, ‘Nay,
It is Narcissus, his own paramour,
Those are the fond and crimson lips no woman can allure.’

And when they nearer came a third one cried,
‘It is young Dionysos who has hid
His spear and fawnskin by the river side
Weary of hunting with the Bassarid,
And wise indeed were we away to fly:
They live not long who on the gods immortal come to spy.’

So turned they back, and feared to look behind,
And told the timid swain how they had seen
Amid the reeds some woodland god reclined,
And no man dared to cross the open green,
And on that day no olive-tree was slain,
Nor rushes cut, but all deserted was the fair domain,

Save when the neat-herd’s lad, his empty pail
Well slung upon his back, with leap and bound
Raced on the other side, and stopped to hail,
Hoping that he some comrade new had found,
And gat no answer, and then half afraid
Passed on his simple way, or down the still and silent glade

A little girl ran laughing from the farm,
Not thinking of love’s secret mysteries,
And when she saw the white and gleaming arm
And all his manlihood, with longing eyes
Whose passion mocked her sweet virginity
Watched him awhile, and then stole back sadly and wearily.

Far off he heard the city’s hum and noise,
And now and then the shriller laughter where
The passionate purity of brown-limbed boys
Wrestled or raced in the clear healthful air,
And now and then a little tinkling bell
As the shorn wether led the sheep down to the mossy well.

Through the grey willows danced the fretful gnat,
The grasshopper chirped idly from the tree,
In sleek and oily coat the water-rat
Breasting the little ripples manfully
Made for the wild-duck’s nest, from bough to bough
Hopped the shy finch, and the huge tortoise crept across the
slough.

On the faint wind floated the silky seeds
As the bright scythe swept through the waving grass,
The ouzel-**** splashed circles in the reeds
And flecked with silver whorls the forest’s glass,
Which scarce had caught again its imagery
Ere from its bed the dusky tench leapt at the dragon-fly.

But little care had he for any thing
Though up and down the beech the squirrel played,
And from the copse the linnet ‘gan to sing
To its brown mate its sweetest serenade;
Ah! little care indeed, for he had seen
The ******* of Pallas and the naked wonder of the Queen.

But when the herdsman called his straggling goats
With whistling pipe across the rocky road,
And the shard-beetle with its trumpet-notes
Boomed through the darkening woods, and seemed to bode
Of coming storm, and the belated crane
Passed homeward like a shadow, and the dull big drops of rain

Fell on the pattering fig-leaves, up he rose,
And from the gloomy forest went his way
Past sombre homestead and wet orchard-close,
And came at last unto a little quay,
And called his mates aboard, and took his seat
On the high ****, and pushed from land, and loosed the dripping
sheet,

And steered across the bay, and when nine suns
Passed down the long and laddered way of gold,
And nine pale moons had breathed their orisons
To the chaste stars their confessors, or told
Their dearest secret to the downy moth
That will not fly at noonday, through the foam and surging froth

Came a great owl with yellow sulphurous eyes
And lit upon the ship, whose timbers creaked
As though the lading of three argosies
Were in the hold, and flapped its wings and shrieked,
And darkness straightway stole across the deep,
Sheathed was Orion’s sword, dread Mars himself fled down the steep,

And the moon hid behind a tawny mask
Of drifting cloud, and from the ocean’s marge
Rose the red plume, the huge and horned casque,
The seven-cubit spear, the brazen targe!
And clad in bright and burnished panoply
Athena strode across the stretch of sick and shivering sea!

To the dull sailors’ sight her loosened looks
Seemed like the jagged storm-rack, and her feet
Only the spume that floats on hidden rocks,
And, marking how the rising waters beat
Against the rolling ship, the pilot cried
To the young helmsman at the stern to luff to windward side

But he, the overbold adulterer,
A dear profaner of great mysteries,
An ardent amorous idolater,
When he beheld those grand relentless eyes
Laughed loud for joy, and crying out ‘I come’
Leapt from the lofty **** into the chill and churning foam.

Then fell from the high heaven one bright star,
One dancer left the circling galaxy,
And back to Athens on her clattering car
In all the pride of venged divinity
Pale Pallas swept with shrill and steely clank,
And a few gurgling bubbles rose where her boy lover sank.

And the mast shuddered as the gaunt owl flew
With mocking hoots after the wrathful Queen,
And the old pilot bade the trembling crew
Hoist the big sail, and told how he had seen
Close to the stern a dim and giant form,
And like a dipping swallow the stout ship dashed through the storm.

And no man dared to speak of Charmides
Deeming that he some evil thing had wrought,
And when they reached the strait Symplegades
They beached their galley on the shore, and sought
The toll-gate of the city hastily,
And in the market showed their brown and pictured pottery.
Zachary Mar 2015
**** four tires and no engine,
im having troubles explaining the medicine
if i break down it wont even matter, im already broke
when i heard her speak i had to remember why god spoke
its when you learn from your brother is when you teach to cope
interesting views that come off as sarcasm smoked dope
we all are naturals until were shown whats talent
manufactures with a pin point,
nothing feels balanced,
get so angry and now my face looks childish,
**** boat shoes or a wave cap
hotter then a pocket snack,
im trying to will smith bring gettin jiggy back
kendrick ringggingg
Sally A Bayan Oct 2020
^ ^ ^


I meant to write about two
black and white butterflies,
resting upon the thick leaves
of my Norfolk island pine tree,
i planned to write about
a grasshopper, camouflaged by
the green grass on the front yard,
i almost crashed its body, if it hadn't
leapt before i stepped on it...
i was thinking of turning on the
christmas lights this monsoon season,
for an early holiday start.

i focus on happy scenes,
on good times past...because,
i miss those times, and
i long for them to come back...

there are some things i couldn't fix,
which i think, gave birth to this
pain inside my tummy.
to not know what happens next,
scares me so.

and so, i keep trying...to write of
butterflies and grasshoppers,
and
i might just hang a lantern,
instead.



Sally

Rosalia Rosario A. Bayan
October 12, 2020
Liz May 2013
handpicked blueberries in yogurt,
tea on the porch, Ellen,
in desperation to plant a raspberry bush.

jogging through a grasshopper field
holding in screams at the small green chirps
shooting up around my ankles.

grimy trails of sweat, the daddy longlegs
crawling out from under my thigh
the dirt at home under my nails.

nickel-bright stars above
the trees, a cool tress rising,
buzzing in the porch light of
bugs going for our jugulars,
still tight and smooth.
This weekend in Vermont turned me inside out. Made me wish I didn't have to spend summer in suburbiaaahh
Anna Marie Mar 2015
New to the town, I hopped off the bus,
I came all alone, just me and a trunk,
To a bright, new world, I looked all around,
It was a quiet town, with not even a sound,

So I settled right in and began my work,
In a small crooked shop, I became a bank clerk,
At first no one came, not even a fly,
Then one day, someone finally walked by,

“Hello,” he said, as he opened the door,
“I believe you are new, I am Edward Debore,”
I am flattered, I said, to see a new face,
You’re the first someone I’ve seen in this empty place,

He was tall, rather thin, with a nose like a pin,
On his back, I believe, he had some type of fin,
“Oooooh,” he moaned, “I am quite parched,”
Oh my, I replied, I’ve only this berry ****,

But, to my surprise, he swallowed it whole,
And with it, gulped down, my grandmother’s bowl,
Oh dear, I cried, as he burped loud and clear,
It seems you are more than “parched,” I fear,

Who are you, I asked him, what do you do,
I am a bank clerk,…oh, there’s a fly, Shoooo!
Look, there he goes, open the door,
…GULP, …Mr. Edward Debore!!

At that moment I stood there with fear in my eyes,
Mr. Edward Debore had just eaten a fly,
Another flew by and he gulped him right down,
By then my smile had turned into a frown,

I could not stand it another second,
So I snatched my umbrella and I sliced it through his stomach,
The flies were set free and so was the bowl,
For Edward Debore had gulped them down whole,

                  The End
And also the end of Edward Debore!
This was a fun one!!
Stephen E Yocum Sep 2013
They come amongst
a cacophony of noise
and clutter, little voices,
uttering unintelligible sounds,
amid giggles and laughter.
Sometimes it's pushing
and shoving,
"Mom he's touching me!"

Leaving as they go a trail,
of ever changing strange things,
like dropped Legos, paper airplanes
rubber band and old bent nails.

Once I found, to my otter amazement
A freshly dead intact Grasshopper,
Neatly folded up in brightly colored
Special Occasion Wrapping paper.
A gift no doubt from one of them,
left right out, on my Dinning Room Table.

Other times they emerge slow and stealthy
a  pair of Ninjas, all in black and scary.
Or as merely Batman and Robin,
Maybe Spidy and the Incredible Hulkster,
All of their personas assuredly entertaining.

As they barge through my door,
they tend to sing loud a lot,
True, squeaky, off key, yet sweetly.
Most are songs I've never heard,
Or just made up for the moment.

If I'm a little down, feeling kind of blue
five minutes with them is a sure cure
Funk gone in a flash, replaced by nothing
but happy.

Consummate story tellers they can be,
The nine year old should be the "Town Crier".
No news fit to print, ever went untold
from his lips, always relayed with such gusto.
Ask him a simple "How was your day?"
and he will recite 15 minutes of vivid detail,
all for my very delighted amused approval.

The six year old is sweet enough to eat,
Always bright blue eyes a flashing,
Not to be outdone, he will try his best,
to **** right in and share his days happenings.
Little brothers need always to try harder.

We all three laugh and joke,
and sometimes I break out,
the oh so dreaded "tickle fingers",
chase them all around 'till I catch one
and then for sure their screams of delight
and giggles do indeed fill up the room,
not to mention my old soft heart as well.
These little boys are pure magic.

Watching them thrive and grow, is my tonic.
A battery charger I can't get enough of.
Smart, charming, funny, sweet, cute and happy,
the loves of an old man's life. With them around,
who needs another.

They are a precious gifts from my kids, their
Mother and Father. Another chance to have
children close, be their loving guiding grandfather.

In them I see my son as a child, now a fine
grown man, In those boys I see the very
reason I was put on this Earth,
A life of human creation, come full circle.
Mohd Arshad Sep 2014
God's chopper,
not prone to bad
weather, no fuel,
always on wings,
what a great symbol
of His sublime craft!
Notes (optional)
I had flown over Yugoslavia
While children lived and played
Returning, after their war and shame
We went a different way.

I hadn't seen their faces
Or known of their plight
I had been to another place
Which this poem is about

On an island of gods
In a sea of rich blue
I heard the loud chirruping
Saw no-one fight

Distant flashes of bombs
Over sea in the night
I was told were men fishing
With dynamite.

Oblivious I, while they died o'er the way
Treading gently the path
To see the cicadas
I sat down for a day

I sat on a rock in the scorching sun
Elusive they hid in my blindness, so near
A day and a day I sat on the rock
Patient, I sat, transformation begun.

As I became rock and my hair became clouds
Oleander my clothes and grasses my bower
I saw them, so close, mist had dissolved
Grasshopper faces and love for each other.
Simon Clark Aug 2012
I’m not a Cricket or a Locus,
We don’t even look the same,
My antennae are far shorter,
And my wings are pointless,
I jump…no…hop,
I hop from place to place,
I make a noise much sweeter,
And drive them all insane.

All the birds they want me,
And the Adders too,
But I’m much smarter than those fools,
They don’t get near me,
I’m not afraid for my life,
Though I don’t live long,
I know that I’m a leaper,
And I’d better hop along.
written in 2009

— The End —