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“If you or someone you know
Has been diagnosed with Parkinson’s . . . ”
You can tell a great deal about UNLV,
My Vegas morning, easy listening
Radio station of choice,
When I first sit down,
Sit down to work in the morning,
One can surmise from the
Target demographics of so dire,
Such sober pronunciamentos, by
DJ Mueller, 91.5 The Source»
Live from UNLV/KUNV
Las Vegas kunv.org/KUNV
The Jazz Lounge with
Frank Mueller, Thursday, 7:00 am-11:00 am.
So don’t say I never
****** your ****--metaphorically speaking—
Herr Mueller, my good friend.
And while we’re on
The subject: WORK.
They never tell you that
Writing is such ******* hard work,
Which explains my need to **** up &
Lubricate the mechanism,
Before I start.
But I digress.

Just in case you haven’t noticed,
In case you had not been taking heed, CNN:
There’s an exciting new, radical ******,
Left-wing personage & presence
Making a play for the main room,
Center stage, center ring
Global Palace & Amphitheater.
I refer, of course to
Pope Francis:
Media-savvy, media mensch,
Crafting his own image,
Playing to the masses,
Choosing the namesake--
Francesco—right outta the gate,
Zip outta some Franco Zeffirelli
“Brother Sun, Sister Moon,”
Saint Francis di Assisi,
Talent show.
Born Jorge Mario Bergoglio,
In Buenos Aires, Argentina,
He worked briefly as a
Chemical technician
(Read: “bomb maker”)
& Nightclub bouncer
(Read: “sadist”)
Before resuming
Seminary studies, 1969.
(Tribute PSA: October 29, 1969: Happy 40th Birthday to a Radical Idea! Bill Duvall, SRI computer room. Late 1960s, the evening of October 29, 1969 the first data travelled between two nodes of the ARPANET, a key ancestor of the Internet.)
Pope Francis is a master at technology,
As any aspiring Global Wizard must be.
He has a special web site:
“Papal Bulls & Other *******.” Palabras del Papa Francisco - News.va www.news.va/es/source/vatican-va Translate this page PAPA FRANCISCO. AUDIENCIA GENERAL Miércoles 13 de mayo de 2015. [Multimedia]. Queridos . . .

Francis: Pope in Rome,
Signing international treaties again.
The Holy See himself—that
Wacky Argentinian--
One of many Lefty Cardinals,
Pulls off upset ordination in
Vatican City, God’s little 110 acres,
Our world’s smallest city & sovereign state,
Patrolled by a wacky-striped
Swiss Wackenhut Swat Team,
The Vatican: former playground for Nero,
**** Command Central for Caligula,
Construct of Mussolini’s $92 million
(More than $1 billion in today’s
Ever more worthless,
Ever more inflation soaring money!)
Lateran hush money,
Vatican monopoly money,
Seed money for colonial expansion,
Il Duce signing on behalf of
King Victor Emmanuel III,
Remembered today
Mainly for his short stature, &
Exile to Alexandria, Egypt,
Where he died and was buried.
“Vic the Man,” as he was known
Here in the Principality of Monaco,
“Vic the Man in Monte Carlo.”
But I digress.

Just the other day, Pope Francis
Signed another international treaty,
Recognizing Palestinian statehood,
Generating praise from Palestinians, &
Criticism from Israelis, who said:
“The move does not advance peace efforts.”
“Even this Philo-Semitic pope,
This pope who cares about the Jews,
Even he doesn’t get it,” said
David Horovitz, Editor,
The Times of Israel,
Which is what one would expect from
The guy who wrote the book:
A Little Too Close to God,
Still Life with Bombers:
Israel in the Age of Terrorism
. . .

It is tempting to ignore the
Sheer ego, the colossal megalomania
That is Jorge Mario Bergoglio,
Truly a personage of great moral suasion,
Whether he’s cleaning the feet of the homeless,
Dialing up strangers for late-night chats or
Convincing the self-described atheist,
Raúl Castro to give Catholicism a second look . . .
This pope who took the name of a
Nature-loving pauper,
This Pope in Rome,
Francis:  Transformative,
Revolutionary gust.
Pontiff, from Latin: “a bridge,”
Spanning the God-Man divide.
We are talking about a brotherhood,
That survived both Borgia & Medici,
And other assorted kink-fests for centuries.
Just what bizarre peccadillo
Required the resignation of
Benedict XVI, in itself, a
2,000-year first?
Francis:  the first Jesuit Pope.
Francis: the first Pope from America.
Francis: “The circumstances surrounding
Benedict's decision to step down
Will titillate scholars and the journalists alike,
For many years to come,
Given his resignation came so soon
After the “VATI-LEAKS” revelations:
Vatican bank corruption,
Pederast-priest cover-ups, &
Other ignominious fiascos
Requiring significant damage control.

One would think that an institution
With their own royal observatory,
The Papal See’s inter-galactic,
Night-vision telescope, Mount Graham,
Southeast of Tucson, Arizona,
Could steer clear of faulty stars.
Wolf is a symbol of guardianship, ritual, loyalty and spirit. Having the ability to make quick emotional attachments, it trusts their own instincts. We too should do the same, trust our hearts & minds, and have control over our lives.
When St. Francis encountered the wolf of Gubbio in 1220, he did not fear its coated fury armor and when the creature devoured animals and humans and became a force to be reckoned with, St. Francis  made the sign of the cross and went out to meet the wolf , one on one.  The crowd followed him from behind but as St. Francis entered the wolf's lair they held back,  keeping a safe distance, they could watch and not be harmed. The wolf at first rushed at Francis with open jaws. Again Francis made the sign of the cross and commanded the wolf to cease his attacks in the name of God. The wolf trotted docilely and lay at his feet. Placing his head on Francis's hands he listened to Francis:
"Brother wolf, you have killed men at the image of God, so now  you are worthy of death but if you make peace with us, we will forgive your past offences and you shall live.  The wolf bowed its head and submitted to Francis, completely at his mercy.  The wolf placed one of his forepaws in Francis' outstretched hand and the oath was made once ferocious wolf now behaved like a household pet.  Like the wolf, we too have our net worth, as compassioned  beings, capable of change.  So tell me, after reading this, where do you stand on the empathy scale ?  Are you going to help the wolf change, or are you going to watch him fail.
The End.
(when we all stand around and watch, we all lose)
Mateuš Conrad Jan 2017
i can't believe i came across this today,
but i am certain did...
   an experience so vague i couldn't believe,
i actually experienced dyslexia,
call it quasi call it pseduo... but it was very
much akin... from the book's narrative...
but not from the footnotes, i read the footnotes
at perfect cognitive speed, but perhaps
returning to the narrative i did experience
a slack of the + (add) of how words are
dissected and quickly put back together...
  yes, that other arithmetic with very little
breathing room, yes, that thing without
a soul... the word... or god...
    i turned custard brain, fudge...
     i felt like watching the gymnastics at
the para-olympics... and if i was going for a cheap
joke / english black humor i'd probably
laugh at that... but since this is the most
perfect ideal, i can't only make that comparison.

and so it was, i sat there doing nothing productive,
nothing... counting sheep to encourage
day-dreaming...
       so i said: 'i'll read a book', like i might do
on the whim in my grandparent's house
(one of the many reasons i decided to be "canadian" -
and establish a firm belief in bilingualism -
since if i didn't speak the tribal tongue
i wouldn't be rummaging in my grandfather's
library... and stealing books from him...
  well, exporting them to england, where he said
on my last visit: your library is bigger than
mine, isn't? well... it can fill a double-bed
   and be stacked at about 300cm up...)
    maybe the fact that being immersed in the tribe:
polish on the radio, on the television,
the fact that i can be without the internet for
weeks on end and have no quick-canvas outlet for
my earned tongue is the reason i could read
Kraszewski's* Dei Ira / bozy gniew / god's wrath...
    (there is too much subtle differences between
capital iota and little-town lambda -
   or why iota had to have the dot above it, anyway) -
so dei ira looks better... which is why i'm
not orthodox about using capital instances all the time...
   what a whirlwind...
         but prior to that i was watching
a david jacoby film - love is the devil: study for
a portrait by francis bacon...
                                         and all i could think of:
what marvel, to have a **** shoved up your ***
and speak so beautifully...
  have such a vast array of narratives...
     i can only assume that experiencing **** ***
gives you the other man's **** shoved into
your mouth that acts like a tongue and speaks
      so many truths as could be possible,
as in Freudian dream: when a woman wears a hat...
a talking ****** on her head from slurping
at the vaginal grotto of another woman...
     such a marvel though, homosexuality, esp.
the type of homosexuality that has art to express
rather than a civil partnership, civil rights...
  i mean, i could watch this stuff for days and never
yawn or need to watch protests and marches...
  just the image of what is best described
   john william waterhouse's
   painting hypnos and thanatos...
      i can't help but see it like that...
         francis plays the female role, his model the evident
dominant male... and sure, francis having his
**** punctured for what could be best described
as diarhhea either side of the equator does so...
it's as if he is eloquent enough / intelligent to allow
this to happen, for another man to speak through
him somehow... the model's phallus in francis' ****
becomes the model's tongue in francis' mouth...
    which becomes the stage for hypnos and thanatos...
in that francis' tongue becomes a phallus in
the mind of the model: and it whispers him nightmares
in his sleep... a vicious cycle indeed...
           that's the homosexuality that's highly regarded
by me, not the confetti functional type that
    exploits science and social norms and can no longer
lend itself to art, to transcending the taboo...
      with homosexuality divorced from art...
i can't see anything profound by gays from now on...
i really can't... if there is no art in this deviant
love, no art is worth being expressed by this
once glorious realm that has grovelled into the gutter...
so let's start once more: with Onan!

and everyday i awake wake with only one identifiable
fear: will i not write a single verse as of today?
it's not a case of a single day encapsulating my
fear, but that that crux day: furthered into a silence
that can't compensate the act of writing with
anything, other than sleep... i just can't seem
to smarten up concerning this very rational phobia...
    and having said that: here is the incision mark
denoting an interlude, and how: what are originally
intended to be of enso quality, cannot
   stand up to the biological tick-tock of needing
the loo...
     and do i think o'keefe's music foundation
by children is so much better than the original
done by tool concerning the song forty six & two?
yes, yes i do... just look at the kid on the bass guitar,
the fact that bass guitar is allowed to state a layer
of cake just above drums to set the rhythm
means the rhythm guitar doesn't have to solipsistic
******* and scale the everest of solo...
   it can remain in the rhythm section,
actually be worth a rhythm,
   the guitar doesn't need to overload into a solo...
the vocals belong to that domain...
   as long as the bass guitar is allowed to be heard
(unlike in metallica) - then i must be tone deaf!
revise me!
                    jazz knew the importance of every instrument,
and the need to be spontaneous, but also
the need to be anti-synchronisation,
  and therefore anti-muddle tsunami of:
all together now!
            n'ah, **** that **** (yes, the Vulgate is
coming along, i like the pooch, i don't care what things
i might say, the rude growl-bark is coming along:
so we can admire him licking his *****, and for no
other reason he's coming):
as in the birth of sexes... which the animals don't
seem to comprehend that much intently...
                 i can't like my ******* or **** one off...
but i know i can abstract a woman into
a hand and just pretend it's me doing the ****
crap with her... than myself included,
   or as i might add: never drink or *******
before the mirror... soon enough your reflection
becomes a bit odd, not because of what you do,
but because you hide so much perplexity before
you in Lucifer's daylight with which
  the moon Narcissus governs the moods...
that you start to look at your actual shadow
   with more clarity and fact...
  looking in the mirror is the reverse of looking
at your shadow under a street-lamp at night...
the mirror sort of becomes a shadow...
             the form becomes a bit (ha ha, what
an exagerration) vague... i look into
a mirror and i am but looking into shadow...
                   and i can't exactly recognise the eyes,
or make our geometric approximations
of a skull...
                      it's not even a case of a poor Yorrick
blah blah.
    or as the new governing body put it:
there are to be no mirrors contained within
the gates of Pandemonium...
        each to his own shadow, each to his own abstract...
   for the shadow will be deemed the new mirror...
   the new found glacier of, yes:
when salt water freezes, comes pure white floating
on the oceans... but must you freeze fresh water
and there's this matrix...
as in icecubes...
       dropping from a vendor machine...
and i knew i shouldn't have digressed so much,
but then again, if there was no ****** tick-tock
       rebellion, i probably wouldn't have revealed this much...
with ancient lore...
    who'd use the word Pandemonium these days,
if you're merely trying to call it: the Houses of Westminster...
well sure, accusation due: i prefer
a bunch of kids feeding me a nostalgia over a song
i heard aged 14... such is the power of the song 46 & 2
done to a... wait wait...
  i was talking about bass guitars and jazz...
(i could never get to like rap...
            i liked when the blacks deconstructed classical
music, but they did after: i'll never like,
mainly people of blackies and that general fanfare
of rap feeding tribalism) -
          the greatest aspect of jazz:
that on some recordings there's a chance to hear all
the instruments having a solo moment...
you'll hear a quintent solo:
  the piano, the drum, the saxophone, the horn,
the double-bass solo... each doing a solo...
not some erectile dysfunction of rock music from the 1980s...
i mean: each one will do a solo...
  and **** me, that's grand... and given there's no vocals
makes it all the better... but where, the ****, can i hear
jazz music being kept with such high regard as i
might find mozart pickled and even mummified
     to suddenly rise again and compose like i might hear
it on classical.fm... maybe acid jazz killed it...
   i can't seem to hear of one place where i can hear
the range of jazz music i have in my collection...
which probably mean's i'm lazy and don't fiddle about
with the radio fm and am channels... to "look" for jazz...
  i'm all applause though: jazz allowed for
deconstruction of classical music and paved the way
for the current state of polyphony in plateau...
    meaning: too much drum, too much ump-pst-ump-pst...
   jazz paved the wsay from orchestra,
   and yes, maybe because it was too impromptu
as it was necessary, that there was no jazz composer...
  there could have been no jazz script... no pre
           to what was otherwise alway and only: uno...
a once...
    sure Thelonious Monk did use an orchestra at some time...
  but if only someone decided to do a solipsism
and write out jazz like mozart wrote out
      concerto... but no... jazz descending from on high
and invoking african villages could never do to
its practitioners the deadly fate of breeding a jazz
composer...
                   it was the communal idea, the musketeer
unus pro omnibus, omnes pro uno:
   you could never allow a silent dictator like
a mozart dictating to a throng of people contained
within an orchestra... which later made the once
silent dictators very very vocal... speeches in Munich
alike...
           the fact that jazz has no script,
and the fact that if someone tries to play a Miles Davis
from script... is completely an ***...
     put him on a donkey (backwards)
                     donning a sanbenito and lynch him
to the nearest traffic junction to **** louder than
a car klaxon... that will do the trick...
       they did bother to script led zeppelin though...
    maybe it was the stiff competition that did it:
jazz. airy... breezy... but what a quick moment it was...
i'm almost jealous of the beat poets experimenting
with jazz musicians... but then i'm not:
i like to think of them as parasites...
   you know... those things feeding of spontaneity...
parasites... or dare i say: plagiarising leeches...
plagiarisng what? well, not the content, the context:
feeding of jazz spontaneity... not working from
old composers like Milton or Dante...
thank god for Ezra Pound and Sylvia Plath.

seems i have a ****** for a larynx...

perhaps i just seem to mean: i am a firm believer
in bilingualism... perhaps that's based on
some sort of religiosity,
    and let me tell you: it's born with
a schismatic nature, siamese, but not like a
siamese twin, in that it really needs a surgeon...
  it's a nucleus that's inherently schismatic...
i can't blame the english nation being
so lazy in its multicultural ethos,
i quiet like it: i don't live in a ghetto...
but forgetting my native tongue just so i could
sing a national anthem with conviction?
na'ah, that's not me...
            we'll come to Kraszewski's rex piast
in a minute, and it really was a genuine
experience of placebo dyslexia,
the one on the other side: should i have written
zilch...
      i believe in something quiet Canadian...
i don't believe in isolated communities,
   or ghetto tactic... i am a firm disciple of the advent
of bilingualism: forget the *** for just one day,
your genitals won't suddenly drop off with
gangrene scabs... you don't need a doctor
to say that...
                i mean: bilingualism as a concern
for incorporated culture, and the culture you were
born in... why can't these people just care to juggle
three testicles?
                   oh, elaphantisis got in the way...
sure, two oranges and a watermelon: makes sense...
no!
      have mutual respect, you come to me sprechen
Piast i'll speak Piast to you...
   well: given that polish and polish aren't that far apart,
i'd feel inclined to utilise
           idiosyncratic lingo...
   lingua genesis...
                children are so much easier to utilise than
angels: they have yet to experience anything at all
on the Socratic basis...
            so if i talk Piast to me, you will know what
i'm talking about?
     it doesn't matter if you do... i chose to be
a library, rather than an encyclopoedia of immigrants...
    there's not need to test me on general knowledge:
the stuff i "know" already gives me membrane...
     i respect both the culture of my birth and the skin
i am sometimes told to make sure is called tattoo,
and what i see before me, and quiet frankly:
i see nothing before me... a turban here,
    a sausage & mash there, a pint of guinness there,
noodles elsewhere... all in all: globalisation
and the elements: earthquakes... torandos...
   there isn't much to see in a poly-ethnic society...
there are too many major changes taking place
in a pyramid of non-ethnic ascriptive
         non-this-and-that pawns...
  it's not even painful: just a bit disgusting to watch...
  and yes i have access to a voult of monochromatic
society:
   you know how many ethnic minorities i spotted
in a train station in Warsaw? three...
two asians and one black woman...
              i haven't experienced the cold winters in Poland:
but i knew there was a limit...
         only about three apaches in a crowd of
albinos... which doesn't translate as:
    i was somehow content, it just meant
that most signs in Warsaw are written with a bilingual
bridge of Polish... and Ukranian Cyrillic...
plenty of Ukranian Mecca-bandits, for sure,
     but that's the end of the line with what
western Europe is doing to itself...
        every time i come back from Poland
i'm smeared with a rainbow of variety,
   it's either: i want to **** all these girlies
or i want to **** them... mostly the former,
  but you get the picture of experiencing the alternative
of the western experiment: since marxist economy
was "doomed" or simply expected to fail...
the economy finally seems reasonable with safety
for the old and the pension plans...
that marxist-culturalism had to emerge... if we are not
on the same dough plan of being content with a table and
a chair: might as well say we're all prone to don
a ******* afro.
                ***** are naturally curly, no?
going back "home" is always a weird experience, i tend
to read books there... like Kraszewski (who,
even the locals **** as being an unbearable bore
and joke that Joyce is easier read)... with his dei ire...
my grandfather just dropped it into my hands
as an experiment, thinking i wouldn't read it...
    well, in terms of translation Kraszewski is a myth-broker...
no one would read him,
  meaning: i'm kind of grateful that poles
seem to sorta: not exist, when it comes to citing examples
that include modernity and the history being
formed... i could sorta believe it if i were Estonian
or Lithuanian, or from Liechtenstein...
          but we're talking about a place with a large
enough population to be a major player in some
wordly conflict... Poland isn't that small...
    but yet it appears like it appeared from
the 18th century onwards... a state partitioned...
    and what i love about remaining tactifully bilingual?
i can talk about my native in a "colonial" tongue...
hence the " " definition: self-acquired...
             that's why i became spastic-fantastic reading
Kraszewski's rex piast - nothing came in,
i lost all trace of syllable construction, i read the books
so slowly i had one page done in about 10 minutes:
prolonging my musing of world powers, thrones
and crowns on a toilet...
        *******... another interlude.

can anyone see the, dodo project? i really just see a dodo project, yes: eine dodo projekt... i'm white, i'm male: can i be allowed to express these nouns in a pronoun, or am i schizophrenic prone? it seems i c
Tom Shields  Oct 2020
Lastday
Tom Shields Oct 2020
Where do you go to when you are caught?
The Sandmen will pursue in your dreams
Do you ever give that a second thought?
For he is dutiful and loyal while relentless
The Runner will scurry, even risk us
Putting so many people in the way, he tries to hide
They all clear the way to either side
Francis Seven makes the **** and takes no small amount of pride

The odds for renewal you deny
When you are caught, you die
This is what happens when you run
Francis holsters his gun
Emotionless in the revelry of a crowd
Dead in a fountain, black blossom revealed, his job there is done
Spectators cheer for the violence, so loud
He finds Logan, admiring his son,
And reminds his friend of the balance: “One for one.”

On the way to the Carrousel, to bear witness, they enter Arcade
Where the cabinets burst with all sorts of debauchery and debts to be played
And pass their hedonistic delights, ******, drugs and surgery
Logan all the while curious, Francis cautious of his curiosity
It seems he has doubts of the system, this itself is living dangerously

Donned in white robes and masks, flames crawling up the legs
They stand on the red flower and ascend,
Exploding into dust, with uproarious cheers
The deafening roar for renewal, a spectacle, the question it begs
Is this how we all must meet our end?
Contemplating, the celebration of execution, the last thing anyone hears-
Renewal! Renewal! Renewal! Renewal! Renewal!

But they are called away again, and **** Doyle Ten
With his possessions, they return to headquarters, to report
The mastermind of all time,
The computer, infallible, whose Megalopolis is sublime
Does he care one bit?
These rebels threaten society
He clocks them out with apathy
A servant to civility
Idyllic, perfect, too perfect
A top secret mission, unusually
Called to locate the Runners who have escaped the city,
Confounded by the computer, every moment owed to technology
LOGAN FIVE, FIND AND DESTROY SANCTUARY

One thousand and fifty-six refugees purportedly escaped beyond the wall
Logan’s flower has been activated, his questions answered, there is no renewal,
He slips out to contact a rebel, who can help him escape the city and **** them all
Jessica, who posited this machine was malfunctioning; the object of Logan’s desire
They run together, Francis chases, unwilling to believe until he sees
The seeds of distrust sewn and falsely confirmed, the rebels believe Logan is a killer and a liar
Then their eyes meet, Francis Seven, the unrelenting predator
He hesitates, takes a shot at Jessica, but Logan saves her
In panic and fervor, the fox and the cat, certain they’re done for
Hunted in the ruins beyond the walls, the Sandman turned Runner

What evil irony the pair endure,
To have hope renewed in their travels
Only to find it frozen, killed by a broken machine
One thousand and fifty-six humans, stored in ice
Looking to add two more, before its store collapses
Amazed to be alive, they flee, meeting the old man and his cats
The only other human they’ve seen in their retreat
Better to be stored by Box or shot by Francis, who finds them,
Gone mad with his obsession, his grief and frustration, his desperation serves his defeat
Unwilling to listen to reason, to see through the lies and illusion, these two who were once like brothers now fight
All of the ******, the time and the ruthless, mindless divulgence of decadence, all comes to a head over a blinking light
Logan kills Francis, holding his head in his arms, fitfully delirious ramblings, Logan tries to keep him calm
When he starts up one last time, to say look at your palm
The blinking red and black now clear: “Logan you renewed!”

In the city he reveals the deception of their structure
You can live past thirty! The Carrousel is a lie! You can have a future!
Captured, confronted, questioned and caged, probing his mind
Six spinning heads anger the computer who demands, WHERE IS SANCTUARY, WHAT DID YOU FIND?
Six spinning heads all repeat, that one truth was always so near,
There is no sanctuary here!

The computer shorts out, and soon the Sandmen are destroyed, Logan shoots his way out, the city empties in chaos and fear
Standing on the steps of this erupted crater of truth, Logan and Jessica are looking out as a pair
All people are free, they gather around the old man, something they never imagined they would see
Some touch him, in awe, some simply stare
Sometimes there’s no time to run, no time to live; it all hardly seems fair
Something is certainly different when there is hope, there is a change in the air
Somehow alive, the Sandman who ran to the finish and managed to survive, Logan Five has time to spare.
write
please read and enjoy
Graydon Archer Oct 2012
Mousy was a little mouse. He had a mousy tail.

And Mousy had a giant friend named Francis.

Who's a whale!

Now you might wonder how a mouse

could be friends with a whale.

Well.Mousy Mouse was a mouse

And he knew how to sail!

For Mousy was born on a sailing ship.

Far, far out at sea.

And having been born a sailor,

What else could he be?

The sailing ship was a mighty one!

With sails tall and white.

And Mousy would stand on the deck

And watch the stars at night.

Now Francis was a great big whale

Who came up once for air.

He looked up at the ship

and saw Mousy standing there.

"Hi there little mouse! Ahoy!"

Francis called up from the sea.

The waters great this time of night!

Come down and swim with me!"

"I'd love to swim with you great whale!"

Mousy shouted out with glee.

"My name sir, is Mousy Mouse"

"And what might your name be?"

"My name is Francis. Francis Whale Write!

And now that you and I are friends,

Come swim with me tonight!"

"And so I shall!" cried Mousy.

And he dove into the sea.

They swam around for hours!

It was quite a sight to see.

They swam and swam and swam some more.

Till Mousy finally said,

"I really should get back on board.

For I must go to bed!

Then Francis sighed a little sigh

And said "I understand.

"But your down here while the decks up there!

"I best give you a hand."

So he sat little Mousy upon his giant tail,

Gave it just a tinsy flip

And through the air he sailed!

Mousy landed on the deck.

As easy as you please.

"Thank you!" cried out Mousy Mouse.

"For swimming round with me!"

Francis said"that's quite all right,

We must swim again someday!"

And that's how they became friends

And still are to this day!
It had been a long idyllic two-day ride from Taos to Jackson Hole.  The bike had been running well, in spite of the altitude, and the 1600 C.C. Yamaha Venture Royale handled with ease whatever the mountains had in store.

This was the second extended tour for Kurt and his twelve-year-old son, Trystan, who everyone called T.C. (Trystan Colin).  They had started in Long Beach, California, and were making a long semi-circular loop through Arizona, New Mexico, and then back to Wyoming.  After hiking and riding through Grand Teton National Park, they would head North through Yellowstone to Missoula Montana and ultimately reach their final northern destination — Glacier National Park.

This morning though, they would be traveling into an unknown world on the most proven and time-tested forms of transportation, horses and mules.

Teton Scenic Outfitters was the oldest guided tour company in Teton National Park.  Today’s route would take four tourists on a twenty-five-mile ride deep into the park.  At its highest point, the trail would be over 2000 feet above the Buffalo River. There would be two professional cowboys leading the tour.  The lead rider, and boss, was a 6’ 3’’, 200 lb., ex-college football player and rodeo bulldogger named Russ.  At the back was a diminutive, bow-legged, journeyman cowboy from Miles City Montana named Pete.  In between there was Kurt and his son T.C., both riding horses, and two nuns from the San Cristobal Convent in Cody Wyoming, riding mules.

There were two additional mules, between Russ and TC, that were loaded down with a week’s supplies for the Teton Art Camp at the end of the trail.  The Art Camp was a popular summer destination for both experienced and budding artists and depended on the supplies that Russ’s company delivered every Saturday.  At 8:30 a.m., four mules and four horses started the arduous and steep ascent up the narrow trail that was carved out of the east side of the mountain.

Before leaving, Russ had said: “In some places, the trail that’s cut into the rock is less than six feet wide. Don’t let this upset you.  The horses and mules do this almost every day, and they are more surefooted than any person walking.  Whatever you do, DON’T try to get off along the narrow trail.  We will come upon four open meadows, as we climb higher, and you can get off there, if need be, to walk a spell.”

Russ reminded everyone that they had signed a form acknowledging the risks of a mountain trail ride and that they were not afraid of heights. “Whatever you do, make sure to give the horse or mule its head.  Don’t try to guide it or change its direction, it will be following closely the animal in front of it and will become upset and disoriented if you try to change its forward motion.”

Pete, who was riding in the rear, had heard this speech a hundred times before.  He knew Russ would repeat it several more times as they continued their climb.  He also knew something that he hadn’t shared with anyone yet.  After feeling poorly for several weeks, he had traveled to the Medical Center in Idaho Falls for tests.  Two days later he had the results — Cystic Fibrosis.

Pete was only 26, but his doctor had told him that with treatment he had a very good chance of living into his fifties. “What can’t I do, Doc?” Pete had asked.  “Anything for right now,” the specialist advised. Just don’t get too far away from a good Medical Center, just in case. I wonder what he would think if he saw me today,” Pete mused.

The two nuns seemed to be enjoying themselves, but the one in the back, Sister Francis, directly in front of Pete, kept pulling on her right stirrup.  “I’ll have to adjust that when we stop,” Pete said to himself.
At 10:30 a.m., they came to the first clearing and Russ called everyone to gather around him. The meadow was a naturally formed pocket that carved into the mountain for about 100 yards.  There was tall spring grass growing as far as you could see.

“Hey T.C., whatta you think those two things are sticking above the grass about fifty yards ahead?” “I don’t know, Russ, they look like sticks.” “Well ... those sticks happen to be antlers that belong to a resting moose.”  Before Russ could say another word, T.C. had spurred his horse and was headed in the direction of the moose.  As T.C.’s father started to head after him, Russ grabbed his reins and said — “watch this.”

T.C. was still thirty yards from the antlers when an enormous moose stood up out of the grass. Seeing that, T.C.’s horse slammed on the brakes and T.C. went sliding off the right side of his mount.  Time seemed to be frozen in place until ... BAMM!

When Russ saw the moose stand up, he withdrew the Colt Peacemaker (45) from his holster and fired a shot into the air.  The horses and mules never moved, they were rifle trained, but the moose turned and ran into the woods at the far end of the meadow.

“Those things can get ornery when you take them by surprise.  I didn’t think your kid had the guts to charge a moose in the open field.  It’s one of the damnedest things I’ve seen in a long time.  With ‘try’ like that, he’ll make a good hand.

Both cowboys dismounted and went over to where T.C. was still sitting in the grass.  “Here, take this,” Russ said, as he gave T.C. a Snickers Bar from his vest pocket.  “The way you got off that horse would make any bronc rider proud.  Sister Marcella was filming you with her camera.  It you’re nice to her, I’ll bet she’ll send you a copy of the tape.”

Hearing Russ’s words were like his birthday and Christmas all rolled into one.  His rear end was a little sore, but his spirits had never been so high.  “Hey T.C., if your head hasn’t swelled too much, try this on,” said Pete.  Pete handed T.C. a baseball cap from his saddlebags.  It was a watershed moment for both father and son as T.C. took a giant step toward manhood.

Back on the trail, Russ repeated again: “Don’t try to guide your animal, they know where they’re going.”  In all the confusion, Pete had never gotten around to adjusting Sister Francis’ stirrup.  It was still bothering her, and her squirming was starting to affect her mule.

“Don’t mess with that stirrup anymore, Sister.  If you need to, just let your right leg hang down straight until we get to the next clearing.” Pete hadn’t finished speaking when Sister Francis pushed down again on the stirrup until it came loose and was dangling free.  The momentum of her pushing down with her right leg had pulled her body across the saddle, and she was now off the mule and standing — screaming — on the right side of her mule.

Less Than A Foot From The Edge ...

“Stop screaming, Sister, and I’ll try to get to you.”  Pete knew there wasn’t enough room on the trail for him to make it to the panicked nun, and he also knew he didn’t have enough strength in his upper body to pull her back if she started to fall.

Russ had heard the commotion and stopped the lead horse. He was too far in front to be of much help.  Pete’s best cowboy skill was that of a header in the team roping event.  The hat he had given T.C. was from the last rodeo he had won in Calgary, Alberta.  Pete instinctively took the rope from his saddle horn and formed a loop.  Just as he started to swing the rope, Sister Francis’ mule panicked and moved to the right pushing the nun toward the cliff.  As she started to fall, Pete managed to get a loop around her head and under one shoulder.  He pulled ******* the rope as she fell over the side.  He quickly took three turns around the saddle horn.  Pete knew he could hold it for a while without his horse moving, but if he tried to dismount, there’s no telling what the horse would do, and all three of them might go over the side.

It was just then that Pete saw something crawling between the legs of Sister Marcella’s mule.  T.C. had slid off the back of his horse and crawled between the legs of his dad’s horse, the two pack mules, and Sister Marcella’s now stationary mule.  When he got underneath Sister Francis’ mule, he started to talk in a gentle voice as he worked his way back to the rear.  Once under Pete’s horse, he reached over the side and grabbed the rope. Luckily, Sister Francis was only three feet below the rocky ledge. With T.C.’s help, and a lot of adrenalin, she was able to get her elbows up over the edge and slowly inch her way back onto the trail.  Pete held firm to the loop to make sure there was no backsliding.

T.C. and Sister Francis sat there for a long time until T.C. said: “Do you trust me, Sister?”  She said that she did as T.C. said: “Ok, follow me.” Together, they crawled underneath Pete’s horse to the very back of the train.  “How far is it to the next meadow, Pete?” T.C. asked.  “It’s only about a half-mile, “Pete called out.  “Ok, Sister Francis and I will walk the rest of the way, and we’ll meet up with you at the meadow.  Pete waved ahead to Russ, who was sitting there in a mild state of shock, to get going again.

It was a hero’s welcome when T.C. and Sister Francis arrived at the meadow.  “How did you know you could crawl underneath those horses and mule’s legs without getting trampled?” Russ asked.
“Well, it’s like this,” T.C. said.  “My dad was raised with horses and said that a horse would never step on a man.  I just figured it was the same with mules.”  “And where did you get the guts to try?” asked Pete.  “It wasn’t guts, I was just trying to finish what you had started.  If you hadn’t gotten that rope around her, nothing that I did would have mattered at all.”

“That rope was thrown from the hand of God,” said Sister Marcella, “and today, we were all blessed to see one of his miracles in action.”
The rest of the ride was uneventful.  Pete readjusted Sister Francis’ stirrup as Russ started to sing an old cowboy song.  “What’s the T stand for in T.C?” asked Russ.  “Trystan, my first name is Trystan, T.C.  answered back. With that, every Ian Tyson song they knew was being sung at high volume with the name ‘Trystan’ interjected into every one.

T.C.’s father had never been so proud.


Kurt Philip Behm: June, 2024
Terry Collett Mar 2012
Francis sits down at the bench and begins his meal.
The other monks eat without thought other than
What the reading monk on his high stool reads out.
Some book on Cromwell, halfway through, the reader’s
Tone dry and at an even pace. Francis reflects on the
Preparation of the meal. The gathering of vegetables
From the garden, the preparing of the meat, the soup,
The dessert and all with little help save what Brother
Benedict brought with time and skill. Francis studies
Each monk in turn, his eyes sweeping the refectory,
The way this one holds his fork, that one shovels in
Without thought or care, another picking through his
Meal like some old hobo through a garbage heap.
The reader pauses to sip water. The sound of cutlery
On plates, the birds outside the tall windows of the
Refectory in song, the odd slurp or cough, a sneeze.
The reader reads on, Cromwell brought to life, his
Deeds both good and bad, high and low. Francis brings
His spoon to his lips, sips the soup, thick and dark.
One of the young monks pushing round the trolley
With meals for the next course, stops and stares at
The crucifix on the wall above the abbot’s head,
Thinks on the Last Supper with the sipping of blood
And wine and the breaking of both body and bread.
There will be a many reasons why, he is really suited to be a good leader to his views on church reform, poverty, climate change and divorce that had shaken up the world opinion. A leader who is an influencer to other people like just Pope Francis that he want a real leader does not shy away from crisis and debate, but embraces them as part of finding a solution.

As a follower of Pope Francis, I really admire his characteristics that he is reaching out to non-customers or non Catholic. That is why Francis makes sure to reach out to non-Catholics as well, for instance by declaring that God has redeemed all of us, not just Catholics. He embraces the risk he did like when he was young, he became very ill, and the nun who tended him disobeyed the doctor's instructions and tripled his dose of antibiotics, because she knew from experience that without that higher dose he would die. We can't be an effective leader if you're always playing it safe. Last is to listen in diverse voices. He is listening to his cardinals all over the world they consult with him to help him make decisions. He wants to get other people's opinions that he can gather ideas about their own experience.

That is why I choose the Pope Francis a good leader for me because I am a religious person and a follower to our dear Pope. To help all the people in need of guidance of God and a world needs leaders who are just compassionate and merciful.

— The End —