Airport

Covering my face with my hands, there is an incessant in-pouring of light. I feel like I am in a casket. My brain seems to be swelling, in tune with an invisible pendulum. Waves of nausea flood my body.  Small children thunder around in front of me, like hysterical nightmare projections.

I have never enjoyed being in Airports. They are morgues with an added buzz of visitors and commerce. The sterility of the interior design and the nervous excitability of the passengers sets me very quickly on edge. As a salesman for a major international e-commerce company, I am required to fly often.

To avoid excess stress and anxiety I prepare meticulously. Nothing must be left to chance. I am regimented and purposeful during my preparation. If the luggage allowance is 15kg, then I make sure that my suitcase is dead on that weight. I reweigh my suitcases on several sets of scales. Checking there is no error in their calibration.  I do not carry any prohibited travel items. I ring airline customer support several times to double-check. I rummage through my suitcase repeatedly. I allow no error to go unnoticed. I google articles about travel preparation, checklists, essential travel items and I read articles about anxiety related to fear of flying. Neither my emotional state nor practical matters are to take me by surprise. I am like a samurai undertaking pre-battle rituals.

Check-in is open. I funnel through to the check-in desk. There are several people before me; their movements generate a low pitch buzzing in my head. They are hyper-kinetic, speaking at unreasonably loud volumes in an indecipherable language. My arms vibrate down by my sides, my tongue thickens. I feel warmer and more vulnerable. I start to think about the first meal I’ll eat in Rekyjavik. I have panicked thoughts, recognition of myself in these thoughts is minimal. I swing around to check that nobody is standing directly behind me. The several people check in without issue. A man in all black clothing, I presume, a security guard intercepts me and asks me to go to desk 13. Although there is a sign hanging down from the ceiling with directions to check-in desks 10-15, I am unable to locate desk 13. I double back on myself, I ask the check-in assistant from desk 12 where desk 13 is. She says that it has been temporarily moved to the second floor of the terminal. Desk 13 on the second floor doesn't in the slightest resemble a check-in desk. A burly individual with an absence of ****** expressions or an officious manner mans an oak desk. There is no conveyor belt for the luggage, only a shopping trolley. ''Ermmm can I check in here?''. The man whom lacks an officious manner nods curtly without removing his eyes from the newspaper he is reading. "Documentation''. I hand him my documentation. ''Passport''. ''Going to Reykjavik?'' ''Erm yes''. ‘’Follow me’’.
The man, who lacks an officious manner, leads me a door behind the check-in desk that doesn’t in the slightest resemble a check-in desk. A young child with golden blonde hair in white robes pushes the shopping trolley behind me. We enter a room that is high like a cathedral and tiled in exquisite mosaic tiles; alternating gold and white into infinity. The ceiling is so high it seems to disappear off into a void. Sat down at a bog-standard mass manufactured desk in front of me, is a man who must be at least 13 feet tall, he has enormous ears like an elephant and is speaking in rounds of what sounds like the same phrase. I do not recognise the language. I am ceased from behind by the blonde child and the man who lacks an officious manner. The man with enormous ears like an elephant screams ‘’I hate Iceland’’, the blonde child laughs uncontrollably grabbing his stomach like he is holding his insides in. The ceiling begins to close in and a space opens in the floor. The man who lacks an officious manner says in a sinister tone says ‘’Do you think you would be forgiven”. I say ‘’I have got a ticket, I’m going to Iceland on business’’ I feel a prodding in my lower back and then darkness.

(NaPoWriMo Challenge: April 3, 2019)

“Not all those who wander are lost.” -- J. R. R. Tolkien

I was an office temp for many years when I was young. All the companies: Kelly girls, Manpower, Adecco. I took innumerable tests in typing, word processing, spreadsheets.

The worst job was at a sales office for home siding. I logged complaints all day on the phone about faulty siding.

I worked at a construction site in Los Angeles, a new middle-class ghetto they were building on the Howard Hughes air strip. I worked in a trailer and had to wait until lunch break to walk a block to the bathroom in the new library.

There was one warehouse I worked in that had mice so employed a full-time cat to work alongside us. The cat left dead mice everywhere. I was always cold there.

A lot of places I was replacing someone on vacation, someone the office assumed was indispensable but there was never anything for me to do there but read. I wrote a lot of letters to pen pals and friends. Email hadn’t been invented yet. Sometimes I’d walk memos around the office. Nobody ever invited me to meetings. Be careful what you wish for. Sometimes it comes true and you end up sitting in endless meetings.

In one swanky office I prepared orders in triplicate on a typewriter. I kept messing up and having to start over. Eventually I started to enjoy this. It was a medical lab and was convinced they were doing animal testing so I left after a week.

One of my early jobs was as a receptionist in a war machine company. My contact there asked me to do “computer work” (as it was called then) but I didn’t know how to use a mac or a mouse. My contact called my agency to complain about sending out “girls without basic skills.” My agency told me not to worry about it, the war company was just trying to scam us all by paying for a receptionist to do “computer work.” So they stuck me at the switchboard up front where I found bomb-threat instructions taped under the desk.

I worked at a design store and learned a program called Word Perfect. I started typing and printing the letters to my friends. The St. Louis owner was trying to sell the company to a rich Los Angeles couple. Once, a young gay designer I admired called and referred to me as “the girl up front with the glasses.” I immediately went out and got contact lenses. Before I left, I bought a desk and a chair they were selling. Years later, I sold the desk to an Amish couple in Lititz, PA, but I still have the chair.

I once worked for a cheap couple running a plastic mold factory. The man was paranoid, cheap and houvering and I said I wouldn’t stay past two weeks. They asked me to train a new temp and I said okay. The new temp also found the owner to be paranoid, cheap and houvering and so declared to me she wouldn’t stay past the week either. She confided in me she had gotten drunk and slept with someone and was worried she was pregnant. She was freaking out because she was going through a divorce and already had two kids. I told her about the day-after-pill which she had never heard of. I don’t know if it worked because I never used it myself and I never saw her again after that to follow up.

At another office I did nothing at the front desk for three weeks, bored and reading all the Thomas Covenant novels. I would take my lunch break under a big tree to continue reading the Thomas Covenant novels.

I worked for months at a credit card company reading books and letting in visitors through the locked glass door. Week after week, the receptionist would call in sick. One young blonde woman would give me filing work. She was telling me all about her wedding she was planning which sounded pretty fun and it made me want to plan a wedding too. After a few weeks she asked me what my father did. I said he was a computer programmer. She replied that my dad sounded like somebody her dad would beat up. I was too shocked by the rudeness to say dismissively, “I seriously doubt that.” (For one, my dad wasn’t always a computer programmer.) When it became clear the woman I was replacing had abandoned her job, they asked me if I wanted to stay on. I said no, that I was moving to New York City. I wasn’t  (but I did eventually).

Some places “kept me on” like the mortgage underwriters in St. Louis. That office had permanent wood partitions between the desks, waist-high and a pretty, slight woman training to join the FBI. She fainted one day by the copier. It was there that I told my first successful joke ever. Our boss was a part-time Baptist minister and we loved him because he was able to inspire us during times of low morale. One day we saw a bug buzzing above us in a light fixture.  Before I even thought about it I said, “I guess you could say he finally saw the light.” Everybody laughed a lot and I turned bright red. I wrote my essay to Sarah Lawrence College there after hours at the one desk with a typewriter. My boss and I got laid off the same day. He helped me carry my things out to my car.

I worked at a large food company in White Plains, NY. I often came home with boxes of giveaway Capri Sun in damaged boxes. I helped a blind woman fill out her checks. She was really grouchy and I wasn’t allowed to pet her service dog. She had dusty junk all over her desk but she couldn’t see it to make it tidy. I realized then that she would never be able to use a stack of desk junk as a to-do list...because she couldn’t see it. You can’t to-do what you can’t see and how we all probably take this fact for granted with our piles of desk junk. Years later I had the same thought about to-do lists burned in phones or computer files.

They also “kept me on” at the Yonkers construction company. I was there for years. The British woman next to me was not my boss but she ordered me around a lot. She told me I looked like an old 1940s actress I had never heard of who always wore her hair in her face. I was annoyed by this compliment because when I looked the actress up on the Internet I could see it wasn’t true. At the time, everyone was just getting on the Internet and I was already addicted to eBay. I would leave meetings in the middle for three minute at a time to ****** items with my competitive late-second bids. It was my first job with email too, and I emailed many letters to all my friends all day long. One elderly man there thought it was funny to give me cigars (which I smoked socially at the time) and told me unsavory ****** facts to shock me. I thought he was harmless and funny and his attempts to unsettle me misguided because I had already grown up with two older brothers who were smelly and hellbent on unsettling me. Later the man started dating and seemed happier and I met his very nice older girlfriend at one of the laborious, day-long Christmas parties our Italian owners threw every year. Months later his girlfriend was murdered in her garage by her estranged husband. Most of the office left to go to her funeral and I felt very bad for him.

And they kept me on at the Indian arts school in Santa Fe. I loved every day I spent there, walking the halls looking at student art. I had never seen so many beautiful faces in one place. One teacher there confided in me about her troubles and I tried to be Oprah. She ended up having to take out a restraining order against a man she met online. At the trial, the man tried to attack the female judge and she awarded the teacher the longest restraining order ever awarded in Santa Fe: 100 years. He broke the restraining order one day on campus and we were all scared about where he was and if he had a gun. All around the school were rolling hills and yellow blooming chamisa and we found tarantulas in the parking lot. I was there almost a full school year until I moved away.

I was once a temp in a nursing temp office that had large oak desks and big leather chairs. The office was empty except for one other woman. The boss was on vacation and she spent all our time complaining about what an *** he was and how mistreated the nurses were. I remember feeling uncomfortable in the leather chair. The boss, who I never met, called me one day to tell me he had fired her and that I should know she was threatening to come back with a gun. When I called the agency they laughed it off. I told them I wouldn’t go back.

My favorite temp job was at a firefighting academy in rural Massachusetts. I edited training manuals along with two other temps. It was very interesting work. The academy was in the middle of the woods, down beautiful winding roads with old rock walls. Driving to work I would listen to TLC and Luther Vandross. And whenever I hear Vandross sing I still think of the Massachusetts woods. When I left, they let me have a t-shirt and I wore it for years. One of the trainers had a son who was a firefighter who asked me out on a date. I said I was moving to New York City (this time it was true) and not interested in a relationship. He insisted the date would be just as friends. He took me to Boston’s North End and we ate gnocchi while he told me how he didn’t believe it was right to hit women. This comment alarmed me. He then took me to a highrise, skyview bar downtown where he proceeded to **** my fingers. I thought about Gregg Allman and Cher’s first date where Gregg Allman ****** Cher’s fingers and how now Cher and I had something in common: the disappointment of having one’s fingers ******. My scary date didn’t want to take me home and I was living with my brother at the time, so I told him my brother was crazy and if I didn’t get back by ten o’clock my brother would freak out like a motherf&#$er. That part wasn’t true...but it worked. I made it home.

I used to be deathly afraid of talking to strangers on the phone. I used to be bored out of my mind watching the clock. I used to wish I were friends with many of the interesting people walking past my desk.

When I look back on all this and where I’ve been, it seems so random, meandering through offices in so many different cities. But it wasn’t entropy or arbitrary. I was always working on the same thing.

I was a writer.

It’s fine
Is what she tells everyone
This day
Like so many others.
Fears run through her,
Her mind a mess of possibility
Infinite in number and horror.
Deaths here.
Failures there.
Maybe a grave injury at best.
Can they best this foe?
Is this the end of the Sages?
Is this the end of the world?
She ponders this
Over a cup of coffee
Poured by Moojdart,
All concern and bother.

It’s fine
Is what she says as she slinks off,
Telling Mooj again and again
Don’t worry, don’t worry
It’s fine,
She can handle it.
She always can, she always must.
Grus is worried too
And Milest
And even their leader
Who’s normally too vain to care.
She brushes past them all
To go and hide away
As she tries to fix it,
As she runs through bad ends
In search of a single good.
She can’t find one
Or even the hint of one
No matter how hard she picks
At the threads of potentiality.
There’s only more worries,
Only more failures,
Which darken the flame of Hope
Burning inside
Which she clings to so stubbornly
Even though it’s not her natural Will.
She’s got to.
She’s got to cling,
Got to be strong.
She’ll fix it, she will.

There’s a knock at her door
And it opens
Before she can even say no
Because that’s just how Fiethsing is,
Because that’s just how little she cares.
Really it’s amazing she knocked,
But there you go.
You never can guess with her,
But Zero can know she’s annoyed.
She snaps at her.
An admonition, a demand
To go, to leave.
That you shouldn’t just barge in
“I mean really, Fieth,”
And it’s fine anyway.
It’s always fine.

But that’s not what she came for.
So she claims.
She’s just here to find a book,
Steal it more like,
Like she always does
And Zero’ll never see it again.
It’s just a ploy anyway,
It’s just a ploy thankfully,
Unfortunately.
Fieth sets in on the search,
Looking for a book
And not speaking a word more,
Of concern or otherwise.
She’s simply an annoyance
That rummages through her things
After barging into her space.
Fieth’s one that’ll be ignored.
Has to be, must be.
So she drinks her coffee
And goes to reading,
Or more like looking at pages
As the words blur together
From fear
Now tinted with anger.

It’s fine
And Fiethsing sighs
Finally feeling fit
To make a sound
And even words.
“Wow, it’s hot.
Don’t you think so, Zero?”
There’s more sound too
Of rustling clothes
Falling off
Onto the floor.
A shirt gone,
More than likely.
Still searching too.
She pays no mind,
As little as she can.
She has a book to not read.

A book to not read
As a thought invades her mind
Of what Fieth must look like.
******* and slick with sweat
As she digs through her shelves
Musing to herself,
“Oh it’s not here either, oh dear.”
There’s a book to not read
As an image invades her mind
Of a hug,
Of a kiss,
A touch, anything.
Contact, warm and simple.
Memories flood
And imaginings more
As she has a book to not read.

Still it’s fine,
Just fine.
She’ll just read and think
On all the ways the world can end
Because that’s better.
Better than admitting she’s scared,
Better than admitting she needs help.
Help of any sort.
A talk, advice, a decision
Or a pair of arms
Wrapped around her waist
As she falls apart
Just for a moment.

“Oh, there it is!”
Rings out Fieth’s sing song tone
And she trots on over,
For once bothering to walk
And not float.
Just so she’ll hear,
Just so she’ll know.
It’s a kindness but it doesn’t feel like it,
More like a threat
That makes her sigh
Heavy and hard
In frustration
As she turns around to see
Fieth ******* and grinning.
It’s enough to make her sick.
With fury.
With fear.
With want.
She holds out her book
Arm outstretched
As far as it can go,
A barrier between them both.
She doesn’t want to play this game,
She wants to play this game.

Fieth takes the book with glee
And a pleased, “Thank you!”
Before she rambles on and on
About dull history being her passion
Don’t you know, Zero?
It’s charming,
It’s cute
And she just wants her gone.
Gone and away
With her mirth,
Infectious as always,
And her plans,
Impish as always.
So she turns back around
And grabs another book.
Another thing to not read
As she tells herself
That it’s fine.

It’s fine
As Fieth steps forward and
rests a hand on her
Gripping her shoulder.
It’s fine
When she says, “I went a bit far
Didn’t I, Zero?”
Which she did
But it’s fine
And it’s not.
It wasn’t far enough, not close enough.
She didn’t just grab her
Right there, right then.
She didn’t just force her down
Against her desk
And whisper in her ear
Just what she’ll do to her.

So she falls to her side
Just far enough
To fall back into Fieth,
Head resting right between her *******.
The grip becomes a hug,
Arm wrapping firmly around
Her frightened frame,
So frail,
Right now, right here.

“It’s fine,”
She says again.
This time it’s the truth,
And a lie
And she closes her eyes
And she melts
Right there, right then
In Fiethsing’s arms,
Though she wants nothing more
Than to chase her off.

“Just need a moment?”
Fieth asks
With a sincerity
That she so often lacks.
She’s not going to run off.
She’s not going to lie.
She’s not going to force the matter
Even if Zero wants her to.
It’s frustrating,
The fiendish way that Fieth
Makes her fend for herself
By pushing just enough
To get a decision.

It’s fine,
Frustrating or not,
As she pushes herself up and off.
Just enough to sit up,
Just enough to lean in
As she makes a decision at last.
Her lips part
And she kisses Fiethsing.
A moan escapes her,
A desperate plea
Muffled as Fieth’s tongue meets hers
And as Fieth’s hand crawls up her front.
Up her front, to her shoulder
To her neck,
Thumb rubbing idly, intently.
Intoxicating, it’s intoxicating
That sensation and more
As she leans forward the more,
Body pressed
Against Fieth’s.
Fieth who takes hold of her waist
With a free arm
And pulls her forward and up
To get her standing.
Two bodies, pressed together.
The kiss deepens,
Desperate all the more.

Her hands snake up Fieth’s back
And her nails dig into Fieth’s back.
Fieth who breaks the kiss
As she lets out a hiss
Of pained satisfaction
And who looks down
At her
As she buries her face
Into her chest.
She’s coming undone.
She’s starting to cry.
She’s clinging as she can,
Telling herself
Over and over
That it’s fine.

It’s fine
And Fieth’s here
Resting her cheek
Against her head
And with her hand
Stroking her hair
And her other
Holding her firmly,
Tightly
Just as she needs.
Just as she needs
Until she needs more,
More than a hug
And fingers in her hair.

She slips away,
Steps on back
One step, then two
Until a boot clicks against her desk.
She looks on
Eyes pleading
As she looks on at her
Her shirtless lover standing there
Unsure now of what she wants
But so sure of what she wants.
More, her.

So Fieth steps forward herself
Hands taking to her dress,
Undoing the buttons
As Zero tries to slip out of it.
Abandoning it on the floor,
Her bra goes there next
And her underwear
And her boots too.
It all goes
Until she is laid bare
For Fieth to look upon.
Fieth who doesn’t strip entirely,
Keeping her skirt on
And her boots too.
She dips down into her neck,
Pressing her lips against
That flesh
Vulnerable, sensitive
Enough to elicit a sigh.
Enough to get a roll of the hips.
Just enough
And not enough
As she buries her fingers
Into Fieth’s hair.
Pulling, stroking,
Needing simply to feel
Her and only her.
The her that slips a hand
Right between her thighs
Right then, right there.
A finger searching,
A finger finding
Just how wet she is.
A finger searching,
A finger finding
Just how hard her **** is.
Zero finds too
Once again
Just how skilled Fieth is.
How Fieth can circle her ****
Just the right way, just firm enough.
Enough to get her biting her lip
And resting her forehead
Into Fieth’s shoulder
As she comes apart
In her hands.

It’s fine
As her knees grow weak
And her breathing quickens.
It’s fine as Fieth slides a finger in
And a second.
The welcome stretch,
The familiar tension
Makes her shiver
As Fieth reaches deeper,
Deeper inside
And as Fieth pulls out
And pushes back in.
She pulls her head back,
And lets out a moan
Saying her name
As she pulls her hair.
God she’s near,
God she’s close,
God she’s in.
In her
Both in body and soul
And it’s all she can do
But say her name again
And again.
A fevered plea
As she begs for more,
Begs for her.
As doubts begin to clear
And leave
Just for a time.
Just right here, right now
And it’s fine.

Fieth pulls out again
This time fully
Leaving a dull ache,
An urgent need for more.
She wants to swear at her,
She wants to beg to her
To go back.
Back in,
Take her right there.
She needs it, needs her.
Desperately.
Fieth doesn’t though.
She grabs Zero’s thighs
And lifts as she can.
And she gets it
Though she’d rather not.
Rather not wait,
But she does wait and she knows
And she shifts her weight
Until she’s seated right on her desk,
Until she’s pressed down on her desk.

Fingers out of Fieth’s hair
She gropes at hard wood
That’s cold against her back
While the warmth burns
Between her legs.
She looks at her,
Looks to her.
Fieth’s hands rest on her thighs
As she looks back
Right at her,
Like she sees right through her.
Because she does,
She always does.

A hand travels up her thigh
Tracing a finger across her body.
A touch electric,
But not enough.
Not enough but enough
To get her speaking, to get her begging.
“Fieth, please.”
But Fieth just grins,
Feeling her *******,
Admiring the look in her eyes.
“Fieth please just stop looking,
Just this once and **** me.”
The words excite
And torment
And her cheeks burn red,
More ashamed to say it
Than have it happen.
Yet
The word she hears back isn’t a yes.
It’s “No.”

It’s fine
Isn’t it?
What had she done?
What could she have done?
Is it ending here, now?
Is it ending with still more to go?
What could she have done,
What could have Fieth have done?
Her fears come quick
And they’re tossed aside quick
As Fiethsing’s grin widens
And she says
“I’ve got a better idea.”
That’s fine.

More than fine.
Fine as Fieth bends down
Hand resting against the desk,
The other heading right back down
To her thighs.
Right back to part her lips
And then she feels her lips
And she feels her tongue
Against her ****.
Her fears are dashed
Right against the wall
And she lets out a cry,
A trembling moan.
So satisfied, yet not at all
As Fiethsing traces her ****
With her tongue.
As Fiethsing ***** at her ****
She claws, she scrabbles
Searching for purchase on the desk.
Which can’t be found
And she can’t find words
As she bucks her hips
Against Fiethsing’s mouth.
Not concerned about noise,
Not concerned about poise
Her worries gone entirely
And only this moment exists.
Only their bodies so close
Yet not close enough.
Time fades, distance fades.
A finger slips in again,
Then two, then three
But Fieth pulls her head up
Just to get it all situated.
Just to get it right.
Zero whines,
“Fiethsing please. ”

It’s more than fine
As Fieth dips back down
And Zero grabs wildly
Looking for something to hold
To touch.
All the better if it’s her,
If it’s Fieth and it is,
Her hair.
Her hair that Zero ***** into her fist,
Her hair that she pulls upon
As the tension builds,
As the ache grows.
Until at last it rolls over,
A rush of sensation
And feeling
That shakes her body
And gets her to cry out
Impassioned, fevered ramblings
About her, about her,
God just her.
Just.
Fiethsing.

And it’s fine
As Fieth keeps working at her
Through the ******,
Past the ******
And into the pain
Of too much sensation, too much.
She moans, she whines.
She begs, she even swears
And she bangs a fist on her desk
To stifle the pain, the pleasure.

Fiethsing slides out
And sits on up
And she laughs and prods
Right at her thigh.
“I bet even Milest heard that.”
What can she do
But roll her eyes
And groan in exasperation
At that comment.
What can she do
But be glad
Glad deep down for it,
For it all.
Glad enough that she sits up,
Glad enough that she hugs Fieth.

“It’s fine.”

"Have you any idea why a raven is like a writing desk?"
~Later, towards the end~
Alice asks, "Hatter, why is a raven like a writing desk?"
Mad Hatter: "I haven't the slightest idea."
Then Alice disappears back home.*
So why is a raven like a writing desk?
Ravens symbolizes death and to me Writing symbolizes
freedom.
But when you think about it ravens fly-- come and go as they please. Writers feel like that when they write at a writing desk--
come and go as they please.
So maybe there's the answer...
Ravens are free, and a writing desk is a place to be free.
But maybe a raven is also like a writing desk because most good poems deal with some type of grief, or joy...Every good poet deals with issues with life and the grief that comes with death. Every great writer has troubles-- look at; Edger Allen Poe, Dylan Thomas, and Emily Dickerson, just to name a few. Edger often wrote of ravens and drank, Dylan also drank, and Emily was afraid to go outside. We all have troubles, but only a certain amount of people can write about them in poetry and make the words be so beautiful. So maybe in the movie there was no answer, but it all seems to random to have no answer. So here's my answer: Freedom and Troubles, Ravens have/deal with both as well as a writer at a writing desk.
Do you know why a raven is like a writing desk?

My desk, it was facing the other way

It witnessed the two of us: entwined but one whole foot apart; leaning on each other's shoulders; too afraid to get closer

It saw us, shyly, touch each other's fingers yet it couldn't stop it and no electricity flowed between us

It saw us look at each other and look away: a fear of something greater

It saw you type the name of your favorite bands and show me your favorite bands, some of which would become mine and I did the same for you except you stopped listening to all of my music

It saw me sitting, on the phone with you, solving your math problems on its surface, telling you the answers hoping you'd understand

My desk, saw us stay up until 3 in the morning talking about the future we swore would come to us

My desk doesn't face that way anymore

It saw me yelling at you and crying on the phone about you months after my desk seized to see you.

My desk, saw me listen to your favorite bands and saw me stare off into the distance remembering the moment you showed them to me

My desk, is watching me write this and is hearing the background noise of one of your favorite bands

My desk has witnessed ******.

I haven’t the pocket to buy antiques
But often I like to go,
To sit at the antique auctions,
See who’s there, who’s in the know,
The men with yen and the businessmen
The Lords and the Ladies too,
Still with the loot their forebears stole
In 1642.

So guys like me can only watch
As the bids creep up each time,
Some of the things they’re bidding for,
It’s like white-collar crime,
There’s better stuff in a garage sale
Or found in a pile of junk,
I come away and I often say:
‘Well, that was a load of bunk!’

But sometimes, at the end of the day
When the bids and the deals are done,
There are items that are cast away
Not even a bid, not one,
And they sit forlorn, out there on the lawn
Where everyone passed them by,
Waiting for owners to pick them up
Under a threatening sky.

That’s where I found the Georgian desk,
Beaten, battered and worn,
The side was scuffed and the top was chipped
With one side panel gone,
Someone had found it, out in a barn,
Under a pile of hay,
And brought it along on spec, they said,
They hoped it would go away.

I said, ‘Well what do you want for it,
I’ll cart it off in the truck,’
He said, ‘I’m happy with forty quid!’
I couldn’t believe my luck.
I got it home and I cleaned it up
And polished the ancient stain,
I’ll swear that the desk had smiled at me
With faith in itself, again.

And then I replaced the panel that
Was missing from times before,
But not before I’d inspected it,
Discovered a secret drawer,
And tucked in there was a parchment
Faded yet, and next to a quill,
It said, ‘Dear Margaret, hearken to me,
This love has made me ill!’

A chill ran suddenly down my spine
The hairs rose up on my neck,
The room went dark as I placed the parchment
Down, face up on the desk.
I felt my heart beginning to pound
As I read what he had to say:
‘I came, my love, at the time you said,
But the soldiers took you away!’

That was the day that changed my life
For the weather ‘til then was fine,
A cloud had come, and covered the sun
As I got to his final line,
Then thunder cracked and rattled the roof
While lightning shattered the birch,
He wrote, ‘Your father and his dragoons
Are out there, guarding the church.’

My mind was set in a turmoil, and
I paced for that afternoon,
Wondering who these people were
That had cast my life in gloom,
The only clue was the cursive date
And the name that he’d finely wrought,
For that was 1768
And his name was Jeremy Thorpe.

It seems they’d planned to elope and wed
In the church at Medlin Tort,
But the father said that he’d strike him dead
Despite what his daughter thought,
For Jeremy was a colonist,
And would take his daughter there,
To the Massachusetts colony,
Revolution in the air!

The nights that I couldn’t sleep, I paced
And wandered from room to room,
The study was faintly lighted by
A waning, rising Moon,
One night a young man sat at the desk
With a powdered wig and quill,
And wrote, ‘My Heart, all hope has fled,
But for me, I love you still.’

I went there looking for answers in
The local reading room,
I searched the shelves of the library
And I found an ancient tome,
A Margaret Evancourt had died
Imprisoned in a mill,
And left a note, ‘My Jeremy,
This heart bleeds for you still.’

That night I sat at the Georgian desk
Picked up the quill and I wrote,
Nothing of great import, but just
A simple, one line note,
I left it there on the desk, and laid
It underneath the quill,
It said, ‘Your love is imprisoned,
You will find her down at the mill!’

I never saw him again, my note
Had gone when I arose,
I couldn’t wait to be off, in haste
I struggled with my clothes,
Then down at the little church I’d found
Still there, at Medlin Tort,
Were written the wedding lines I’d sought
Of Margaret Evancourt.

David Lewis Paget

1
she taps he hand, twice.
across the room,
he stares, thinking
into empty air.
others, scattered
tap pencils or fingers
on desktops, booktops
and phone keyboards

the balding man
with black hair:
combed backward
and to differing angles
so that his head is split
vertically-
stands, above the room
his back turned

his words,
meant for the crowd
reverberate only
along classes fringe
but still take precedence
over nothing
even to them-
academics, outcasts


2
back of the room
reveals everything
to the observer
trying to see

blue-eyed brunette
glares vengefully
at no one,
just to glare

he looks up once
to watch
as another
pulls up
drooping jeans.
she laughs
at conversation
unmeant for,
and inaudible
to her


3
today, she smiles
and lets her lip fall
begging, like a puppy
But when they
lose eye contact,
she glares, again

he leaves footprints
on parallel desk
from lounging
then fires himself
to his feet
using stored energy,
and sugar from gum

words bounce along
the walls in the back,
and isolated eyes peer
towards the screen
but hide the fact
that they care


4
two week vacation
has left their minds
full of everything
except math,
so they listen
to him, while he speaks

but travel backward
in time, with
those closest them
while he creeps,
silent, around the room

she concentrates hard,
on her work
glaring at the page.
he sits a desk forward
feet on floor
neighboring desk full
today, but only physically

blue hat rests
on sketchbook,
its border
barely covering
closed eyes

blond head
implants itself
jokingly, into
smooth shining
white wall
with enough force
to collapse
accidental target

a hand raises
attracting gazes,
awestruck,
at her interest
in forgotten
material
of future tests


5
only a few eyes wander
from blue lined notebooks
though the left flank
still chatters, embodying
either a secretive chipmunk
or the breeze which starts the storm

storm clouds appear slowly
in sketchbook, blue hat bobbing
rhythmically in response to active pen

perched above the flock
reminiscent, split headed
papa bird scans the masks
of his shockingly silent chicks

random lecture breaks the silence.
Her eyes aren’t the only ones
Fixed into a steel laden glare
But the chipmunk wind ceases


6
his questioning glance lands
on uninhabited space,
exhibiting a yawn
which traverses through,
and twists, the faces of
those otherwise engaged

lecture ends with a question,
the scent of nuts blows through
mentally empty classroom
turning desks to predetermined
positions and swiftly inhabiting
three-quarters of the physical class

his steel glare has replaced hers
the latter’s eyes now soft as an infants

within five minutes, his voice
undergoes  a brutal, complete cycle
pleading, congratulating, yelling
and as always, lecturing


7
pre-test:

preparations for misery-
mundane chipmunk chattering,
jokes and laughs from random
oddities appearing everywhere

blue hat rests in intervals.
Blue coat rearranges
essay for another class

The girl in the sunny plaid
Rolls an orange along her hand

He points at nothing and asks
Nobody something without answer

The left flank, as always
Is turned away, conversing

A sigh rings outward loudly
Everyone glares, nervously,
Everywhere, reward of concentration


After my test:

First paper in, he scans lightly
Sets it down with a scowl
and yawns, twice, breaking the
silent shroud of heavy fog
which is hanging overhead

wandering free eyes witness
down-turned heads concentrating
as much on tests  as on moving
their hands wildly, excitedly
trying to communicate non-vocally

others have yet to detach themselves
from their seats and stride upward,
hopefully more triumphantly
than their sole predecessor

one shuffles now, slowly toward him
his hand shaking as he releases
that  paper, he turns away as it flutters
onto the desk- he replants himself in his

twelve others walk forward
smiling, shrinking, sometimes speaking
and always he glares, triumphant
knowing his success at our failure


later:

his near-sleeping form            
finds distraction, in waking
dreams, jumping back suddenly
breaking from his plank-like state
without speaking. excitement
for approaching weekend is
communicated in the left flank

two girls break the silence
running in from outside            
he glares at them, but laughs

everyone breaks into groups
after the conversation about
mysteriously nutty discarded sock

he runs to the forefront
forehead folded, finger on mouth
no-one notices, but still he glares

8
he smiles and glares at the floor
his legs swinging back and forth            
tan slacks rustling softly

exaggerated scores bubble in ears            
as they search for their destroyer

in front of forgotten faces falls
the page of a forgotten tome

several yawn, hoping, understandably
that their stretched lips
will pull themselves far enough
to barricade ears from his droning

he kills himself, twice, bumbling
into half-thought chastisements
of the  flittingly flirtatious students
intermingling hoping behind him
causing waves of whispers, laughter
and slightly strengthened chatter

he re-aligns his thoughts quickly
and rambles on again, always

9
he speaks to her softly
from across a sea of desks
she looks up, panicking calmly
distracted from distraction

in silence, blank eyes turn
surprised at the non-withering
state of her barely living corpse

he asks a question, looking up
a single answer is given
unemotional and short, buy ending
heavy hanging awkward silence

how talented the teacher
who gives his lecture while
still addressing unrelated
student self lectures

the still silence given
in his questioning lull
hangs so loudly the whispers
traversing the classroom appear
silent as finger wiggle
and pencils trace zeros

his extrication, caused by
distractingly thunderous voice
is met with a comment
causing a wave of laughter
starting at his mouth
and extending to inhabit everything

10
half the time gives
twice the attention
as they concentrate
on keeping him on
the undying topic
of the work we
have already done

they admit defeat
as dusty tome opens
spreading a nutty cloud
causing heads to turn
and words to leap.

from opens lips,
mischievous gremlins
sprout, dancing on
tables and chuckling
away from the sigh
of his down-turned, split
shining, globular mind

he scratches pink ear
with bone pale finger
reading unrelated words

in the center of the room
both mentally and physically
he sits, momentarily quiet
as dark eyes glare past
rumpled pink nose,
concentrating

blue hat rests on open palms
above dust covered open page
he slips into sleeping state
but picks himself up
and stares though thin borderline
toward shiny rambling forehead

a shutter cord flies forward
the hand at the end pulling hard
but with no affect to the shutters
neither lowering the physical
or raising the mental

the color of non-color pencils
interrupts the class momentarily
as she strides forward to compare
and then criticizes his care

he just sits, smiles and stares

11
eleven desks lie empty
of one form more than usual
amplifying the arm movements
of the ever ticking seconds

his obscured mouth flings seeds
which sprout into words
before even meeting the worn
blood-colored carpet below

in the main room, sixteen
sit silent, sketching, sleeping
or siphoning the last minute

12
those left awake, and alive
have come to understand
the numbers on the screen
this being their specialty
in a nutty shell, of course
splitting, as we are, large
crowds of numbers, and us
being teenagers, isn’t that
how we think, in numbers
and ratings of everything
and, sitting in the central
crowd are the talented
crowd-splitters
flattery-spitters

13
the silence of half absence
is pierced, as always by vocal
anomaly, centered around
rows of shining wood
bookrests, but only one
set of hollow, dark-rimmed
vacant eyeballs watches
well-welcomed interruption

he lets us work, standing.
Someone somewhere opens
A large container of nuts
Entire class starts stuffing
Handfuls into puffy cheeks
Absorbing sensations into
Eternally ravenous minds

The apocalyptic mix of noises
Is split again by central
Nutcracker, and those in corners
Glare, smiling, rubbing shadowed
Acne scarred faces
with raw-bitten nails

14
balding papa bird speaks loudly
transforming his voice, becoming
vocally legendary cartoon duck

the wave of resulting laughter
ends in un-given nut-break
spreading, without speech
the understanding that his
comedic digression will not
meet a quick extinction

we greet the weekend
by rising early
our excuse: competition
to devour the worm

15
three heads are downturned
peering into textbooks
as the tsunami breaks

the days end starts
and beady eyes peer
in the direction of his
moving head, colored
gothic gargoyle in the
dim cloudlight streaming
through dust coated
slit windows

the room transforms
becoming triumphantly,
grumpily, repeatedly
conversational

artificial silence
spreads like a wave
from right back corner
to left front corner
leaving behind
the half of the room
hidden behind the wall
of troublemakers
who will eventually
cause the wall to topple
with the sheer force
of assorted nuts

16
blue hat is scrunched
under the of a fist
pounding on his head,
result of the decibels
consumed, and produced
by the embodiment
of the thoughts around him
which fall from stuffed
cheeks. Bounce off tables
and spread a sickening aroma
as their shells split
exposing, revealing
nothing

17
red face glances upward
as harsh words split
the widening sea of snickers
his words stop, first time today
as whispers spread wildly
of his speed in delivering answers
seconds later, room is silent
as statement ends and lecturer
turns back to him, offering
as always, another wave
of deep felt, anger hardened
quietly whispered, criticisms

thunderous-rush-voice leads
out of habit and necessity
the minutes following
his behavioral digression
each word stabbing split-headed
pointy-nosed papa bird, their
form a walnut-wood spear
crafted from drifted thoughts
of those sitting nearest him

18
on his back lies a pile of nuts
professor’s earthquake
shoulder shaking causes
eyes to open, back to rise
and with a tremendous roar
both physical and meta-physical,
it topples to worn carpet
and the laugh-track plays on

19
silence- pierced into being
by shrill, violent, mountainous
rise, and fall, of thunderous decibels-
hangs, heavier, louder than
the quick gone loudness replaced
or, in all actuality, displaced
mere seconds before being scrawled
into eternal memory
of those whose noses
sniff, daily, nutty clusters
of letters, which exclude
always, the ever-present x
the destructive π
and that y, which of course
flies as high as forgetful
nut-bearers




©Brandon Webb
2012

"Go and talk to your son!". It seemed lately that every arrival at home, in the old section of Glasgow, began with "Go and talk to your son!". "Why?...what has he done this time"...answered Angus' dad. "What trouble did he get into now?". "None...so far as I can figure" answered Mary, mother of the aforementioned Angus.

"Then why am I going to talk to him?". " He's not selling autographs again is he".
"No dear, he's not...you should just go and have a wee chat with him...that's all."

"Alright, I will"...."will I need some hobnobs as ammunition, or should I be okay on me own?".
"You should be okay without them, but, then again, a wee plate of hobnobs never hurt anyone...least of all our Angus"

Dad, poured two glasses of cold milk, set six hobnobs on a plate and ventured up to himself's room. He knocked twice, just above the "No gurls alowd" sign that Angus had put up after last nights arguement with his Mum, over carrots. Angus refused to accept the arguement that carrots gave you better eyesight...while his Mum said they did. A snicker from Dad at Angus' response almost got him banished to the sofa for the night himself, with his own "No gurls alowd" sign going up in the living room. He remembered Angus standing up from his chair, and stating "If carrots give ye such good eyesight, how come so many rabbits get hit by cars at night?". Then he stormed off.

He knocked again, and Angus opened up the door. Angus was still in his blue school shirt and grey pants. "Can I come in?" asked his father. "I've brought milk...and hobnobs".
Angus stepped back and let his father enter the room. The walls were covered with posters, of cars, footballers, horses, bikes, cartoon characters....so much so, there was barely any space left for anything else.

"Yer mum said I should talk to you...son...do you know why?" "Nope"...said Angus..."do you?" "That's why I'm asking you lad....she told me to come see you...do you know why I'm here?"
Angus tilted his head and answered "because Mum told you too?".
It was clear they weren't getting anywhere with this, so Dad asked "How was school today?"

Angus was now in full time kindergarten at St. Martin's in The Fields Primary School in Glasgow. The school was old, dank, smelled of age and was one of the finest in all of Glasgow...for it's age. It was famous for having had two members of The Bay City Rollers as students, one for about three months and the other a little less. They never graduated from St. Martin's, but, it was something to hang their hat on.

"I got all my Christmas Cards taken away today Da." said Angus. "I was giving them out to everyone, and the teacher, Mr. McDonall came and took them away.".
"Why would he do that boy?"...."Where were you doing it?'
"I was outside before school started giving them out...." , Angus sniffed, "and he came over and grabbed them from me".
Dad, remembered Angus working away for the past two nights, printing everyone's name on the cards, as perfect as he could. It only took 43 cards to get the necessary 21 Angus needed for all of his young classmates.
"Why would he do that?"..."did he tell you why?". "No Dad" said Angus through the rapidly increasing flow of sniffles and snot that normally accompany a crying child.

"I didn't find out until I went to the office to see the Principal afterwards".
"You went to the office for handing out Christmas Cards?" . "That doesn't make any sense son, are you sure you weren't doing anything else?"
"I was just handing out cards Da, that's all", said Angus as he grabbed another hobnob, which he quickly stuffed under his pillow for later. He would get in trouble for that one, but, it would be worth it.

"The Principal said something about Christmas Cards that say Christmas on them, can't be given out at school anymore. They can only say Happy Holidays. If it doesn't say Christmas on it, how can it be a Christmas Card Dad?".

"I don't know boy"...."but I am **** sure gonna find out"....and "you'd better eat that hobnob under your pillow before Mum sees it"...smiled Dad.

The pair ventured downstairs for dinner, neither discussing what went on in the room where "No gurls were allowed". Dinner passed in silence, with Mum looking from one to the other to get some sort of reaction. Once, Angus started to talk, but it had nothing to do with what went on between Father and Son, so she continued eating. She would find out later after Angus went to bed.

After dinner, Angus went to the park with his friends for an hour to play football, and tag, and swing on the swings for a while. Mum, took this chance to corner Dad...and corner him she did...."What went on up there? What did you two talk about?" "He won't say anything to me...what did he do?"
"Nothing....he did nothing wrong at all, so as I see it....Angus didn't do anything wrong".
He kind of smiled at that, because normally after being told "Go talk to your son...", Angus had always done something wrong...this time...it was The Principal.

"Tomorrow, I'm staying home in the morning and taking himself to school....I'm going to see The Principal". "What for?...if he didn't do anything wrong, why are you going to see the Principal?".
"Well, what time of the year is it?".....asked Dad. "It's Christmas silly, you know that...why?"
"Well, apparently it isn't Christmas at St. Martin's in The Fields...at least not as far as himself's teacher and new Principal are concerned. It's now Holiday time....not Christmas Time, Holiday Time. Our wee Angus got in trouble for handing out Christmas cards at Christmas. Does that make any sense?"...said Dad.

The next morning at breakfast, Angus looked up and asked "Dad, shouldn't you be going to work? you'll miss your train.". "I'm taking you to school and going to see your Principal, son". "Why?" asked Angus. "Let's just say I'm going to give him a Christmas Card....have you seen my bible?".
"It's on the sideboard...but, why do you need that Da?"...asked the boy.
"Let's just say...to make a point.".

Mum smiled as the two men, both wee and tall, walked together hand in hand down the drive towards the school. Upon arrival, Angus went off with his friends, while Dad, went into the old, intimidating looking institution. He could smell the old wood soap and mustiness as he waled down the hall, past the class pictures and the old trophies that get hauled out and cleaned every year for games day, only to be put back again after the awards presentations.

Upon arriving at the office, he announced "I'm here to see The Principal.....where is he?".
A pair of beady, spectacled eyes looked up from behind the front desk...and in a thin, reedy, voice asked..."And who might you be, sir...to come in without an appointment?".
"Ah'm flippin' Father Christmas, that's who I am....I am Angus' Mc Dougalls dad, and I am here to see the ****** Principal. Now where is he?"
"Without and appointment.." she started, quickly stopping when Dad, walked past the desk to the door marked M. Dingwall, Principal on it.

"You can't go in there"...screeched the reedy voice..."not without an.." "I know..." said Dad..."not without an appointment.....well, I've got mine right here, and right now..." he said, waving his bible in needle noses face. He continued in to M. Dingwall, Principal's office....and sat down.

M. Dingwall, Principal...looked up from the papers on his desk, which incidentally had 5, yes...5 Christmas Cards on it, and asked Dad..."and who are you to come into my office..."...."without and appointment"...finished Dad. " As I told your chihuahua out front, all bark and no bite by the way, I am frigging Father Christmas, who I see on 3 of the 5 cards you have on your desk. That's who I am, Father Christmas !!!"

"Well, Mr. Christmas, what can we do for you? " asked a clearly shaken M. Dingwall, Principal. "I'll tell you what you can do for me....you can apologize to my son, for a start. My wee lad Angus, came here yesterday morning and was sent to see you for handing out Christmas Cards, at Christmas. What am I missing here?".

"I remember that....yes, he was disciplined and told no more Christmas Cards, it's against the policy of the school board...it's a religious holiday, and we are not allowed, with all of the various religious groups represented within our walls to favour one over another. So, no more Christmas Cards in this school. That is the policy.", said M. Dingwall, Principal.

"That's nice...then what are those 5 cards on your desk....the ones that happen to have Christmas on them and Father Christmas and a nativity scene, which if I know the book I am holding here, is a religious representation, and the reason we have Christmas in the first place. "...asked Dad.

"Those are private, they were given to me by staff" said M. Dingwall, Principal. "I don't care if they came from Jesus Christ himself " yelled Dad, crossing himself in the process, "They don't fit in with the policy you gave my son a reprimand for yesterday."  He looked about the office, and saw a small, four foot tall tree in the corner as well. "Is that a Christmas tree or a holiday tree sir?, which is it?"

M. Dingwall looked up and said, "It's a Christmas Tree, of course, haven't you ever seen a..." and he stopped. He looked at the tree, and the cards, The eyeglasses out front went back to whatever it was she was doing before Father Christmas arrived. "I see....". "You see what sir,?" asked Angus' dad, looking at the tree, and the cards and ignoring the eyeglasses with the reedy voice out front.

"I see your point....It's Christmas, not holdaymas, or xmas....it's Christmas, and I followed policy that I myself am not following myself. I will change that right now....imagine, it took a visit from Father Christmas to get me to see the light..." laughed M. Dingwall, Principal.

"My boy Angus, will be in class, expecting to be told that he can give out his cards to the rest of his friends as he was yesterday...am I understood M. Dingwall, Princinpal?" asked Dad.

"Yes sir, the mark will be stricken from the record and his cards will be returned....I appreciate you coming in to clear up this little misunderstanding...even if you didn't ..." "I know...have an appointment.". M Dingwall stood to shake Dad's hand as he left, and as Dad reached the door, he said "Merry Christmas". Dad thought a bit, smiled at what he had just accomplished and said to M. Dingwall, Principal...."and yes...It is A MERRY CHRISTMAS".