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Sam Conrad Dec 2013
So I've got this story...
And it goes a little something like this-

There's a girl that I hurt really bad on way too many occasions that I love more than anything. Pretty much everything I write on here is about her. She became the love of my life, and I told myself she was the one I wanted to spend my life with. Except I was a ****. She was going somewhere to an event that lasted 2 weeks and was really important to her and let's just say I ****** it all up really really bad. She made a lot of friends there and it was a great experience for her, kind of like camp is for some people, how boy/girl scouts are for some people, and she learned a lot there, and had lots of fun too. I was so horrible to do what I did.

At least we're young though, and there's still time to grow...right? I'm only 18, she's almost 18, and we both have lives to live ahead of us. I feel like I need her though. She treated me perfectly in our relationship. I mean, looking back, there's nothing I can fault her for, at all. I just got ****** at stupid crap that doesn't even matter.

Except, she's into somebody else now and probably thinks I'm no good for her. She doesn't talk to me anymore. Anyway, I'm rambling, I haven't gone to bed, I took a bunch of pills, am getting sick, and it's 7 AM...so here goes. This story is somewhat censored, though.

_________________­___________
"The Worst Weeks of Our Lives"

I met this girl and she became the love of my life. She took me places I'd never gone before and her and I fell in love like some people wouldn't believe. Ask my friends. Ask her friends. No, her friends probably wouldn't admit to it anymore. But I choose to remember the things they said. Kids were like totally rooting for us all day every day. We were so perfect. It was great.

So with a few mistakes here and there, (mostly me...all me, really) we realized we weren't perfect. But it didn't hamper out love. Nobody is perfect, right? We realized that. Overcame.

But then, we went too far. Her parents drew lines we weren't supposed to cross. Oopsies. Her mom really put me in my place. I'll just leave it at that. Asked me when my 18th birthday was, so she could mark her calendar as the "day she could touch me". Told me I was a liar. Husband in the background drunk and screaming, as usual. Except screaming "that ***** ain't sorry. He ain't ******* sorry, ******* ******* marking up my ******* daughter I can show him how to be ******* sorry"

Lots more. I'll go crazy if I speak the rest. It was a hickey on her neck. We didn't do much more.

I got really scared. I mean, they were brutal. I wasn't used to that kind of brutal. Psychotic levels of brutal. All of the sudden I became numb. I stopped being so intimate with my girlfriend. They told me not to come around their house anymore. I started doubting myself. If I was any good for her. She cried and cried. Told me how sorry she was. For getting us in trouble, and for what her parents did. But it wasn't her fault. After all, I am the vampire that bit her neck.

After a few weeks, her parents dropped it completely. I didn't though. I was so traumatized. I'd been getting flashbacks. Nightmares. So scared, I was. I kept avoiding her, not only her parents. I mean, I didn't have a car anyways, so the only place I could go to see her was at her house. She reassured me I was allowed. But with no contact with her parents since the phone call that changed my life I was reluctant.

This was around 2 months before she was going to go to a 2 week event. A special event to her. One I'd even wished I'd gotten involved in. Really, I did wish. I just missed the application deadline. Throughout the next two months, we grew more and more distant. I was harsh on her. I hurt her. I'd get mad at her and then call her and talk to her until 3 in the morning. I made her hate herself, and then she felt bad about me feeling sorry too. "You always force yourself to be nice to me just so I feel better, but I'm ****, I'm trash, I'm nothing, I'm so sorry" she would say. Most of the time, she didn't even do anything wrong. One of my best friends died at the same time her parents killed me inside, I spent all my days sleeping and crying and when I wasn't doing that, I was getting angry at her (and quickly regretting it), manufacturing conflicts that were completely unnecessary. Not to mention I'd had health issues, and my parents kicked me out of my house a few months beforehand.

In the time before she left to her special event, I really tore her up. I said the dumbest things I've ever said to someone in my life. I'd never even said such dumb things to even an object, or myself. Why I would say them to a girl who saved me from suicide (I was very unstable and depressed when coming out of a bad relationship, and getting kicked out of home) and why I said it all to someone I wanted to spend my life with I'll never know.

The dumbest things I'll ever say to anything that breathes in my lifetime. I told her one night that the "only reason I was still with her was because if I left she'd hurt herself" (she had a history of self harm, even though she's the sweetest girl I've ever met) and another night I told her "If only she were going somewhere important I'd understand" and lots of other insensitive and selfish things that I can't even believe came out of my mouth. I mean, the whole basis of it was that her and I hadn't spent much time together (really because of my own selfish fears) and I was going all *** on her testosterone-fueled-rage style for days over and over and over.

Don't I sound like a horrible person? I was. I was horrible to her. As much as I hate to say it, I'll probably make similar mistakes again someday - It's like relapsing - but I'll make every effort I can to learn from my horrible past and never be that person again.

So when she went to the event, I was with my grandparents out of state and I downloaded my favorite sad playlist (Staind, great band) to listen to on the trip.

Yes, seriously. I told her that stuff and called her event unimportant and then I went away too. How stupid I was for what I said. I should have been slapped or something.

A day or two after I'd left, I realized how stupid it was of me. For the whole thing. That whole time. That whole span, those two months where I not only neglected her, but emotionally ****** her.

There's a song called "Tangled Up In You" that has the most wonderful and intimate lyrics and I listened to it and sung to it over and over and over late into the morning (I'm talking 3-4 in the morning) every night for like 10 days and along with a song called "Right Here" by the same band. I cried myself to sleep so extremely ashamed of what I'd just done to her.

I knew I was wrong, but what I didn't know was that she was crying her eyes out wrapped up in (someone else)'s arms at that event...
I didn't know she was getting all kinds of love and support.
I had no idea...not that it was bad, it was good because she needed it.

But it got her to thinking about me, what kind of person I was.
When we both got back, I started making more of an effort to spend time with her and go out of my way to talk to her, make her happy, and basically, stop being such a ****.
Except she just got confused and conflicted because she was numb and falling out of love, because I was nothing that anyone should love, to her, over that prior time.

Her mom broke us up about a month later, after some...you know what, I'll just leave that bit out...
I told you how the first phone call went. The phone calls I got from her and her husband in the end were just so much worse. I don't even want to think about them. I went into convulsions and kept dropping the phone.

I went back to these two songs to help keep my sanity and I belted out "Tangled Up In You" every day in my car... so loud I was losing my voice.

I'd had some communication with her, surprised her at her work one night, bought her flowers, wrote her my true feelings on some napkins, showed up when she got out of school one day, when she was deathly afraid, and surprised her with a smile and drew a heart on her hand...

Her and I were on the same page. She still loved me. She was just hurt. I still loved her. I was just trying to make up for the compromised mental state I spent so much time in. I had compromised hers too. I needed to get her out of it. She told me she would wait for me. That we were in a speed bump, that it would all be okay.

So some weeks passed, a month, and she still had my back. As strong as ever. Her parents found out I bought the flowers. They found out I'd been talking to her. But...

Knowing she still had my back, that she still loved me, and that she would wait for me...she called what her mom did (in breaking us up, in our break) a "speed bump"...I was okay with it. I mean, I really wanted to be a part of her life, but man, her parents HATED ME! (In retrospect, probably with good reason. Shame on me for the things I did to her. Really.)

We had some major issues (mostly due to my inability to shut my stupid mouth) and I decided that maybe some time to ourselves to focus on ourselves and think was a good thing. She could focus on loving herself again and I could focus on becoming a better person.

I mean, when her parents found out her and I were still talking to each other after they broke us up, they blocked my number on her phone, went to my church and made up extra stories to my pastor, (told him I'd came and banged on their door at one in the morning one night), when I called to apologize to them they didn't pick up, called me back later to cuss me out and hang up on me, logged into their daughters facebook account and blocked me, then told their daughter that I had called them when she was sleeping and cussed them both out, and that she was to have nothing to do with me again. They threatened legal action against me, too. Tried to make my life hell. They didn't want me around their daughter, ever again. A blind rage that went on for a very long time until every communication route was blocked.

She went to school and told her friends the false stories her parents told her, and her friends already didn't like me...I mean just look at what I had done before...it wasn't good. Not for me, anyway. Also her. She felt duped. Used. By her parents. She didn't know who to trust or what was real. Everyone was telling her how horrible I was.

I got a chance to talk to her one day. We talked for hours, face to face. Sat in the cold and talked. It was an amazing talk. We caught each other up completely on our lives. We talked about our love. Our past. Our emotions. All of them. Good and bad. But we told each other we'd always love each other. She stuck by me, and also reassured me that she always would. I left that conversation feeling so secure. The most I'd felt since way before I'd become a total **** to her. When her and I were so deep in love.

She's always wanted to go far away from college. She told me stories of her past and what her parents did to her, what she did to herself that were not good. Not good at all. She wanted to get away from her parents.

Meanwhile I was so caught up in the feelings she gave me when I was in her arms, I almost couldn't handle the fact that she wanted to leave. I pleaded for her to stay, in a time that her and I were both unstable and it was already taboo that we were even on the same property. But still, she said "she wanted to stay" because her and I work so well together...when we work together, that is, and I and her were both determined to work together. I told her I would do anything for her. In all of it though, I told her that the decision was in her hands and I would still love her the same if she left, and that I would wait for her. Because I loved her more than anything.

After that talk, things got quiet. I guess, too quiet. I was legally bound to stay away from her. I talked to someone she worked with and asked them to tell her hello for me. I thought though, we were on good terms following the talk, I thought she'd be elated to hear from me.

She never responded.

One day, a couple weeks later, she told me I really needed to get over her. That she didn't love me like that anymore. She told me she'd been falling out of love since the summer, and she'd gone crazy and needed space. She said she wanted to be friends, but no relationship. No relationship anymore. She said she couldn't handle it. She said she couldn't handle a relationship in general.

She made that message a bit accusatory. I'd been talking to two friends, one who I'd known for years and a new one I'd just made. Both overlapping friends with hers. Those two helped keep me sane.

She started that message with "I heard you've been messaging my friends, and to be honest, I haven't had the heart to message you back." She repeated multiple times that I needed to get over her. She told me that it wasn't anyone else's influence too. She even listed people. People who'd separated us. Hurt me. Hurt her, in a way, but encouraged her in others.

At the same time, she blocked me on facebook again. She had unblocked me when she found out her parents did it for her. Odd though...I thought she wanted to be friends. I mean, it was like the only way I was able to have her in my life at all. To read her facebook posts and her read mine. To have discussions with friends. We have a lot of overlapping friends.

Man, she killed me. One second I thought she was my soul mate and the next I was in the bathroom puking my guts out because she was telling me we'd never be together again.


So fast forward to today...I still love her. And she's basically in a relationship with someone else. She's also either on the fence about her sexuality, or decided she doesn't like boys anymore. I feel bad about that too. Its like I ruined male relationships for her. It's only been a few weeks since she told me I needed to get over her. She doesn't talk to me anymore. I go to high school events even though I graduated last year just to see her. When I don't approach her, she ignores me. I'm just another person in the room. When I do approach her, she has such a scared look on her face. She doesn't want to talk to me, but she can't be mean to me. She's falling in love with someone else and she's getting happier. She doesn't need me showing up everywhere just to depress her.

Yet I keep bothering her. Because I'm a sucker for her. I can't help it. I love her. I want her to be my future. But at this point I'm grasping at straws. So hard. I shouldn't be trying anymore. But I'll end up trying until the day I die. And only then will I stop believing in her and I. I know it's a pipe dream. But I'll hold onto it. Because it's the only thing I have left of myself now.

Last night, (I mean, right before I wrote this around 5 AM, it is now 8 AM) I played those two songs again. I forgot they were at the end of my playlist and I started shivering and crying my eyes out. I got chills. I got so cold. The tears just ran. They ran down my face faster than I've cried in a long, long time.

I'm only okay right now because I took a bunch of pills. Pills that have this kind of effect on me. They make me kind of numb. Kind of happy. Upper and downer both.

That's pretty much, my sad ending to a sad story.
I'm living the kind of life that only people like Shane Koyczan know how to explain to people.

Ironically, she loves Shane Koyczan.
I do too.
We grew up in broken homes and lived broken lives until we found each other.
Then we broke each other.

But she's falling for someone else, because I wasn't what I should have been to her, and she knows
But she doesn't believe in me anymore, the way I believe in her...because I wasn't what I should have been to her, and she can't hold onto me when I'm a 50/50 chance, of bringing her down again.
If only she would let me hug her again, kiss her one more time...I could die happy, knowing I poured all my heart and soul out into that last kiss.
But I'm a gamble. And she can't put her heart out on the line for someone who wasn't always good to her. She used to call me her "sweet boy" and she still tells me I'll always be her "sweet boy", but the fact of the matter is, it doesn't cut it to only be sweet s
I needed to write this. I've been going crazy. I told her I needed to talk to her but she's been avoiding me. If she reads this, I know its hard for her. There are more explanations I need to give her, I hope she will let me speak to her someday. I've found out a lot about myself in just the last few weeks. Stuff I don't talk about in this story. To you, my dear...if you read this, I'm sorry. I know it's tough. Its very tough. But look at the positive, dear. I'll keep living. Maybe I'll be okay someday. Your happiness is what matters to me. If you're happy, I'll keep myself going. I'm going to go to sleep now. Finally, I have some peace.
John Clare  Jul 2009
May
May
Come queen of months in company
Wi all thy merry minstrelsy
The restless cuckoo absent long
And twittering swallows chimney song
And hedge row crickets notes that run
From every bank that fronts the sun
And swathy bees about the grass
That stops wi every bloom they pass
And every minute every hour
Keep teazing weeds that wear a flower
And toil and childhoods humming joys
For there is music in the noise
The village childern mad for sport
In school times leisure ever short
That crick and catch the bouncing ball
And run along the church yard wall
Capt wi rude figured slabs whose claims
In times bad memory hath no names
Oft racing round the nookey church
Or calling ecchos in the porch
And jilting oer the weather ****
Viewing wi jealous eyes the clock
Oft leaping grave stones leaning hights
Uncheckt wi mellancholy sights
The green grass swelld in many a heap
Where kin and friends and parents sleep
Unthinking in their jovial cry
That time shall come when they shall lye
As lowly and as still as they
While other boys above them play
Heedless as they do now to know
The unconcious dust that lies below
The shepherd goes wi happy stride
Wi moms long shadow by his side
Down the dryd lanes neath blooming may
That once was over shoes in clay
While martins twitter neath his eves
Which he at early morning leaves
The driving boy beside his team
Will oer the may month beauty dream
And **** his hat and turn his eye
On flower and tree and deepning skye
And oft bursts loud in fits of song
And whistles as he reels along
Cracking his whip in starts of joy
A happy ***** driving boy
The youth who leaves his corner stool
Betimes for neighbouring village school
While as a mark to urge him right
The church spires all the way in sight
Wi cheerings from his parents given
Starts neath the joyous smiles of heaven
And sawns wi many an idle stand
Wi bookbag swinging in his hand
And gazes as he passes bye
On every thing that meets his eye
Young lambs seem tempting him to play
Dancing and bleating in his way
Wi trembling tails and pointed ears
They follow him and loose their fears
He smiles upon their sunny faces
And feign woud join their happy races
The birds that sing on bush and tree
Seem chirping for his company
And all in fancys idle whim
Seem keeping holiday but him
He lolls upon each resting stile
To see the fields so sweetly smile
To see the wheat grow green and long
And list the weeders toiling song
Or short note of the changing thrush
Above him in the white thorn bush
That oer the leaning stile bends low
Loaded wi mockery of snow
Mozzld wi many a lushing thread
Of crab tree blossoms delicate red
He often bends wi many a wish
Oer the brig rail to view the fish
Go sturting by in sunny gleams
And chucks in the eye dazzld streams
Crumbs from his pocket oft to watch
The swarming struttle come to catch
Them where they to the bottom sile
Sighing in fancys joy the while
Hes cautiond not to stand so nigh
By rosey milkmaid tripping bye
Where he admires wi fond delight
And longs to be there mute till night
He often ventures thro the day
At truant now and then to play
Rambling about the field and plain
Seeking larks nests in the grain
And picking flowers and boughs of may
To hurd awhile and throw away
Lurking neath bushes from the sight
Of tell tale eyes till schools noon night
Listing each hour for church clocks hum
To know the hour to wander home
That parents may not think him long
Nor dream of his rude doing wrong
Dreading thro the night wi dreaming pain
To meet his masters wand again
Each hedge is loaded thick wi green
And where the hedger late hath been
Tender shoots begin to grow
From the mossy stumps below
While sheep and cow that teaze the grain
will nip them to the root again
They lay their bill and mittens bye
And on to other labours hie
While wood men still on spring intrudes
And thins the shadow solitudes
Wi sharpend axes felling down
The oak trees budding into brown
Where as they crash upon the ground
A crowd of labourers gather round
And mix among the shadows dark
To rip the crackling staining bark
From off the tree and lay when done
The rolls in lares to meet the sun
Depriving yearly where they come
The green wood pecker of its home
That early in the spring began
Far from the sight of troubling man
And bord their round holes in each tree
In fancys sweet security
Till startld wi the woodmans noise
It wakes from all its dreaming joys
The blue bells too that thickly bloom
Where man was never feared to come
And smell smocks that from view retires
**** rustling leaves and bowing briars
And stooping lilys of the valley
That comes wi shades and dews to dally
White beady drops on slender threads
Wi broad hood leaves above their heads
Like white robd maids in summer hours
Neath umberellas shunning showers
These neath the barkmens crushing treads
Oft perish in their blooming beds
Thus stript of boughs and bark in white
Their trunks shine in the mellow light
Beneath the green surviving trees
That wave above them in the breeze
And waking whispers slowly bends
As if they mournd their fallen friends
Each morning now the weeders meet
To cut the thistle from the wheat
And ruin in the sunny hours
Full many wild weeds of their flowers
Corn poppys that in crimson dwell
Calld ‘head achs’ from their sickly smell
And carlock yellow as the sun
That oer the may fields thickly run
And ‘iron ****’ content to share
The meanest spot that spring can spare
Een roads where danger hourly comes
Is not wi out its purple blooms
And leaves wi points like thistles round
Thickset that have no strength to wound
That shrink to childhoods eager hold
Like hair—and with its eye of gold
And scarlet starry points of flowers
Pimpernel dreading nights and showers
Oft calld ‘the shepherds weather glass’
That sleep till suns have dyd the grass
Then wakes and spreads its creeping bloom
Till clouds or threatning shadows come
Then close it shuts to sleep again
Which weeders see and talk of rain
And boys that mark them shut so soon
will call them ‘John go bed at noon
And fumitory too a name
That superstition holds to fame
Whose red and purple mottled flowers
Are cropt by maids in weeding hours
To boil in water milk and way1
For washes on an holiday
To make their beauty fair and sleak
And scour the tan from summers cheek
And simple small forget me not
Eyd wi a pinshead yellow spot
I’th’ middle of its tender blue
That gains from poets notice due
These flowers the toil by crowds destroys
And robs them of their lowly joys
That met the may wi hopes as sweet
As those her suns in gardens meet
And oft the dame will feel inclind
As childhoods memory comes to mind
To turn her hook away and spare
The blooms it lovd to gather there
My wild field catalogue of flowers
Grows in my ryhmes as thick as showers
Tedious and long as they may be
To some, they never weary me
The wood and mead and field of grain
I coud hunt oer and oer again
And talk to every blossom wild
Fond as a parent to a child
And cull them in my childish joy
By swarms and swarms and never cloy
When their lank shades oer morning pearls
Shrink from their lengths to little girls
And like the clock hand pointing one
Is turnd and tells the morning gone
They leave their toils for dinners hour
Beneath some hedges bramble bower
And season sweet their savory meals
Wi joke and tale and merry peals
Of ancient tunes from happy tongues
While linnets join their fitful songs
Perchd oer their heads in frolic play
Among the tufts of motling may
The young girls whisper things of love
And from the old dames hearing move
Oft making ‘love knotts’ in the shade
Of blue green oat or wheaten blade
And trying simple charms and spells
That rural superstition tells
They pull the little blossom threads
From out the knapweeds button heads
And put the husk wi many a smile
In their white bosoms for awhile
Who if they guess aright the swain
That loves sweet fancys trys to gain
Tis said that ere its lain an hour
Twill blossom wi a second flower
And from her white ******* hankerchief
Bloom as they ne’er had lost a leaf
When signs appear that token wet
As they are neath the bushes met
The girls are glad wi hopes of play
And harping of the holiday
A hugh blue bird will often swim
Along the wheat when skys grow dim
Wi clouds—slow as the gales of spring
In motion wi dark shadowd wing
Beneath the coming storm it sails
And lonly chirps the wheat hid quails
That came to live wi spring again
And start when summer browns the grain
They start the young girls joys afloat
Wi ‘wet my foot’ its yearly note
So fancy doth the sound explain
And proves it oft a sign of rain
About the moor ‘**** sheep and cow
The boy or old man wanders now
Hunting all day wi hopful pace
Each thick sown rushy thistly place
For plover eggs while oer them flye
The fearful birds wi teazing cry
Trying to lead their steps astray
And coying him another way
And be the weather chill or warm
Wi brown hats truckd beneath his arm
Holding each prize their search has won
They plod bare headed to the sun
Now dames oft bustle from their wheels
Wi childern scampering at their heels
To watch the bees that hang and swive
In clumps about each thronging hive
And flit and thicken in the light
While the old dame enjoys the sight
And raps the while their warming pans
A spell that superstition plans
To coax them in the garden bounds
As if they lovd the tinkling sounds
And oft one hears the dinning noise
Which dames believe each swarm decoys
Around each village day by day
Mingling in the warmth of may
Sweet scented herbs her skill contrives
To rub the bramble platted hives
Fennels thread leaves and crimpld balm
To scent the new house of the swarm
The thresher dull as winter days
And lost to all that spring displays
Still mid his barn dust forcd to stand
Swings his frail round wi weary hand
While oer his head shades thickly creep
And hides the blinking owl asleep
And bats in cobweb corners bred
Sharing till night their murky bed
The sunshine trickles on the floor
Thro every crevice of the door
And makes his barn where shadows dwell
As irksome as a prisoners cell
And as he seeks his daily meal
As schoolboys from their tasks will steal
ile often stands in fond delay
To see the daisy in his way
And wild weeds flowering on the wall
That will his childish sports recall
Of all the joys that came wi spring
The twirling top the marble ring
The gingling halfpence hussld up
At pitch and toss the eager stoop
To pick up heads, the smuggeld plays
Neath hovels upon sabbath days
When parson he is safe from view
And clerk sings amen in his pew
The sitting down when school was oer
Upon the threshold by his door
Picking from mallows sport to please
Each crumpld seed he calld a cheese
And hunting from the stackyard sod
The stinking hen banes belted pod
By youths vain fancys sweetly fed
Christning them his loaves of bread
He sees while rocking down the street
Wi weary hands and crimpling feet
Young childern at the self same games
And hears the self same simple names
Still floating on each happy tongue
Touchd wi the simple scene so strong
Tears almost start and many a sigh
Regrets the happiness gone bye
And in sweet natures holiday
His heart is sad while all is gay
How lovly now are lanes and balks
For toils and lovers sunday walks
The daisey and the buttercup
For which the laughing childern stoop
A hundred times throughout the day
In their rude ramping summer play
So thickly now the pasture crowds
In gold and silver sheeted clouds
As if the drops in april showers
Had woo’d the sun and swoond to flowers
The brook resumes its summer dresses
Purling neath grass and water cresses
And mint and flag leaf swording high
Their blooms to the unheeding eye
And taper bowbent hanging rushes
And horse tail childerns bottle brushes
And summer tracks about its brink
Is fresh again where cattle drink
And on its sunny bank the swain
Stretches his idle length again
Soon as the sun forgets the day
The moon looks down on the lovly may
And the little star his friend and guide
Travelling together side by side
And the seven stars and charleses wain
Hangs smiling oer green woods agen
The heaven rekindles all alive
Wi light the may bees round the hive
Swarm not so thick in mornings eye
As stars do in the evening skye
All all are nestling in their joys
The flowers and birds and pasture boys
The firetail, long a stranger, comes
To his last summer haunts and homes
To hollow tree and crevisd wall
And in the grass the rails odd call
That featherd spirit stops the swain
To listen to his note again
And school boy still in vain retraces
The secrets of his hiding places
In the black thorns crowded copse
Thro its varied turns and stops
The nightingale its ditty weaves
Hid in a multitude of leaves
The boy stops short to hear the strain
And ’sweet jug jug’ he mocks again
The yellow hammer builds its nest
By banks where sun beams earliest rest
That drys the dews from off the grass
Shading it from all that pass
Save the rude boy wi ferret gaze
That hunts thro evry secret maze
He finds its pencild eggs agen
All streakd wi lines as if a pen
By natures freakish hand was took
To scrawl them over like a book
And from these many mozzling marks
The school boy names them ‘writing larks’
*** barrels twit on bush and tree
Scarse bigger then a bumble bee
And in a white thorns leafy rest
It builds its curious pudding-nest
Wi hole beside as if a mouse
Had built the little barrel house
Toiling full many a lining feather
And bits of grey tree moss together
Amid the noisey rooky park
Beneath the firdales branches dark
The little golden crested wren
Hangs up his glowing nest agen
And sticks it to the furry leaves
As martins theirs beneath the eaves
The old hens leave the roost betimes
And oer the garden pailing climbs
To scrat the gardens fresh turnd soil
And if unwatchd his crops to spoil
Oft cackling from the prison yard
To peck about the houseclose sward
Catching at butterflys and things
Ere they have time to try their wings
The cattle feels the breath of may
And kick and toss their heads in play
The *** beneath his bags of sand
Oft jerks the string from leaders hand
And on the road will eager stoop
To pick the sprouting thistle up
Oft answering on his weary way
Some distant neighbours sobbing bray
Dining the ears of driving boy
As if he felt a fit of joy
Wi in its pinfold circle left
Of all its company bereft
Starvd stock no longer noising round
Lone in the nooks of foddering ground
Each skeleton of lingering stack
By winters tempests beaten black
Nodds upon props or bolt upright
Stands swarthy in the summer light
And oer the green grass seems to lower
Like stump of old time wasted tower
All that in winter lookd for hay
Spread from their batterd haunts away
To pick the grass or lye at lare
Beneath the mild hedge shadows there
Sweet month that gives a welcome call
To toil and nature and to all
Yet one day mid thy many joys
Is dead to all its sport and noise
Old may day where’s thy glorys gone
All fled and left thee every one
Thou comst to thy old haunts and homes
Unnoticd as a stranger comes
No flowers are pluckt to hail the now
Nor cotter seeks a single bough
The maids no more on thy sweet morn
Awake their thresholds to adorn
Wi dewey flowers—May locks new come
And princifeathers cluttering bloom
And blue bells from the woodland moss
And cowslip cucking ***** to toss
Above the garlands swinging hight
Hang in the soft eves sober light
These maid and child did yearly pull
By many a folded apron full
But all is past the merry song
Of maidens hurrying along
To crown at eve the earliest cow
Is gone and dead and silent now
The laugh raisd at the mocking thorn
Tyd to the cows tail last that morn
The kerchief at arms length displayd
Held up by pairs of swain and maid
While others bolted underneath
Bawling loud wi panting breath
‘Duck under water’ as they ran
Alls ended as they ne’er began
While the new thing that took thy place
Wears faded smiles upon its face
And where enclosure has its birth
It spreads a mildew oer her mirth
The herd no longer one by one
Goes plodding on her morning way
And garlands lost and sports nigh gone
Leaves her like thee a common day
Yet summer smiles upon thee still
Wi natures sweet unalterd will
And at thy births unworshipd hours
Fills her green lap wi swarms of flowers
To crown thee still as thou hast been
Of spring and summer months the queen
Styles 12 Aug 2018


secrets at dusk
tasted vigorous as
Coltrane blues

in a smokey nightclub
under mysterious saxophone seas

this style is not my own
but it helps me swim better

I decided to adopt it
curious why it tugs ruthless
on spit fire sleeves

deliciously drowning me free.




forest moons at night

help you drop it all
bags of unwanted programs
flung from broken chimneys

violet threads pass perfect
through kitchen chipped glass

moth wings burning summer up
like her eyelash fluttering innocently on some other guy's cheek

shattering divisions snag
on moonlight betrayal dance

enormous sea hooks chop in
helpless lips seduced
mad quicksilver rush

reserve this room for my only friend

we have private letters to write
on a future night when
god dreams come true.

This is for you.





My only friend.


What weighs heavy is certain light
how it pierces
through troubled waters.

A million traces of faces
lit up in every beam.

One night I felt it bleed through me
using rivers of sun-fire screams.

Volcanic poetry spoke without a sound.

Jim Morrison breaking through doors
under spells of hypnotic waves
wild vibrant shimmering
on multi-colored sheets.

This style is not my own
but it helped me lava streak
across bitter shores.




Now,

my voice strays away.

Gone hunting

a broken well voice
picked up by an old cracked bucket
leaking simple worded wishes

deciding to voluntarily borrow her
stolen forest eyes.

I heard them speak translucent leaf
on a summer day
when clairvoyant kids
heard God speak

on pathways of brilliant blue lake

when sunshine
whispered us
in scintillating ripples

right before our astounded,
washed feet.




I am dripping funeral summer sweat
under tombstone studded trees

smiling while choking in
liquid clouded dark.

Alone but not alone.

Mighty Ghosts of heaven
holding my head up

making sure the Nile
doesn't gush out while
I still cannot even write or speak

turn my notebooks into confetti
nothing describes this mysterious sea

a new species of saxophone waves
has belted its killer wonderland
sound out across an entire broken stage.


*

I can picture us
walking barefoot
on star contacted sand

gazing out
under champion chandelier wonders

walking on Texas Lightning storm colors
bellies full on Rumi soul food

our secret flames
burning up
plastic playgrounds

violating propriety
on some nuclear guarded beach

schools of fish cut
by saxophone hooked seas

blasted by vaults of unwrapped poems
someone else wrote perfect
in our dreams

we hope one day
the unpredictable silence
of simple worded wishes

will help us

extravagantly bloom
new spring leaves
rain stamped on tender delicious works

after winter is done
savagely wishing us dead
we are touched by other worlds.
https://youtu.be/6xcwt9mSbYE

For Drew
Ross J Porter  Sep 2010
Daughter
Ross J Porter Sep 2010
Small hands holding tight
To strings of laughter
On ends of floating
Bubbles of wonder

Sand filled toes in shoes
On quick feet, dancing
Through my greatest dreams
Of who she will be

Soft kisses from lips
Formed from my own heart
Melting into a
Stream to her future.

Sweet songs of her love
Belted with fervor
From within the small
Light flowered sun-dress

Mischiv'us smiles with
Doll filled hands playing
Games to fill the day
With her glow of joy

Bright eyes signaling
A future brilliant
As the twinkle of
the stars they've stolen

Trusting complete love
Holding tight to life
As it floats away
On bubbles of wonder
All rights reserved. © 2010 Ross J Porter
Shaurya Pal  Jan 2014
Magnolia
Shaurya Pal Jan 2014
As I scarpered away, I could hear the voices,
echoing through the steel walls.
The cries, the vociferations, catching up to me,
couldn't fathom the escape, with a plan full of flaws.

Turning left, bending right,
running in circles, an endless plight.
The drug they induced,
pumping through my veins,
blocking my vision, severing the mains.
Don't know for how long,
I can put up this fight.

The sentinels advanced,
as fast and agile as they ever could be.
The alarm had rung more than once,
red lights poured all over the scene.

Needle in hand, dipped in ataractic,
who were they fooling, with that mild sedative?
I raced with every semblance of life I had,
couldn't survive this hell-hole.
Another day here would've driven me mad.

As the unexpected turn came,
I banged the door with the unknown name.
Fell face first, the momentum it carried me,
Scraped through the floor, stomach felt queasy.
Warm liquid oozed out of my nose,
dripping tardily as I rose,
the environment all but blurry.


Insanity Prevailed


As I blacked out,
I recalled how I came to be,
this house of horrors, delivered to me.
'Magnolia', home of the mentally challenged,
avowed 'care for the community'.

The head-shrink had advised,
you be safe, a feeling I imbibed.
A wry smile and that was it,
'Magnolia' She exclaimed,' would deem you fit.'

Believing in every word of hers,
I opened the door, welcomed
by the smell of fresh carcass,
the shabby floor with spots of dirt,
and people, oh lord the great unwashed,
like walking zombies, feelings inert.
They looked at me, some smiled and some laughed,
others cried, rest merely coughed.
So this is it, the house of the harebrained,
this was going to be my life,
Living among the insane.

I harbored no ill will,
But I couldn't absolve,
this feeling, inside me,
no friends no family, nothing normal.
Lasting with the un-dead,
my new destiny.

They filed me,
Gave a number, names were difficult to process,
66 it was, perfect, contributed  distress.
Admitted to my room, solitary for the neophyte,
'Morning' they said,' begins a new life.'

With a wicked smile they left me alone,
I was meek enough to cry, stiff enough to moan.
I wailed the whole night, the walls resonated,
the shrill of metal, the demons it encouraged.
The lights polished off, staring at the darkness,
all the monsters , the behemoth, dancing around me,
an invitation to their everlasting music.


Insanity Persisted


A specter bobbed up from the tiled floor,
gazed at me and pointed to the door.
'Rise, Awaken, my soul',
and the door opened with a loud crack,
'You must hurry, the guards will be back'.
I sat bolt upright, the apparition never lied.

Nose still bleeding, I took flight with haste,
looked back, they had dropped the chase.
It felt safe after a long time,
The world must know, of their wicked little crime.
They had to be stopped, the Doctor, the Nurse,
all of which were part of the crust,
which protected the whacko who experimented on us.

End of the hall, I noticed the Blue door,
It had to be the one, which will take me off-shore.
Head still paining, the doses that drained,
the vigor and strength, I couldn't sustain.
One last time, I had to draft
my will my power, from within.
To conjure up all my might,
before the shadows cave in.

As I drew nearer, towards the blue threshold.
I knew there was no looking back,  
nothing left to unfold.
I slowed down, one step at a time,
I could taste freedom, a taste so sublime.
My hand reached the door,
and gently turned the ****,
I pushed open the exit
and stared at the waiting mob.

Before I could assimilate,
with my failure and disappointment.
Someone jabbed a needle,
covering my mouth, crackling my vent.
Pushing me again, down the memory lane.


Insanity Pursued


The days were bad,
the nights equally worse.
A thin line existed between illusion and insanity,
indistinguishable they became, virtual and reality.
One could hear screams, begging for mercy,
Which the henchmen showed no sign of,
and continued to treat the already cured.

Those who betrayed, yearning exemption,
were treated with immense brutality.
Straightjackets, shackles and all sorts of gear,
were enough to put a man in psychotic fear.
The staff comprised barbarians and sadists.
Who lacked the basic sense of morality.

Shock therapy, voltage to its max,
bound and gagged, glued to the sacks.
The jolt of the lightning hitting them hard,
enough to churn up the flesh into lard.
They drugged the sufferer, the dupe would tranquil,
the fallout was horrible, it would make them frenzied.

For those beyond cure,
who lived for mere existence,
earned their own private, privileged experiment.
A special space, a hidden chamber,
well beyond, beneath the ground.
Defecated walls, layered flesh and blood,
****** fluids scattered,
in abundance, constituting a flood.
Human torture, vicious and cruel.

In a place so dark even the demons would fear,
how could I survive? This life to me was dear.
And the patients, the patients wouldn't help,
for them it was a game, live a day, reward for the next.
Some were quiet, lost in their own world,
speaking, whispering and talking to themselves.
Some looked sane, but stuck in paranoia,
for them the universe could any day cease to exist,
pertaining to their biggest phobia.
some were smart, they indulged in theories,
the real world mattered less to them.
And then there were the trigger-happy.
The truly maddened ones, violent with rage.
Every day was a battle, they fought within the cage.
They couldn't help me, for I wasn't crazy,
Just your usual guy, a victim of fate.

Magnolia was a place, where people ****** away their souls,
I wasn't ready to sell mine.
I had to escape, make an elaborate design.
There were no doctors at night, just the cruel handy-men,
had all the time in the world to formulate a plan,
question was, to execute when?

One night the attendant came,
wearing  a strange jumpsuit,
pen in breast-pocket,
woke me up and proclaimed, 'Get up you imbecile,
it's your turn in the lab today.
Stand up now, I ain't got all day!'
'HAH! You could try young man, to put me down,
but I ain't going to your lousy town'.
To this he smacked at my retort,
and laughed with a disgusting little snort.
'One more time you test my good nature,
and I swear to God I'll ruin your caricature.'
'Go ahead then give it your best shot,
You want me dead, do you not?'.
His laughter, this time, deafened the silence all around.
'You're dead fool! If it were up to me I'd skin you flesh and bone,
The amount of ruckus you create, the annoyance you hone,
But the good doctor has plans and once he's done with you..'
His unfinished sentence struck a nerve so strong,
my eyes rolled over,
what could possibly go wrong?

So the man with the strange jumpsuit,
dragged me all the way to the office.
The dimly lit room, ornamented a large crucifix.
Dear lord, you see how they mock?
Came back the degenerate with a big round lock.
'Oh yes, this is for you my friend,
chains aren't enough, straightjacket I will get.
Sit still you half-wit, else you'd regret'.
And I smiled and waited.
He returned as promised, with the piece of vestiary,
a twisted sense of humor, whoever built this monstrosity.

He stared where I looked, into his breast pocket.
'What's missing pal?' I asked in amusement.
He stopped everything and looked around.
With a motion so fast, it could only fly by,
gripping the pen, I poked him in the eye.
Ink exuded instead of blood,
the large man fell, loud with a thud.
The immense pain had him in shock,
now was the time for me to run amok.
But I kept focus, and ran for the door,
promised myself never to look back anymore.
Eloped with the only chance I foxed.


Insanity Reigned


The source of light was so strong,
I twitched a lot, just to see what's going on.
Caged in a room, no wait, a theatre!
****! I was so close to getting out.
The staff, I assume, were prepared all along.
Hatched a sinister plot, to show where I belong.
They had me now, tied to a work bench,
metal clasps around my wrist,
belted to the maximum limit.
For some odd reason they had me gagged,
the tape tasted foul, hygiene they lacked.
I wrestled my wrists with the wrought metal clamp.
But they were tight, wouldn't budge,
getting them off needed more than a nudge.

Alas the doctor came, with a frown upon his face,
With great ruefulness, he peeled off the tape.
'You caused us a great deal of trouble today.
None of our methods have impacted on you, what do you have to say?'
'Serves you right, you junk-less freak!' I was happy he was disappointed,
'That's not a very nice thing to say' responded the doctor, almost agitated.

He picked up an instrument,
a big long nail, the pointed end was so sharp,
I could feel it piercing through my brain.
Next he lifted a mallet,
which shone so bright it reflected upon my face.
To what devilish purpose could they serve?
The doctor took his time, and allowed me to observe.
He wore his mask, the mask of a surgeon,
at this time of the night? Surely he wasn't
planning to operate on me.
'Leave me alone, what are you doing?
Surely you know I'm not to be blamed, I don't belong here.
This is insane!'
'Wrong again 66, the society would never accept you.
You killed your wife and children, ******'s on you.'
It was at this moment the specter re-appeared, right behind the doctor.
Calling me, my name,
'They're all lying, you didn't **** anyone, they're framing you.'
'LIAR!' I spat at the doctor, 'You know she's is alive and waiting for me at the doorstep,
As always' I said.
'Yes she is waiting, but only at her death bed.'
'LIAR! You know my kids are sleeping peacefully at home!'
'Yes they are, but the sleep is eternal.'
'LIES! I can't **** a person,not even a fly!'
'And yet you poked my assistant right in the eye!'

The specter now appeared closer,
in a calming tone almost a whisper,
'Do not believe a word they said.
You're not a killer, just a victim of fate.'
Exactly, that's precisely what I meant.

With all the strength my voice box could muster,
I cried so hard the doctors ears could rupture.
' LIES! LIES! ALL LIES! You won't get away with this, the truth will come out.
Why would I ever **** them for crying out loud?'

'You're right, the truth shall come out, but not in this form, not from you.
66 has to die, a fact you always knew.'

No one dies today

'Hold him still.' The good doctor ordered.
A pair of hands inclined my head south,
Another pair, taped away my mouth.
I could hear music, a soft hum.
It had calmed me down ,that bass drum.
It kept beating at regular intervals.
The specter now, beside me,
placing her hand on my shoulders.
I looked up towards the sky, a light bulb
glowed right above my nose.
The doctor raised the nail,
a dot replaced the light source.
As the blot grew in size,
the light dimmed, luminance was minimized.
The music almost placid,
it made me smile, a smile so gentle.
The doctor enounced,
'This will only hurt a little.'
And as he struck, the spirit vanished,
the music stopped.


Insanity Triumphed
Part 2 of The 'Karma' trilogy
judy smith Nov 2016
Shortly after 3pm on September 29, 31-year-old Olivier Rousteing strode through the shimmering, fleshy backstage area at Balmain's Spring 2017 Paris Fashion Week show. Along the marble hallway of a hôtel particulier in the 8th arrondissement, long-limbed clusters of supermodels were gamely tolerating final applications of leg-moisturiser, make-up touch-ups and minutely precise hair interventions from squads of specialists as fast and accurate as any Formula 1 pit-stop team. The crowd parted as Rousteing swept through.

Wearing a belted, black silk tuxedo and a focused expression that accentuated his razor-sharp cheekbones, Rousteing resembled a sensuous hit man. Target identified, he led us to the board upon which photographs of every outfit were tacked.

We asked him to tell us about the collection (for that's what fashion editors always ask). "There is no theme," said Rou­steing in his fast, French-accented lilt. "No inspiration from travel or time. The inspiration is what I feel, and what I feel now is peace, light and serenity. I feel like in my six years here before this, I have tried to fight so many battles. Because there is no point anymore in fighting about boundaries and limits in fashion. Balmain has its place in fashion."

And the clothes? "There is a lot of fluidity. A lot of knitwear, lightness, ponchos. No body-con dresses. But whatever I do, even if I cover up my girls, it is like people can say I am ******. So this is what it is. I think there is nothing ******. I think it is really chic. I think it is really French. It is how I see Paris. And I have had too many haters during the last three years to defend myself again. So, this is Balmain." And then the show began.

Star endorsements

Under Rousteing, Balmain has become the most controversial fashion house in Paris. Rousteing has attracted (but not bought, as other, far bigger houses do) patronage from contemporary culture's most significant influencers. Rihanna, all the Kardashians, Kanye West, Taylor Swift, Miley Cyrus, Beyoncé, Justin Bieber – a royal flush of modern celebrity aristocracy – all champion him.

Immediately after this show, in that backstage hubbub, Kim Kardashian told me: "I thought it was very powerful…I loved the sequins, and I loved all the big chain mail belts – that was probably my favourite."

Yet for every famous fan there is a member of the fashion establishment who will sniff over coffee in Le Castiglione that Rousteing's crowd is declassé and his aesthetic best described by that V-word. The New York Times' fashion critic Vanessa Friedman reckoned this collection appropriate for "dressing for the captain's dinners on a cruise ship to Fantasy Island". At least she did not use the V-word. When I once deployed it – as a compliment – in a 2015 Vogue menswear review that declared "Rousteing is confidently negotiating a fine line between extravagance and vulgarity", I was told that Rous­teing was aggrieved.

The fashion world's ambivalence towards Rousteing is a measure of its conflicted feelings towards much in contemporary culture. Last year Robin Givhan of the Washington Post wrote of Balmain: "The French fashion house is always ostentatious and sometimes ******. It feeds a voracious appetite for attention. It is anti-intellectual. Antagonistic. Emotional. It is shocking. It is perfect for this era of social media, which means it is powerfully, undeniably relevant."

Since joining Instagram four years ago Rousteing has posted 4000 images and won 4 million followers. The combined reach of his audience members and models at this Balmain show was greater than the population of Britain and France combined. Balmain was the first French fashion house to gain more than 1 million followers, and currently has 5.5 million of them.

Loving his haters

As digital technology disrupts fashion, Balmain's seemingly effortless mastery of the medium galls some. Last year, the designer posted an image of a comment from a ****** follower to his feed. It read: "Olivier Rousteing spends more times taking selfies for Instagram than designing clothes for Balmain." Underneath, in block capitals, he commented "i love my haters".

Rousteing can be funny and flip – doing a video interview after the show, I opened by asking, tritely, how he felt. He replied: "Now I feel like some Chicken McNuggets with barbecue sauce, and then some M&M;'s ice cream."

When at work, however, that flipness flips to entirely unflip. The previous evening, at a final fitting for the collection, Rousteing had paced his studio, his face a scowl of concentration, applying final edits to the outfits to be worn by models Doutzen Kroes and Alessandra Ambrosio. The 30-strong team of couturiers working in the adjoining atelier delivered a steady stream of altered dresses.

"We are ready," he said from behind a glass desk in a rare moment of downtime. "This a big show – 80 looks – and I want a collection that is full of both the commercial and couture. But it's smooth too. All of the girls are excited about the after-party and interested in the music. And eating pizza." In the corridor outside Gigi Hadid – this season's apex supermodel – was indeed eating pizza, with gusto.

The fitting went on until far beyond midnight; Rousteing, fiercely focused, demonstrated the work ethic for which he is famous. When he was studio manager for Christophe Decarnin, his predecessor at Balmain, the young then-unknown was always the first in and last out of the studio. Emmanuel Diemoz, who joined Balmain as finance controller in 2001 and became chief executive in 2011, says that his hard graft was one of the reasons he was chosen to succeed Decarnin.

"For sure it was quite a gamble," says Diemoz. "But we could see the talent of Olivier. Plus he understood the work of Christophe – who had helped the brand recover – so he represented continuity. He was a hard worker, clearly a leader, with a lot of creativity. Plus the size of the turnover at that time was not so huge. So we were able to take the risk."

Clear leader

Which is why, aged 24, Rousteing became the creative director of one of Paris's best known – but indubitably faded – fashion houses. In 2004 it had been close to bankruptcy. In 2012, Rousteing's first full year in charge, Balmain's sales were €30.4 million and its profit €3.1 million. In 2015, sales were €121.5 million and its profit €33 million. Vulgarity is subjective; numbers are not.

Rousteing, who is of mixed race, was adopted at five months by white parents and enjoyed an affluent and loving upbringing in Bordeaux. "My mum is an optician and my dad was running the port. They are both really scientific – not artistic. So I had that kind of life. Bordeaux is really bourgeois and really conservative, I have to say."

After an ill-starred three-month stint at law school – "I was doing international law. And I was like, 'oh my God, that is so boring'" – he did a fashion course that he managed to tolerate for five months.

"I found that really boring as well. I just don't like actually people who are trying to **** your dream. And I felt that is what my teachers were trying to do."

Obsessed with Gucci

Following a three-month internship in Rome – "also boring" – Rousteing became fascinated with Tom Ford's work at Gucci. "I was obsessed, obsessed, obsessed. Sometimes the press did not get it but I thought 'this is like genius, the new **** chic'. Obsessed, full stop."

He wanted to work there – "that was my dream" – but applied to every fashion house he could, and found an opportunity to intern at Roberto Cavalli. "They took me in from the beginning. I met Peter Dundas [then womenswear designer at the brand] and he said you are going to be my right hand – and start in four days."

Rousteing counts his five years in Italy as formative both creatively and commercially, but when the opportunity came to return to France in 2009 he leapt at it. "Christophe said he liked my work and that he needed someone to manage the studio. So two weeks later I was here. I loved Balmain at the time, when Christophe was in charge. It was all about rock 'n' roll chic, ****, Parisian. And he was appealing to a younger generation. You can see when brands become old but Balmain was touching this new audience. I always say Christophe's Balmain was Kate Moss but mine is Rihanna."

When Decarnin left and Rousteing replaced him, the response was a resounding "who?". His youth prompted some to anticipate failure.

"It was not easy at all. Every season I had the same questions." Furthermore, Rousteing (who has said he thinks of himself as neither black nor white) was the only non-white chief designer at a Parisian couture house. In a nation in which very few people of colour hold senior positions, his race may have contributed both to the establishment's suspicion of him and to his powerful sense of being an outsider.

'Beautiful spirit'

As he began to build a personal vernacular of close-fitted, heavily jewelled, gleefully grandiose menswear – fantastical uniform for a Rousteing-imagined gilded age – for both women and men, that V-word loomed.

"They asked, 'But is it luxury? Is it chic? Is it modern?' All those kinds of words. But you know there is no one definition [of fashion] even if people in Paris think there is. And, I'm sorry, but I think the crowd in fashion are those who understand the least what is avant-garde today."

In 2013 Rihanna visited the studio, met Rousteing, and reported all with multiple Instagram posts. "You are the most beautiful spirit, so down to earth and kind! @olivier_rousteing I think I'm in love!!! #Balmain." :')"

Rousteing met Kim Kardashian at a party in New York – they were drawn together, he recalls, because they were both shy – and was promptly invited to lunch with her family in Los Angeles.

An outsider in the firmament of old-guard Paris fashion, Rousteing was earning insider status within a new, and much more influential, supranational elite. He points out that Valentino, Saint Laurent and Pierre Balmain himself "were close to the jet set of their time. What I have on my front row is the people who inspire my generation".

From them, he learned a new way of doing business. "I think it was Rihanna and the music industry that first understood how Instagram can be part of the business world as well as the personal. But in fashion? When we started it was 'why do you post selfies? Why do we need to know your life, see you waking up, see you working? Why don't you keep it private'. And I was like 'you will see'."

Rousteing cheerfully declares his love for Facetune – "I don't have Botox but I do have digital Botox!" – an app that helps him airbrush his selfies and tweak those ski-***** cheekbones.

Reaching new population

From his office around the corner from Rousteing's, Diemoz adds: "When Olivier first proposed Balmain use social media, our investment in traditional media was costing a lot. Here was an alternative costing less but bringing huge visibility. It has been successful, quite rapidly…we decided to be less Parisian in a way but to speak to a new population. A brand has to be built around its heritage but we are proposing a new form of communication dedicated to a wider group of customers."

The impact of that strategy became apparent in 2015, when Rousteing and Balmain were invited to design a collection for the Swedish fast-fashion retailer H&M.; Within minutes of going on sale – and this is not hyperbole – the collection, available at vastly cheaper prices than Balmain-proper, had completely sold out. In London, customers fought on the pavement outside H&M;'s Regent Street branch. "Balmainia!" blared the headlines.

You have to move fast to get backstage after a Balmain show. I was out of my seat and trotting with purpose even before the string-heavy orchestra at the end of the catwalk had quite stopped playing Adele.

Rousteing had taken his bow merely seconds before. Still, too slow: I ended up in a clot of Rousteing well-wishers stuck in a corridor blocked by security guards. A Middle Eastern woman against whom I was indelicately jammed looked at me, laughed, shook her head, then said: "We pay millions for a fashion house – and then this happens!"

In June, Balmain was bought for a reported €485 million by Mayhoola, a Qatar-based wealth fund said to be controlled by the nation's ruling family. As so often with Rousteing-related revelations, some declared themselves nonplussed. "Why Would Mayhoola Pay Such a High Price for Balmain?", one headline asked. Yet Mayhoola, which acquired Valentino four years previously for $US858 million, might have scored a bargain.

Clothes key to revenue

Despite its huge, Instagram-enhanc­ed footprint, Balmain is a small, lean and relatively undeveloped business. Most luxury fashion houses today – Chanel, Burberry, Dior, et al – will emphasise their catwalk collections for marketing purposes but make most of their money from the sale of accessories, fragrances and small leather goods like handbags and shoes. One of the big fashion companies makes a mere 5 per cent from its catwalk clothes.

At Balmain, by contrast, clothes bring in almost all the revenues. If Balmain had the same clothes-to-accessories ratio as its competitors, its overall annual income could be more than €1 billion ($1.4 billion).

The company is moving in that direction. New accessory lines are in the pipeline. "Now we have to transform that desire into business activity," said Diemoz. "Sunglasses, belts, fragrances, the kind of products that can be more affordable."

The first bags should be available in January, as will a wider range of shoes, and then more, more, more.

Six days after his show, on the last day of Paris Fashion Week, I returned to the Balmain atelier. Apart from two assistants, Rousteing was the only person there – everybody else had gone on holiday to recover from the frenzy of preparing the show, or was busy selling the collection at the showroom around the corner.

Rousteing sat behind his desk in the empty room, wearing slingback leopard-print slippers, sweatpants and shades. "I am not even tired! I am excited. Because there are so many things happening – and I can't wait."Read more at:www.marieaustralia.com/red-carpet-celebrity-dresses | http://www.marieaustralia.com/formal-dresses-adelaide
duncanwrite Jun 2015
Bluto, the world’s strongest man, could tear bread loaf-sized pieces off a steel-belted tractor tire with his bare hands.

But he could not lift a single smithereen of his sensitive Piscean heart when Lily, the luscious, leggy Leo trapeze artist, left him for steely-eyed Arien Karl, the literate and literary lion tamer.

Horoscopic Circus, Act II

She was a Cancer Dragon. Like catnip to the Piscean Tiger, whose feline DNA was his Achilles heel. Especially when she wore heels. And nylons. The end is nylon, he thought. I love you she said. I love you more he affirmed. And firm he soon became. Then being the ringmaster, she opened her mouth and incinerated him -- as only dragons can….
Jessie  Jan 2014
Gatsby
Jessie Jan 2014
we smoked our cigarettes
and belted out car duets

never listened to any advice
figured trial and error would suffice

we ate past when we were full
and felt life's strange alluring pull

but we learned it was never enough
to sit back and relax and love

you can't repeat the past, Gatsby
I wish someone would have told me
judy smith Sep 2016
Paris has traditionally been the city where inter­national designers – from Australia and England to Beirut and Japan – opt to unveil their collections. However, Karen Ruimy, who is behind the Kalmar label, chose the runways of Milan Fashion Week for her debut showcase in September.

The Morocco-born, London- based designer hosted an intimate al fresco event in a private palazzo to launch her holiday line of fine cotton and silk jumpsuits, breezy kaftans, long skirts, playsuits and off-the-shoulder tops in tropical prints.

Ruimy had a career in finance before moving into the arts – she owns a museum of photography in Marrakech – and has become increasingly involved in fashion and beauty, thanks to her personal interest in holistic therapies.

These are clothes, she explains, that marry luxury and wellness, and are the things she would wear when she wants quality time by herself. The fact that they are made in Italy, convinced her that Milan was the right place for her debut – where she showed alongside the likes of Gucci, Prada, Verscae and Marni.

On fashion calendars, Milan has conventionally been the place where the runways confirm the trends and themes hinted at ­earlier, in New York and London. However, this season, the Italian designers did not speak with one voice, making Milan Fashion Week all the more refreshing for it.

Often, there might be an era or style of design that dominates the runways during a particular season, but for spring/summer 2017 in Milan, there was a standout showing of techno sportswear and techno fabrics employed in updated classics such as coats and box-pleat skirts, or with references to north African and Native American themes.

The Italian designers sent looks that would appeal to everyone, from the haute bohemian and athletic woman, to the cool sophisticate and the art crowd, as well as – as in the case of Moschino – to the iPhone generation.

Only three seasons ago, Gucci’s creative director Alessandro Michele was lauded for his complicated maximalist styling. Yet in Milan, Gucci channelled a dreamlike vibe with Victoriana, denim, athletic apparel and oversized accessories, thrown together in delightful chaos, making it difficult to predict the direction Michele is taking Gucci in.

Currently he seems to be in a holding pattern, hovering at once over 1940s Hollywood glamour, 1970s flared pantsuits, and ruffled party dresses from the 1980s, in a cacophony of ­colours and fabrics.

The feeling of joyous madness continued at Dolce & Gabbana, where street dancers emerged from the audience to start the party in the designers’ tropical-themed show. The clothes used some of their familiar tropes, such as military jackets, corseted black-lace dresses miniskirts. New, however, were the baggy tapering trousers redolent of jodhpurs, and the lavish and detailed embellishment the designers used to sell their story.

Wanderlust dominated the moodboards at Roberto Cavalli – rich patterns, embroidery and patchworks inspired by Native Americans – and Etro with its ­tribal themes on kaftans, duster coats and Berber-style capes.

Giorgio Armani, Agnona Tod’s, Bottega Veneta and Salvatore Ferragamo – with its stylish twisted leather dresses and crisp athletic sportswear designed by newcomer Fulvio Rigoni – all answered the call of women who want stylish but undemanding clothes.

Marni would appeal to the art world for its graceful, pioneering ideas. The label’s finely pleated dresses displayed a life of their own, and its micro-printed dresses were gathered, folded and distorted to walk the line between stylish and quirky.

In contrast, the sportswear at MaxMara and Donatella Versace targeted the dynamic generation of athletic women, with sleek leggings, belted jackets, power suits and anoraks. Versace has made it clear that she thinks this is the only way forward. She may be right, but there’s always room for the myriad styles displayed at Milan Fashion Week in all our wardrobes.

It was feathers with everything at Prada. Silk pyjamas, boldly coloured and mixed checks, cardigans and wrap skirts with Velcro fasteners show Miuccia Prada reinventing the classics. Most glamorous was the series of evening dresses and pyjamas with jewelled embroidery and feathers, worn with kitten heels that married sporty straps with heaps of crystals. Prada’s must-have bag of the season is a bold clutch with a long strap fastener, that comes in a multitude of geometric and daisy patterns.

Versace

Over the past three seasons, Donatella Versace has been carving out a new image for her brand – a shift from the luxe glam of red carpets and superyachts, although the inhabitants of that world will be sure to buy into the new Versace vibe. Donatella’s girls are both glamorous and empowered. The sporty look is tough, urban and energetic, judging by the billowing ultra-thin high-tech nylon parkas and blousons, stirrup trousers and dresses (the shapes of which are manipulated by drawstrings). Dresses, skirts and tops are spliced at angles and studded together. Swishy pleated dresses and silky slit skirts gave energy when in movement, and were as soft as the look got.

Bottega Veneta

Model Gigi Hadid and veteran actress Lauren Hutton walked arm in arm down the Bottega Veneta runway, illustrating the breadth of the Italian maison in Tomas Maier’s hands. This was a double celebration of the Bottega’s 50th ­anniversary and Maier’s 15th as its creative director. Menswear and womenswear were combined, and the focus was on easy, elegant clothes in luxurious materials, such as ostrich, crocodile and lamb skin for coats; easy knits and cotton dresses worn with antique-style silver jewellery; and wedge heels. Fifteen handbag styles debuted along with 15 from the archive.

Fendi

Silvia Venturini’s new Kan handbag was a star turn at Milan. The stud-lock bag dotted with candy-coloured studs, rosette embroidery and floral ribbons couldn’t help but charm every woman in the audience. It was the perfect joyful accessory for Karl Lagerfeld’s feminine vintage romp through the wardrobe of Marie Antoinette, with sugary colours, bows, big apron skirts and crisp white embroidery juxtaposed with sporty footballer-stripe tops – effectively updating a historical look.Read more at:http://www.marieaustralia.com/formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
Nigel Obiya Apr 2013
PLANET NAIROBI (When the sun goes down)
Nur…
They were on the verge of losing this battle… it was only a matter of time, and he knew that. Through the window, he saw them advance, with a fierce swiftness that would have put anyone opposed to them at unease. Trembling uncontrollably, he reached for his weapon and held it firmly, ready to martyr himself for his family’s honour and legacy if need be. For they were not, and never would be known as a family of cowards, they were royalty... and he would rather go down fighting than cowering, that was the bottom line. But he knew that his sword, as well forged as it was, would be no match for Rath and his five hundred man strong battalion. So, biting his lower lip he waited for the pounding footsteps to reach the top of the stairs where he stood, the one solitary guardian to the throne. Martyrdom was his destiny.
“Let he that stands between Rath and the throne fall like the city walls!” Rath’s dominant voice bellowed as it got closer, too close for comfort.
He braced himself.
Suddenly, the doors burst open. And Nur... Prince Nur, finally got to come face to face with the scourge that had terrorised the lands of the sea for so long. A man of whom he had heard about from stories as a child growing up. A man that had haunted his dreams for as long as he could remember. Nur realised that he had always been afraid of Rath, long before this moment, how was he supposed to fight this man when he was clearly at a disadvantage? For it was common knowledge that to go into battle afraid, was to go into battle prepared to lose.
Rath was a gigantic figure, and exuded the air of one who was accustomed to crushing his opponents and hadn’t experienced defeat in a while... if not ever. This man stood at almost eight feet tall, with rock hard muscles that seemed to pile on top of more muscle, threatening to tear through his dark skin. His long locks of unkempt hair fell over a face that could only be described as menacing. He had a permanent scowl that was complimented by his black, soulless eyes. And as they stared each other down, Nur couldn’t ignore the presence of sheer evil he saw in those eyes, a shiver of dread ran down his spine. He raised his blade.
“A child?” Rath barked, “A petulant child? Is that what this Kingdom’s defences have come down to? An infant?” He waved a dismissive hand at Nur.
“A prince!” Nur responded defiantly, raising his blade even higher and more confidently. This man may have been the epitome of terror, but Nur would be ****** if he was going to be talked down to in this manner, this was his palace.
“A prince huh? Prince Nur I presume? Your father was a brave man, I respected him. Even if I met his acquaintance only for a couple of minutes, before I slaughtered him. But I do respect a king that fights alongside his men, as opposed to other cowards I’ve had the pleasure of killing that had barricaded themselves in their chambers and let others fight their battles for them. King Thur was a rare breed... but a dead one all the same.” He laughed remorselessly as he said this. “And soon you will get to join your warrior father foolish one.”
Nur lost all sense of fear. Infuriated, his nostrils flared as he swung the blade with all the ferocity he could muster, slicing deep into Rath’s right forearm. Time slowed to syrup as he saw his adversary’s blood stain the sword, but realising that it wasn’t a fatal strike, he turned around swiftly, switching his stance just in time to see Rath’s massive blade come down on his head. Then there was a deathly silence.
The afterlife was nothing like he had pictured. It smelt of... he couldn’t quite place that peculiar smell. It wasn’t pleasant, but neither was it unpleasant, just unfamiliar. Then he turned around and saw her. He deduced that she was probably the source of the smell. He noticed that smoke came out of her nostrils and mouth every few seconds after lifting a sticklike object to her lips. Nur mused at how wrong the high priest in their kingdom had been when he spoke about the place in the sun... the afterlife. It wasn’t anything like he had described.
But wait a minute! He realised that the sun was still above him, in the sky. He could see it. He could feel it on his skin. So WHERE WAS HE? He felt dizzy, unable to comprehend. Only a minute ago he was in the royal palace, facing certain death. And now he was... he didn’t know where he was, or even what he was. Was he dead? Transcended? Was this just his soul? If so, then how come he still had his senses? All these questions raced through his mind at the same time. He turned toward the lady, who seemed unaware of his presence. She was tall and very light skinned compared to him and her hair was tied in ponytail at the back of her head. He couldn’t make sense of her attire though, she seemed to wear a lot of clothing, garment over garment that covered her arms and legs. She was also extremely beautiful and had a slim womanly body most warriors would **** for, he noted, and felt himself flush. He tried to see what she was squinting so intently at and concluded that she was just staring into space as she drew, he realised now, on the tiny stick and blew out more smoke. That was when he noticed how high up they were, this palace stood almost five times as high as theirs. It was overwhelming to say the least.  He got up and walked over to her, deciding to leave his blade behind so as not to come off as a threat.
“Greetings?” He said politely. She jumped as if she had just seen a ghost, dropping the stick she was holding. He had clearly startled her, so he took a step back lifting his hands in the air to signify that he meant her no harm. She breathed rapidly and began to speak just as rapidly in a foreign tongue. Nur couldn’t understand what she was saying, but the hostility in her tone and her demeanour was hard to miss. He took another step back, ready to defend himself from an attack if need be. He had heard tales of an island with warrior women who could match, and beat, even the strongest male adversary in combat. He decided to tread cautiously.


Nasim...
Nasim Naikuni was beyond peeved. Who was this ******?  He had scared her half to death and almost made her fall off the roof, not to mention burn her favourite grey, three thousand shilling trouser suite when she dropped the cigarette. And what annoyed her even more was that he didn’t seem to register how ******* she was. He just stood there with a blank expression on his face, like a schoolboy waiting for his mistake to be explained to him. Nasim couldn’t stand slow people, they got under her skin. She was yelling at the top of her lungs, which was taxing to say the least, seeing as she had been smoking just seconds ago.
“Are you slow?” She shouted, tapping at her temple repeatedly. “What makes you think you can sneak up on me like that you fool? You almost killed me. Do you realise that?” Then she stopped and studied him, out of breath. She noticed that he seemed unable to understand English and so she switched to Swahili, “Nini mbaya na wewe?” What’s wrong with you? Still there was no response.
She gave him a once over. He dressed strangely. His large, golden brown pants that fluttered in the wind seemed to have been made from an expensive material, though it was like no material she’d laid eyes on before. It bordered somewhere between silk and suede. His shirt was also made of a similar material, but leather brown in colour, matching his leather boots that were laced and reached just under the knee. He stood an inch or two shorter than she did, but she guessed that was probably because she was in heels. He had long hair that seemed to fall halfway down his back in one long braid. He looked almost exotic as he tried to communicate, but she couldn’t place the language or his ethnicity, for his skin-tone was chocolate brown but his hair looked almost like an Asian’s, dark and straight. He spoke in a tongue she had never heard before. There was also something really classy about this boy, whom she guessed to be around eighteen years of age or so. It was like looking at a darker, more pampered version of Sinbad the sailor.
Nasim relaxed a little and decided to give the fellow a chance to introduce himself, in whatever way he intended to do so. He seemed to pick up on this and started explaining something to her, making a couple of gestures, and at some point she thought she saw him mimic a fight, and then  point to the sky. Nasim still didn’t know what he was talking about, but felt a semblance of communication begin to take form. He directed her attention to another part of the roof, probably where he had approached her from. And she saw the blade! With catlike agility she swung her purse at him, the blow caught him square on the jaw with a thud! The bottle of perfume she religiously carried around in it serving a different purpose on this day. He hadn’t seen it coming and so had no chance of stopping it. He staggered backwards as she made a run for it toward the staircase but felt a hand grab her ankle causing her to tumble onto the hot cement floor. At that moment her heart sank, for she knew that she was done for.


Nur...
Nur was perplexed, he didn’t know what he’d done to deserve the assault. The lady had seemed to be calming down, but all of a sudden she had lunged at him with a weapon he had first assumed to be a bag. Though, she didn’t strike with the strength that a warrior would have, and also had made an attempt to flee. This told him two things. One, she wasn’t accustomed to combat... and two, she had attacked more out of fear than strife. Which meant that she posed no immediate threat to him. Also, she was the only person he had met so far and his only hope of figuring out where he was. He couldn’t afford to lose her, not just yet, so he decided to try something he was ashamed he hadn’t thought of sooner. Nur spoke into her head.
‘I mean you no harm.’  He said, and waited. No response. He tried again, concentrating harder this time. ‘Can you hear me? I mean you no harm’
‘LET ME GOOO!’  Her thoughts screamed.
He could understand her, they had made a connection. Progress...

One year later. Nasim...
“Good afternoon people? You’re hangin’ out with me Nasim Naikuni on your favourite show Voices, where you can throw any question you have regarding life... and living it, at me and the voices in my head will answer them for you... yeah, you heard right, the voices in my head. I’ll be takin’ your calls for the next hour. Let’s begin shall we?” Nasim spoke into the microphone just before a voice-over added...
“NASIM NAIKUNI, THE ONLY RADIO PRESENTER THAT’S LITERALLY GONE BONKERS!” And then was followed by some rock music. ‘So what?... I’m still a rock star... ’ Pink’s lyrics belted out as Nasim removed her headphones to take a breather before she talked to her first caller. A breather... and also to have a bit of a chat with the voice in her head. She walked out of the studio into a corridor where she was out of sight, and concentrated, her eyes crinkling from the effort.
‘Hey, are you there?’
‘Uh huh.’ The prince replied.
‘Okay, we’re on in roughly three minutes. Make me look good babes’
‘Don’t I always?’
‘True dat. What are you doing?’
‘Breakfast.’
‘It’s one in the afternoon... ’
‘This is not my planet, therefore I’m not obliged to follow its rules. I can have a one o’clock breakfast if I want to.’
‘Brunch.’
‘What?’
‘Brunch, what your having would be brunch. Breakfast... aaand lunch?’
‘You see? You get all high and mighty on me about this and you even have a name for it? If it is so wrong to have breakfast at this time, then why would your people give the meal a name? I’m just saying.’ Nur said mockingly.
‘I give up’ She replied with a sigh.
‘Nas... Nas?’
Silence.
She walked back into the studio.
“Caller... you’re on air. Shoot.” Nasim said softly, leaning into the microphone.
“Hey Nasim, lovely job you’re doing by the way.”
“Why thank you dear, but I don’t deserve all the credit you know?”
“Yeah I know... you and the voices in your head... ha-ha! Anyway my name is George, and I’m kinda’ in a predicament at the moment. You see, I have a wife and a family... two kids, but I kinda’ got into this relationship outta’... obligation as opposed to real love...”
“Obligation?”
“Yes. I met my wife five years ago in uni’ and we dated. But looking back, I only got into the relationship because I felt I’d led her on and she loved me soo much, I just couldn’t disappoint her. So I got stuck in a phony relationship, at least on my part. Next thing I know, we are pregnant and... It’s been we ever since.”
“So you want to what? Get out of your marriage?”
“I want to be with the person I truly love...”
“Hooo... **! Scoreboard! Now we have lift off. And how long have you known this person that you truly love George?” She said this with a tinge of amusement in her voice.
“Six years... and we’ve been going out for the past two.” He sounded ashamed.
‘He sounds ashamed.’ She heard Nur say observationally.
‘No kidding.’ She retorted.
(In the past year or so, Nasim and Nur had come to an understanding somewhat. After she had struck him with her purse and the little scuffle they’d had on the rooftop, and after convincing herself that she wasn’t going crazy... or that the cigarette she had been smoking wasn’t laced with marijuana or some other hallucinogen, she finally gave in and listened to the voice speaking to her in her thoughts.
‘Please, just give me a chance to explain. I need your help lady!’ He sounded desperate.
She felt sorry for him, but still suspected she could be going nuts.
He continued. ‘I don’t know where I am. My father is dead and I don’t know where I am or how I arrived here, and you’re the only one that can help me right now...’
Nasim, touched now, replied. “How am I supposed to do that? And how are you doing this telepathy thing? Are you really doing this?” She shook her head violently, like a wet dog trying to dry itself, “I’m very confused right now.”
He looked even more confused. ‘Talk to me in my head, I think it is the only way we can communicate with each other.’
She didn’t know how to.
‘It’s simple, concentrate.’ He said reassuringly.
She tried. Still nothing.
‘I could hear you a moment ago, I don’t understand. Let’s try this slowly, repeat after me... Nur.’ He told her.
She heard him, and was thinking what?
He repeated, ‘Nur.’
She tried thinking the word he’d asked her to repeat as hard as she could but he didn’t seem to be getting anything. She decided that the cigarette must have been laced with something. Here she was, on the roof top of her work building trying to master telepathy, with a stranger who just happened to own a sword. This had to be a dream, a nightmare.
‘I must be high.’
‘Yes! Yes! You’re high!’ She heard the excited reply.
‘What?’
‘You did it!’ Nur said happily, ‘you figured it out. And yes, I was also meaning to ask you about how high we are.’
She had done it. Nasim could hear him and answer back, she felt oddly proud of this accomplishment. Then she asked puzzled. ‘High? You get high?’
‘I am high.’ Came the naive reply.
‘Oh...’
‘Why are we so high up? The palaces on our island are half the size of yours, are you that many in your palace that you need to build it so tall?’
Then she understood. And laughed... ‘Who are you? And how did you get here?’
‘My name is Nur... Prince Nur... how I got here? That’s what I’m trying to find out.’ He was being honest.
And thus begun an adventurous relationship between the two. Nasim took him to her apartment that day, passing curious and disapproving looks all the way. The most difficult part being trying to explain to her boss why she was coming from the roof in the company of someone who dressed like a ******, as he put it. She made up something. And he gave her one of those I’ll accept your story just because... looks. Nasim found that hilarious. But she was glad she had asked Nur to leave the sword behind to be recovered later. That would have been a tad difficult to explain. They got to her apartment block and were met by more disapproving looks from a group of nosey old women, the type that love to mind everyone else’s business but their own, as they walked to the lift. And when they got into apartment F6 on the second floor, she introduced Nu
Planet Nairobi… wrote this a couple of months ago, it was turned down by one publisher and awaiting other publisher’s feedback. However, it’s been a minute so I decided to share it with my peoples… if you like my work, this one will get you going… it may have it’s flaws, but hey… I never said I’m perfect, I’m just a writer.
Dr Sam Burton  Sep 2014
Whales
Dr Sam Burton Sep 2014
Whales have no wings to fly
But they have eyes to cry

Whales are so big but kind
They're not easy to find

Whales are definitely so nice
**** them not to eat with rice.


Today is Saturday, Sept. 28, the 269th day of 2014 with 94 to follow.

The moon is waxing. Morning stars are Jupiter, Uranus and Venus. Evening stars are Mars, Mercury, Neptune and Saturn.


In 1825, in England, George Stephenson operated the first locomotive to pull a passenger train.



A thought for the day:



No place epitomizes the American experience and the American spirit more than New York City. -- Michael Bloomberg.



QUOTES FOR THE DAY:




He who is void of virtuous attachments in private life is, or very soon will be, void of all regard for his country. There is seldom an instance of a man guilty of betraying his country, who had not before lost the feeling of moral obligations in his private connections.

------------------------

How strangely will the Tools of a Tyrant pervert the plain Meaning of Words!



Samuel Adams



In university they don't tell you that the greater part of the law is learning to tolerate fools.




Doris Lessing




“The character inherent in the American people has done all that has been accomplished; and it would have done somewhat more, if the government had not sometimes got in its way.”



Henry David Thoreau



"Everything you can imagine is real."



Pablo Picasso



“Ugly. Is irrelevant. It is an immeasurable insult to a woman, and then supposedly the worst crime you can commit as a woman. But ugly, as beautiful, is an illusion.”



Margaret Cho




POETRY




TO THE THAWING WIND



Robert Frost





Come with rain, O loud Southwester!
Bring the singer, bring the nester;
Give the buried flower a dream;
Make the settled snowbank steam;
Find the brown beneath the white;
But whate'er you do tonight,
Bathe my window, make it flow,
Melt it as the ice will go;
Melt the glass and leave the sticks
Like a hermit's crucifix;
Burst into my narrow stall;
Swing the picture on the wall;
Run the rattling pages o'er;
Scatter poems on the floor;
Turn the poet out of door.


About this poem
"To the Thawing Wind" was first published in Frost's collection "A Boy's Will" (Holt, 1915).

About Robert Frost
Robert Frost was born on March 26, 1874, in San Francisco. He was the recipient of four Pulitzer Prizes during his lifetime and read at President John F. Kennedy's inauguration. Frost died in Boston on Jan. 29, 1963.

*
The Academy of American Poets is a nonprofit, mission-driven organization, whose aim is to make poetry available to a wider audience. Email The Academy at poem-a-day[at]poets.org.



This poem is in the public domain.
Distributed by King Features Syndicate





A TIP FOR WOMEN




Choosing Eyeliner



Make sure the color of your eyeliner complements your eyes. Dark brown eyes benefit from plum shades. If you have lighter eyes, try navy and charcoal. Brown eyeliner works well no matter what color your eyes are!




JOKES



WHALES



A little girl was talking to her teacher about whales.

The teacher said it was physically impossible for a whale to swallow a human because even though it was a very large mammal its throat was very small.

The little girl stated that Jonah was swallowed by a whale.

Irritated, the teacher reiterated that a whale could not swallow a human; it was physically impossible.

The little girl: said, "When I get to heaven I will ask Jonah".

The teacher: asked, " What if Jonah went to hell?"

The little girl: replied, "Then you ask him".





JURY SELECTION

The tiresome jury selection process continued, each side hotly contesting and dismissing potential jurors. Don O'Brian was called for his question session.

"Property holder?"

"Yes, I am, Your Honor."

"Married or single?"

"Married for twenty years, Your Honor."

"Formed or expressed an opinion?"

"Not in twenty years, Your Honor."





Questionable Predictions



Nostradamus recently turned 500. Here are some other predictions from lesser lights:

- Law will be simplified (over the next century). Lawyers will have diminished, and their fees will have been vastly curtailed. --Junius Henri Browne 1893

- By 1960, work will be limited to three hours a day. --John Langdon-Davies

- Hurrah, Boys, we've caught them napping. We'll finish them up and go home to our station. --George A. Custer, 1876, prior to the Battle of Little Big Horn

- Get rid of the pointed-ears guy. --NBC executive, regarding Mr. Spock of STAR TREK, 1966

- Telephones (will) bring peace on earth, eliminate Southern accents, and save the farm by making farmers less lonely. --printed in THE WALL STREET JOURNAL, Century-old Pronouncements, 1995





Stupid True Headlines



- Something Went Wrong in Jet Crash, Expert Says

- Police Begin Campaign to Run Down Jaywalkers

- Safety Experts Say School Bus Passengers Should Be Belted

- Drunk Gets Nine Months in Violin Case

- Survivor of Siamese Twins Joins Parents

- Farmer Bill Dies in House

- Iraqi Head Seeks Arms

- Is There a Ring of Debris around Uranus?

- Stud Tires Out

- Prostitutes Appeal to Pope

- Panda Mating Fails; Veterinarian Takes Over

- Soviet ****** Lands Short of Goal Again

- British Left Waffles on Falkland Islands

- Lung Cancer in Women Mushrooms

- Eye Drops off Shelf

- Teacher Strikes Idle Kids

- Include your Children When Baking Cookies

- Squad Helps Dog Bite Victim

- Shot Off Woman's Leg Helps Nicklaus to 66

- Enraged Cow Injures Farmer with Axe

- Plane Too Close to Ground, Crash Probe Told

- Miners Refuse to Work after Death

- Juvenile Court to Try Shooting Defendant

- Stolen Painting Found by Tree

- Two Soviet Ships Collide, One Dies

- Two Sisters Reunited after 18 Years in Checkout Counter

- Killer Sentenced to Die for Second Time in 10 Years



- Never Withhold ****** Infection from Loved One

- Drunken Drivers Paid $1000 in '84

- War Dims Hope for Peace

- If Strike isn't Settled Quickly, It May Last a While

- Cold Wave Linked to Temperatures

- Enfields Couple Slain; Police Suspect Homicide

- Red Tape Holds Up New Bridge

- Deer **** 17,000

- Typhoon Rips Through Cemetery; Hundreds Dead

- Man Struck by Lightning Faces Battery Charge

- New Study of Obesity Looks for Larger Test Group

- Astronaut Takes Blame for Gas in Spacecraft

- Kids Make Nutritious Snacks

- Chef Throws His Heart into Helping Feed Needy

- Arson Suspect is Held in Massachusetts Fire

- British Union Finds Dwarfs in Short Supply

- Ban On Soliciting Dead in Trotwood

- Lansing Residents Can Drop Off Trees

- Local High School Dropouts Cut in Half

- New Vaccine May Contain Rabies

- Man Minus Ear Waives Hearing

- Deaf College Opens Doors to Hearing

- Air Head Fired

- Steals Clock, Faces Time

- Prosecutor Releases Probe into Undersheriff

- Old School Pillars are Replaced by Alumni

- Bank Drive-in Window Blocked by Board

- Hospitals are Sued by 7 Foot Doctors

- Some Pieces of Rock Hudson Sold at Auction

- *** Education Delayed, Teachers Request Training





HAVE A FABULOUS SUNDAY!

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