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I've been acquainted with the following
psychoactives compounds:

Depressants & Dissociatives;
Ethanol / EtOH / alcohol, drink, *****
γ-Hydroxybutyric acid / GHB / G, fantasy
β-Phenyl-γ-aminobutyric acid / PhGABA / Phenibut
Dextromethorphan / DXM / Benylin, Robitussin
Morphine / Papaver somniferum / *****
3-Methylmorphine / Codeine
Dihydrocodeine / DHC
Buprenorphine / Subutex, Suboxone
N-Allylnoroxymorphone / Naloxone / Suboxone, Narcan
Tramadol / Ultram
O-Desmethyltramadol/ O-DSMT / Omnitram
Thiopental / Sodium Pentothal
Diazepam / ******
2'-Chlorodiazepam / Ro5-3448 / Diclazepam
4'-Chlorodiazepam / Ro5-4864
Chlordiazepoxide / Librium
Gidazepam, hidazepam
Desalkylgidazepam / Bromonordiazepam
N-Desalkylfluarazepam / Norfluarazepam
Flubromazepam
Alprazolam / Xanax
Bromazolam / XLI-268
Clonazolam, Clonitrazolam / Clam
Etizolam / Etilaam, Etizest
Flualprazolam
Flubromazolam
Zopiclone / Zimovane
Pagoclone
Promethazine / Phenergan
Diphenhydramine / DPH / Benadryl, Nytol
Chlorphenamine, chlorpheniramine / CPM / Piriton
Cetirizine / Zyrtec
Amitriptyline / Elavil
Tianeptine / Coaxil, Stablon
Mirtazapine / Remeron
Quetiapine / Seroquel
Nitrous Oxide / N2O / laughing gas
Amyl Nitrite / Poppers
Ketamine [racemic] / K, Kitty
Esketamine [S-isomer] / Special K
Deschloroketamine / 2'-Oxo-PCM / DCK
N-ethyldeschloroketamine / 2'-Oxo-PCE / O-PCE / Eticyclidone
Deoxymethoxetamine / 3-Me-2′-Oxo-PCE / DMXE
Methoxetamine / 3-MeO-2'-Oxo-PCE / MXE / Mexxy
Hydroxetamine / 3-**-2'-Oxo-PCE / HXE / Hexxy
Methoxpropamine / 2-Oxo-3'-MeO-PCPr / MXPr
Methoxisopropamine / 2-Oxo-3'-MeO-PCiPr / MXiPr
3-Hydroxyphencyclidine / 3-**-***
3-Methoxyphencyclidine / 3-MeO-***
3-Methoxyeticyclidine / 3-MeO-PCE
3-Methyleticyclidine / 3-Me-PCE

Stimulants & Enhancers;
1,3,7-Trimethylxanthine / Caffeine / Coffea, Camellia sinensis / Coffee, Tea
3,7-dimethylxanthine / Theobromine / [constituent of] Chocolate
N-Ethyl-L-glutamine / L-Theanine / [constituent of] Green Tea
Nicotine / Nicotiana / Tobacco, cigarettes, smokes
Ephedrine / Ephedra
Pseudoephedrine / Ephedra, Sudafed
Adrenaline, Epinephrine
Choline bitartrate
L-alpha glycerylphosphorylcholine / Alpha-GPC, Choline alfoscerate
Cytidine 5'-diphosphocholine / CDP-choline, Citicoline
N-Acetylcysteine / NAC
2-Dimethylaminoethyl (4-chlorophenoxy)acetate / Meclofenoxate
N-Phenylacetyl-L-prolylglycine ethyl ester / Omberacetam / Noopept
Coluracetam / BCI-540
4-Phenylpiracetam
Propranolol
(±)-2-Benzhydrylsulfinyleth­anehydroxamic acid / Adrafinil
(±)-2-[(Diphenylmethyl)sulfinyl]acetamide / Modafinil
(–)-2-[(R)-(diphenylmethyl)sulfinyl]acetamide / Armodafinil
α-Methylphenethylamine / Amphetamine, αMP / Speed
N-Methylamphetamine / Methamphetamine / ****
Lisdexamfetamine / Vyvanse, Tyvense, Elvanse
2-Fluoromethamphetamine / 2-FMA
3-Fluoroamphetamine / 3-FA /  PAL-353
4-Fluoroamphetamine / 4-FA, 4-FMP /  PAL-303 / Flux
4-Methoxyamphetamine / PMA, 4-MA / Death
5-Methoxy-2-aminoindane / MEAI, 5-MeO-AI / Chaperone, Pace
Methythiolpropamine / MPA / Blow
3-Fluorophenmetrazine / 3-FPM / PAL-593
Methylphenidate / MPH / Ritalin, Concerta
4-Fluoromethylphenidate / 4F-MPH
4-Fluoroethylphenidate / 4F-EPH
3-Methylmethcathinone / 3-MMC / Metaphedrone
3-Methylethcathinone / 3-MEC
4-Methylmethcathinone / 4-MMC / Mephedrone
4-Methylethcathinone / 4-MEC
3-Chloro-N-tert-butyl-cathinone / Bupropion / Wellbutrin, Zyban
4-Chloromethcathinone / 4-CMC / Clephedrone
4-Fluoromethcathinone / 4-FMC / Flephedrone
4-Fluoro-α-methylaminovalerophenone / 4-Fluoropentedrone / 4-FPD
α-Ethylaminocaprophenone / N-Ethylhexedrone / NEH / Hexen
alpha-Pyrrolidinohexiophenone / α-PHP / PV-7
alpha-Pyrrolidinoisohexaphenone / α-PiHP, α-PHiP
3,4-Methylenedioxy-α-pyrrolidinohexiophenone / MDPHP
3,4-Methyl​enedioxy​pentedrone / βk-MBDP / Pentylone
3,4-Methylenedioxymethcathinone / βk-MDMA / MDMC / Methylone
3,4-Methylenedioxymethamphetamine / MDMA / ecstasy
5-(2-methylaminopropyl)benzofuran / 5-MAPB
6-(2-Aminopropyl)benzofuran / 6-APB / Benzofury
6-(2-Aminopropyl)-2,3-dihydrobenzofuran / 6-APDB / 4-desoxy-MDA
Mesembrine / Sceletium tortuosum, Kanna
Harmine / Peganum harmala / Syrian Rue
3,4,8-Trimethoxyphenanthrene-2,5-diol / Dendrobium nobile
NSI-189
4-chloro-N-(2-morpholin-4-ylethyl)benzamide / Moclobemide
Escitalopram / Cipralex, Lexapro
Fluoxetine / Prozac
Sertraline / Zoloft
Venlafaxine / Effexor
5-Hydroxytryptophan / 5-HTP / Oxitryptan

Hallucinogens & Psychedelics;
Cannabidiol / CBD / Cannabis
Cannabigerol / CBG / Cannabis
Δ9-Tetrahydrocannabinol / THC / Cannabis, Marijuana
Hexahydrocannabinol / HHC
AM-2201 / Synth-'noids, Spice
NM-2201 / CBL-2201
5C-AB-PINICA
Salvinorin A  / Salvia Divinorum / Diviner's Sage
d-Lysergic acid amide / d-Lysergamide / LSA / Ergine
Lysergic acid diethylamide / Lysergide / LSD, LAD / Acid, Lucy
Lysergic acid 2,4-dimethylazetidide / LSZ / Diazedine, Lambda, λ
1-Acetyl-lysergic acid diethylamide / 1A-LSD / ALD-52
1-Propionyl-lysergic acid diethylamide / 1P-LSD
1-Cyclopropionyl-N-Methyl-N-isopropyllysergamide / 1cP-MiPLA
6-Allyl-6-nor-lysergic acid diethylamide / AL-LAD / Aladdin
2,5-Dimethoxy-4-methylamphetamine / DOM / Dominic
2,5-Dimethoxy-4-bromoamphetamine / DOB / Aphrodite
2,5-Dimethoxy-4-chloroamphetamine / DOC / Doctor
2,5-Dimethoxy-4-methylthioamphetamine / DOT / Aleph
2,5-Dimethoxy-4-methyl-α-ethylphenethylamine / 4C-D / Ariadne
2,5-Dimethoxy-4-methylphenethylamine / 2C-D, 2C-M / Matrix
2,5-Dimethoxy-4-ethylphenethylamine / 2C-E / Eternity
2,5-Dimethoxy-4-bromophenethylamine / 2C-B / Nexus
2,5-Dimethoxy-4-chlorophenethylamine / 2C-C / Callisto
2,5-Dimethoxy-4-iodophenethylamine / 2C-I / Infinity
2,5-Dimethoxy-4-methylthiophenethylamine / 2C-T / Tesseract
2,5-Dimethoxy-4-ethylthiophenethylamine / 2C-T-2 / Rosy
2,5-Dimethoxy-4-fluoroethylthiophenethylamine / 2C-T-21 / Aurora
2,5-Dimethoxy-4-bromo-β-keto-phenethylamine / βk-2C-B
2,5-Dimethoxy-4-bromo-β-hydroxy-phenethylamine / βOH-2C-B / BOHB
2,3,6,7-Benzo-dihydro-difuran-8-bromo-ethylamine / 2C-B-FLY
2,5-Dimethoxy-N-(2-methoxybenzyl)-4-bromophenethylamine / 25B
2,5-Dimethoxy-N-(2-methoxybenzyl)-4-chlorophenethylamine / 25C
2,5-Dimethoxy-N-(2-methoxybenzyl)-4-iodophenethylamine / 25I
2,5-Dimethoxy-N-(2-hydroxybenzyl)-4-ethylphenethylamine / 25E-NBOH
3,4-Methylenedioxyamphetamine / MDA / Sass, Sally
3,4,5-Trimethoxyphenethylamine / Mescaline / M
3,5-Dimethoxy-4-ethoxyphenethylamine / Escaline
3,5-Dimethoxy-4-methallyloxyphenethylamine / Methallylescaline / MAL
α-Methyltryptamine / αMT / Indopan
N,N-dimethyltryptamine / DMT / The Spirit
N,N-dipropyltryptamine / DPT / The Light
N,N-Diisopropyltryptamine / DiPT / The Sound
N-Methyl-N-ethyltryptamine / MET / The Colour
N-Methyl-N-propyltryptamine / MPT
N-Ethyl-N-propyltryptamine / EPT
N-Methyl-N-isopropyltryptamine / MiPT / The Touch
4-Hydroxy-dimethyltryptamine / 4-**-DMT / Psilocybe / Psilocin
4-Phosphoryloxy-N,N-dimethyltryptamine / 4-PO-DMT / Psilocybin
4-Acetoxy-dimethyltryptamine / 4-AcO-DMT / Psilacetin
4-Hydroxy-N-methyl-N-ethyltryptamine / 4-**-MET / Metocin
4-Acetoxy-N-methyl-N-ethyltryptamine / 4-AcO-MET / Metacetin
4-Acetyloxy-N,N-dipropyltryptamine / 4-AcO-DPT / Pracetin
4-Acetoxy-N-methyl-N-cyclopropyltryptmine / 4-AcO-McPT
4-Acetoxy-N-methyl-N-isopropyltryptamine / 4-AcO-MiPT / Mipracetin
4-Hydroxy-N-methyl-N-isopropyltryptamine / 4-**-MiPT / Miprocin
5-Methoxy-N,N-dimethyltryptamine / 5-MeO-DMT / The God, The Power
5-Methoxy-N-methethyltryptamine / 5-MeO-MET / The Vision
5-Methoxy-N,N-diallyltryptamine / 5-MeO-DALT / Foxtrot
5-Methoxy-N-diisopropyltryptamine / 5-MeO-DiPT / Foxy
5-Methoxy-N-methyl-N-isopropyltryptamine / 5-MeO-MiPT / Moxy
Each of our interior universes differ, their exploration is not a competition.
This list is merely a personal reference for my own psychoactive history.
I have come to disavow psychonautics in favor of phenomenology or philosophy of mind.
This English Thames is holier far than Rome,
Those harebells like a sudden flush of sea
Breaking across the woodland, with the foam
Of meadow-sweet and white anemone
To fleck their blue waves,—God is likelier there
Than hidden in that crystal-hearted star the pale monks bear!

Those violet-gleaming butterflies that take
Yon creamy lily for their pavilion
Are monsignores, and where the rushes shake
A lazy pike lies basking in the sun,
His eyes half shut,—he is some mitred old
Bishop in partibus! look at those gaudy scales all green and gold.

The wind the restless prisoner of the trees
Does well for Palaestrina, one would say
The mighty master’s hands were on the keys
Of the Maria *****, which they play
When early on some sapphire Easter morn
In a high litter red as blood or sin the Pope is borne

From his dark House out to the Balcony
Above the bronze gates and the crowded square,
Whose very fountains seem for ecstasy
To toss their silver lances in the air,
And stretching out weak hands to East and West
In vain sends peace to peaceless lands, to restless nations rest.

Is not yon lingering orange after-glow
That stays to vex the moon more fair than all
Rome’s lordliest pageants! strange, a year ago
I knelt before some crimson Cardinal
Who bare the Host across the Esquiline,
And now—those common poppies in the wheat seem twice as fine.

The blue-green beanfields yonder, tremulous
With the last shower, sweeter perfume bring
Through this cool evening than the odorous
Flame-jewelled censers the young deacons swing,
When the grey priest unlocks the curtained shrine,
And makes God’s body from the common fruit of corn and vine.

Poor Fra Giovanni bawling at the mass
Were out of tune now, for a small brown bird
Sings overhead, and through the long cool grass
I see that throbbing throat which once I heard
On starlit hills of flower-starred Arcady,
Once where the white and crescent sand of Salamis meets sea.

Sweet is the swallow twittering on the eaves
At daybreak, when the mower whets his scythe,
And stock-doves murmur, and the milkmaid leaves
Her little lonely bed, and carols blithe
To see the heavy-lowing cattle wait
Stretching their huge and dripping mouths across the farmyard gate.

And sweet the hops upon the Kentish leas,
And sweet the wind that lifts the new-mown hay,
And sweet the fretful swarms of grumbling bees
That round and round the linden blossoms play;
And sweet the heifer breathing in the stall,
And the green bursting figs that hang upon the red-brick wall,

And sweet to hear the cuckoo mock the spring
While the last violet loiters by the well,
And sweet to hear the shepherd Daphnis sing
The song of Linus through a sunny dell
Of warm Arcadia where the corn is gold
And the slight lithe-limbed reapers dance about the wattled fold.

And sweet with young Lycoris to recline
In some Illyrian valley far away,
Where canopied on herbs amaracine
We too might waste the summer-tranced day
Matching our reeds in sportive rivalry,
While far beneath us frets the troubled purple of the sea.

But sweeter far if silver-sandalled foot
Of some long-hidden God should ever tread
The Nuneham meadows, if with reeded flute
Pressed to his lips some Faun might raise his head
By the green water-flags, ah! sweet indeed
To see the heavenly herdsman call his white-fleeced flock to feed.

Then sing to me thou tuneful chorister,
Though what thou sing’st be thine own requiem!
Tell me thy tale thou hapless chronicler
Of thine own tragedies! do not contemn
These unfamiliar haunts, this English field,
For many a lovely coronal our northern isle can yield

Which Grecian meadows know not, many a rose
Which all day long in vales AEolian
A lad might seek in vain for over-grows
Our hedges like a wanton courtesan
Unthrifty of its beauty; lilies too
Ilissos never mirrored star our streams, and cockles blue

Dot the green wheat which, though they are the signs
For swallows going south, would never spread
Their azure tents between the Attic vines;
Even that little **** of ragged red,
Which bids the robin pipe, in Arcady
Would be a trespasser, and many an unsung elegy

Sleeps in the reeds that fringe our winding Thames
Which to awake were sweeter ravishment
Than ever Syrinx wept for; diadems
Of brown bee-studded orchids which were meant
For Cytheraea’s brows are hidden here
Unknown to Cytheraea, and by yonder pasturing steer

There is a tiny yellow daffodil,
The butterfly can see it from afar,
Although one summer evening’s dew could fill
Its little cup twice over ere the star
Had called the lazy shepherd to his fold
And be no prodigal; each leaf is flecked with spotted gold

As if Jove’s gorgeous leman Danae
Hot from his gilded arms had stooped to kiss
The trembling petals, or young Mercury
Low-flying to the dusky ford of Dis
Had with one feather of his pinions
Just brushed them! the slight stem which bears the burden of its suns

Is hardly thicker than the gossamer,
Or poor Arachne’s silver tapestry,—
Men say it bloomed upon the sepulchre
Of One I sometime worshipped, but to me
It seems to bring diviner memories
Of faun-loved Heliconian glades and blue nymph-haunted seas,

Of an untrodden vale at Tempe where
On the clear river’s marge Narcissus lies,
The tangle of the forest in his hair,
The silence of the woodland in his eyes,
Wooing that drifting imagery which is
No sooner kissed than broken; memories of Salmacis

Who is not boy nor girl and yet is both,
Fed by two fires and unsatisfied
Through their excess, each passion being loth
For love’s own sake to leave the other’s side
Yet killing love by staying; memories
Of Oreads peeping through the leaves of silent moonlit trees,

Of lonely Ariadne on the wharf
At Naxos, when she saw the treacherous crew
Far out at sea, and waved her crimson scarf
And called false Theseus back again nor knew
That Dionysos on an amber pard
Was close behind her; memories of what Maeonia’s bard

With sightless eyes beheld, the wall of Troy,
Queen Helen lying in the ivory room,
And at her side an amorous red-lipped boy
Trimming with dainty hand his helmet’s plume,
And far away the moil, the shout, the groan,
As Hector shielded off the spear and Ajax hurled the stone;

Of winged Perseus with his flawless sword
Cleaving the snaky tresses of the witch,
And all those tales imperishably stored
In little Grecian urns, freightage more rich
Than any gaudy galleon of Spain
Bare from the Indies ever! these at least bring back again,

For well I know they are not dead at all,
The ancient Gods of Grecian poesy:
They are asleep, and when they hear thee call
Will wake and think ‘t is very Thessaly,
This Thames the Daulian waters, this cool glade
The yellow-irised mead where once young Itys laughed and played.

If it was thou dear jasmine-cradled bird
Who from the leafy stillness of thy throne
Sang to the wondrous boy, until he heard
The horn of Atalanta faintly blown
Across the Cumnor hills, and wandering
Through Bagley wood at evening found the Attic poets’ spring,—

Ah! tiny sober-suited advocate
That pleadest for the moon against the day!
If thou didst make the shepherd seek his mate
On that sweet questing, when Proserpina
Forgot it was not Sicily and leant
Across the mossy Sandford stile in ravished wonderment,—

Light-winged and bright-eyed miracle of the wood!
If ever thou didst soothe with melody
One of that little clan, that brotherhood
Which loved the morning-star of Tuscany
More than the perfect sun of Raphael
And is immortal, sing to me! for I too love thee well.

Sing on! sing on! let the dull world grow young,
Let elemental things take form again,
And the old shapes of Beauty walk among
The simple garths and open crofts, as when
The son of Leto bare the willow rod,
And the soft sheep and shaggy goats followed the boyish God.

Sing on! sing on! and Bacchus will be here
Astride upon his gorgeous Indian throne,
And over whimpering tigers shake the spear
With yellow ivy crowned and gummy cone,
While at his side the wanton Bassarid
Will throw the lion by the mane and catch the mountain kid!

Sing on! and I will wear the leopard skin,
And steal the mooned wings of Ashtaroth,
Upon whose icy chariot we could win
Cithaeron in an hour ere the froth
Has over-brimmed the wine-vat or the Faun
Ceased from the treading! ay, before the flickering lamp of dawn

Has scared the hooting owlet to its nest,
And warned the bat to close its filmy vans,
Some Maenad girl with vine-leaves on her breast
Will filch their beech-nuts from the sleeping Pans
So softly that the little nested thrush
Will never wake, and then with shrilly laugh and leap will rush

Down the green valley where the fallen dew
Lies thick beneath the elm and count her store,
Till the brown Satyrs in a jolly crew
Trample the loosestrife down along the shore,
And where their horned master sits in state
Bring strawberries and bloomy plums upon a wicker crate!

Sing on! and soon with passion-wearied face
Through the cool leaves Apollo’s lad will come,
The Tyrian prince his bristled boar will chase
Adown the chestnut-copses all a-bloom,
And ivory-limbed, grey-eyed, with look of pride,
After yon velvet-coated deer the ****** maid will ride.

Sing on! and I the dying boy will see
Stain with his purple blood the waxen bell
That overweighs the jacinth, and to me
The wretched Cyprian her woe will tell,
And I will kiss her mouth and streaming eyes,
And lead her to the myrtle-hidden grove where Adon lies!

Cry out aloud on Itys! memory
That foster-brother of remorse and pain
Drops poison in mine ear,—O to be free,
To burn one’s old ships! and to launch again
Into the white-plumed battle of the waves
And fight old Proteus for the spoil of coral-flowered caves!

O for Medea with her poppied spell!
O for the secret of the Colchian shrine!
O for one leaf of that pale asphodel
Which binds the tired brows of Proserpine,
And sheds such wondrous dews at eve that she
Dreams of the fields of Enna, by the far Sicilian sea,

Where oft the golden-girdled bee she chased
From lily to lily on the level mead,
Ere yet her sombre Lord had bid her taste
The deadly fruit of that pomegranate seed,
Ere the black steeds had harried her away
Down to the faint and flowerless land, the sick and sunless day.

O for one midnight and as paramour
The Venus of the little Melian farm!
O that some antique statue for one hour
Might wake to passion, and that I could charm
The Dawn at Florence from its dumb despair,
Mix with those mighty limbs and make that giant breast my lair!

Sing on! sing on!  I would be drunk with life,
Drunk with the trampled vintage of my youth,
I would forget the wearying wasted strife,
The riven veil, the Gorgon eyes of Truth,
The prayerless vigil and the cry for prayer,
The barren gifts, the lifted arms, the dull insensate air!

Sing on! sing on!  O feathered Niobe,
Thou canst make sorrow beautiful, and steal
From joy its sweetest music, not as we
Who by dead voiceless silence strive to heal
Our too untented wounds, and do but keep
Pain barricadoed in our hearts, and ****** pillowed sleep.

Sing louder yet, why must I still behold
The wan white face of that deserted Christ,
Whose bleeding hands my hands did once enfold,
Whose smitten lips my lips so oft have kissed,
And now in mute and marble misery
Sits in his lone dishonoured House and weeps, perchance for me?

O Memory cast down thy wreathed shell!
Break thy hoarse lute O sad Melpomene!
O Sorrow, Sorrow keep thy cloistered cell
Nor dim with tears this limpid Castaly!
Cease, Philomel, thou dost the forest wrong
To vex its sylvan quiet with such wild impassioned song!

Cease, cease, or if ‘t is anguish to be dumb
Take from the pastoral thrush her simpler air,
Whose jocund carelessness doth more become
This English woodland than thy keen despair,
Ah! cease and let the north wind bear thy lay
Back to the rocky hills of Thrace, the stormy Daulian bay.

A moment more, the startled leaves had stirred,
Endymion would have passed across the mead
Moonstruck with love, and this still Thames had heard
Pan plash and paddle groping for some reed
To lure from her blue cave that Naiad maid
Who for such piping listens half in joy and half afraid.

A moment more, the waking dove had cooed,
The silver daughter of the silver sea
With the fond gyves of clinging hands had wooed
Her wanton from the chase, and Dryope
Had ****** aside the branches of her oak
To see the ***** gold-haired lad rein in his snorting yoke.

A moment more, the trees had stooped to kiss
Pale Daphne just awakening from the swoon
Of tremulous laurels, lonely Salmacis
Had bared his barren beauty to the moon,
And through the vale with sad voluptuous smile
Antinous had wandered, the red lotus of the Nile

Down leaning from his black and clustering hair,
To shade those slumberous eyelids’ caverned bliss,
Or else on yonder grassy ***** with bare
High-tuniced limbs unravished Artemis
Had bade her hounds give tongue, and roused the deer
From his green ambuscade with shrill halloo and pricking spear.

Lie still, lie still, O passionate heart, lie still!
O Melancholy, fold thy raven wing!
O sobbing Dryad, from thy hollow hill
Come not with such despondent answering!
No more thou winged Marsyas complain,
Apollo loveth not to hear such troubled songs of pain!

It was a dream, the glade is tenantless,
No soft Ionian laughter moves the air,
The Thames creeps on in sluggish leadenness,
And from the copse left desolate and bare
Fled is young Bacchus with his revelry,
Yet still from Nuneham wood there comes that thrilling melody

So sad, that one might think a human heart
Brake in each separate note, a quality
Which music sometimes has, being the Art
Which is most nigh to tears and memory;
Poor mourning Philomel, what dost thou fear?
Thy sister doth not haunt these fields, Pandion is not here,

Here is no cruel Lord with murderous blade,
No woven web of ****** heraldries,
But mossy dells for roving comrades made,
Warm valleys where the tired student lies
With half-shut book, and many a winding walk
Where rustic lovers stray at eve in happy simple talk.

The harmless rabbit gambols with its young
Across the trampled towing-path, where late
A troop of laughing boys in jostling throng
Cheered with their noisy cries the racing eight;
The gossamer, with ravelled silver threads,
Works at its little loom, and from the dusky red-eaved sheds

Of the lone Farm a flickering light shines out
Where the swinked shepherd drives his bleating flock
Back to their wattled sheep-cotes, a faint shout
Comes from some Oxford boat at Sandford lock,
And starts the moor-hen from the sedgy rill,
And the dim lengthening shadows flit like swallows up the hill.

The heron passes homeward to the mere,
The blue mist creeps among the shivering trees,
Gold world by world the silent stars appear,
And like a blossom blown before the breeze
A white moon drifts across the shimmering sky,
Mute arbitress of all thy sad, thy rapturous threnody.

She does not heed thee, wherefore should she heed,
She knows Endymion is not far away;
’Tis I, ’tis I, whose soul is as the reed
Which has no message of its own to play,
So pipes another’s bidding, it is I,
Drifting with every wind on the wide sea of misery.

Ah! the brown bird has ceased:  one exquisite trill
About the sombre woodland seems to cling
Dying in music, else the air is still,
So still that one might hear the bat’s small wing
Wander and wheel above the pines, or tell
Each tiny dew-drop dripping from the bluebell’s brimming cell.

And far away across the lengthening wold,
Across the willowy flats and thickets brown,
Magdalen’s tall tower tipped with tremulous gold
Marks the long High Street of the little town,
And warns me to return; I must not wait,
Hark! ’Tis the curfew booming from the bell at Christ Church gate.
Terry Collett Jun 2013
Bernice sits in the seat of the bus
and moves to its motion.
She smiles at the thought
of Ariadne dressing that morning;

the slow removal of the nightgown,
the hands holding and lifting
over her head; the brief nakedness;
the pulling over her head

of the I LOVE *** tee shirt;
the slipping on of blue jeans.
Once dressed she leaned over
and kissed Bernice’s head.

Come on you lazy *****,
get yourself out of that
love nest, she had said.
Someone sits next to her

on the bus; disturbing her
thoughts; breaking up images.
She looks at the person
beside her: a man of forty

something. She looks away.
Ariadne is constantly in her
thoughts. She knows her well.
She can sense her presence

even without seeing her.
She knows each part of her body
as she dies her own; has lain
in the arms and felt the small

bosoms press against her.
Her one fear was the loss of her;
the taking away of her being;
the coming of age and death;

the coming of illness and departure.
Live for the day, Ariadne said,
tomorrow’s fiction. Bernice closes
her eyes; brings to mind Ariadne’s face;

the look of her; the eyes;
the way the lips moves;
the sway of her hips when
she moves from here to there;

the feel of her finger along
her skin; that closeness, that
love, what others call sin.
Terry Collett Dec 2013
Ariadne
liked her *** best

on an armchair
or the sofa

with her lover
Bernice, in charge

of the *** games,
especially

those involving
sweat cream being

slowly licked off
of her body,

or a warm tongue
moving between

her naked thighs,
which, through pleasure

over again,
brought the warm tears

to her dark eyes.
And in moments

reflecting back
to her childhood

and her father's
cruel sadistic

abusive ways,
she wondered how

over the years,
she kept intact

inside her mind
and injured heart

and tortured skin,
the deep seated

capacity
to allow love

not to be spoilt,
or the places

he had tainted,
to be tabooed

to her lover,
especially

when she slowly
slides her finger

along her spine
or between legs

satisfying
her paradise,

her pudendum,
as her lover,

laughing, calls it.
But most of all,

despite the past
of abusive

hurts and foul touch,
she still has that

ability
to overcome

the dark years,
to love her hot

lover, Bernice,
that **** *****,

all too human,
and all too much.
Pyrrha Aug 2021
A toast to the two of us
Left behind, forgotten over time
Used as pawns of pleasure and tossed aside
Maps to hidden treasures abandoned after the journey

A toast to the two of us
On this day where we are one
Where I see you
And you see me

Ariadne
A toast to you,
For no particular reason

A toast to us,
For all that we can be
Let the stars commemorate this day
So for eternity we can see it
Carved into the sky
And no one will ever forget or use you again

A toast to us,
For all that we will be
Let my love be enough for you
To quell your tears and give you joy forever
To Hades and back, my dedication to you is eternal
The stars refer to Corona, the crown Dionysus gave to Ariadne on their wedding day and turned into a constellation
On December the tenth day
When it was night, down I lay
Right there as I was wont to do
And fell asleep wondrous soon,
As he that weary was as who
On pilgrimage went miles two
To the shrine of Saint Leonard,
To make easy what was hard.
But as I slept, I dreamed I was
Within a temple made of glass
In which there were more images
Of gold, tiered in sundry stages,
And more rich tabernacles,
And with more gemmed pinnacles,
And more curious portraiture,
And intricate kinds of figure
Of craftsmanship than ever I saw.
For certainly, I knew no more
Of where I was, but plain to see
Venus owned most certainly
That temple, for in portraiture
I at once saw her figure
Naked, floating in the sea.
And also on her head, indeed,
Her rose garland white and red,
And her comb to comb her head,
Her doves, and her blind son
Lord Cupid, and then Vulcan,
Whose face was swarthy brown.
And as I roamed up and down,
I saw that on a wall there was
Thus written on a piece of brass:
‘I will now sing, if that I can,
The arms, and also the man
Who first, pursuing destiny,
Fugitive from Troy’s country,
To Italy, with pain, did come,
To the shores of Lavinium.’
And then begin the tale at once,
That I shall tell to you each one.
First I saw the destruction
Of Troy, through the Greek Sinon,
Who with his false forswearing
And his outward show and lying,
Had the horse brought into Troy
By which the Trojans lost their joy,
And after this was engraved, alas,
How Ilium assailed was
And won, and King Priam slain,
And Polytes his son, for certain,
Cruelly by Lord Pyrrhus.
And next to this, I saw how Venus
When that she saw the castle’s end,
Down from the heavens did descend
And urged her son Aeneas to flee;
And how he fled, and how that he
Escaped from all the cruelties,
And took his father Anchises
And bore him on his back away,
Crying, ‘Alas!’ and ‘Well-away!’
That same Anchises, in his hand,
Bore the gods of the land,
Those that were not burnt wholly.
And I saw next, in this company,
How Creusa, Lord Aeneas’ wife,
Whom he loved as he did his life,
And their young son Julus,
Also called Ascanius,
Fled too, and fearful did appear,
That it was a pity them to hear;
And through a forest as they went,
At a place where the way bent,
How Creusa was lost, alas,
And died, I know not how it was:
How he sought her and how her ghost
Urged him to flee the Greek host,
And said he must go to Italy,
Without fail, it was his destiny;
That it was a pity thus to hear,
When her spirit did appear,
The words that to him she said:
Let him protect their son she prayed.
There saw I graven too how he,
His father also, and company,
In his fleet took sail swiftly
Towards the land of Italy,
As directly as they could go.
There I saw you, cruel Juno,
That is Lord Jupiter’s wife,
Who did hate, all their life,
All those of Trojan blood,
Run and shout, as if gone mad,
To ******, the god of winds,
To blow about, all their kinds,
So fierce, that he might drench
Lord and lady, groom and *****,
Of all the Trojan nation
Without hope of salvation.
There saw I such a tempest rise
That every heart might hear the cries
Of those but painted on the wall.
There saw I graven there withal,
Venus, how you, my lady dear,
Weeping with great loss of cheer,
Prayed to Jupiter on high
To save and keep the fleet alive
Of the Trojan Aeneas,
Since that he her son was.
There saw I Jove Venus kiss,
And grant that the tempest cease.
Then saw I how the tempest went,
And how painfully Aeneas bent
His secret course, to reach the bay
In the country of Carthage;
And on the morrow, how that he
And a knight called Achates
Met with Venus on that day,
Going in her bright array
As if she was a huntress,
The breeze blowing every tress;
How Aeneas did complain,
When he saw her, of his pain,
And how his ships shattered were,
Or else lost, he knew not where;
How she comforted him so
And bade him to Carthage go,
And there he should his folk find
That on the sea were left behind.
And, swiftly through this to pace,
She made Aeneas know such grace
Of Dido, queen of that country,
That, briefly to tell it, she
Became his love and let him do
All that belongs to marriage true.
Why should I use more constraint,
Or seek my words to paint,
In speaking of love? It shall not be;
I know no such facility.
And then to tell the manner
Of how they met each other,
Were a process long to tell,
And over-long on it to dwell.
There was graved how Aeneas
Told Dido everything that was
Involved in his escape by sea.
And after graved was how she
Made of him swiftly, at a word,
Her life, her love, her joy, her lord,
And did him all the reverence
Eased him of all the expense
That any woman could so do,
Believing everything was true
He swore to her, and thereby deemed
That he was good, for such he seemed.
Alas, what harm wreaks appearance
When it hides a false existence!
For he to her a traitor was,
Wherefore she slew herself, alas!
Lo, how a woman goes amiss
In loving him that unknown is,
For, by Christ, lo, thus it fares:
All is not gold that glitters there.
For, as I hope to keep my head,
There may under charm instead
Be hidden many a rotten vice;
Therefore let none be so nice
As to judge a love by how he appear
Or by speech, or by friendly manner;
For this shall every woman find:
That some men are of that kind
That show outwardly their fairest,
Till they have got what they miss.
And then they will reasons find
Swearing how she is unkind,
Or false, or secret lover has.
All this say I of Aeneas
And Dido, so soon obsessed,
Who loved too swiftly her guest;
Therefore I will quote a proverb,
That ‘he who fully knows the herb
May safely set it to his eye’;
Certainly, that is no lie.
But let us speak of Aeneas,
How he betrayed her, alas,
And left her full unkindly.
So when she saw all utterly
That he would fail in loyalty
And go from her to Italy,
She began to wring her hands so.
‘Alas,’ quoth she, ‘here is my woe!
Alas, is every man untrue,
Who every year desires a new,
If his love should so long endure,
Or else three, peradventure?
As thus: from one love he’d win fame
In magnifying of his name,
Another’s for friendship, says he;
And yet there shall a third love be,
Who shall be taken for pleasure,
Lo, or his own profit’s measure.’
In such words she did complain,
Dido, in her great pain
As I dreamed it, for certain,
No other author do I claim.
‘Alas!’ quoth she, ‘my sweet heart,
Have pity on my sorrow’s smart,
And slay me not! Go not away!
O woeful Dido, well-away!’
Quoth she to herself so.
‘O Aeneas, what will you do?
O, now neither love nor bond
You swore me with your right hand,
Nor my cruel death,’ quoth she,
‘May hold you here still with me!
O, on my death have pity!
Truly, my dear heart, truly,
You know full well that never yet,
Insofar as I had wit,
Have I wronged you in thought or deed.
Oh, are you men so skilled indeed
At speeches, yet never a grain of truth?
Alas, that ever showed ruth
Any woman for any man!
Now I see how to tell it, and can,
We wretched women have no art;
For, certainly, for the most part
Thus are we served every one.
However sorely you men groan,
As soon as we have you received
Certain we are to be deceived;
For, though your love last a season,
Wait upon the conclusion,
And look what you determine,
And for the most part decide on.
O, well-away that I was born!
For through you my name is gone
And all my actions told and sung,
Through all this land, on every tongue.
O wicked Fame, of all amiss
Nothing’s so swift, lo, as she is!
O, all will be known that exists
Though it be hidden by the mist.
And though I might live forever,
What I’ve done I’ll save never
From it always being said, alas,
I was dishonoured by Aeneas
And thus I shall judged be:
‘Lo, what she has done, now she
Will do again, assuredly’;
Thus people say all privately.
But what’s done cannot be undone.
And all her complaint, all her moan,
Avails her surely not a straw.
And when she then truly saw
That he unto his ships was gone,
She to her chamber went anon,
And called on her sister Anna,
And began to complain to her,
And said that she the cause was
That made her first love him, alas,
And had counselled her thereto.
But yet, when this was spoken too,
She stabbed herself to the heart,
And died of the wound’s art.
But of the manner of how she died,
And all the words said and replied,
Whoso to know that does purpose,
Read Virgil in the Aeneid, thus,
Or Heroides of Ovid try
To read what she wrote ere she died;
And were it not too long to indite,
By God, here I would it write.
But, well-away, the harm, the ruth
That has occurred through such untruth,
As men may oft in books read,
And see it everyday in deed,
That mere thinking of it pains.
Lo, Demophon, Duke of Athens,
How he forswore himself full falsely
And betrayed Phyllis wickedly,
The daughter of the King of Thrace,
And falsely failed of time and place;
And when she knew his falsity,
She hung herself by the neck indeed,
For he had proved of such untruth,
Lo, was this not woe and ruth?
And lo, how false and reckless see
Was Achilles to Briseis,
And Paris to Oenone;
And Jason to Hypsipyle;
And Jason later to Medea;
And Hercules to Deianira;
For he left her for Iole,
Which led to his death, I see.
How false, also, was Theseus,
Who, as the story tells it us,
Betrayed poor Ariadne;
The devil keep his soul company!
For had he laughed, had he loured,
He would have been quite devoured,
If Ariadne had not chanced to be!
And because she on him took pity,
She from death helped him escape,
And he played her full false a jape;
For after this, in a little while,
He left her sleeping on an isle,
Deserted, lonely, far in the sea,
And stole away, and let her be,
Yet took her sister Phaedra though
With him, and on board ship did go.
And yet he had sworn to her
By all that ever he might swear,
That if she helped to save his life,
He would take her to be his wife,
For she desired nothing else,
In truth, as the book so tells.
Yet, to excuse Aeneas
Partly for his great trespass,
The book says, truly, Mercury,
Bade him go into Italy,
And leave Africa’s renown
And Dido and her fair town.
Then saw I graved how to Italy
Lord Aeneas sailed all swiftly,
And how a tempest then began
And how he lost his steersman,
The steering-oar did suddenly
Drag him overboard in his sleep.
And also I saw how the Sibyl
And Aeneas, beside an isle,
Went to Hell, for to see
His father, noble Anchises.
How he there found Palinurus
And Dido, and Deiphebus;
And all the punishments of Hell
He saw, which are long to tell.
The which whoever wants to know,
He’ll find in verses, many a row,
In Virgil or in Claudian
Or Dante, who best tell it can.
Then I saw graved the entry
That Aeneas made to Italy,
And with Latinus his treaty,
And all the battles that he
Was in himself, and his knights,
Before he had won his rights;
And how he took Turnus’ life
And won Lavinia as his wife,
And all the omens wonderful
Of the gods celestial;
How despite Juno, Aeneas,
For all her tricks, brought to pass
The end of his adventure
Protected thus by Jupiter
At the request of Venus,
Whom I pray to ever save us
And make for us our sorrows light.
When I had seen all this sight
In the noble temple thus,
‘Oh Lord,’ thought I, ‘who made us,
I never yet saw such nobleness
In statuary, nor such richness
As I see graven in this church;
I know not who made these works,
Nor where I am, nor in what country.
But now I will go out and see,
At the small gate there, if I can
Find anywhere a living man
Who can tell me where I am.’
When I out of the door ran,
I looked around me eagerly;
There I saw naught but a large field,
As far as I could see,
Without town or house or tree,
Or bush or grass or ploughed land;
For all the field was only sand,
As fine-ground as with the eye
In Libyan desert’s seen to lie;
Nor any manner of creature
That is formed by Nature
Saw I, to advise me, in this,
‘O Christ,’ I thought, ‘who art in bliss,
From phantoms and from illusion
Save me!’ and with devotion
My eyes to the heavens I cast.
Then was I aware, at the last,
That, close to the sun, as high
As I might discern with my eye,
Me thought I saw an eagle soar,
Though its size seemed more
Than any eagle I had seen.
Yet, sure as death, all its sheen
Was of gold, it shone so bright
That never men saw such a sight,
Unless the heavens above had won,
All new of gold, another sun;
So shone the eagle’s feathers bright,
And downward it started to alight.
By Sir Geoffrey Chaucer
Patricia Drake Mar 2013
I  knew that he would be lost
I had played in the garden before
And despite his heroic might
He would perish like all those before

I had seen many heroes go in
And with crowd cheers thus end their days
For not one had been seen again
Once they entered the legendary maze

I think maybe the beast had got them
The vengeful Minotaurus dwelling inside
Hidden there for shame from my father's eyes
If they met him there'd be no place to hide

I had never really cared for the heroes
Always boasting and trying to seem smart
But Theseus was different from all of them
And he quickly endangered my heart

For he already placed his name
On the list of the heroes to go in
And I knew our love was to end
Before it was about to begin

So I called him and told him my plans
I would lend him some help to escape
Thus a small roll of yarn was sewn
In the hem of his hero's cape

In return for my loving aid
He would come for me if he returned
And he promised to make me his wife
That for my love alone he yearned

But a year passed and Theseus was gone
The were rumours of victory abroad
That my hero had slain the monster
And I saw how my plans were flawed

— The End —