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Mark Toney  Oct 2019
Amphorae
Mark Toney Oct 2019
Amphorae, beautifully crafted,
Delicate, exquisite, fire-glazed,
Heated in jumbo kilns,
Lovely molded necks,
Opaque pigments,
Quartzite residue-
Symbolic, timeless, utilitarian
Valued- with xanthic yellow zirconium
1/25/2019 - Poetry form:  ABC - In this instance, a poem in which every word begins with a successive letter of the alphabet. The first word begins with A, the second with B, the third with C, etc. - Copyright © Mark Toney | Year Posted 2019
Leiak, omnipresent vague pneuma-dancing spirit, ductile pious water of epiphany and extraordinary example, lives on the water with his parasitic chin in the Vernarthian epigram; he is seen with his jocular back, breaking the lines of the swamps between muscles and silhouettes. Before the First station..., primitive of the three remaining nights before reaching the volcano of Patmos, its deluge begins. "

It bathes in the Davidian, Alexandrian, and Vernarthian rains. A little touched he is seen and insubordinate in the astragali that he has gained in his allegories, squeezing his chest, exactly for the good of a wonderful Hellenistic city statue of the Dyticá, where he imbibed Vernarth's putti, adhering to the hydric spheres that fell over the ceilings of the heavens that Eros himself and his crush, which struck the heart axis of Medea, totally extracted from Zefian's quiver, constricted in Borker's nanotechnological sub-mythology. From the comedy of Attica and in the superb speeches of endo-adverbial satire, he stigmatized verbal changes of creation, superimposing them on tops of excesses carried by heavy drops inside some amphorae brought from the eastern sunset, tracking happiness that arrived on the western shores, waiting letters of sigh and loneliness stretched out on the thalamus full of stretch marks. So Leiak expanded, where everyone made fun of him being a satyr by essence, but being unaware of it. Perhaps as a unitary gesture of shadows when going to dawn, before having the best light that they put in figures or pirouettes, without disgracing him as a satirical minority in the Epicurean doctrine, he is inquiring a happy life through the intelligent search of innate pleasures, the ataraxia and in apocalyptic friendships with Zefian, Borker, and Kaitelka.

Borker did not intend to heal himself of trifles at all; it will be a habit to venerate the revelations against polytheism, to then cling to an interiority that points to corroded execration from the root to the top of the fallen tree, with force blinded by the blindness of the Automaton, as far as it is concerned. By itself, of identical significance in the background; but with so-called change that he tends to totally eliminate the last trait of personification of the divine. From this dilemma, the values will be spikes in his hands, sheaves in both, and what he envisions of Hellenism will be the property of nano-technology, submitting under the lens of time dividers that have never been pieces of rest under the Duoverse-Universe., the lens will be your Iridium and the microbes that govern us will be the atomic force, to discover them. What atomistic world will there be between Borker and Leiak, if in this nanoworld; The nanometer is one-billionth of a meter ?, What will be enough to start being tiny in this great epic, which is called Vernarth intra-spaces and inter-Verthians of the universal macrocosm, which will now approach the microcosm of human consciousness, and the laboratory of Epicurean affabilities in Ataraxias decreasing the passionate intensity of the Hypothalamus, and the supra desires that can alter the mental-corporal balance, strengthening in misery that they reach said balance, and finally happiness, which is a meta-plane of Epicurean convergence that runs after the lost. Ataraxia is, therefore, tranquility, serenity, and imperturbability analogous to Vernarth's soul, reason and feelings in his dislocated world, and the hemispheres of himself that will be rationalized in their slightest longitudinal measure, in what fits and in the precarious!

Passionate laboratories were magnetized every time Leiak walked on its extension, and his hands went beyond his fingers, touching the Constellation of Aorion, to indicate that the longitudinal metric of man is measured beyond the fingers of the Duoverse, where it appears the Extra-Cosmos in the proximal of a nano-scale is a submultiple of the conferred means of the Saint John the Apostle pattern. The scientific notation will be the safeguard of the magisterial scientist exponentiated brain; 10.1 mm = 10-3., the kilometer or km, is the opposite equivalent in what submultiples of the meter are called a micrometer: 1 μm = 10-6 m. In this scale we find bacteria, which constitute the main group of microbes, hence the name of the submultiple between observation scales of the macro and micro world of this being of Holographic Lux called Leiak, having the composition between this nanoscale, and the opposite of 1 μm = 10-6 m. projected onto a bacterium, which in turn is ten times larger than a viral body. Sizing enough to balance the biosphere that will surround the Automaton Mandragoron.
Leiak's world is an outpatient virtual laboratory, as it is valid in colloquial language, adhering to measures that differ by the conception of transliteration or decimal mathematical positioning. The letters and lines have been interpreted by Leiak, they are Vernarthian Parapsychologies that oscillate gaps of mismatch of billionths of wasted knowledge, in displays of ghostly reigns and in no-man's-land. This nanoscale makes us nano-poetize themes of ultra interference of the Epicurian decree, of tranquility, serenity, and imperturbability, with the meagerness that we know of the enlightened after a thousand moons writing under the stars:
"Woman when you touched my life with the grace of your fingers, I could see how the kind nights closed my eyes, caressing the entire Universe." This is undoubtedly Epicurean Nano Poetry, but the Author is Tagore "

The exponential oscillates in the parameter of the outstanding Astronomer of the divine verb and poetic thinking, in the most intimate and dynamic Hindu techno-language. Quantum mechanics here is the debit of the iconic remnant reached, by parameters not achieved below the average intelligence, providing lost data far from collecting and storing. Tagore's logic is nano-poetry, which balances billionths that are not achieved by occupying the Corporal Dytiká (poetic sunset) and the synchronic soul, rather the material simultaneity of the fifth element of will, emotional and objective desire, condensing into matter already conferred consciousness, in gaps in fit at all times, but linking it to her divinity as intelligence never before out of date; V.G. The Mashiach is always linked to the vertebral and communicational axon of the plasma nano-particles by grasping its infinite numinosity, making this scale it's one billionth, and being within the Eras that will be the largest average of the macrocosm, in the quantum itself of the Christian Era and in other Quantum worlds.

Strictly speaking, the molecules are angels without a will, but the dispensers are the consciousness of Leiak, which transfers hybrid consciousness, for purposes of regulating and shaping the ravings of intelligence and atheistic consciousness, and for purposes of the great remnant always present and active in the emergency. Spirituality of the Mashiach-revolutionized. The by-product will be Zefian's Tetra Sagita with its ergonomic tip, opening up doubts and tracing the future of a rewritten bible in the same character and fidelity, but with the omnipresent Mashiach of a Scientific Eucharist.

Leiak walked through minefields, and in some, he saw universes come out that exploded in livid colors, among them Vernarth, who had been recovering from malaria, and who helped him create a culture composed of a great artifice of immutability, for those who are close to his Greek spirit. Overwhelming those who lack the will, clarifying where the great art galleries of the world will be, not because of their current works but because of those they will have to exhibit? From the rushing philosophical delta, germs of dominance were trickling, distinguishing properties that did not germinate under his feet. Bread and water of the hundredfold fruit of all the lesser forces that resist on the thirty and nine with fever, more than the narrow borders to be discovered, in democracies that will prosper in the hands of kind tyrants, and not in the unitary Ecumene. Vernarth did not denationalize from his grass crops, he was Hetairoi more than all the commanders of Alexander the Great because his native country never sank next to him, he only prospered in centuries where he had to rise again silenced and prostrate oblivion.

The chaos of an absence accuses a majority of sadness that greets the Celtic Gauls for the axon of the anointed cosmos of the divine autarkic world. But not in seditious wars devoid of bread and water that does not support them, nor by papyrus did nets that do not contain them either, in the spiral retransform the land of all, as a plural work done here, by the Mandragoron Áullos Kósmos, intends. The male rectors will trust their works in the widespread Greek language, called koine (common). A language that writes has its own feet to write new divisions, and ordinal paragraphs to fulfill in proskínesis or obeisances in those who have golden knees or not! They will continue to make separate book stores or libraries for Filososfia or science sub-themes that will tackle the top of Profitis Ilias. For all large cities and nations, it will only be Leiak's legacy, of having large spaces for dialogues where no one can resist his man-made preaching, holographic rain forest, and times that not even in billionths will make him melt spaces of ignorance, diverge from the juxtaposed principle of unpopulated urban schools do not deserve.

Says Leiak: “Every time it is more intense to turn the dislocated nature of man, my literary idylls are at the end of everything with his genre works. Life and it's agitated think idyllic of removing the talus, which is not swayed in my chest by the Metelmi..., but by my breath of death! "
Dyticá Leiak's twilight
tokonoma Oct 2014
This very dawn is just a white breath,
an obscene pain: a semblance
of you hardening my veins.
And my father wakes me up: asking
for car keys, but i'll need them
to see if i am seeing you
and then we fight. This october
annoys me and is cheating,
but what i meant is good for you too
you who, with your ecstatic moods,
never listen nor care, ever: as if
on certain days water comes even from the sun
and in mirror shop windows i’m all blue.
And there’s nothing like a ****
that can liberate from the future,
from the multitude of folds
and parts above, over which i identify,
as, on the other hand, all do. So i’m
seeking those private holy parts
and i immediately see yours, that you
reckon so distinguishable. That semblance
of yours, and its vessels, are as red as
bootyless burglars or amphorae,
turned to chamber pots
or spittoons. And
my mum shows up doing the math
about the month that’s not coming ; and yet she knows
that our rhythms are not alike .
Not that i’m feeling supportive gender empathy; rather,
i would not wish daughters like her. I’ll withdraw
if i hear them trot me out, in the room
that i want inadequate and warm; i’ll be
alone or with someone: i’ll disclose you
tomorrow on the phone, without telling you.
-----------------------------------------------------------
­Italian version, written in 1995

turbe vascolari

l’alba proprio bianca è un alito,
un dolore osceno: una parvenza
di te che indurisce le vene.
e mio padre mi sveglia: chiede
le chiavi della macchina, ma la macchina
mi serve per vedere se ti vedo
e litighiamo. quest’ottobre
disturba e mi tradisce,
ma quello che ** deciso è un bene anche per te
che non stai, con una certa tua aria estatica,
ad ascoltare né a sentire, mai: come
in certi giorni l’acqua viene anche dal sole
e nelle vetrine a specchio sono tutta azzurra.
e non c’è niente come un cazzo
che possa liberare dal futuro,
da questa moltitudine di pieghe
e parti sotto, sopra cui mi riconosco,
come, d’altra parte tutti. la cerco dunque
questa parte, privata e benedetta,
e penso subito alla tua, che credi che
si conosca cosí bene. quella sua
parvenza, e i vasi, sono rossi co-
me le vergogne di ladri senza refur-
tiva o anfore, a far pitali
o sputacchiere. e
mia madre arriva e fa di conto
sul mese che non torna; eppure sa
che i nostri ritmi sono differenti.
non che senta, io, solidale complicità di genere; anzi,
non vorrei figlie come lei. mi ritirerò se
li sentirò tirarmi in  ballo, nella stanza
che mi piace scarna e riscaldata; starò
da sola o con qualcuno: te lo telefono
domani, senza dirti niente.
Ken  Jan 2016
K
Ken Jan 2016
K
She sits alone with two antique clocks
one of water, the other of sand
I dare ask if she likes watches
Only the older, she replies,
they hold the infinity of time specious
In her words an elemental charm
and the risk of all enigmas
Then in contralto voice she adds
and now my name is simply K
and I think of Kafka's leopards
breaking into the temple to drink
from the sacrificial amphorae
My soul writes in ancient dialect
feeling hers close with mine
while I watch her body
from eternity in ****** key
a window of flavoured amethyst fire
progressive surrender
the crossing of a desert
the dropping of clothes and masks
the thin veil remains yet unbreached
the original time of the first blood
still under the anvil of desire
so rarely given the offer of this grace
the membrane of the soul to be loved
with pain, with pleasure, with totality
Rachel Thomas  Jan 2021
Mermaid
Rachel Thomas Jan 2021
She lived beneath the spuming waves,
A crown of pearls atop her head,
And like a pearl her limpid face,
Her lips of fiery coral-red.
Her palace was a sunken cave,
With scalloped roof and amber walls,
While golden-paved and turquoise-domed
Were all the dark, rococo halls.
The candlesticks, the marble busts,
The amphorae and frozen clocks,
Were spoils from all those star-crossed ships,
That came to grief upon the rocks
And when the moon beamed through the waves,
She dreamt of life upon the land,
Of painted birds and pungent flowers,
Of honeyed fruits and sunbaked sand.
She pictured there a gorgeous prince,
His eyes like shards of peridot,
A youth with hyacinthine locks,
And raiments of forget-me-not.
But when she woke, she knew that she,
Would never tread upon the land,
Nor smell the flowers, nor taste the fruit,
Nor kiss her lover on the hand.
And as she held this solemn thought,
That they would always be apart,
She felt as if an icicle
Had struck her squarely in the heart.
Mateuš Conrad May 2020
i must be in one of those... "moods"...
    i must be in such circumstances follow an almost
ritual: the beauty of life...
coupled with the "fairness" of it...
notably when sharing it with people:
of a more... "south of the border"...
a more sour invitation to it...

                  my "free will": my... what little is it...
when someone else might: rest assured...
express his or her... "alternative"...
                      this a choice...

the wine has ran! down into the gob that
sometimes forgets to thirst...
and when not thirsting... does the unpardonable...
shelters itself in the abodes of ruining
patterns of shadow devoid of bodies...

drinks! listens to scandinavian pagan songs...
tiresome... tiresome those byzantine chants...
for all their worth: but enough is enough...
it would be the most precious time...
to translate some Horace...
   such be my need for solace -
but translation itself is hardly a comfort...

                       the cut-off reads...
   at *** tonantis annus hibernus Iovis
        imbris nivisque (conparat)...
       tonantis - thunderer
     hibernus - wintry
               annus - annum - year...
        imbris - growth...
        nivisque - snow... the cut-off is already:
as always crude...
                                    the whiskey is here!
and the romance of powder...
cheeks and roses! but we might as well
begin: from a beginning...

  beatus ille qui procul negotiis, ut prisca gens
mortalium, paterna rura bobus exercet suis
solutus omni faenore
    neque excitatur classico miles truci
  neque horret iratum mare
                       forumque vitat et superba civium
potentiorum limina.
   ergo aut adulta vitium propagine
altas maritat populos at in reducta valle
     mugientum prospectat errantis greges
inutilisque falce ramon amputans feliciores
insertit aut pressa puris mella condit amphoris
aut tondet infirmass ovis.
              vel *** decorum mitibus pomis caput
autumnus agris extulit,
         ut gaudet insitiva decerpens pita
certantem et uvam purpurae,
    qua muneretur te, Priape, et te, pater Silvane,
tutor finium.
           libet iacere modo sub antiqua ilice,
modo in tenaci gramine:
labuntur altis interim ripis aquae,
           queruntur in silvis aves fontesque
lymphis obstrepunt manantibus,
                             somnos quod invitet levis
.

thus listening to some of what the british
patriots have to offer...
i'd call them the demeaning "natives"...
but then i have on offer...
scottish nationalism
and welsh nationalism...
not to mention the irish: but i'll mention them...
english nationalism...
      hmm...

solution: repatriation... of the "invaders"
of Brimingham...
i know what deportation looks like...
on the weekend that Dianna was
"repatriated": her coffin was towed...
the home office came knocking...
    father doing a runner...
         visiting grandfather broke up his affair
with sober -
'nice com-pew-ter' said the home office
grey...
i was left in tears and punching
the wall...
       so much for integration...
          did my best lizzy... the paperwork...
"got in the way"...
            doesn't matter: the kosovans came
in 1999 circa etc.
     the canines are out...
                  where is my, mosque?
                          where is my kebab stash?
beside the 2004 tsunami...
          
home is where: i have a sparrow's worth
of fear: and perhaps a heart...
when i land in warsaw and try to escape it...
i land in warsaw: i'm a native of these parts:
am i "at home"...
i'll walk you down route 25 bus
past all the babylon and i'll tell you:
nothing like it!
dodo among the peacocks...
humpty-dumpty and sacred cows brigade...
that's not quiet me... but...
         touch 'em with a two metre long
****** if you must!
      
   my affairs with england...
was supposed to be a stop-over...
further argentina... h'america...
     the bleach baptism: ha! ha! h'america!
in search of a great-grandfather...
   guess this is "home"...
sure as ****... warsaw isn't!
      
                   and these concerns...
i will not sing the: god save the queen...
i'd rather whistle to: the british grenadiers fife
& drum... on a scale of: a *****... a nilly...

italy is being "invaded"
germany is being "invaded"
denmark is being "invaded"....
england and france are being "invaded"...
no guns, no tanks... no blitzkrieg?
"invasion"? or just slacking and slurrping
a neo-liberal old liberal pompous brat affair?
sleep more sleep a more dire sleep...
wake up when it's all over...
in the hands of the other...

   an invasion: an "invasion"... no tanks...
just the stories of sorrow from knife-crime
statistics... collateral and human shields...
such concerns...
if it's not the invaders it's the romanians
picking lettuce or the polacks
on construction sites...
but i am as much an exile as anywhere...
and i don't really have a high degree of concern
for my "tribe": either...

   the slow warfare of economic ruin concerning
a town that was sizing up a status of city...
with two metallurgy theatres of operation...
gone: gruzy... heaps of rubble...
           hersch! herr hersch!
     how iz zis evens pozziblah?
               i don't mind the invaders...
marry one: then i might...
   have a little calipso moment and count:
the number of shades of cinnamon,
copper, bronze and cherokee...

                      whiplash... i must be daft...
not to have learned a thing or two from
the **** and the ******... to have to learn
a new: "thing or two" from the... liberals
with their: no tanks, no planes, no microwaves,
no l.s.d. "freedom's freedom" policy!

england big... big O england...
big o: O and exclaimation mark: O! england...
i am not wed to your daughters...
nor the father or grand fairy pater to
them either...
               i didn't bring a mosque!
i didn't bring a flag!
i didn't bring a suntan that retains its
glue in winter!
i didn't bring anything...
beside... there's this idea of a nation...
and there's that...
of a diaspora... which of course...
you had... but didn't...
when... the "proselytes" decided that:
an english diaspora is not:
in our vision... what would become
the invested: hope and character to build
as a grand, u. s. of a.....
so much for the "motherland and the fathertongue"...
or the "fatherland and the mothertongue"...
whittle ol' england...
whittle ol' bargain: and more!

i brought sauerkraut and a poppy-seed cake...
the german might as well have brought
the former... but it's hardly an argument:
the "invaders" from the east brought their own food...
shame... seeing you gobbling down a curry
and a kebab...
who am i to complain?
i eat them too! i have an arsenal of spices
that would most likely compete with
the nuke arsenal of russia!

                      i didn't "integrate" you didn't
"integrate"... i have your tongue as a dearest: polly...
who doesn't want a *******?
that h.p. sauce is genius?
              well... and cricket? but i'll eat your
gob-*****... you will not eat mine...
so you have your bangladeshi "invaders"...
your friday night: chinese take-away and soho...
ahem... "soho"... chinatown...

who's to be complaining?!
exotica! ex-o-tica!
                     shrimp **** and watermelon *****:
requiring... ***** extensions to **** around
with: **** jamai... can oh she cancan but not
in the parisian "sense"...
          
        well... given that this was supposed
to be a translation of Horace...
here's my ****** translation of latin...
it's not a curry... it's not a mosque...
it's not a burning flag it's not a turban...
it's not a roman catholic on a pike...
dying a death more formidable than
a crucifixion...
i'm guessing a viking settling in york:
with something of a believable
scandal when sense of humour is concerned...

i can't promise stale: hardly any poetry...

fortunate he, who from the city's uproar from afar,
free like people of older date,
    with oxen ploughs the fief of hereditary role,
oblivious to either profit or toll,
he doesn't know, what is the **** of a battle horn,
he doesn't tremble, when the sea grieves a vengence,
shuns away from the forum's uproar,
        he doesn't, like customers - who -
                 protrude under the doubling of the wealthy.
he prefers the lush shrubs of grapevines -
with shoots wed to the stump of a poplar tree,
overseeing, leading herds of roaring cows
into and among pastures on the slopes
of mountainous valleys...
             hunt boars... interlock with beef...
                  so as to have a noble variety of fruit,
from pressed plasters: honey sieved into amphorae
or clipper woolly sheep of the herd.
                - and when golden autumn above
the fields - donning a wreath of harvested wheat:
raises its head -
with what kind of ecstasy / delight...
tears the sight of grafted pears...
                   and bunches in clusters of purple -
should for Priapus and Silvanus,
     watchman's bordering copper, bring forth:
the first gifts.
     how pleasant to rest upon cushioning grass
or under a an old and shady oak:
where fluvial trends in precipitious stance
of banks errodes...
                     where the birds' graceful nagging...
foliage murmurs, streams of water incessant:
thus a dream make... unexpectedly
.

estrada: tempus...
                            auditores? lemures!
stage: time...
            the audience? ghosts!
that's bound to happen... binding oneself
to a Horace...
       with what's already available...
the stage: the audience....
and beside: the audience: time...
        well... i rather enjoy entertaining...
a stage of time: and the audience of ghosts...
than have to resort / retort to
the latter "debacle"...

             i, didn't... bring an "invaders"...
detail... lucky for me...
of the german the zeppelin and the ******...
you didn't even have to taste
anything by the leftover mongol...
that crimea became the capital of
the diaspora... that the mongol became known
as the tartar...
                                      chebureki...

endear me! have you humpty-dumpties!
your sacred cows!
your mosques! your chinatown!
your frizzy and your froth!
your angst your liberals and your
huguenots!
your passive-aggresive secular "christianity"
tingling with **** atheism...
"your"... Birmingham!
"your"... Loon'don...
                            
             clywed y çymraeg!
                                    éist clann gàidhli!

seobheith!
           no heidegger: no "there"...
                        anois!
              
        YMA!
                                     YMABODAU!
i leave Wstminster to the porky-pies...
who with and with: "who":
where else?!

— The End —