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CK Baker  Jul 2018
Venezia
CK Baker Jul 2018
through the streets and column cracks
culture weaves and summer smacks
sacred figures, holy shrine
monastery in grand design

cathedrals, convents, heaven’s stars
god of neptune, god of mars
doge’s palace, alley ways
gondolier on full display

winged lions on pastel breeze
cicada singing from the trees
pillar walk of saint mark's square
basilica in all its flare

crosses shade the carousel
a bridge of sigh that leads to hell
golden stairs on placid ridge
arches of rialto bridge

torcello! murano! grigio!
the countess rides the river poe!
sins of seven, fiery hides
poplars bank the levee side

black plague, attila the ***
eden formed before the sun
paradise above the marsh
high alter, gothic arch

middle age, religious wars
celestial fountains, marble floors
sculpted peacock, catholic faith
all is true the great god saith
XIX

The soul’s Rialto hath its merchandise;
I barter curl for curl upon that mart,
And from my poet’s forehead to my heart
Receive this lock which outweighs argosies,—
As purply black, as erst to Pindar’s eyes
The dim purpureal tresses gloomed athwart
The nine white Muse-brows. For this counterpart, . . .
The bay-crown’s shade, Beloved, I surmise,
Still lingers on thy curl, it is so black!
Thus, with a fillet of smooth-kissing breath,
I tie the shadows safe from gliding back,
And lay the gift where nothing hindereth;
Here on my heart, as on thy brow, to lack
No natural heat till mine grows cold in death.
NUMB, half asleep, and dazed with whirl of wheels,
And gasp of steam, and measured clank of chains,
I heard a blithe voice break a sudden pause,
Ringing familiarly through the lamp-lit night,
“Wife, here's your Venice!”
I was lifted down,
And gazed about in stupid wonderment,
Holding my little Katie by the hand—
My yellow-haired step-daughter. And again
Two strong arms led me to the water-brink,
And laid me on soft cushions in a boat,—
A queer boat, by a queerer boatman manned—
Swarthy-faced, ragged, with a scarlet cap—
Whose wild, weird note smote shrilly through the dark.
Oh yes, it was my Venice! Beautiful,
With melancholy, ghostly beauty—old,
And sorrowful, and weary—yet so fair,
So like a queen still, with her royal robes,
Full of harmonious colour, rent and worn!
I only saw her shadow in the stream,
By flickering lamplight,—only saw, as yet,
White, misty palace-portals here and there,
Pillars, and marble steps, and balconies,
Along the broad line of the Grand Canal;
And, in the smaller water-ways, a patch
Of wall, or dim bridge arching overhead.
But I could feel the rest. 'Twas Venice!—ay,
The veritable Venice of my dreams.

I saw the grey dawn shimmer down the stream,
And all the city rise, new bathed in light,
With rose-red blooms on her decaying walls,
And gold tints quivering up her domes and spires—
Sharp-drawn, with delicate pencillings, on a sky
Blue as forget-me-nots in June. I saw
The broad day staring in her palace-fronts,
Pointing to yawning gap and crumbling boss,
And colonnades, time-stained and broken, flecked
With soft, sad, dying colours—sculpture-wreathed,
And gloriously proportioned; saw the glow
Light up her bright, harmonious, fountain'd squares,
And spread out on her marble steps, and pass
Down silent courts and secret passages,
Gathering up motley treasures on its way;—

Groups of rich fruit from the Rialto mart,
Scarlet and brown and purple, with green leaves—
Fragments of exquisite carving, lichen-grown,
Found, 'mid pathetic squalor, in some niche
Where wild, half-naked urchins lived and played—
A bright robe, crowned with a pale, dark-eyed face—
A red-striped awning 'gainst an old grey wall—
A delicate opal gleam upon the tide.

I looked out from my window, and I saw
Venice, my Venice, naked in the sun—
Sad, faded, and unutterably forlorn!—
But still unutterably beautiful.

For days and days I wandered up and down—
Holding my breath in awe and ecstasy,—
Following my husband to familiar haunts,
Making acquaintance with his well-loved friends,
Whose faces I had only seen in dreams
And books and photographs and his careless talk.
For days and days—with sunny hours of rest
And musing chat, in that cool room of ours,
Paved with white marble, on the Grand Canal;
For days and days—with happy nights between,
Half-spent, while little Katie lay asleep
Out on the balcony, with the moon and stars.

O Venice, Venice!—with thy water-streets—
Thy gardens bathed in sunset, flushing red
Behind San Giorgio Maggiore's dome—
Thy glimmering lines of haughty palaces
Shadowing fair arch and column in the stream—
Thy most divine cathedral, and its square,
With vagabonds and loungers daily thronged,
Taking their ice, their coffee, and their ease—
Thy sunny campo's, with their clamorous din,
Their shrieking vendors of fresh fish and fruit—
Thy churches and thy pictures—thy sweet bits
Of colour—thy grand relics of the dead—
Thy gondoliers and water-bearers—girls
With dark, soft eyes, and creamy faces, crowned
With braided locks as bright and black as jet—
Wild ragamuffins, picturesque in rags,
And swarming beggars and old witch-like crones,
And brown-cloaked contadini, hot and tired,
Sleeping, face-downward, on the sunny steps—
Thy fairy islands floating in the sun—
Thy poppy-sprinkled, grave-strewn Lido shore—

Thy poetry and thy pathos—all so strange!—
Thou didst bring many a lump into my throat,
And many a passionate thrill into my heart,
And once a tangled dream into my head.

'Twixt afternoon and evening. I was tired;
The air was hot and golden—not a breath
Of wind until the sunset—hot and still.
Our floor was water-sprinkled; our thick walls
And open doors and windows, shadowed deep
With jalousies and awnings, made a cool
And grateful shadow for my little couch.
A subtle perfume stole about the room
From a small table, piled with purple grapes,
And water-melon slices, pink and wet,
And ripe, sweet figs, and golden apricots,
New-laid on green leaves from our garden—leaves
Wherewith an antique torso had been clothed.
My husband read his novel on the floor,
Propped up on cushions and an Indian shawl;
And little Katie slumbered at his feet,
Her yellow curls alight, and delicate tints
Of colour in the white folds of her frock.
I lay, and mused, in comfort and at ease,
Watching them both and playing with my thoughts;
And then I fell into a long, deep sleep,
And dreamed.
I saw a water-wilderness—
Islands entangled in a net of streams—
Cross-threads of rippling channels, woven through
Bare sands, and shallows glimmering blue and broad—
A line of white sea-breakers far away.
There came a smoke and crying from the land—
Ruin was there, and ashes, and the blood
Of conquered cities, trampled down to death.
But here, methought, amid these lonely gulfs,
There rose up towers and bulwarks, fair and strong,
Lapped in the silver sea-mists;—waxing aye
Fairer and stronger—till they seemed to mock
The broad-based kingdoms on the mainland shore.
I saw a great fleet sailing in the sun,
Sailing anear the sand-slip, whereon broke
The long white wave-crests of the outer sea,—
Pepin of Lombardy, with his warrior hosts—
Following the ****** steps of Attila!
I saw the smoke rise when he touched the towns
That lay, outposted, in his ravenous reach;

Then, in their island of deep waters,* saw
A gallant band defy him to his face,
And drive him out, with his fair vessels wrecked
And charred with flames, into the sea again.
“Ah, this is Venice!” I said proudly—“queen
Whose haughty spirit none shall subjugate.”

It was the night. The great stars hung, like globes
Of gold, in purple skies, and cast their light
In palpitating ripples down the flood
That washed and gurgled through the silent streets—
White-bordered now with marble palaces.
It was the night. I saw a grey-haired man,
Sitting alone in a dark convent-porch—
In beggar's garments, with a kingly face,
And eyes that watched for dawnlight anxiously—
A weary man, who could not rest nor sleep.
I heard him muttering prayers beneath his breath,
And once a malediction—while the air
Hummed with the soft, low psalm-chants from within.
And then, as grey gleams yellowed in the east,
I saw him bend his venerable head,
Creep to the door, and knock.
Again I saw
The long-drawn billows breaking on the land,
And galleys rocking in the summer noon.
The old man, richly retinued, and clad
In princely robes, stood there, and spread his arms,
And cried, to one low-kneeling at his feet,
“Take thou my blessing with thee, O my son!
And let this sword, wherewith I gird thee, smite
The impious tyrant-king, who hath defied,
Dethroned, and exiled him who is as Christ.
The Lord be good to thee, my son, my son,
For thy most righteous dealing!”
And again
'Twas that long slip of land betwixt the sea
And still lagoons of Venice—curling waves
Flinging light, foamy spray upon the sand.
The noon was past, and rose-red shadows fell
Across the waters. Lo! the galleys came
To anchorage again—and lo! the Duke
Yet once more bent his noble head to earth,
And laid a victory at the old man's feet,
Praying a blessing with exulting heart.
“This day, my well-belovèd, thou art blessed,
And Venice with thee, for St. Peter's sake.

And I will give thee, for thy bride and queen,
The sea which thou hast conquered. Take this ring,
As sign of her subjection, and thy right
To be her lord for ever.”
Once again
I saw that old man,—in the vestibule
Of St. Mark's fair cathedral,—circled round
With cardinals and priests, ambassadors
And the noblesse of Venice—richly robed
In papal vestments, with the triple crown
Gleaming upon his brows. There was a hush:—
I saw a glittering train come sweeping on,
From the blue water and across the square,
Thronged with an eager multitude,—the Duke,
And with him Barbarossa, humbled now,
And fain to pray for pardon. With bare heads,
They reached the church, and paused. The Emperor knelt,
Casting away his purple mantle—knelt,
And crept along the pavement, as to kiss
Those feet, which had been weary twenty years
With his own persecutions. And the Pope
Lifted his white haired, crowned, majestic head,
And trod upon his neck,—crying out to Christ,
“Upon the lion and adder shalt thou go—
The dragon shalt thou tread beneath thy feet!”
The vision changed. Sweet incense-clouds rose up
From the cathedral altar, mix'd with hymns
And solemn chantings, o'er ten thousand heads;
And ebbed and died away along the aisles.
I saw a train of nobles—knights of France—
Pass 'neath the glorious arches through the crowd,
And stand, with halo of soft, coloured light
On their fair brows—the while their leader's voice
Rang through the throbbing silence like a bell.
“Signiors, we come to Venice, by the will
Of the most high and puissant lords of France,
To pray you look with your compassionate eyes
Upon the Holy City of our Christ—
Wherein He lived, and suffered, and was lain
Asleep, to wake in glory, for our sakes—
By Paynim dogs dishonoured and defiled!
Signiors, we come to you, for you are strong.
The seas which lie betwixt that land and this
Obey you. O have pity! See, we kneel—
Our Masters bid us kneel—and bid us stay
Here at your feet until you grant our prayers!”
Wherewith the knights fell down upon their knees,

And lifted up their supplicating hands.
Lo! the ten thousand people rose as one,
And shouted with a shout that shook the domes
And gleaming roofs above them—echoing down,
Through marble pavements, to the shrine below,
Where lay the miraculous body of their Saint
(Shed he not heavenly radiance as he heard?—
Perfuming the damp air of his secret crypt),
And cried, with an exceeding mighty cry,
“We do consent! We will be pitiful!”
The thunder of their voices reached the sea,
And thrilled through all the netted water-veins
Of their rich city. Silence fell anon,
Slowly, with fluttering wings, upon the crowd;
And then a veil of darkness.
And again
The filtered sunlight streamed upon those walls,
Marbled and sculptured with divinest grace;
Again I saw a multitude of heads,
Soft-wreathed with cloudy incense, bent in prayer—
The heads of haughty barons, armed knights,
And pilgrims girded with their staff and scrip,
The warriors of the Holy Sepulchre.
The music died away along the roof;
The hush was broken—not by him of France—
By Enrico Dandolo, whose grey head
Venice had circled with the ducal crown.
The old man looked down, with his dim, wise eyes,
Stretching his hands abroad, and spake. “Seigneurs,
My children, see—your vessels lie in port
Freighted for battle. And you, standing here,
Wait but the first fair wind. The bravest hosts
Are with you, and the noblest enterprise
Conceived of man. Behold, I am grey-haired,
And old and feeble. Yet am I your lord.
And, if it be your pleasure, I will trust
My ducal seat in Venice to my son,
And be your guide and leader.”
When they heard,
They cried aloud, “In God's name, go with us!”
And the old man, with holy weeping, passed
Adown the tribune to the altar-steps;
And, kneeling, fixed the cross upon his cap.
A ray of sudden sunshine lit his face—
The grand, grey, furrowed face—and lit the cross,
Until it twinkled like a cross of fire.
“We shall be safe with him,” the people said,

Straining their wet, bright eyes; “and we shall reap
Harvests of glory from our battle-fields!”

Anon there rose a vapour from the sea—
A dim white mist, that thickened into fog.
The campanile and columns were blurred out,
Cathedral domes and spires, and colonnades
Of marble palaces on the Grand Canal.
Joy-bells rang sadly and softly—far away;
Banners of welcome waved like wind-blown clouds;
Glad shouts were muffled into mournful wails.
A Doge was come to be enthroned and crowned,—
Not in the great Bucentaur—not in pomp;
The water-ways had wandered in the mist,
And he had tracked them, slowly, painfully,
From San Clemente to Venice, in a frail
And humble gondola. A Doge was come;
But he, alas! had missed his landing-place,
And set his foot upon the blood-stained stones
Betwixt the blood-red columns. Ah, the sea—
The bride, the queen—she was the first to turn
Against her passionate, proud, ill-fated lord!

Slowly the sea-fog melted, and I saw
Long, limp dead bodies dangling in the sun.
Two granite pillars towered on either side,
And broad blue waters glittered at their feet.
“These are the traitors,” said the people; “they
Who, with our Lord the Duke, would overthrow
The government of Venice.”
And anon,
The doors about the palace were made fast.
A great crowd gathered round them, with hushed breath
And throbbing pulses. And I knew their lord,
The Duke Faliero, knelt upon his knees,
On the broad landing of the marble stairs
Where he had sworn the oath he could not keep—
Vexed with the tyrannous oligarchic rule
That held his haughty spirit netted in,
And cut so keenly that he writhed and chafed
Until he burst the meshes—could not keep!
I watched and waited, feeling sick at heart;
And then I saw a figure, robed in black—
One of their dark, ubiquitous, supreme
And fearful tribunal of Ten—come forth,
And hold a dripping sword-blade in the air.
“Justice has fallen on the traitor! See,
His blood has paid the forfeit of his crime!”

And all the people, hearing, murmured deep,
Cursing their dead lord, and the council, too,
Whose swift, sure, heavy hand had dealt his death.

Then came the night, all grey and still and sad.
I saw a few red torches flare and flame
Over a little gondola, where lay
The headless body of the traitor Duke,
Stripped of his ducal vestments. Floating down
The quiet waters, it passed out of sight,
Bearing him to unhonoured burial.
And then came mist and darkness.
Lo! I heard
The shrill clang of alarm-bells, and the wails
Of men and women in the wakened streets.
A thousand torches flickered up and down,
Lighting their ghastly faces and bare heads;
The while they crowded to the open doors
Of all the churches—to confess their sins,
To pray for absolution, and a last
Lord's Supper—their viaticum, whose death
Seemed near at hand—ay, nearer than the dawn.
“Chioggia is fall'n!” they cried, “and we are lost!”

Anon I saw them hurrying to and fro,
With eager eyes and hearts and blither feet—
Grave priests, with warlike weapons in their hands,
And delicate women, with their ornaments
Of gold and jewels for the public fund—
Mix'd with the bearded crowd, whose lives were given,
With all they had, to Venice in her need.
No more I heard the wailing of despair,—
But great Pisani's blithe word of command,
The dip of oars, and creak of beams and chains,
And ring of hammers in the arsenal.
“Venice shall ne'er be lost!” her people cried—
Whose names were worthy of the Golden Book—
“Venice shall ne'er be conquered!”
And anon
I saw a scene of triumph—saw the Doge,
In his Bucentaur, sailing to the land—
Chioggia behind him blackened in the smoke,
Venice before, all banners, bells, and shouts
Of passionate rejoicing! Ten long months
Had Genoa waged that war of life and death;
And now—behold the remnant of her host,
Shrunken and hollow-eyed and bound with chains—
Trailing their galleys in the conqueror's wake!

Once more the tremulous waters, flaked with light;
A covered vessel, with an armèd guard—
A yelling mob on fair San Giorgio's isle,
And ominous whisperings in the city squares.
Carrara's noble head bowed down at last,
Beaten by many storms,—his golden spurs
Caught in the meshes of a hidden snare!
“O Venice!” I cried, “where is thy great heart
And honourable soul?”
And yet once more
I saw her—the gay Sybaris of the world—
The rich voluptuous city—sunk in sloth.
I heard Napoleon's cannon at her gates,
And her degenerate nobles cry for fear.
I saw at last the great Republic fall—
Conquered by her own sickness, and with scarce
A noticeable wound—I saw her fall!
And she had stood above a thousand years!
O Carlo Zeno! O Pisani! Sure
Ye turned and groaned for pity in your graves.
I saw the flames devour her Golden Book
Beneath the rootless “Tree of Liberty;”
I saw the Lion's le
Meandering like its canals
Venetian streets sing underfoot.
Who wore away the stone cobbled streets?
Who walked down to the shore?
Who gazed out at the Adriatic?
Who's dreams were lost in Venice's stream of streets?

Licentious lovers loved in Venice's streets, kissed on her bridges,
Crossed under by gondola and over by foot.
Proposed at the piazza San Marco.
Kissed, while the Grand Canal wound her way down.
Down into the sea,
where the menace that is the world, Venice shuns.

Rialto, Doge, Basilica, St. Marks, pigeons!
All evoke that lagoon city of streets.
Originally refugees, incolae lacunae ("lagoon dwellers")
Venetians, gave not only a place for the dispossessed,
but a place for the world to see, feel and taste.
Art, war, politics, commerce, spice and silk.

Venice with her ribbon of streets, alleyways and bridges
saw the Renaissance, the crusades, and the Black Death.
Glassware, paintings, sculptures, religion, refugees all
synonymous with that floating city.
A city returning to the water she arose from.
Subsiding with grief as she drowns in elegant decay.
© JLB
13/06/2014
L B  Apr 2017
Lillian
L B Apr 2017
Somehow it wasn’t right to cry
for someone who
no one knew—for years
though everyone knew about Lil
She was the crazy burden
of an orphaned family
whose memories rearrange the winter shadows

“Are we dressed right?
Are our faces adequately sad?”

They loved the skinny, happy kid
Loved—the ones who loved her
knew her from “The Old Neighborhood”

Two sisters approach the body
echoed in black and navy
holding each other’s hand
They look down at her—
They look her over
They overlook—“The Old Neighborhood”
of the Lillian they had hoped for—
took care of as a child....

And in the din of last respects
a comment from an older gentleman—

The Goldrick girls were all such lookers

So I was her niece
and not from “The Old Neighborhood”
I have memories of my own....

I was rich when Lil brought play money
from Misquamicut
She brought whelks and slipper shells too
My ear cupped close
I first heard the sea

Not as beautiful as I expected
nor as beautiful as I would know
She gave them with love—without telling
where and when that I would go....

Her hands were always cool and sweaty
Always trembling
Always a cigarette
and an argument in the background

From the height of three
and hugging knees
I see her face against the ceiling’s
white—with panic

Her eyes are never with me
I know someone is with her

The Goldrick girls were all such lookers....”

Beleaguered beauty
Frail, with stiff grace
she glances sideways
Checking for my safety?

“Our names too close! Confused too often!”

I was to know her horror— as I know her sea

...Her laughter, too late for the conversation
a smoky hysteria
that will not share with her eyes
She stumbles backward through her childhood
as if she has mislaid something

She wants to go roller skating
with her sister, eight months pregnant
besieged by diapers
with stew on the back burner

...And Lil wants to go back...
to a time at the Rialto
to the *****’s boogie

to the edge—before
The Depression declared WAR—

on someone who
no one knew
for years!

And is it okay yet?
...to let her sea out of me!

It burns so!
Sequel to "Hey Kid"
Jaymisun Kearney Feb 2014
Just this last year, in August of 2013, I was introduced to this website by an acquaintance of mine.
We'd gone on a couple of dates together, but both decided things weren't moving mutually in our
favor. I'd told her that there's no thing I love more than writing. There's a quality in the transference of emotion from thought to page that I just can't find anywhere else. Sad to say, I told her, I haven't written anything in a very long time. Was it writer's block, she asked. I shook my head, but couldn't commit to an answer one way or the other.

Sometime later, maybe weeks after that conversation downtown at The Rialto, she sent me a text message. That was when my cell phone service was still active. She said that she found this website -- literally, this website -- where a large community of people post their poetry. Hard times were fallen on her and all that, and she said that writing poetry again was a great release. She sent me a link to the website so that I could check it out.

What happened after that was nothing short of a small, personal miracle. Words were coming to me again, fast, fast. For years, nothing genuine would come. Suddenly, the gates opened. Ask anyone who enjoys writing why they write and I'm sure you'll get many, many different answers. Mine is this: to affect. There's no greater joy for me than knowing I've affected others in a way that drives them to an end. A positive end, of course. That old saying, about being able to reach out and touch just one person. That's more than enough for me.

The pain. The drama. The isolation. The spiritual dissonance. The love. The joy. The passion. The surrender. There have been a lot of feelings that drive the words I write, and I'm happy to know that there have been people out there reading, even if only a few. In a way, it's like you've all been riding along with me, and that means more than I could ever say. Instead of trying to describe it in detail, I'll say, Thank You.

I have more piece of poetry I'll be publishing here. The final piece to the Arterial Winter collection. It wouldn't feel right to leave without putting the final nail in that coffin. In the meantime, I'll slowly be removing my older works from the website, one by one, until they're all gone. Over the course of the next few weeks, I'll be rearranging everything into new collections, and figuring out interesting ways to print and sell each piece. Needless to say, I'm very excited for what the future brings.

Thank you. I really can't thank all of you who took the time to even peek at my work enough for the fire you've reignited inside of me. These endeavors, along with a couple of novel projects I've started, have given me the justification I need to actually consider myself a writer. Regardless of situation or circumstance, I'll be finding you all again somewhere. See you later. See you soon.

Best Regards
Tra-la-la-la-la-la-laire—nil nisi divinum stabile
   est; caetera fumus—the gondola stopped, the old
   palace was there, how charming its grey and pink—
   goats and monkeys, with such hair too!—so the
   countess passed on until she came through the
   little park, where Niobe presented her with a
   cabinet, and so departed.


Burbank crossed a little bridge
  Descending at a small hotel;
Princess Volupine arrived,
  They were together, and he fell.

Defunctive music under sea
  Passed seaward with the passing bell
Slowly: the God Hercules
  Had left him, that had loved him well.

The horses, under the axletree
  Beat up the dawn from Istria
With even feet. Her shuttered barge
  Burned on the water all the day.

But this or such was Bleistein’s way:
  A saggy bending of the knees
And elbows, with the palms turned out,
  Chicago Semite Viennese.

A lustreless protrusive eye
  Stares from the protozoic slime
At a perspective of Canaletto.
  The smoky candle end of time

Declines. On the Rialto once.
  The rats are underneath the piles.
The jew is underneath the lot.
  Money in furs. The boatman smiles,

Princess Volupine extends
  A meagre, blue-nailed, phthisic hand
To climb the waterstair. Lights, lights,
  She entertains Sir Ferdinand

Klein. Who clipped the lion’s wings
  And flea’d his **** and pared his claws?
Thought Burbank, meditating on
  Time’s ruins, and the seven laws.
Hal Loyd Denton Nov 2011
Blasts in the past
Remember when the passenger train use to stop the people would be all hustling grabbing their suitcases all making a mad dash
For the train station they looked so awkward in their efforts but there was an excitement travelers and their mode of travel will
Do that each and every time but the greatest show is the greyhound station in Frisco every month I would take my three days and go
To the city by the bay go eat wild sea food at Fisherman’s Warf. But in the station the circus had the greatest show on earth Barnum
And Bailey but this was small and crazy and never dull the acts would just be frenetic a guy would stand up and just twirl in the floor
And then the next would stand up and give an Impromptu speech then one would pull out a giant bowie knife not harmless just
Antics after the floor show then the business acts guy would open his coat revealing a hairy chest with supposedly gold chains
Enough to make Mr. T. envious then up comes the sleeves ten watches up both arms selling was the game and stupid was the
Ongoing theme wild eyed stringy headed unclean down and ***** just what a big city should be move out on the street a different
Sell the panhandle supreme I thought that was stupid until ten years later listening to the radio a street radio crew was doing that
scene they proceeded to say these guys could take in twenty thousand a year but these two were just for laughs one was maimed
Or appeared to be but it is the land of movies and they say California is like a bowl of cereal it’s full of fruits nuts and flakes but what a
Place here one stands as the other approaches with sun glasses a cane when they are side by side the glasses are pushed up how you
Doing Frank they shoot the breeze a little then its back to work striking the side walk and fooling the folks that work for their money.
In the city those building are truly like great canyons a hippie approaches he is wearing a ***** over coat and when you walk in the
Shadows your teeth will actually chatter from the breeze blowing off of the bay then you look down and you really get a chill he is
Barefooted thats one way to say good morning world and wake up in hurry and anything can happen especially if you come from
Here you are strolling down Market Street you look up at the show Marquee you see Hells angels and then you hear this roar from the
Street you look and their they are all on choppers with their babes on the back the combination of everything that’s happing then the
Collision of reality brought up close and personnel is thrilling and the show the night before even getting there this is 1967 the first
Show looks like the rialto in Joliet marble walls and marble columns men in evening wear women in gowns enter you look at the price
In today price it would be equal to thirty bucks that made me winch on my army pay then I get to the show it looks like a flea bag
The magnificent Seven is playing Yul Brenner is starring there has to be thirty bald guys at the time Reagan was governor but in a
Preview he slaps a woman a voice in the dark roars out way to go governor all in all weird and wild and one time the hotel had
An agent right on the landing from E Harmony a guy walked by he said what do you like red heads what a town lonely no problem
You can even pick the color of hair better than Tijuana the word was if you get in that crooked jail your best bet is write
Your name on a tortilla shell throw it out the window and hope an American finds it no matter what color their hair is or you could
Be doing the donkey pokey routine for a long time sorry I jumped cities maybe I should have called it wild travels
Hal Loyd Denton Jan 2012
Blasts in the past
Remember when the passenger train use to stop the people would be all hustling grabbing their suitcases all making a mad dash
For the train station they looked so awkward in their efforts but there was an excitement travelers and their mode of travel will
Do that each and every time but the greatest show is the greyhound station in Frisco every month I would take my three days and go
To the city by the bay go eat wild sea food at Fisherman’s Warf. But in the station the circus had the greatest show on earth Barnum
And Bailey but this was small and crazy and never dull the acts would just be frenetic a guy would stand up and just twirl in the floor
And then the next would stand up and give an Impromptu speech then one would pull out a giant bowie knife not harmless just
Antics after the floor show then the business acts guy would open his coat revealing a hairy chest with supposedly gold chains
Enough to make Mr. T. envious then up comes the sleeves ten watches up both arms selling was the game and stupid was the
Ongoing theme wild eyed stringy headed unclean down and ***** just what a big city should be move out on the street a different
Sell the panhandle supreme I thought that was stupid until ten years later listening to the radio a street radio crew was doing that
scene they proceeded to say these guys could take in twenty thousand a year but these two were just for laughs one was maimed
Or appeared to be but it is the land of movies and they say California is like a bowl of cereal it’s full of fruits nuts and flakes but what a
Place here one stands as the other approaches with sun glasses a cane when they are side by side the glasses are pushed up how you
Doing Frank they shoot the breeze a little then its back to work striking the side walk and fooling the folks that work for their money.
In the city those building are truly like great canyons a hippie approaches he is wearing a ***** over coat and when you walk in the
Shadows your teeth will actually chatter from the breeze blowing off of the bay then you look down and you really get a chill he is
Barefooted thats one way to say good morning world and wake up in hurry and anything can happen especially if you come from
Here you are strolling down Market Street you look up at the show Marquee you see Hells angels and then you hear this roar from the
Street you look and their they are all on choppers with their babes on the back the combination of everything that’s happing then the
Collision of reality brought up close and personnel is thrilling and the show the night before even getting there this is 1967 the first
Show looks like the rialto in Joliet marble walls and marble columns men in evening wear women in gowns enter you look at the price
In today price it would be equal to thirty bucks that made me winch on my army pay then I get to the show it looks like a flea bag
The magnificent Seven is playing Yul Brenner is starring there has to be thirty bald guys at the time Reagan was governor but in a
Preview he slaps a woman a voice in the dark roars out way to go governor all in all weird and wild and one time the hotel had
An agent right on the landing from E Harmony a guy walked by he said what do you like red heads what a town lonely no problem
You can even pick the color of hair better than Tijuana the word was if you get in that crooked jail your best bet is write
Your name on a tortilla shell throw it out the window and hope an American finds it no matter what color their hair is or you could
Be doing the donkey pokey routine for a long time sorry I jumped cities maybe I should have called it wild travels
Rebecca Gismondi Sep 2015
like the

Rialto, the Grand Canal flows underneath me.
Even as I hold my back

in my hands, I can no longer support my discretions.
Sixteen.
Twenty-one.
Thirty-three.
How

did I have the space?
You would think it would be engraved across my pelvis:
“wrap it up”
before you
hold me down

I ran with lit matches as a girl,
waiting until the flame kissed my thumb and forefingers
puckered pink under the surface.
I enjoy the boils left

behind by my recklessness:
every bruise from a fence **** and
every pebble-sized bump from my head
hitting the roof of a Camaro
sat underneath my skin,
just like Lil’ A
       B
       C
and I can lie flat
as the canal rushes over.

— The End —