or how to make the eclectic concentrated,
how to make a zemstwa potion (revenge
potion) - long are the days of educated
Germans citing Grecian words -
my bilingualism gives me a patriotism
to use a language foreign to me,
and still embrace importing Church Slavonic:
                 but what a simple word
zemstwa is: less revenge and more retribution.

karakan: a ****** / dwarf -
but in an inoffensive sentence.
    people in the anglo realm always say
the phrases: where're are you from, originally?
and... how do you say it, properly?
        you first employ a knowledge of
syllable butchery: prophets of the surgical
procedure -
                 macron and umlaut both
akin in arithmetics -
                                  for what's later a comma.
Sartre plagiarised Joyce with *iron in the soul,
     left out all forms of punctuation,
akin to the English language leaving out all
forms of syllable punctuation in reverse -
      which goes against Socrates doing the
Kabbalistic methodology of sounds as atoms,
cut up?      so-  -crat- -es.
                                 Dr. Satan said: it's so.
        i already said that language is the most volatile
substance known to man...
             and that the only people who get to write
books in the west: are people who are asked to write
books in the first place.
      there's me, in a darkened corner:
a coroner's phrase -
                i would be a true idle drunk had i no
tenacity to write and drink...
   by now i'm halfway through a bottle of *** -
Bacardi - or Bacardí - acute iota to get a stress /
prolonging into an ee         - because
you rarely hear someone say Afrikaan: or
   Afrikān - they taught you punctuation of words /
compounds - but they didn't teach you
how diacritical marks are also incisors
    stating that there are two hydrogen atoms and
an oxygen bound to in a reaction with potassium -
or such guises lost or forgotten.
                    it's aesthetic in the informal sense,
in the formal sense: power.
                 no one wants a flower-power hippy cuddle
moment these days, it's true:
                   they want fierce knowing -
people want glasses -
                to possess the Galilean power struggle
stated with cyclops Jupiter being noticed
and saintly Saturn -
                      a different spirit rummages through me
and hence the differential vibration of
the hushed lynx: named Larry.
                     in flames: metaphor -
well, you know, you begin the night with
a change of tone: former barley murky gods' ****
                    amber - to Caribbean clarity -
you're bound to find a difference in shaky "the shadow"
stevens of your hands - i'm way past
the absinthe romanticism - sugar cubes alight
are like latex gimp masks: you start yearning for
the countryside hiatus of forever:
    David Attenborough-esque narrated *** scenes,
birds and the bees, and storks.
                       as sure as Moonday in a
monocle i say: the world events shouldn't drag you
into their narrative - avoid them - avoid them at all
costs: you're not a power broker in their final
summit - you can't change them, turn your attention
elsewhere, into niche topography of interest:
with a very minor demographic of shared coagulation
to express it... back when fame was less of a harrowing:
back when there was no personality cult activation:
a banker said to me once, randomly on a walk:
Newton, what a load of *******!
        and hence the ballistic missiles and that thing
about global warming: for every action there's an
equal and opposite reaction (3rd law) -
     Descartes thought would be part of the
conspiracy theorist columnal dogma reiteration -
doubt is wrong (albeit good faith)
         and negation is right (albeit bad faith,
as Sartre already said) -
     so in turn the tongue: the doubters turn the tongue
into the four limbs with boxing gloves included -
  waggle all you want, the pessimism is already
there - the deniers? they had clothes for their tongue
to make the most spectacular claims about
being naked, when actually dressed at Harrods
in that cheap **** that says: all pharaoh cool, cool.
i'll find more pearls in the reflection of the moon
upon an ocean than i'll ever see donned by pearl
necklace ladies at a fashion week goose-step stomping
anorexics show in London - and that's the truth.
     i'm not a biblical literalist - but **** me!
we were given a poisoned fruit, and told we would
be able to tell apart good & evil, but never from
the two divergent stances, hence the bundled up salad
of like for like -
                     this is Moses as poet, rather than
a general - before telling me he didn't exist
and was mere fiction: tell me he was a cunning poet
before being a cunnin general -
                  in a hundred years' time: you too will
be a myth, that's logically applied history after
being ignored for too long it cannot attract
september the 1st, 1939 - because mythology is
a form of history that detests exactness of dating
and hindsight - it happened: people didn't
really give a **** when it did, done!
     we really do not have a capacity to censor
*******...  not in life, on the street, on t.v., or in a courtroom,
           we don't!
                                   i treat it as a puzzle
rather than a fruit though, otherwise, to be stark-naked
honest: we'd be ****** gorilla boring and that would
be the end of our self-projection as questioning
the void we're in: it would have been blindly
nodded to - and ours': such a pivotal and yet also
pathetic rebellion -
                                 yet again, the world is going
into the shredder - looks elsewhere:
i'm looking at a poem by jack spicer -
he's not a great poet, meaning? he has a decency to
be one... which means he's not oratory
therefore he's implosive, therefore he's part of
the magnetic-enzyme strand of writing:
he attracts people to write -
                    he's not a Bukowski or a Ginsberg -
god no...
                  the seemingly mediocre is there
because of the paparazzi sentiment toe-ward
the greats (on purpose) -
                    you end up feeling:
i need to say something - instead of feeling:
a heckler! shut, the, ****, up!
      that's being perceived as mediocre goes:
it's a fatality of what not to adopt and improve;
like that line about the doubter's tongue being
dressed in fists and knees -
   and the denier's tongue being dressed in Gucci
and Dolce to look the part and
         hardly spread a cup of sweated over panic.
      pro-me-thee-us
      pro-me-thee-us
      five years
      the song singing from its black throat (Jack)
  sure... but it's pro-me-fee-oose - right?
this goes back to not having "punctuation"
flint sharpenings on atoms of lingua -
                 sure, have them between compounds,
but never ascribe them to letters?
  bound to be trouble....
             d'eh very point of fought over is to be
count, unawares: thinking.
then i picked up a very ancient text,
ibn sina / abū alī al-husayn ibn sīnā:
variation, properly?
i'd put a macron over y in al-husaȳn -
     otherwise it's almost like a question of
practising punctuation: which is a variation of
constructing from syllables, rather than
alphabetical beginnings - now let's look
at the variation "how do you pronounce it?"
         e-bin   c-n'ah       ah-boo       a'h-lee
              who-sane         e-bin         see-n'ah
this is how English looks like when undressed
from its lack of applying diacritical marks -
god it's ugly,
               get that Texan gunslinger drawl with
it too: like i'll ever be a cowboy: pff!
yes, there are people out there who enjoy
t.v. shows and look at them fish-eyed glassy -
then there are those that like football games -
but then the few of us look at something like the
following as means for transcendental mind-games
above crosswording:
(Kantian 0 = negation,                1 must therefore
                    mean affirmation, and 2 doubt:
as in: being of two minds)
   ibn Sana (tome of wisdom) -

            R  H
A  0  0  0  0  0  0  B
C  0  0  0  0  0  0  D­
            T  G
                                     this diagram is so idiosyncratic
it would well be a diaphragm -
                                   it's a scematic:
but it's certainly not a need to make language
trivia, in a sense trivial:
             it is a metaphysical translation of a pearl -
the same triviality can be applied to it
as our bewilderment ascribed toward the
analogous translation of it via avaricious people
and precious gems -
             it's not even a Xeno's paradox type of
looky-looky -
                 it's a sort of complete human being type
of scenario: an X marks the spot where you
     grow dumb with: does it matter?
      well: logic that's not restrained (on holiday)
produces such things -
                 such schematics:
   they are artefacts of a way to forget the daily
function of language between people:
as way to suggest: there is a way to get things done
by not getting them done.
                   i could have replaced the original
with a higher tier abstract, namely using less meaningful
encoding symbols, given that 0 - 9 are incompetent
of the 26 variabilities, and the why & i
            yumper and jumper,
   cat and kilogram                    cue, q, kappa -
skewers -     which makes it less than 26,
or the said: ∞      and a - z variation limit from
aardvark                    and   zyzzogeton -
zoo... in between.
                            i don't know what ibn is
trivialising / doing an original antidote to a crossword,
but i can say, given that i found the punctuation
scalpel in non-applied punctuation within letters
in the End-leash language - what i found stark
naked: by the way - the reason that philosophers
never applied grammatically categorising words
in their systems, is why we have that sort of
momentum of applicability in the field of robotics:
to categorise words by their noun or verb
is a reason why philosophy books never applied
such words in their reasoning - therefore the need
to write a book with such words being relevant
as translated into their precise irrelevance
and the relevance of the field of robotics.
never mind, i could have written
          
                     <  ≥
£           .   .   .   .   .   .  ≠ (÷)
= (x)     .   .   .   .   .   .  $
                     ≤  >                        thus the denial
of all plausible conversation on the matter:
and Herr Grinch and the rags to riches
fairytale - and the lottery, and the otherwise
grim simga of the yawning grey plateau;
did i get something wrong?
                 this is an example of an alter-crossword,
and the reason that mathematicians aren't
good at mental arithmetic is because
they have to learn mathematical shorthand
for their arguments, they become kindred spirits
of courtroom stenographers.

it usually starts with a canvas of white,
frowned upon,
but later, the canvas endears
     and makes anyone the flag-bearing
idiot to ensure that everyone: keeps marching,
    rather than procrastinating -
on and on and on...
    it's not out of defeatism -
                           regardless -
can you imagine Hamlet meeting Macbeth?
    i do, pretty much all the time,
that's why i am not: matrimonial.
    i can't think of having a woman and then
think of providing her a kettle, or
an ironing board...
                           'tis music, that gratifies the soul...
there's no: more more more! in music,
there's either eloquence... or silence...
such as the pleb-kindred musings
of someone who inherited a soul in
a different tongue, and the same inheritor,
dragging such fakery into the abyss...
on a navy pattern patent of St. Andrews:
Aphrodite sat and whispered -
that her heart stopped beating.
  punctuation marks, eye... worth a measure
unparalleled in man to ditto in
a millimetre, centimetre, kilometre...
and so forth...
but diacritical marks! a hot bagel conundrum!
are punctuation marks kindred of
diacritical marks?
to my suspicion, they are...
    Cow Gate... Edinburgh, where the filth
throngs in abandoned churches...
and everyone gesticulates: to a haggis
we'll just juggle... pardon pairing
ol' mctweed - we'll just juggle.
thankfully the anglicans didn't anticipate
anything having worth beyond a comma
with what went above a letter, rather than
in-between words;
    maybe the semicolon is a clue,
as to why it wasn't translated into
               diacritics? the Greeks are utilising
the "squared" version of punctuation...
why aren't you?
    borrowing from German i see...
let's take a word from German and hyphen!
- - - - - - - - - - - - - - - - - -
               what's the word?
  don't know... any skilled cobbler would
tell you: hoof! you cranky ol' *****!
and when did it matter to be "hateful" of women?
well... when someone mattered in saying:
that man desires to pass on his genes.
****! was i ever so vain as to claim a need
for passing my genes toward a chronology?
then again... what's the most important
logical compound that saturates and signifies
existentialism? etymology...
why? well... etymology is an incubator module...
it constricts the eyes to see what's
fervent in claiming building blocks...
the rest is bound to the neanderthal wall
called: Israel here... Palestine with balaclava
over there...
        you gonna count matchsticks with
a neanderthal before you create a campfire?
flint-stones away! bazooka that array
of fireworks! soundtrack provided by
Handel!
    so can i sop? Darwinism has exhausted
itself... but etymology hasn't...
we know that by proximity-resemblance
we turned to ape to shake, the narcissus...
and a thousand ape-**** tantrums later
we're mobilised reason...
         fair enough...
i still think ape is not worth a question
about concerning diapers...
how did the **** and bladder muscles
devolve, for the tongue to evolve...
my goodness!
       a trinity, holy! and glorified on
the groundwork of leeches succumbing to penance
and dieting!
        we gave away the prowess of
       a sturdy ****, to invite a strengthening
of the tongue, and subsequent amusement:
homosexuality... kangaroo fight-talk.
      but it got me going,
watching 20 useful idiots, and etymology.
some words aren't really bound to etymology,
as one can say: diacritical marks ensure
  that words (not sentences) are prescribed
ciphers of punctuational demand... or rhythm.
       the title? the diacritical mark used?
      Denmark in polish: Dania.
  England in polish: Anglia.
                  Germany in polish: Niemcy.
   Dane in polish: Duńczyk.
an englishman (anglo) in polish: anglik
  a german in polish: niemiec.
  orthography is orthodoxy, a strict authority,
orthography stresses when an when
diacritical marks ought to be used,
so it all looks pretty, and well dressed...
what's the synonym of orthography translated
into post-syllable punctuation?
       a dependency to create fakes...
we create these punctuation marks by faking
a breath... or keeping one under water...
   ... = just an ambiguity of trailing whereby
neither . nor , nor ; nor : really matter.
       they are though, indicators in how
one could write a whole book whereby
punctuation marks don't exist,
               or at least a chapter, like Joyce,
and everything would turn out
to be a drumroll crescendo of applause...
but then again, insert but one diacritical mark
into a body of Joyce's Ulysses or Finnegan's Wake...
and the whole thing disintegrates...
  just one diacritical mark on a letter,
and as sure as ****... the whole poncy
artifice of not using punctuation marks is
double exposure as to not have used
diacritical marks, and exposed the world
to Australian, American, Canadian,
New Zealander, Irvine Scōtish and Velsh...
      sure, what's the big deal?
the very subtle way of saying ethnic cleansing...
     no, not a leftist sorta: oh deary me
type of Mary Poppins...
      it's crass, because it's lazy...
and the fact that English creates so much
diacritical diversity, is because it doesn't use
it when encoding... which makes it perfect!
for emoticons and acronyms,
   and all manner of linguistic mayhem!
it was only about syllables mate... to be honest,
it only took a comma above a letter to
say whether it needed pinching a higher-tier
of a sound that originated in a ch sound...
never mind you eroding your memory
to say cheap vs. Chopin...
         and there goes bilbo baggins...
                             in a shopping trolley.

i usually need but one word to be given a prompt to write something with a frame of mind: ******! to the excess, bury that, take out a chivel and a hammer and start working in stone; one word, that's all it takes.

there's this youtube channel,
           i don't really care if it's pop or not -
not fake news,
   videos include things like:
a "feminist" woman went nuts on a couple after the man
kissed his girlfriend on the forehead...
      comments?
                  can anyone find someone a ******
and a ******?
             but this is beside the point,
it's about the same channel, and the video
        boom: spoiled muslim brats talk back to teachers,
state immediately makes them regret it...
   well, what i'm about to write is not
about the content relating to the focus subject matter...
so this guy is reading an article
and i'm starting to ***** up my ears...
           what is this guy reading?
                            i'm not saying he can't read, but what
he's reading has been so terribly written...
    and i thought poets had a hard time keeping
up punctuation standards - just a passing thought.
   apparently punctuation aesthetics is even harder
for journalist - can anyone agree with me that
they write like joyce at the ende of ulysses
  or copycat sartre doing the same in the third
volume of his famous trilogy - nota bene:
    i made a mistake here: he just abandons the paragraph,
thankfully keeping up with punctuation marks.
           similar for sure, but all too different to
make the above made statements.
       anyway... it's when there is a complete lack
of punctuation that really bothers me,
             it's a bit like telling someone:
                      to keep their breath underwater for 20 minutes,
or the translation from the analogy:
       write 20 words and guess, if people won't loose
their breath.
                                      not everyone can speak as quickly
as people doing adverts, when the small-print details
are read out: like shooting an ***.
                   which brings me to my major concern:
mmm, orthography: the upper-tier mode of punctuation:
no, not words: syllables, and how they indicate
   how to best eat up and then spew out a word.
from the title...
                 what i just wrote is an orthographic heresy,
esp. when you compare it to national conventions...
yep, it's the french twist, the acute e...
                 national standards wouldn't require it -
it would be written *zajęte... but like any object
language is gagging for a personal twist,
                               the acute e creates the concept
of three distinct syllables (incision points of the tongue
that's now a scalpel) -               za-ję-té;
       the counter argument? why not make the a acute
too?                   ah, the joy of particulars.
            back on the pronoun debate:
                        pronouns are not gender exclusive,
well that's obvious, but certain words outside this
grammatical category are, "oddly" enough,
gender inclusive (perhaps not in english,
   hence the apocalypse) -
        e.g.? the word above: zajęté -
                it means: it's occupied - which is a usual
reference to the toilet... someone's in the toilet
and a person knocks on the door, and he'll hear that
word 99 out 100 times... the 1 time he might hear
an alternative? spierdalaj! mam stoleć jak kamień!
(*******! i'm constripated) loosely.
   anyway: the rules of orthography are higher
learning punctuation...
                         but there's an alternative meaning
to the above word... and it actually involves
the feminine collective pronoun o'né -
                       in english there's this poverty of
gender neutrality in the collective sense:
the folklore of us vs. them...
                                         other language really do
have gender exclusiveness in the collective use of them...
o'né meaning: a group of females
                    and o'ni meaning: a group of males.
now the word zajęté? they're occupied -
they denoting females.
                                                 but it's not exactly
correct to, well, it is, if you're grunting like a gorilla...
   the expansion is:            zajęté są -
                       the +są
                                         indicates
  the meaning            they're -occupied
                                         and perhaps      a +pre-:
after all, i left the word open for a prefix of some sort;
                    is that usually hair and make-up?      
as already state, the rules of orthography can be broken
fo aesthetic reasons - or just the upper tier tool
for reasons of: perfecting punctuation intra-words,
rather than the already existing inter-words, punctuation.
               it's a shame that english doesn't have that:
standing ****-naked in the dark.

the narrative does not cling to classicalism of stating whether the pronoun usage is either singular or plural or both to allow an armchair of expression; after all... there's enough for us to bypass the classical philosophical debate about subject and object, simply investigating pronoun usage in relation to singularity or pluralism.*

there’s a theory where poetry came from,
one read: cleopatra wanted to hear sweet-nothings
calibrating a razor with a viper’s kiss...
another read: she báthory?
she báthory? she the one that turned milk into blood?
she can burn in hell.
i thought we were un-dialectical in the realms of concern?
no... you see... poetry came from punctuated-impressionism...
or a fear of it... punctuation of course, not from the impressionism...
poets fear punctuation...
give them a semi-colon
and
they
treat
it
like a sidelined line of verse.
this is poetry in mathematical equations:
i had a pear(,)
it was a spare(.)
i had a care for traffic(-)
so i missed( )
the expressions and started using an obelisk to quarter up the mammoth
into chop suey...
poets simple say: next line! when prose says next paragraph
and the prized execution of the 100m sprint . . . (.)
that’s universal alpha romeo with alfa bravo charlie delta (echo)...
come on in the u-turn... give us a smile......... :),
poets says... i need breathing space
without sentenced timing of silence, for the toad to feed inspiration
and envy!
no wonder you came with the alpha - zulu
alphabet given that you used ɪɡ and zoʊ...
so tell me... where’s this copernican west upside down
(this heliocentric west with east being the big bang)?!
i'd swear the thing stopped orbiting in circles
and a thing that's on it's thought started to become
orbital... a fashion sense of the 60s 70s 80s 90s repeated -
that's right, the whole thing became heliocentric
and we became narcissists instead of solipsists
in the geocentric system of worked-up plagiarism
with adequate excuses.)
it's here it the poets apprehensive of punctuation symbology
and instead writing "sparingly,"
to write, e.g.:
i
hate
        this
love
                affair
claimed
                     to
be
          the
world...
                 i
rather
                         chisel
chequers
                         into
geometry
                     of
x4
              90º.
makes sense poets begot fear of
punctuation and not grammar, they
serviced to explore nothing else,
leaving grammar open long enough to *****
mathematics in... remember...
poets are firstly concerned with punctuation...
secondly with grammar...
philosophy for poets is grammar;
**** i'm um um so drunk i'll need to revise.

i really don't know how this is a connected,
but somehow it is,
you drink a few ms. ambers and
your mind just turns into an armchair,
you can unwind,
send the serpent of a tongue
into the garden and watch the show...

the original thought begins with an old
pet peeve...
   the argument...
   what was it?
  ah!
          why so much evil in the world,
and so little if any divine intervention...
can you imagine the sort of
hellish world that would be,
this, zoo?
                     why i believe in free will?
well... i don't believe in
divine intervention...
   however horrid, divine intervention
is "missing", i guess,
simply because we're supposed to
live out all our potential...
however that might be...
             the heavenly has to dance
with the macabre,
   the man with the woman,
      
an atypical argument by the sophists...
why doesn't god intervene
when bad things happen to good people?
do you want to look at
the zenith of being given freedom
to do either evil, or good...
and not be judged in the act of doing
so? you don't want this freedom,
because some magical entity doesn't
intervene?
   then you'd have a case for the non-existence
of free will...

****... did i really elevate myself
to such theological claims? guess so...
catholic education,
   i wasn't going to completely free from
the religious debate...
but that's beside the point...

the first Bukowski book i read,
i bought in Glasgow on one my psychotic
outings...
what matters most is how well
you walk through the fire...
i bought it because of but one poem...
it begins
   sometimes there's a crazy one in the street.
he lifts his feet carefully as he walks.
he ponder the mystery
of his own ****.
- and ends with
when you see a crazy one walking
in the street
honor him but
leave him alone.
    there's no luck like that luck
nothing so perfect in the world
let him walk untouched
remember that Christ was also insane..
while in between?
the line...
  the sane are too numerous...

but this ties in to another poem
(that one was called insanity)...
i sometimes think:
and my, my my,
what a fine way to exfoliate
the emphasis of punctuation,
but breaking lines so much...
point being, there's an upper tier
of punctuation,
primarily associated with the philosophy
genre...
and no... don't even try to read
philosophy book like you might
read a piece of journalism
from a newspaper...
  3 years to complete Kant's
critique of pure reason...
believe me, you can have your fictive
novel breezing through moment
when Kant writes out
  a schematic for transcendental
methodology... that bit is easy...
but you can't exactly read Kant
in 3 weeks, and subsequently spew
the content, or rather, plagiarize
it, hiding behind schematics,
and the obvious a priori / a posteriori
categorizations...
well... unless you're a college
philosophy professor,
and much akin to a news anchor ditto-head...
then yeah... plagiarism is the way
to go...

you know what elevated punctuation
looks like?
   you read a snippet of a philosophy
book, you'd be lucky to read a chapter
in a day...
   thinking... thinking is the over-arching
punctuation from your casual punctuation
already imbedded in the script...
thinking does the punctuation
when reading this genre of books...

but it dawned on me...
aphorism XXXII, pondering(s) VIII...
just one sentence...
  (i favor Heidegger?
because he favored poets)...
             poetißing and thinking enter
into an essentially transformed,
incalculable relation.
     when & how both become manifest
as da-sein with self-altering beings,
without publicly existing and "operating".

this immediately brought be back
to a Bukowski poem,
    the last poetry reading...
****... that's not it...
it's not even captain goodwine...
whatever the poem is...
it reads something akin to:

   you're an entertainer now...

that's what i steer away from,
  indicating that these words require
a stage presence,
an oratory valor...
   a performance,
     no public performance,
no freedom of speech *******...
    no speaker's corner manifesto...

            i already signed up to the ontological
motto of...
   cogitans qua esse per se...
thinking as being, being in itself...
the fact that i might leave my mind
and instead morph it into a waggling
tongue on a stage...
the fact that these words could
make public office,
and even be deemed as, "operational"...
not so much petrifies me...
but...
               disgruntles me...
   disincentivizes me...

  after all... i've noticed this...
once you start performing?
your repertoire suffers...
                   like all artists...
the moment you become confident with
your poetry via its public
reception,
   your creativity, your virility,
your fertility succumbing to new ideas,
drastically diminishes,
i've watch countless poetry
performers...
"poets"...
     with a repertoire of... 10 poems?
maybe even less...
   they start performing,
they stop exploring...
   when poetry is bound to the high
court of silence,
yet becomes visible phonetic encoding,
like... like I.T.,
signs, symbols emerge,
but there is no sound to be heard...
when no one is being entertained,
it expands...
        come to think of it...
Heidegger is quiet right...
     poetry has more to do with
philosophy than it has to do with
rhetoric, oration, sophistry,
   or Sophocles... to specify...
            poetry is about "speaking"
the truth...
   but who the hell, in public...
will speak themselves,
  speak the truth?
              let us leave that to the actors...
who... imagine themselves speaking
a truth, but certainly, not their truth,
the truth...

i want to be as close
to cogitans qua, esse as much as possible:
or rather...
cogitans qua loquitur,
   ergo loquitur qua cogitans,
qua, esse, qua est omni illud;
   (thinking as being talking,
therefore talking as being thinking,
as being, being, as being all that is).

p.s. well, yeah,
poet-thinker or poet-entertainer...
i don't need a freedom
to speak, i need a free to think,
and when i equate
thinking as speaking,
but i write,
rather than speak...
      see the comments sections
for more details...
if you "think" that this is
"talking".

I'm not a poet... just a blah-blah machine... intellectual stuttering does involve: searching for... the best choice of words: which do not necessarily add, toward a nomination of intellectual girth... delayed stature... a Pole, like Jew, is more himself in exile, than with a stubborn claim of "origin", or rather, past... a people who have truly understood themselves, among themselves, are the ones without a heritage of a land... which is an ultra-form of democracy: the people have already spoken... the people, having no obligation for: a people... have no necessity for: a land... the Germans are infants in this line of argument, given: der VOLK... 2nd nomadic participation of a secularised people are the Poles... least because the most vocal among the throng of Lithuanians, Estonians and Latvians... grind teeth and say Crimea is not Ukrainian... where land and people are synonymous, in development.

it's sometimes hard to envision the democratised voice as not being either: too personally "impractical", or too "impersonally" practical; of which, politicians fall into the latter category... hence democrscy's shadow dictator, known as the status quo... mind you... even Sisyphus wasn't allocated the task of moving an unmoveable stone... that being said, i feel no need to bask in some intellectual tectonic shift observation, as this is, quite simply, the most unnecessary allocation of words that, needless to say, are said, without encompassing a motivation for any subsequent dynamo expression... lazily rolling a cigarette as precursor, and... a serpentine of rattling skeletons like playing a magician's, xylophone.

       a cold shot of 100ml of żołądkowa gorzka, followed by a rolled sweet Virginia tobacco cigarette... and a walk in a park... high spring scents... and that perfect companion readied for mirror and introversion: there are two, shadow at my most nihilistic, and "loneliness"... at my zenith, which is a gratitude, resembling the closest excavation of the truth bound to carpe diem: a sunset... was it ever going to be a day worth
completing?

     the conundrum of a stiff 5am wake up call,
   some would call it, a stretch of the imagination
to craft a pivot on, that might realise a continuum...
    closer to the heart an empty stomach,
than a claustrophobic mind...
    for once in my life I imagine people
who find thinking unbearable,
   trying to measure their ails in the ethereal,
dissecting the mind entwined with
the soul, or what some would argue is
the sigma of the mechanisation of
the body... nibbling at love from
the unconscious rhythm of the heart,
prodding at desynchronised patterns,
aches of loving bound to
a scaffold without an executioner:
other than oneself...
      perpetually seeking a biography
spanning but two weeks,
    of Nabokov's counter-lollipop-16
frizz in goosebumps...
     my... am I so sterile as to dream-up
a cougar on a leash?!
                 porcelain beauty
before the altar of a bull and
the infuriating moorish -sculinity...
porcelain youth,
    hybrid came the minotaur...
somehow archetypes are stiff
as the introduction of the god
Solipssus into the parthenon...

   un-*******-believable:
    Fraiser's concept of self
some greenish 'reesh 'nome -
  can we do away with the surd letters?
there aren't that many after all,
given the english are famously
tingue-numb vowel impersonating
consonant "grievers' wounds"...
        'ockney 'acking 'ockney,
and some dame off her frrrrr'ah
  ick'ing         'ockers!
       hmm.... súm!
     anything to get past
old riveriera, *** Sinatra...  
   *** martini super dry with
a dupper-uber wet:
    snout of a mole in the caverns of
finding false teeth and
dangling ding-**** virginity...

in a brothel 'ardly the cherry picker...
if you've never been...
   you've never been,
                  and s much can be said
about that...
       what do you call an Arabian
leech?
        a minor European with a taste
for Bulgarian seconds...
   but of course, that white....
  dress is because we all took to
replica monogamy of certain animals
seriously...
          but that weight of
a ring finger,
     has me itching for the down-trodden
being mawled in my mouth
to later constitute pet food,
   almost seems familiar,
but not quiet,
    came those seeking fire and
were vigour prone,
came the necromancer and
tried to raise the dead,
before the living priesthood
began talking with the lead tongue
of mammon...

     the ones who do not monetary
authenticity in the following coins:
a pence, a two pence, ten, twenty,
fifty... perhaps a quid...
     a snippet of royal metal...
   why wham! and not aha!
                               ?
too much, eureka connotations?
bewildering, like 500ml bottle of *****
in Poland, and 25ml "shots" in England...
**** first of puke blood prior to
taking a ****?
        dunno! hence the tycoon
bonanza!
   a bit like asking a pirate parrot
for a quote only by pulling out
one of its feathers... to get the...
    mechanical parts: geared up to
Cucklington.... and that is by no means
a place i can associate, either drunk,
or sober.

   how the hell do people even find
the diem or the motive behind it,
to craft the sort of "1 + 1 = 2"
   momentum, that becomes carpe diem?!
I heard some say (well, I thought it
through):
     dzień ma zbyt wield małych "trosk" - - - - -
(wyroków by zważać na innych...
       tzn. rz pirdole skolną
    ortografie bez autobiograficznego
  zaparcia na: NEIN!
  szambo szfedzkie...
     wiwat!
                 F to finał...
  nad machaną rę(n)ką...
   czyli, tyczy to:
       wodą... e e e! goń ty sam
zza gównem...
                 pierdolonym Soviet
ma tylko bjet...
     bjet... ubogi nasz pan...
       twinie!
                     maciuk jet harciuk!
ble na nowo (Ь)
     i ble na start (Ъ)
                       to mi... kurwa... nowina!
- - - - - - - - - - - -
   (I lost the sense of paragraph
and punctuation)
       the world already knows
of those who shoved carpe diem
down the ***** of public figures,
and lived out
the motto of: carpe tutti...

  better english with none,
than Russian with.... pseudo
impressionism of diacritical marks
beside the geometrical
revisionists of the blank canvas...
    thing...
        nice post-Greek lettering,
shame about
the lack of... finesse...
           when teasing the third tier
of lieracy,
   spelling, grammar ****,
     punctuation, breathing ****,
and diacritical distinction:
**** thappy toad zee gwafrifrifritee!
B7LVARK...

         there is nothing grammatical
about spelling...
             there is simply an aesthetic
involved...
          an "orthography"...
minus the "grammar" Nazis comes...
   the people that say:
   I really don't see why literacy is a
necessary benchmark of education
for the sort of jobs,
    that really require nothing more
than consumer supervision of:
the minimum literacy of
reading advertisements...
         what else?
    if people are sour about an aesthetic
of the written word...
without concern for punctuation...
let alone diacritical application...

PEOPLE ARE SEMI-LITERATE...
     if grammar "nazis" exist,
then people are semi-literate...
   they equate thinking with speaking...
and then file "complaints"...
   as to how their thinking
diverges from speaking
because of sophistry,
    and how talking doesn't integrate
itself back into thinking
because of philosophy.

filozofia: zapał, i - las ~ zapałek.

I've seen carpe diem exhausted
on the shoulders of the routines
of retirees;
    better the life akin to the thrills
of a doormouse,
  or an intellectual,
than some, mythical Taj Mahal of
orgams, reduced,
   into a pale lighthouse insignia
of violent purple, namely black,
masquerading white,
in a sober, en masse, funeral yawn
grey.

   this can only become a "difficult"
reading, something that always seems
to excavate: primo uno...
     and nein auf omega...
   not as an insult this... "thing"
concerning a semi-literate people,
just concerning the people:
who have been taught to read
in order to "read enough"...
   and how much of that is focused
on punctuation?

       tilde contra macron.
just an idea of fathoming pause,
and the comma, ' from above...
     e.g.
                  czas ~ na mosty
   sound slightly different to
    czas - na mosty...

       in no defence and with no concern
for a rubric of populism,
   the half-forgotten:
  neue-punctuation: Saß...
              given the Oxford compound
of the attempt to break (-) away from
using shrapnel...

hence by "arrogant" claim concerning
the literacy of the genral populace...
these come as minor observations with
minor impetus being guaranteed
of populist dent...
          flimsy ******* gay
oops-e-daisy patchwork Adams sort
of reminders to begin a tomorrow
as brimming on: "resolve"...
   and above all: impetus!

      the men should join the army...
Bratislava quarter limbed voters
and the crab eating fetish
reaching its penultimate lap...
for some reason,
I haven't been given the Darwinian
drive,
   somehow lost with
the remainder of my inheritance,
ha ha! slumped into
a canvas remindful of a:
cinemagoers' jerking off screenplay.

Why I Use Punctuation

I use punctuation
To help people read my verse onto
A resonating air;
Verses you can hear, i.e.
Aloud.
I’m proud to say that it has
Meter, rhyme,
Capitals that start the line
So the intention is fulfilled
And joined up with tradition.

A dot has meaning, comma too.
The semi-colon’s there to help you
Understand my thought processes.
When I want emphasis
Or that you accent,
Or I make a special statement,
I take care with punctuation,
For communication is the key
That underlies all poetry.

I might use exclamation points,
But never when it’s not important!
I use hyphens quite a lot
Because my lot lies in creating words,
The standard dictionary not enough.
And I do so want you to ‘get it’.  Get it?

Ah, dear punctuation!  
We could go through all the signs for pauses.
Unimportant technically,
They’re there to help you verbally.
A poem is to be said - not read.  
It’s all for you!

Why I Use Punctuation 6.27.2016
The Processes: Creative, Thinking, Meditative II;
Arlene Corwin

.for two days a song was haunting me, seemingly unheard before, hidden in the deep recesses of my mind - unrelated by sound or memory... yet burning itself a presence regardless of my faculties... restless... i had to take a walk through bedfords park, havering country park and hainault forest country park - through sun and rain and two bottles of wine... twice seeing bambi and at times scuttling like a rat / misanthrope from the unusual traffic of these parts... to finally find peace... Borodin's prince igor!

there's just enough of gloating to have to muster...
before some grander detail has to take form:
i've been trying to capture the song
i want to listen to: but it's hardly a genesis
of an #A... or... whistling...
             kik kershaw's the riddle?
                         it's not - now that the hindsight ("spoiler")
is presented... it wasn't a bach aria:
or a batCH... well: who's the good surd?
'ere boy... vat's a good tau: ba'ch...
     the would be baчelor: j. s. baχ...
                            a juggling act of... less than...
what james joyce's finnegans' had to offer:
and more: the diacrcrcr-detail-of-antics...
       pop sort of reference points?
                   would they be... if they weren't...
for the per se reasons?
                  details are in the noumenon -
that... axe-folding: exfoliating lesser demand
for: **** in machina...
                                      the sort of details
that mind: the over-simplified woman...
and... the terrible complicated seance of...
when witches were detailed about...
their broomsticks were to be replaced with...
vacuum cleaners... terrible details of
"unnecessary" complications...
man of science man of technology man
of engineering and man of mathematics...
much later... the man of linguistics and...
the troop of ballet dancers... the choreographers
and the composers...    

i have taken enough days to gloat...
working an addiction in reverse...
a bank-roll filled with: plenty of nicotine...
and chem.,
           just waiting for the completed
day... an exercise in language:
and jack daniels bubblegum:
pale blue... blueberry images... gluttons
of colour: those pearls...
back to music... back to music...

   i wanted: rather than tried...
to fathom a pause in the construnction
of the res cogitans: with the usual
punctuation markers...
it's hardly a semi-colon...
          a full-stop... a comma or a full-stop...
hardly the detail of syllables
with diacritical markers...
    hidden letters...
rare in english that sheer and chisel
should come together...

i was thinking of a punctuation marker
to block of all narrative...
not a mere punctuation marker -
not some apostrophre...
                precursor to the possessive article:
's..              's...
even the russians do not have
what i already have...
         namely... дж...   джик is an approximation...
something is hidden within...
dzik itself (boar)... dzikość - wildening...
        a lost attribute for the civilized man...
   дж is... slightly off from the intended:
   дз - while ж (rz or ż-art - joke) -
              is... well... it appears...
but is a few letters apart...
       for example in: drzeć (tear - ter:
not tier - nor teer - backwards to forwards...
latin diphthong of æ) -
                        to tear paper into pieces...
   a tear ran down my cheek...
   to have read: rather than... to simply: read -
and... the reed - a stalk of a bulrush...
               the eastern lands...
                      synonyms and two best known
aliases: the birch tree and the bulrush wetlands...

this is the only best: approximation
of a song akin to Borodin's prince igor...
that can't be hummed... unless heard proper...
not from an abstract of memory...
conflation of adjectives?
abstract is more an adjective than a noun...
for this presentation...

      hiding letters like a good 'ebrew...
           surds detailed with apostrophes...
mollusk legs... exercised...
  a day later and the extreme cigarette high
is "missing": not found...
   щыт "vs" szczyt / ščyt -
                 no less congested than:
                                       dość! enough!

from the initial fascination of working
english into greek...
                     things had to translate themself
into "mordor" regions: Ruś, Krym, Tartar...
the Caucaus...
                        and the Turkic dwarf plebs
of mythical Constantinople... takeover...

- with thinking i wanted to capture:
res vanus: the empty thing...
       a synchronised: symphony of...
with what's being emptied...
while at the same time... with what's being
filled...
the years passed when pacing
with a heart of a turtle...
compared to... the heart of a mouse...
i call it: no known noun...
              to think is to have the heart
of a mouse... easily agitated...
no room for lost narratives...
      hell: better still... without haikus
and all those condoms of denial and...
delayed view-count murmurs...

          a case of: res cogitans:
a thing most animate...
a case for: res vanus:
   aa thing most inanimate...
         it's... a slingshot... a strain on purpose...
it's an incremental addition of purpose...
it's a punctuation mark akin
to: lost the linear...
up toward the copernican east we go...
and then back toward the flat-earth
project of... being able to read a map:
topography... without: the need for 3D:
3D the copernican: it's all very imaginary...
vector alpha:
points beta and gamma...
to find punctuation: a silence...
a bit like... finding gravity...
which isn't a sound... but if it was...
it would be... the sound of falling rain
on leaves or lead plating of a roof...
or... the sound of recycling...
of water... in a waterfall...

by now all the ******* readers have
disappeared... there's no more...
instagram haikus in the system...
there's the drone drill sequence...
a very distant humming sound...
perhaps an impromptu crescendo of
variations of a cat's meow...

absolute: total: шит... more like шитышит:
    шыт if i was... to be honest...
   sheets of paper... floating about...
                    well... i too once thought:
those russians... with they cyrillic...
but no diacritical markers...
      well K in a mirror: ж...
                      no one told me about brining
mirrors into the project...
     sh-ch-
sz-cz-                щыт - height: well... zenith...
bl-ы'h bl-ы'h: blah... blah...
       it's a letter: the russians call a "sound"...
like the english should start calling
the letter "g" or the "h" a >sound<:
surd...    an apostrophe: gnome: 'nome...
gnosticism: 'nosticism...
                                 'alf the 'arvest...
prop'er: cockers and pouch of punches...
   very ******* irish sober to me...
brings all the harlequins and loon'doon'ish
to the backyard for:
                   milch-schütteln-und-schäkel...

and then i return the cork back onto the corkscrew...
as i pa'k - my... packaging... CCCP... comrade...
the folded soviet shop...
don't worry terrible ivan... there's a new shop
in town... the iron has morphed into silicon...
see-through curtains and...
this virus... did more damage...
than any... brave lion of the jihad would ever...
circumstance of the affairs of westminster bridge...
they would "epstein" one through
one in a while...
                 to **** chicken the populace
into a cucklicking KKK strut dance of:
burning hoods and bras and crucifixes...
and ******...
                              conventional... formal...
language usage? please reserve that for...
the golf course and business talk...
                write? write what? a kandinsky?!

yes... a big hello ******* from
tiktok and twitter...
1 minute videos and... 180 characters...
         i feel constrained... claustrophobic...
if... i can't write an imitation Dickens chapter...
1000 words is ******* lemonade...
2000 words is... regurgitating a day's worth
of a newspaper... saturday edition...
which includes the editorial and the magazines...
3000 words? a truly rare thing...
      given that... conjunctions and their details
are not counted: ' - is both an apostrophe and a surd
letter... t'at all depends: on the "v.a.t."...

the whole point was...
finding excuses to write about quitting smoking
are other... they were all fine: crack ******* smoked
when the levels of nicotine were dropping...
the upper body was exercised...
but the legs weren't... mollusks and oysters for *****...
or... toes...
to count... oysters for toes...
but when the legs have been exercised...
and a balance has been reached...
there's little to gloat about... about...
quitting smoking...
there's a need to say: the glory of the tongue
and its palette when walking...
the budding beauty of things surrounding me...
all blushing envy of the green...
  self-respecting green and its almost
teasing green phosopherscent insomnia
in the rubric of the sun: next to wake...
next to hide... a bud of bishop hues...

insomnia green of the forest...
                     poor bambi (x2)...
                    zinfandel rosé!
count! syllables! nurse! scalpel!
zin!-f'ah-del... rou-s'eh...
                              oh remind me of the night...
and the forest... the blinking moon
by count of clouds obstructing its glee...
turned into a melting moon...
spray-painted over the leaves with
its last will of agitated: clingy mercury tinge...

the debate: "debate" wasn't about...
i took 3 days to gloat about quitting smoking...
there are more important affairs to mind...
notably! notably?

example!

la traviata is an opera in three acts by (giuseppe) verdi
set to an italian libretto by francesco (maria) piave
                                                 (verbatim: i.e. borrowed)...

there... they cite... the composer...
    who doesn't need a first name, since: verdi is...
synonymous with verdi and opera composition...
but...
         yeah... you need to mention the first name
and the surname of... the libretto: francesco piave...
the opera...
      music... and... the words...
well so much for the music...
but... last time i heard... a violinist holds...
a violin and a bow...
                         what's the opera singer
to hold? the melody? no! he needs to hold...
words...

   today i passed a family in the forest...
a mother, a father... two children...
                   and a grandfather...
maternal / paternal... i don't know...
i was already on my second bottle of wine...
the woman asked me:
   'will we get back to the car park if we turn
around on this route?'
        i was already eyeing them with
a curiosity prior...
i uttered the words... 'you should...'
          not... 'i hope so... since i'll be
testing that question'...
or 'you will...'
                           several minutes later
in my own solipsistic interlude...
            you should... i swear to god...
sometimes i say something and can't
see letters behind the sound...
      like: i shouldn't really see: meow...
behind the sound a cat makes...
since... a cat doesn't just make an: ego sum: meow
universal statement...
there are variations...
    'you should'... i repeated...
slightly drunk and... whatever... i didn't see
any letters in the sound i made...
           for once... not the last time, though...

to abide in such joys from a past -
chevalier, mult estes guariz -
                 to cite charmlemagne and prince rolo:
the scandinavian convert -
who's (whoz: not who is) descendents
were the morphed vikings: the normans...
who conquered england...
        since the predecessors couldn't...
walther von der vogelweide:
                    palästanalied...
all through the german autobahn...
                   the word... AUSFAHRT!
the lands owned by the lithuanian who
married: and by marriage became converted...
from the last pagan prince of europe:
enclosure rhapsody of caged
elephants: prior: mammoths...
  the estonian bulwark...
von meer zu meer (von baltisch zu schwarzes meer)
these jagiełło platitudes of envy... chełm...
      sch'war'zes...

begotten not made: blistered...
the scarf of colour to capture the frenzy of
autumn... a shawl best worn to...
loot the colour and suffocate the subject
with: no past a dream and a dream
without rucurrence...
to borrow from the past as much
if not more from fiction!
to say: once they pickled Barbarossa...
come the third crusade... disgruntled oath-breakers...
sought the prussians...
and the lithuanians... and all that land
to the east...
had they only known... what the prussians
would make of the absence of the saxons
of the pomeranians and the bavarians...
i wasn't there... no...
but a romance is a romance is:
here's to... no ode to a ******* sailor:
capn' ahab... or the rodin instruction
knee deep in the mud at ypres...
or the mass-graves of german youth
or: how kaisser wilhelm and that in-breeding
crew of familial ties tore europe
on the altar of the bull...
before this bourgeoisie whittle adoolph HIT!
came about and charged the former
bitzmarck ***** and the elites with...
eh... the story is so told and so old...
"they" couldn't fathom the middle-project
of the khaki and ******* not coming
from their... high-brow... aristocracy...
better to reign in hell than to serve in heaven...
choir boy whittle adoolph said:
i'll borrow the schnurrbart from chaplin...
after all... with a surname like mine...
a ****** or a chaplin is no... WIN-D'SOR!
yes... apostrophe 'ere if not to hide a surd...
it's to elevate punctuation...
for the sake of syllables... the hyphen is not
enough... vowel catcher tetragrammaton
invocation! the first arm of the god:
the second arm is for: ha ha ha! laughter!
cynic and satyr!
            eh... let's leave the stoics to their
love of labouring over the fate of oysters!
protestants and pre-destination-alists...
clarvoyant calvinists!

                         from the decadence of a "lost"
empire... what "pseudo" history is to be
resurrected... romanced...
the angevin empire?! that there is a past...
the "lesser" dream...

a patrick and andrew a george...
and ef bwy newid troi (he who...
altered path) -

troedfilwr - petty velsh:
quasi-silesian / kashubian / little warsaw
of the "bigger picture" masovia...
CAPital neu...
          
- ever write something...
at a snail's pace: crow pecking...
because a moth has just flown into your room...
and... unlike... holding a seashell to your
ear... to find the ivory shore...
and the details of false echo of... galloping
waves...
you clench your hand...
and hear... fluttering... like the sound of...
desperately falling rain..

madame butterfly is an opera
by (giacomo) puccini, with a libretto
by luigi illica and giuseppe giacosa

the magic flute, k. 620, is an opera in
mozart to a german libretto by
emanuel schikaneder:

           der verk is in the form of a singspiel:
singing and spoken dialogue...
my demise: the awe... interludes of...
theatre... in an opera!

               rushing rushing and... kandinsky
the colt serenade kind...
  with... canvas... and an auction house
of reserve that... fridge magnet enterprise
of a single mother of... 6...
              
you couldn't get an opera...
working from the carmina burana...
the... libretto... thankfuly...
constricted the music...
you'd only get what you already have...
a medley... opertics instead of an opera...
sketches of an opera...
    the whole custard mess...
the rhubarb the rasberry "finicky"...
         the Goliards and the... gonnards...

               were diu werlt alle min
               von dem mere unze an den Rin,
               des wolt ih mih darben
               daz diu chunegin von Engellant
                lege an minen armen

the quid pro quos and the... anon. circus
spectacular sheen!
  
  what is the composer without the libretto?
the violin player has his violin and bow
attached: like some... frankenstein's take
on an elaboration of an autumnal fallen:
leaf of: a "false" limb...
dire desires for a lingering crescendo...
of a piece... without an overture...
bothercome children and the good life...
nothing worth clarifying the nouns:
to a supper... a goodnight...

                       bedtime with nabokov?
my take... well... it becomes apparent...
when... the local... easily accessed by the many...
avenues of love... are exercised...
what remains? taboo...
and once the taboo is... investigated...
invested in... well then...
there's that all overpowering tease of
thought not materialised into a will...
a 14 year old girl... below the mark...
she's 16 and i'm 18...
and i'm not her... cousin and this is not
israel...
                  after a while... the only *** available
is... the forbidden type...
and there's... so much freedom in
what's forbidden... when it's only thought...
the complex: θ(ought) complex
that becomes φ(inking)...

              the moment "she" starts to
perceive the mirror...
       and you're looking into the concept
of time and of glass...
  
but then... there's... the libretto... and the composer...
the rare event of: richard wagner...
where there's a schizoid... bilingual...
"in theory": der kommissar working 7/11
on the advent of: neu-muzik zu kommen!

  queen of the night aria contra...
my sleeping karma - satya - ahimsa...
that one: "last" cigarette...
me... a wife and a child...
        tidy... if i only aimed at...
the fraction to no effect...
the wife and the sole child...
i'd be doing all the proper details...
a wife and... the hungarian model...
of at least: towing 2...
      hardly an embitious venture if only
towing the holy trinity of:
fake hey-gay-zeus fake myriam fake josephus...

not looking for queen of the night aria...
   nor satie's gnossienne no.1 sampled...
ezio bosso - under the trees...
           vittorio monti
jean-paul egide martini {/^.5.p 6^)_(0$drd...
toast!
it was... bothering me... started last night...
took 6 rough miles to get the tune
out from my head...
into a coffin... of sorts...
it was... borodin's prince igor! all along!

p.s. re-flex: the politics of dancing...
       duran-duran: the reflex; ******-pointer-ler;
h'american pie contra dad:
   the gay bar: electric sexes und siebens:
hefyd...                         deutsche bankschisch...
zeit (time) and the ruschischen:
              цeit... always conflated as...
indistinguishable by a ****** / lithuanian...
           цeit - bißcuit... crumble: чarcoal...

hey presto: a *******... voilà contra eureka!

one must wonder
if the word “Punctuation”
is a relative of “Punctured’;
for, as you must have noticed,
a prose passage
with no punctuation
is as good as punctured…
poetry is cunning;
she uses punctuation as she wishes
and still remains pregnant
with meaning, if you know what I mean

i see it like this:
i know the teenagers
have the outlet we never had,
we had to invent the graffiti tag
to be seen or heard,
there's no courage in internet
anonymity - we're as successful
as insects to adapt, with 8 billion
of us, i won't be knocking of your door.
i see every poem that i write
as a character, even the cameos
(great cinema in edinburgh
is called cameo - european films,
turkish, iranian, real art-house),
and with each poem it's like a passer-by
on the street, the street is the narrator;
i just wanted an oblivious narrator,
not some genius chess player
moving in & out of people's minds,
i wanted to use poetry to destroy
if not simply obliterate the voodoo complex
of novel & novella architects...
seeing through silent "dialectics" / ~dialectics
psychiatrists attacking poets
and philosophers defending them:
like this theory i had - about how god
didn't destroy the latin alphabet like he did
of babylon (new age atheism is great,
but these atheists started congregating,
and that's not cool) - and i see punctuation
marks above the letters, umlaut for a colon,
comma marks above o and n if not elsewhere...
but by god i mean god = word(s) - a means
of communication - extended into a reality
when so complex it's near solipsism,
impossible given that you can understand me;
better stick to the poetic maxim of paul valery:
poems are never finished - just abandoned.

.i. if Kant could have his von Kleist... well... who else to juggle juggernauts if not me? as a task of redeeming that poor soul who succumbed to the terminator of all poetic ambitions, with his systematisation off-the-page, as eccentric and punctual as a sunset on a sundial at 16:11... and in case either the spring of sunrise, or the autumn of sunset... but so many hours after exacting a sunset... that gluttony of the eyes to stare at it... 16:11 is the zenith of a sunset in november the 15th... much prolonged when warmer... supersized sun when setting in summer, and all that whiskey-copper wiring for the eyes to stare at it: oh for goodness sake, who really cares for Ikea likened assembling of words... we're not putting together a coffee table, we're looking for Darwinistic entrapment, we're scared of the aeons and yawns... we're trying to create a Darwinistic entrapment saying what segregates us from apes! that's how anti-Darwinism works - if they can easily call you a poet and a technophobe... then that hardly makes you a merchant with a Quran... to encapsulate the language of our modernity we're doing everything against writing the onomatopoeia of our beginning... monkey ooo! monkey ooo ah ah! or a gorilla grunting and then snorkeling... we're encapsulating our language more and more... because beginning with ape and then looking at history, and then looking at the consensus of the contemporary: Darwinism's greatest enemy is not theology... it's history... Darwinism and history are not compatible... oddly enough Darwinism and theology are compatible, simply because they are dynamically equal for the case of furthering both arguments in debate... but Darwinism is an odd starting point to argue, given that physicists argue from the perspective of prior to dinosaurs, prior to all things formed.

how can i begin this? it will leave me having to
write it for two days,
the anti-narrative sketch first, then filling in
the gaps sober... just to get second opinions...
i might have to cook a quasi-Hungarian borscht
and fry up a few potato flattenings to a crispy
yum... first the narrator comes in to describe what's
in store, a bit like a translator comes in and says
of Joyce: that's Irish... well, yeah.
               hence the italic preface...
as some would say, the person who wrote these
sketches worked quicker that an algorithm in asking
and also quicker to copy & paste the required
atomic encoding... e.g. ч and ch
                   э and euro and epsilon...
      once upon a time there was nothing prior
to Copernicus, then the somersaults came,
    h ч y        what coordinates where?
    well of course perfecting the encoding of something,
if things weren't stated awry there would be
no optometrists either...
                  it's not hard to read, it's hard to
remember how to read, given that being literate reached
the omnipresent velocity, the new powers had to
include some new power struggle...
mingling Latin and Runes, Greek and Cyrillic...
     and the proto-Latin of additional diacritical marks...
they exposed the entirety of humanity to literacy
within the framework of post-industrial society,
after hitchhiking a ride on the 19th century donkeys
they suddenly had to reveal their power-secret of
being literate, and by the account of women:
corset bound and bored in salons...
      but something else appeared that didn't really fascinate
them: that over-complication of Latin with
punctuation marks above letters: or diacritical
distinction, crowns over letters, subatomic particularisation
of once favoured: universal applicability...
as a narrator? i have to make a complicated
introduction, the sketch lends itself to do so,
it suggests that not all writing can be as simple as
a nursery rhyme, not all writing can actually
    **** memory, not all writing desires being remembered,
not all writing can be remembered,
                in the mediation of the two chiral opposites
there's fiction, which is suspended in an armchair of
pleasurability... but on the opposite side of a nursery rhyme
or a well versed poem? writing akin to arithmetic...
  something truly painful for those competent with
lettering, but not really competent with ten digits...
      as a narrator who has already read the sketch,
i'm trying to not write a "filling in the gaps" to the sketch
like an art-critic might do to a painting deviating from:
brushstrokes were employed. well... d'uh!
variation of italics as in transcending the pause that
implies a condescending variation of taking a pause,
also excluded are: dot, comma, hyphen, semicolon
and colon.                         dot-dot-dot is not joining up
the dots: it implies a variation of how to anticipate
a punchline: drummed: tu-dum wet snare!
     i am actually a narrator who is trying to find
that other part of me that might digest this sketch properly,
     and return fully competent to pick up another
sketch... if ever there was a narrator in this sketch,
it has to be me, after the sketch has been scripted,
and i am left to suggest a need for a dot-dot-dot connectivity
of the strokes of the pen...
i warned myself: do not overdo the introduction in italics,
you know how picky people are...
whether pickled pineapple of cucumber...
i swear Turks invented pickling chillies...
         oh look! an inflatable gazebo filled with helium!
no one's laughing: only because i didn't mention vegina.
narrative puritanism? you get distracted a lot...
but this sketch is really a thesis for narration,
all i have to do is find the antithesis of narration in it:
an actual narrative!          it stretches for ~30 pages...
   well that's me turned archaeologist with a Grecian urn
with a snap of the finger... because that's how this
sketch looks like: ancient -
                         but understandably modern.
              so .  ,  - and ;
        were racing... out came the world record
             9.58(0)         the full-stop is the bracket-bound
0... i.e. it actually happened: hence the pinpoint...
or in Formula 1 a timed nonsense of ave. m/ph
     noted to three decimal points: 130.703...
                                    or chicane cha chicane cha cha!
as said, this is an actual representation of a narrator
encountering this sketch: so before you lose your head...
i've lost mine!
  look at the correlation though!
we've gone way past atoms with the atomic bomb
and encountered subatomic particles...
    we're not going to get beyond subatomic particles
because we're going to encounter the already apparent
reality of obatomic particle: namely our bodies,
   the perceived ******* (ob- is the antonym
                                                  prefixation of sub-):
             that's were the microscope adventure ends,
    and this is parallel to cutting up a second with
three decimal points, as the safetynet suggests:
                                                              π / 3.14;
yep, the obstructive - hence we can't spontaneously
combust... but then again Goethe's Werther did:
  out of love... down the spiral: you sweet little *******.

~ii. i'm actually too lazy to write the sketch and fill
in the blanks... so i'm going to fill in the blanks as i go along,
  or that's what's called the rebellious stance of narrator: mmm,
work in progress, could you see that coming?

ii. a beer in between glugs of whiskey - runes
combined in the ******* / sigma, variant of agliz or
the rune-zeta extended toward a dark shadow of the rebirth
of Ishrael: zoological enclosure; sigma *******
sigma ******* sigma *******, sigma *******...
rune-zeta... we cannot say there are ******
mathematicians and poets akin,
not then one optic encoding states
     a b c d e
         another states f u þ a r
yet another а б (ρ) в г
  α β γ δ:
for worth of gamma into a trill only because of
   a wave, that's ~ approx. on the side of the letter
   e.g. г & r.
   or rho upside down? what the ****?
did Voltaire write this? reading Candide,
i hope he ****** did!
you the problem is pixelated paper? if you know
how you enter a deciphering mode...
                    but you require a personal library to boot,
all that dos formatting,
                       well there's formatting in the humanity
outstretch of this white medium too...
after it isn't all ******* white when all the psychiatric
pills are white too... i have really found something better
than the Bermuda Δ...
       Greek, Latin, Cyrillic and Runes...
i could say neo or proto otherwise,
but i still haven't unearthed the sketch, that
is probably puzzling the Danes, with Cnut on the forefront...
                    but the arrangement of numbers is universal,
but it's not universal, given the particularity of
how language is encoded and why some people are
richer than others...
            but it's still a beer between glugs of whiskey that
makes more sense...
i said, retype the sketch and go to bed...
and i figured: that's probably the wisest of all possible
events stemming from this...
    that's ~27 pages of notes to retype... and i'm already
in a disclosure mode as to expect what's to be jargoned...

p. 1        cкεтч       /      σкεтχ
   necessity of                        (acute
a-       -the           (ism)
is that of language structure,
          only from the use of one's language does
a deity present itself: from within the noumenon
ground work, not the reverse, as in from
(pp. 2, 3)
                 a phenomenological exercise in
the use of language: Islam, Christianity, Buddhism, (etc.)...
       e.g. Islam is a phenomenon,
  it's not a noumenon: or a thing-in-itself...
  for the Islamic god to emerge from Islam's-in-itself
Islam will have to prevent itself from being-outside-itself...
or overpowering other in-itself contentions
but still: to no apparent success narrative of true intention
as satisfactory appropriation and hence lending itself
to a widespread nod of approval.
  challenging space: word compounding, or the space
between conjunctional deficiencies: nod-of-approval (e.g.).

p. 2    concussion (great film, Alec and Will, 2015, NFL)
concussion... Blitzkrieg Alzheimer's....
brain is fat.... dementia = attacking proteins...
  steroids... the noumenological use of language:
e.g. that ****** is an enigma,
therefore his views will not go viral,
and he'll not become fashion trendy...
it's not individualistic idealism, it's reality.
as will die sonne satan - orbis reach more than 5K
views... so... clap clap... clap, clap.
           what i meant about the a-     and -the
and the ism is following a sentence that sort of
does away with conjunctional fluidity,
apart from the big words, i treat all minor words as
categorically conunctional... and, the, a, is, to, too...
given the sentence: brain fatty *****,
brian organic giraffe wall... ******* hieroglyphic...
           stood above the rest, rest assured.
  dementia: invading protein cells
   (bulging prune of the opportune: purely
digestion?) no thought to eat or eat itself like,
cannibalistically. the brain is fatty...
not fat in muscle for mmm, schmile and flex
for the selfie. how about a protein inhibitor?
(by now, rewriting the sketch, i've lost the page count,
it's actually p. 5 of note paged toward 27).
how about the explanation that we're living in
times of post-industrialisation and thanksgiving
feminism? to me post-industrialisation has created
a class of meaningless white-collar workers
and no blues... it's what the Chinese blues call
the Amazonian nomads: ******* happy...
no amount of crosswords or sudoku will exert
your body to do things for others...
   no amount of mind games will actually tell your
brain to be equipped with: a bunch of hyenas... run!
dementia is a result of creating too many
white-collar jobs (thanks to feminism)
and exporting the blues to China (thanks to feminism
and: oh i broke a nail, can i get a Ching plumber to
fix my heating while i get a ****** to **** me up my
****?!) - maybe i'm just dreaming...
it's great to censor dreaming, i mean: you stop dreaming,
you get to see reality, and you don't even need to
read Proust on a ricochet.
  - so we have brain as fat, and invader cells as protein...
protein digests fat... and creates cucumbers out
of people... where do the carbohydrates come into play?
it can't be at the point of a.d.h.d., can it?
     i'm blaming post-industrialisation, the complete
disappearance of the blues (formerly known as the reds,
in the east) for the whites...
or that old chestnut of: my god you're goon'ah luv it!
   to till for worth from the sweat of yer brow -
funny funny funny... to earn your loaf of bread
you will toil...
                   and toil until you are physically assured
that not ghostly / mental life can enter your world /
books... that went well... didn't it?
   i should be tilling a potato plateau rather than
be bound to be writing this epic (by modern standards)
poem...
             but that's the curse of exporting all the blue
collar jobs to China, then importing mindless
white collar jobs to the west, what the hell do you think
would happen, not the pandemic of dementia?
if you do not exert the body, and then you do not
exert / exhaust the mind... do you think
you can secure a narrative with a post-industrial
westerner on the premise of that person simply being
able to solve a crossword? well... i believe in santa
claus too... but i don't believe in him giving out
presents... because to me, in my oh-so-called maturity
that's called an anagram of satan's clause: which is a legal
term for: i can turn civilisation into shrapnel
of what's said and what's to be said: and what's not to be
said. people can't expect to turn honest labour
for the recreational run on the treadmill in a gym...
and they can't expect photocopying in an office space
to replace Newton's curiosity, and then compensate
all this distraction with mind-games...
          can they? well... they did!

poets are gagged by writers of prose,
no wonder they write so sparingly,
      they are gagged in the sense that they write
as if asphyxiated: they need breathing room.

well sure, if he can revive the Polish steel industry
and i can go back to steel plates and pillars,
then the rust belt will get a polishing also.

or what's called: shrapnel before the waterfall of
narration: darting eyes, and poncy **** all the way through...

     muse... muse...

        well, how about we take the fluidity out of language?
declassify certain words into one grammatical broth,
say words like i and they
                              a  and the    are all conjunctions?
how about that? let's strip it bare, after all: what categories
of words exist for us to primarily speak (let alone think)?
     nouns, verbs, adjectives... adverbs?
       but all those words in between are so jungly classified
into a tangle that i'm about to sprout a handshake
          of a Japanese vine grip: and never let go...

an actual extract from the sketch:

      https that doesn't recognise UCS
                   and insists on IPA cannot be deemed
       encyclopaedic

              i need runes for this! i need runes for this idea!
i don't need transliteration right now...
                but hey! that's an idea, etymological transliteration...
bugly term, sure, but the previous night i was thinking
  of transcendental etymology, as you do, likened to
carbohydrates... so it was transliteration after all...
but a dead end when it comes to geometry and Pythagoras...
      
    three words... and they are computerised (i guess you
have to buy a decent book to decode this), a bit like
buying paint in a d.i.y. shop...
       16DE (dagaz / d) 16DC (ingwaz / ŋ / grapheme of n & j)
                  16DF (ōþala / Valhalla / o / ō = oo),
in total d'njoo / d'nyoo - even i concede the fact that this
is a ******* mind-******... it's a ****** congregation of
four optic encodings of phonos... i moved away from
the ancient greek fetish for the logos... i'm looking at
the phonos... not the logos with Heraclitus et al.
               φº θ þ фª f

ªgreek
  ºcyrillic                ever see a prettier pentagram?
                      i haven't.

(false original title:
škic / cкэтч / φº θ þ фª f: thespian pandemic - pending)

looking at the phonos is painful, actually painful,
it's like reading a book with a myopic pair of glasses:
a ******* aquarium blurry right there, befor...

- - - - - - - - - - - - - - - - - - - -

'e'? were you: was i, looking for an 'e'?

i can say this much...
what do you get when you mix a shot
of whiskey with a shot of bourbon:
i'm moving between bottles...
it's nearing christmas eve and i'm a ripe
taoist... i.e. i better this world:
by not having the world mind me...
on the odd occasion: oh... you're still here?!

yeah... i'm still here... i have glued-to-fascination
with my shadow... i'm just waiting
for the atom bomb to relieve me of a body
but ensuring my shadow is kept intact...
as if it were a Monet signature on a wall...

but i lament... the momentum has vanished...
i don't even know why i'm so idiotic as
to presume that: from the hour 22:00GMT
to the hours 00:00 circa 00:30GMT...
something will land into my lap,
my lisp... my cranium the oyster shell
my tongue the oyster...

it will not... i can't simply **** anything into
an existence that doesn't want to exist...
perhaps lurking in a canvas of:
"lost luggage" in an airport...
perhaps "there"...
i could be excused my... lethargy...

when was this written? back in 2018?
so i was thinking about teasing cyrillic even then?
wasn't i?
sketch cкэтч or?

what do you get when you mix a shot of whiskey
with some bourbon?
a Burguandian whisker...
i am not going to sound witty...
Ron's key...

that's still a cyrillic "or"... isn't it?
шкиц: škic...

i'm... deflated... nothing "new" has come my way...
i would have thought that...
reading some Knausgård would have /
could have... invigorated me:
reading him was supposed to be my:
dialysis my transfusion!
my zombie-go-to-literature...
it has proven an exhaustive enterprise
to begin writing again:
i became too comfortable
in reading - i almost forgot
the agony of writing...

alas... a contemporary of mine...
and someone well adjusted to prose...

notably: who would have thought
that death in june - the calling (MK II)
was something to be recorded in 1985...
for one: i wouldn't...

but i did begin: back in november 2016...
begin what? to tickle the cyrillic alphabet...
which is way before i discovered my reply
to the runes... to the ancient greek...
and this... "ancient", ahem... still in use...
latin script...

that script that went into the molloch couldron
of being invested in to code...
pristine as the hebrews cited:
how many holes in it?
to write onto a canvas of 0?
q Q R O o p P A a D d g b B...
which leaves...
W E T Y U I S F H J K L
Z X C V N and M "out of the equation"...

škic / cкэтч / φº θ þ фª f: thespian pandemic (pending):
i better rename it as... circa 2016...
that's way before i even acknowledged
the cyrillic text applying diacritical markers...
i thought them too crude at the time...

beside borrowing outright from greek...
the already at hand oddities of glagolitic,
notably: Ⱎ...Ⱋ...

it's only a single word i'm using...
i have abandoned all notions of metaphysics
in favor for orthography...
i'm not going to burden myself
with: what's after the physics...
i'm after: what's now...
in the respective tongues...
2 tongue deviations from
the original latin and greek...

what came with the runes and what
came with the glagolitic scripts...
what was ****** and had to succumb
to inter-breeding...

come 2020... i will have one clarification
to base my existence on...
pronouncing the growth of my ****** hair...
i will hope to aim at a length of beard
that will forever hide the neck...
i will aim at... somewhere to the level
of my heart... when i will then manage
to turn my beard into an orchestra's
nieche of violins when i procrastinate with it...

since 2016...
i have identified russian in ******...
i've seen it... finally!
зъaрт... i.e. żart
and the "hard sign" becoming a "soft sign"
in źrenica: зьрeницa...

i still think the russian orthography
is... as... primitive as the western slavic...

after all... зъ = ż...
зь = ź...
the balkan slavs have a caron...
which is neither a hard or a soft sign / acute...

their caron is... ч (č) or cz...
CHeaper in english...
and their caron is ш (š) or sz...
SHeep...
or the two together...
and always шч (šč): szczekam...
i'm barking...

pu-shch-air... a rare example in english
of the puщair...
but then lookie lookie 'ere:

CZACHA... skull...
ЧAХA...

perhaps this is my "revenge ****" on russia?
hey! boris the kremlin mascoot...
come and 'ave a look...
with how i disect your orthography
on the / with the language that asks
too many metaphysical questions and no
orthographic curiosities!

i'll meet you in Warsaw... given that you're
probably moving from Novosibirsk...
and i'm either in Stockholm...
Edinburgh or the outskirts of London:
Warsaw will be halfway for both of us...
you don't have to like Warsaw...
i only like it when the Ukrainian smugglers
and the Mongols appear
in the West Warsaw coach station...

smart as who? i am discovering this for
the first time myself...
i was only teasing it back in 2016...
way before i found the right sort of accents
in mother russian...

i do know that that crescent oddity:
above the ja: йa... is what it is...
if you only cut off the head in english... ȷ...
again: it's я given that most russians
are pulled toward an anglophile world-view...
they all see the window to europe...
the baltic and st. petersburg is somehow...
London... and the atlantic...
like hell it is...

i guess i feel it was a waste of time to
have re(a)d Kant, simply because:
i'm not here for the schematics...
i want to know how my thought my labyrinth
building architecture is coming along...
but with no one to talk to about it?

i found the categorical imperative most
dissatisfying... i didn't want to abide by universal laws...
poetry is already shoved out of waiting room
of the republic...
if my "poetry" is not a categorical imperative...
and it's not quiet a a hypothetical imperative...
it needs to be sharpened on a thesaurus
and some grammar...

categorical (adjective)... imperative (adjective)...
well two adjectives never imply much
if there's no noun involved...
and i'm pretty sure that... if i sharpen
the next word i'll compound with categorical-
in that hyphen construct that's only
allowed in oxford dictionary english:
since it's not: propergermannonhyphenfaustian:
i.e. carboxylic (carbo-xylic) acidity...

poetry doesn't belong in either
the categorical imperative focus...
nor the hypothetical imperative focus...

i.e. i must write a poem... to feel better...
i must write a poem... to organise my thoughts...
no! a poem is not a maxim is not a categorical
imperative! a language of poetry is not
a language of morality: it's a language
of experience - or a lack / a lackey's "sentiment"...

i need a... categorical: impetus!
it's not enough to have read kant's critique of pure
reason... it must also involved
having re(a)d the: groundwork of
the metaphysics of morals...
but i'm a democratic reader...
i need to hear the other voices...
i can't be a kantian scholar...
a snippet 'ere, a snippet v'ere (funny how
THETA disappears when making the posit:
THERE - ver!)

who needs metaphysical absolutes...
when orthography (or a lack of it)
in english... spreads open its legs...
and the tongue remembers its tongue-brain-phallus
stage of co-existence in the oyster?!

i'm pretty sure that a categorical imperative
is by no means a categorical impetus...
this had to be written,
but it had to be written in order to disregard
anything a priori... prior to it...
a poem is a shady concern for action or inaction...
it's a deviation from the cartesian crux:
res cogitans (thinking thing)...
into the cartesian levy (res extensa)...
it's an action of inactivity...
as much as it's an inactive activity...
"the rest"...

impetus is not an imperative...
an impetus sources its meaning in a per se
investement... of itself - in itself - for itself...
an imperative?
in pronouns... impetus: i want... i will...
imperative? you want... you will...

an impetus is self-dictative...
an imperative is: indicative...
someone would rightly claim...
those that mourn indicatively...
will don the right garments for the process
of mourning...
which is indicative and devoid of
the per se manifestation of mourning...
it is an imperative when compared to
the impetus to mourn -
which is self-dictative...
which does now shallow itself in
grief by making a socially agreed to fiasco
of a very specific choice of wardrobe...

basically: however you like it...
an IMPERATIVE ≠ IMPETUS...
the year is almost over and i want to break-off
the dust from the thoughts that fudge-packed themselves
as worthy of occupying the minor instance
of having to count a depth of:
not dead within the year of being written.

diacritical indications are as unorthodox as punctuation marks, even though both can be rigorously checked by standards of orthodoxy, in a tribunal of "proper" usage... yet i will use them, as i use my punctuation marks, as a ronin... zite... gé-kre-ū-zite (arabic glutton "surd" g sandwiched to boot); i wish the hyphen compounding extract of the whole was missing... english, far from perfect, is oh so welcome to interpretation; ever the blank, never the bride, never the bride of punctuation from above, but always the punctuation from below, and ever the insult from the irishman: word-salad... word salad this & that... keeps writing a ******* novel for 3 years, can't give me a paragraph to read; who's sad salad noodles from here on in?! all i said is that english lacks punctuation within words, every language has punctuation between words, but all i said is that english lacks punctuation within words, clear syllable indications, and that's as much as: the right for an arabic conquest... next time i see you in warsaw, it will be in december, with a broken glass in your head.*

and let us just say, that the best of his
verse, was met with the least of all
possible critical acclaim...
man could have written a tolstoy novel,
or a shakespearean shake-up
of frothed over events...
   but he wrote the mediocre,
the sort of crap you might imagine as:
once upon a lark upon a tree,
then a lark in a birdcage...
      who's the grievous,
                           and who's the wound?
last, lost holden, but nonetheless
the most beheld,
   that eternal everlasting plasticity
of a worn smile...
           we all have the last requests,
but none summarize our lives,
with that is best the ultimate in
that the epitaph be a post mortem scriptum;
the dead write themselves into life,
for what a sadder death,
than a grave with merely a date of,
and a death of...
                well, not all of us
could usher in a choir of
canterbury choir boys,
castrato, ***-****** by the surgeons
of the crucifix media momentum of:
keeping up with the the bishopric of
canterbury - **** all ruby,
you, ******* *** squeezing quack?!
everyone pleads their innocence
before the antithesis of a crucifix,
i.e. the impaler...
   you really think the crucifix was
the ultimate "sacrifice"?
      now you're just ******* around my
respect of: not attempting to laugh...
how about the iron maiden,
or how about being impaled?
             take your "saviour" elsewhere -
i am as the japanese demanded of the portuguese...
take your "saviour" elsewhere,
hell knows more of the zenith of torture
than merely settle for a crucifixion...
   how about impaling the sacrifice?!
   what with the fight against
homosexuality, imagine impaling
a homosexual... via his ****...
on a sharpened stump of wood...
  being crucified seems like a pish-poor
genesis of a belief... there are so many more
wonderful tortures to succumb to...
               for one, being impaled via your
**** to distrust the modern homosexuals
as both ****** and nagging auntie...
         of a "harem" that's merely a monogamous
affair: of periodically charting
     expenditure...
aufspießen (impale): zu gegensatz (to compare)
    mit die gekreuzígt (with the crucified).