There were two piano pieces of Rachmaninoff's: Love's Joy and Love's Sorrow. Now she, the musician who lets the instrument cry for her, always chooses to play the latter piece. And he, the musician who seeks to pursue happiness with his instrument, asks her, "Why do you stick to sorrow?"
.
.
.
"So I can get used to it."

SELL me a violin, mister, of old mysterious wood.
Sell me a fiddle that has kissed dark nights on the forehead where men kiss sisters they love.
Sell me dried wood that has ached with passion clutching the knees and arms of a storm.
Sell me horsehair and rosin that has ****** at the ******* of the morning sun for milk.
Sell me something crushed in the heartsblood of pain readier than ever for one more song.

whatever we speak, it's hardly going to
be spoken of.

which means two                   kettles...
mind you: target practise
                    or as i mind
the 2.4
                of said: superman
in Iowa...
do i care to mind?
well, **** me!
   they verse in acronym
i.n.d.i.a. & c.h.i.n.a.
akin to a billion...
i'm tongue tied and heaving,
       *das bōt...
this doesn't help the aesthetic...
with prolonging dies
the excess o...
                  kaiser schweizer min took!
      whatever that means,
they say funny accents in ****
to **** a thought of a zeppelin...
yhwh: or the hollowing-out,
awaiting the god to lift us out...
           Pythagorean umlaut
into a macron joinery...
            depending on your aesthetic...
Kreisler schisser...
                          twins anti avid,
interchange s and z...
                                  Charlotte
and sharpening, shearing and cheering,
and so many excuses...
         the chard and the sh and the charcoal
and the shattering of, of the chatter:
                  cheap and sharp
or the acute variations of śarp & ćeap...
or what the first H represents:
an upper punctuation marking,
above the letter,
              Y or gamma γ vs. Υ (upsilon)
            in latter phrasing comma...
   or what's pinpointed with Y
and what's later replicated in trigonometric W
of sine and cosine, as is Y the tan divergence...
excesses bound to later and latter...
how to differentiate? the lay'ter
from the latté of not mopping up the surd
h and the vocalised h that's asphyxiating
within catching breath asthmatic?
                      people forgot punctuation
in the same way they forgot diacritical markings
but at least they got a pretty picture
and dyslexia, and iconoclasm, and
modern illiteracy;
as said modern conspiracy theory:
far **** away from 1990s cartoon network...
        everything you just said: doesn't
prop a need for me to buy things;
which is why, i guess, you need
a drugs trade that's the alternative
of consumerism.