Members
let me express something that is lethal to your mind
Poems
James Bradley McCallum
Apr 2012
1.
From my
uneasy bed
at the L’Enfant,
a train's pensive
horn breaks the
sullen lullaby of
an HVAC’s hum;
interrupting the
mechanical
reverie of its
steadfast
night watch,
allowing my ear
to discern
the stampede
of marauding
corporate Visigoths
sacking the city.
The cacophony
of sloven gluttony,
the ***** songs of
unrequited privilege
and the unencumbered
clatter of radical
entitlement echoes
off the city’s cold
crumbling stones.
The unctuous
bellows of the
victorious pillagers
profanely feasting
pierces the
hanging chill
of the nations
black night.
Their hoots
deride the train
transporting
the defeated
ghosts of
Lincoln’s last
doomed regiments
dispatched in vain
to preserve a
peoples republic
in a futile last stand.
The rebels have
finally turned the tide,
T Boone Pickett’s
Charge succeeds,
sending the ravaged
Grand Army of the
Republic sliding
back to the Capitol,
in savage servility,
gliding on squeaky
ungreased wheels
ferrying the
Union’s dead
vanquished
defenders to
unmarked graves
on Potters Field.
The Rebels
joyous yell
bounces off
the inert granite
stones of the
soulless city.
The spittle
of salivating
vandals drips
over the
spoils of war
as they initiate the
disassemblage,
the leveling and
reapportionment
of the grand prize.
The clever
oligarchs
have laid claim
to a righteous
reparation
of the peoples
assets for
pennies on the
dollar.
Their wholly
bought politicos
move to transfer
distressed assets
into their just
stewardship
through the
holy justice
of privatization
and the sound
rationale of
free market
solutions.
In the land of the
pursuit of property,
nimble wolf PACs
of swift 527, LLCs
have fully
metastasized
into personhood;
ascending to
the top of the
food chain in
America’s
voracious
political culture;
bestriding
the nation to
compel the
national will
to genuflect
to the cool facility
of corporate
dominion.
As the
inertial ******
of the plaintive
locomotive
fades into
another old
morning of
recalcitrant
Reaganism,
it lugs its
ambivalent
middle class
baggage toward
it’s fast expiring
future.
I follow
the dirge
down to
the street
as the ebbing
sound fades
into the gloom
of the
burgeoning
morning,
slowly
replacing the
purple twilight
with a breaking
day of cold gray
clouds framing
silhouettes of
cranes busily
constructing
a new city.
The personhood of
corporations need
homes in our new
republic; carving
out new
neighborhoods
suitable for the
monied citizens
of our nation.
First amongst
equals, the best
corporate governance
charters form
the foundation of
the republic’s
new constitution.
Civil rights
are secondary
to the freedom
of markets; the
Bill of Rights
are economically
replaced by the
cool manifests
of Bills of Lading.
The agents of
laissez faire
capitalism
nibble away
at the city’s
neighborhoods
one block at a time;
while steady winds
blows dust off
the National Mall.
Layers of the
peoples plaza are
plained away with
each rising gust.
History repeats
itself as the Joad’s
are routed from their
land once again.
A clever
mixed use
plan of
condos and
strip malls
is proposed
to finally help the
National Mall
unlock its true
profit potential.
As America’s
affection for
federalism fades
the water in
the reflection pool
is gracefully drained.
We the people
can no longer
see ourselves.
The profit
potential of
industry is
preferred over
the specious
metaphysical
benefits
of reflection.
The grand image,
the rich pastiche,
the quixotic aroma
of the national
melting ***
is reduced to the
sameness of the
black tar that lines
the pool and the
swirling eddies of
brown dust circling
the cracked indenture.
From his not so
distant vantage point,
Abe ponders the
empty pool wondering
if the cost of lives
paid was a worthy
endeavor of preserving
the ****** union?
Has the dear prize
won perished from
this earth?
Was the illusive
article of liberty
worth its weight in
the blood expended?
Did the people ever
fully realize the value
of government
by the people,
for the people?
Did citizens of
the republic
assume the
responsibilities to
protect and honor
the rights and privileges
of a representative
government?
Now our idea
and practice of
civil rights is measured
and promoted as far as
it can be justified by
a corporate ROI, a
shareholder dividend,
an earmark or a political
donation to a senators
unconnected PAC.
The divine celestial
ledgers balancing
the rights and
privilege of free people
drips with red ink.
Liberty, equality
fraternity are bankrupt
secular notions
condemned as
expensive
liberal seditions;
hatched by
UnHoly Jacobins,
the atheist skeptics
during the dark times
of the Age of Enlightenment.
Abe ponders
the restoration
of Washington’s
obelisk, to
repair the cracks
suffered from
last summer’s
freak earthquake.
I believe I detect
a tear in Abe’s
granite eye
saddened by the
corporate temblors
shaking the
foundations
of the city.
2.
The WWII Memorial
is America’s Parthenon
for a country's love
affair with the valor
and sacrifice of warfare.
WWII forms the
cornerstone of
understanding the
pathos of the
American Century.
During WWII
our greatest generation
rose as a nation to
defeat the menace of
global fascism and
indelibly mark the
power and virtue of
American democracy.
As Lincoln’s Army
saved federalism, FDR’s
Army kept the world safe
for democracy.
Both armies served
a nation that shared
the sacrifice and
burden of war to
preserve the grace of
a republican democracy.
Today federalism
crumbles as our
democracy withers.
The burden
of war is reserved
for a precious few
individuals while
its benefits
remain confined to
the corporate elite.
Our monuments
to war have become
commercial backdrops
for the hollow patriotism
of war profiteers.
We have mortgaged
our future to pay
for two criminal wars.
The spoils of
war flow into the
pockets of
corporate
shareholders
deeply invested
in the continuation
of pointless,
destructive
hostilities.
Our service
members who
selflessly served
their country come
home to a less free,
fear struck nation;
where economic
security and political
liberty erodes
each day while the
monied interests
continue to bless
the abundance
of freedom and riches
purchased with the
blood and sweat
of others.
America desperately
needs a new narrative.
The spirit of the
Greatest Generation
who sacrificed and met
the challenge of the 20th
Century must become
this generations spiritual
forebears.
The war on terror
neatly fits the
the corporate
pathos of
militarism,
surveillance
and the sacrifice
of civil liberties
to purchase
a daily measure
of fear and
economic
enslavement.
It must be rejected
by a people committed
to building secular
temples to pursue
peace, democracy,
economic empowerment,
civil liberties and tolerance
for all.
Yet this old city
and the democratic
temples it built
exulting a free people
anointed with the
grace of liberty
is being consumed
in a morass of
commercial
polyglot.
3.
During the
War of 1812
the British Army
burned the
Capitol Building
and the White House
to the ground.
Thank goodness
Dolly Madison saved
what she could.
The new marauders
are not subject to the
pull of nostalgia.
They value nothing
save their
self enrichment.
They will spare nothing.
Our besieged Capitol
requires Lincoln’s troops
to be stationed along the
National Mall to defend
the republic.
The greatest peril
to our nation
is being directed
by well placed
Fifth Columnists.
From the safety
of underground bunkers,
in secure undisclosed
locations within the city’s
parameters, a well financed
confederacy employing
K Street shenanigans
are busy selling off
the American Dream
one ear mark
at a time, one
huge corporate
welfare allotment
at a time.
The biggest prize
is looting the real
property of the people;
selling Utah,
auctioning off
the public schools,
water systems, post offices
and mineral rights
on the cheap
at an Uncle Sam
garage sale.
The capitol is
indeed burning
again.
Looters are
running riot.
The flailing arms
of a dying empire
fire off cruise
missiles and drone
strikes; hitting the
target of habeas
corpus as it
shakes in its
final death rattle.
I make a pilgrimage
to the MLK Jr.
Monument.
Our cultural identity
is outsourced to
foreign contractors
paid to reinterpret
the American Dream
through the eyes
of a lowest bidder.
MLK has lost
his humanity.
He has been
reduced to a
a Chinese
superhuman
Mao like anime
busting loose from
a granite mountain while
geopolitical irony
compels him to watch
Tommy Jefferson
**** Sally Hemings
from across the tidal
basin for all eternity.
MLK’s eyes fixed in
stern fascination,
forever enthralled
by the contradictions
of liberty and its
democratic excesses
of love in the willows
on golden pond.
Circling back to
Father Abraham’s
Monument, I huddle
with a group of global
citizens listening
to an NPS Ranger
spinning four score
tales with the last full
measure of her devotion.
I look up into Abe’s
stone eyes as he
surveys platoons
of gray suited
Chinese Communist
envoys engaged
in Long Marches
through the National Mall;
dutifully encircling cabinet
buildings and recruiting
Tea Party congressmen
into their open party cells.
This confederacy
is ready to torch
the White House
again.
Congressmen and
the perfect patriots
from K Street slavishly
pull their paymasters
in gilded rickshaws to
golf outings at the Pentagon
and park at the preferred
spots reserved for
the luxury box holders
at Redskin Games.
They vow not to rest
until the house of the people
is fully mortgaged to the
People’s Republic of China’s
Sovereign Wealth Fund.
4.
A great
Son of Liberty like
Alan Greenspan
roundly rings
the bells of
free markets
as he inches
T Bill rates
forward a few
basis points
at a time; while
his dead mentor
Ayn Rand
lifts Paul Ryan
to her
Fountainhead teet.
He takes a long
draw as she
coos songs
from her primer
of Atlas Shrugged
Mother Goose tales
into his silky ears.
The construction
cranes swing
to the music
building new private
sector space with
the largess of
US taxpayers
money; or
more rightly
future generations
taxpayer debt.
Libertarians,
Tea Baggers, Blue Dogs
and GOP waterboys
eagerly light a
match to the
the crucifixes
bearing federal
social safety
net programs
to the delight
of NASDAQ
listed capitalists
on the come,
licking their chops
to land contracts
to administer
these programs
at a negotiated
cost plus
profit margin.
Citizens
dependent
on programs
are leery
shareholders
are ecstatic.
To be sure
our free
market rebels
don disguises
of red, white
and blue robes
but their objectives
fail to distinguish
their motives and
methods with
some of the finest
Klansman this
country has
ever produced.
5.
DC is a city
of joggers
and choppers.
Corporate
helicopters
wizz by the
Washington
Monument,
popping erections
for the erectors
inspecting the progress
of the cranes
commanding the
city skyline.
USMC drill team
out for a morning
run circles the Mall.
The commanding
cadence of the
DI keeps us
mindful of the
deepening
militarization of
our society.
A crowd
rushes
to position
themselves,
genuflecting
to photograph
a platoon on
the move.
I try to consider
the defining
characteristics of
Washington DC.
DC is all surface.
It is full of walls
and mirrors.
Its primary hue
is obfuscation.
Open
communication
scripted from well
considered talking points
informs all dialog.
The city is thoroughly
enraptured in narcissism.
Thankfully, one can
always capture the
reflection of oneself in
the ubiquitous presence of
mirrors.
Vanity imprisons
the city inhabitants.
Young joggers circle the
Mall and gerrymander
down every pathway
of the city.
They are the clerks,
interns and staffers of
the judicial, executive
and legislative branches.
They are the children
of privilege.
They will never
alter their path.
You must cede the walk
to their entitlement
of a swift comportment
or risk injury of a
violent collision.
These young ones
portray a countenance
of benevolent rulers.
They seem to be learning
their trade craft well from
the senators and judges
whom they serve.
They appear confident
they know what's best
for the country and after
their one term of tireless
service to the republic
they look forward to
positions in the private
sector where they will
assist corporations
to extend their reach
into the pant pockets
worn by the body politic.
6.
Our nations mythic story
lies hidden deep in the
closed rooms of the
museums lining the
Mall.
I pause to consider
what a great nation
and its great people
once aspired to.
I spy the a
suspended
Space Shuttle
hanging in dry dock
at the air and
space museum.
Today America’s
astronauts hitch
rides on Russian
rockets.
America rents a
timeshare from
the European
space agency to
lift communication
satellites into orbit.
Across the Mall
I photograph
John Smithson’s
ashes in its columbarium.
I fear it has become a
metaphor for America’s
future commitment
to scientific inquiry
and rational secular
thinking.
I am relieved to
discover a Smithsonian
exhibit that asks
“what does it mean
to be human?”
The Origins of Humans
exhibit carries a disclaimer
to satisfy creationists.
The exhibit timidly states
that science can coexist
with religious beliefs and
that the point of the exhibit is
not to inflame inflame religious
passions but to shed light on
scientific inquiry.
I imagine these exhibits
will inflame the passion of
the fundamentalist
American Taliban and
provide yet another
reason to dismantle
the Moloch of Federalism.
The pursuit of science
remains safe at the
Smithsonian for now.
7.
Near K Street at
McPherson Park
a posse of
well dressed
lobbyists, the
self anointed
uber patriots
doing the work
of the people
stroll through
the park
boasting a
healthy population
of bedraggled
homeless.
The homeless
occupy the benches
that have been
transformed into
pup tents.
Perhaps some of
the residents of this
mean estate were
made homeless by a
foreclosed mortgage.
The K Street warriors
can be proud that their
work on behalf of the
banking industry has
forestalled financial market
reform.
Through it exacerbates
the homeless problem it has
allowed these K Street titans to
profit from the distress of others.
Earlier in the day
I photographed
a homeless man
planted in front of
the Washington
Monument.
I wonder
if my political
voyeurism is
an exploitation of
this man’s condition?
I have more in common
then I probably wish to
admit with my K Street
antagonists.
In another section
of the park the
remnants of a
distressed OWS
bivouac remain.
The legions of sunshine
patriots have melted away
as the interest of the
blogosphere has waned.
As the weather
improves Moveon.org
and democratic
party operatives
pitch tents in an
effort to resuscitate
the moribund
movement.
They hope
to coop any
remaining energy
to support their
stale deception,
a neoliberal vision
based solely on the
total capitulation
to the bankrupt
corporatocracy.
I heard someone say
a campaign lasts a
season; while a
movement for social
change takes decades.
If that metric proves
correct, and if the
powers don’t succeed
in compromising the
people’s movement
I’ll be three quarters
of a century old
before I see
justice flowing like
a river once again.
8.
I circle back to
the L’Enfant and
find myself
tramping amidst
the lost platoon
of Korean War
soldiers.
My feet drag
in the quagmire
of grass covering
the feet of this
ghostly troop.
My namesake
uncle was a
decorated
veteran of this
conflict and Im
sure I detect
his likeness
in one of the
statues.
The bleak call
of a distant train
sounds a revelry
and I imagine this
patrol springing
to life to answer
the call of their
beloved country
once again.
Yet they remain
inert.
Stuck in a
place that the
nation finds
impossible to
leave.
The eyes of the
men stare into
an incomprehensible
fate.
They see the swarms
of Red Army infantrymen
crossing the Yellow River
streaming toward
them in massive
human waves,
the tips of
sparkling bayonets
threatening to slash
the outmanned
contingent fighting
to bits.
They are the
first detachment
to bravely confront
the rising power
of China many
thousands of
miles away
from their homes.
America like
this lone company
is overwhelmed
and lost in the
confusion
that confronts
them.
Looking up
I perceive the
bewilderment
of my muddled image
reflected on the
marble walls
surrounding
the memorial.
I am a comrade-in-arms,
a fellow wanderer sojourning
with th
From my
uneasy bed
at the L’Enfant,
a train's pensive
horn breaks the
sullen lullaby of
an HVAC’s hum;
interrupting the
mechanical
reverie of its
steadfast
night watch,
allowing my ear
to discern
the stampede
of marauding
corporate Visigoths
sacking the city.
The cacophony
of sloven gluttony,
the ***** songs of
unrequited privilege
and the unencumbered
clatter of radical
entitlement echoes
off the city’s cold
crumbling stones.
The unctuous
bellows of the
victorious pillagers
profanely feasting
pierces the
hanging chill
of the nations
black night.
Their hoots
deride the train
transporting
the defeated
ghosts of
Lincoln’s last
doomed regiments
dispatched in vain
to preserve a
peoples republic
in a futile last stand.
The rebels have
finally turned the tide,
T Boone Pickett’s
Charge succeeds,
sending the ravaged
Grand Army of the
Republic sliding
back to the Capitol,
in savage servility,
gliding on squeaky
ungreased wheels
ferrying the
Union’s dead
vanquished
defenders to
unmarked graves
on Potters Field.
The Rebels
joyous yell
bounces off
the inert granite
stones of the
soulless city.
The spittle
of salivating
vandals drips
over the
spoils of war
as they initiate the
disassemblage,
the leveling and
reapportionment
of the grand prize.
The clever
oligarchs
have laid claim
to a righteous
reparation
of the peoples
assets for
pennies on the
dollar.
Their wholly
bought politicos
move to transfer
distressed assets
into their just
stewardship
through the
holy justice
of privatization
and the sound
rationale of
free market
solutions.
In the land of the
pursuit of property,
nimble wolf PACs
of swift 527, LLCs
have fully
metastasized
into personhood;
ascending to
the top of the
food chain in
America’s
voracious
political culture;
bestriding
the nation to
compel the
national will
to genuflect
to the cool facility
of corporate
dominion.
As the
inertial ******
of the plaintive
locomotive
fades into
another old
morning of
recalcitrant
Reaganism,
it lugs its
ambivalent
middle class
baggage toward
it’s fast expiring
future.
I follow
the dirge
down to
the street
as the ebbing
sound fades
into the gloom
of the
burgeoning
morning,
slowly
replacing the
purple twilight
with a breaking
day of cold gray
clouds framing
silhouettes of
cranes busily
constructing
a new city.
The personhood of
corporations need
homes in our new
republic; carving
out new
neighborhoods
suitable for the
monied citizens
of our nation.
First amongst
equals, the best
corporate governance
charters form
the foundation of
the republic’s
new constitution.
Civil rights
are secondary
to the freedom
of markets; the
Bill of Rights
are economically
replaced by the
cool manifests
of Bills of Lading.
The agents of
laissez faire
capitalism
nibble away
at the city’s
neighborhoods
one block at a time;
while steady winds
blows dust off
the National Mall.
Layers of the
peoples plaza are
plained away with
each rising gust.
History repeats
itself as the Joad’s
are routed from their
land once again.
A clever
mixed use
plan of
condos and
strip malls
is proposed
to finally help the
National Mall
unlock its true
profit potential.
As America’s
affection for
federalism fades
the water in
the reflection pool
is gracefully drained.
We the people
can no longer
see ourselves.
The profit
potential of
industry is
preferred over
the specious
metaphysical
benefits
of reflection.
The grand image,
the rich pastiche,
the quixotic aroma
of the national
melting ***
is reduced to the
sameness of the
black tar that lines
the pool and the
swirling eddies of
brown dust circling
the cracked indenture.
From his not so
distant vantage point,
Abe ponders the
empty pool wondering
if the cost of lives
paid was a worthy
endeavor of preserving
the ****** union?
Has the dear prize
won perished from
this earth?
Was the illusive
article of liberty
worth its weight in
the blood expended?
Did the people ever
fully realize the value
of government
by the people,
for the people?
Did citizens of
the republic
assume the
responsibilities to
protect and honor
the rights and privileges
of a representative
government?
Now our idea
and practice of
civil rights is measured
and promoted as far as
it can be justified by
a corporate ROI, a
shareholder dividend,
an earmark or a political
donation to a senators
unconnected PAC.
The divine celestial
ledgers balancing
the rights and
privilege of free people
drips with red ink.
Liberty, equality
fraternity are bankrupt
secular notions
condemned as
expensive
liberal seditions;
hatched by
UnHoly Jacobins,
the atheist skeptics
during the dark times
of the Age of Enlightenment.
Abe ponders
the restoration
of Washington’s
obelisk, to
repair the cracks
suffered from
last summer’s
freak earthquake.
I believe I detect
a tear in Abe’s
granite eye
saddened by the
corporate temblors
shaking the
foundations
of the city.
2.
The WWII Memorial
is America’s Parthenon
for a country's love
affair with the valor
and sacrifice of warfare.
WWII forms the
cornerstone of
understanding the
pathos of the
American Century.
During WWII
our greatest generation
rose as a nation to
defeat the menace of
global fascism and
indelibly mark the
power and virtue of
American democracy.
As Lincoln’s Army
saved federalism, FDR’s
Army kept the world safe
for democracy.
Both armies served
a nation that shared
the sacrifice and
burden of war to
preserve the grace of
a republican democracy.
Today federalism
crumbles as our
democracy withers.
The burden
of war is reserved
for a precious few
individuals while
its benefits
remain confined to
the corporate elite.
Our monuments
to war have become
commercial backdrops
for the hollow patriotism
of war profiteers.
We have mortgaged
our future to pay
for two criminal wars.
The spoils of
war flow into the
pockets of
corporate
shareholders
deeply invested
in the continuation
of pointless,
destructive
hostilities.
Our service
members who
selflessly served
their country come
home to a less free,
fear struck nation;
where economic
security and political
liberty erodes
each day while the
monied interests
continue to bless
the abundance
of freedom and riches
purchased with the
blood and sweat
of others.
America desperately
needs a new narrative.
The spirit of the
Greatest Generation
who sacrificed and met
the challenge of the 20th
Century must become
this generations spiritual
forebears.
The war on terror
neatly fits the
the corporate
pathos of
militarism,
surveillance
and the sacrifice
of civil liberties
to purchase
a daily measure
of fear and
economic
enslavement.
It must be rejected
by a people committed
to building secular
temples to pursue
peace, democracy,
economic empowerment,
civil liberties and tolerance
for all.
Yet this old city
and the democratic
temples it built
exulting a free people
anointed with the
grace of liberty
is being consumed
in a morass of
commercial
polyglot.
3.
During the
War of 1812
the British Army
burned the
Capitol Building
and the White House
to the ground.
Thank goodness
Dolly Madison saved
what she could.
The new marauders
are not subject to the
pull of nostalgia.
They value nothing
save their
self enrichment.
They will spare nothing.
Our besieged Capitol
requires Lincoln’s troops
to be stationed along the
National Mall to defend
the republic.
The greatest peril
to our nation
is being directed
by well placed
Fifth Columnists.
From the safety
of underground bunkers,
in secure undisclosed
locations within the city’s
parameters, a well financed
confederacy employing
K Street shenanigans
are busy selling off
the American Dream
one ear mark
at a time, one
huge corporate
welfare allotment
at a time.
The biggest prize
is looting the real
property of the people;
selling Utah,
auctioning off
the public schools,
water systems, post offices
and mineral rights
on the cheap
at an Uncle Sam
garage sale.
The capitol is
indeed burning
again.
Looters are
running riot.
The flailing arms
of a dying empire
fire off cruise
missiles and drone
strikes; hitting the
target of habeas
corpus as it
shakes in its
final death rattle.
I make a pilgrimage
to the MLK Jr.
Monument.
Our cultural identity
is outsourced to
foreign contractors
paid to reinterpret
the American Dream
through the eyes
of a lowest bidder.
MLK has lost
his humanity.
He has been
reduced to a
a Chinese
superhuman
Mao like anime
busting loose from
a granite mountain while
geopolitical irony
compels him to watch
Tommy Jefferson
**** Sally Hemings
from across the tidal
basin for all eternity.
MLK’s eyes fixed in
stern fascination,
forever enthralled
by the contradictions
of liberty and its
democratic excesses
of love in the willows
on golden pond.
Circling back to
Father Abraham’s
Monument, I huddle
with a group of global
citizens listening
to an NPS Ranger
spinning four score
tales with the last full
measure of her devotion.
I look up into Abe’s
stone eyes as he
surveys platoons
of gray suited
Chinese Communist
envoys engaged
in Long Marches
through the National Mall;
dutifully encircling cabinet
buildings and recruiting
Tea Party congressmen
into their open party cells.
This confederacy
is ready to torch
the White House
again.
Congressmen and
the perfect patriots
from K Street slavishly
pull their paymasters
in gilded rickshaws to
golf outings at the Pentagon
and park at the preferred
spots reserved for
the luxury box holders
at Redskin Games.
They vow not to rest
until the house of the people
is fully mortgaged to the
People’s Republic of China’s
Sovereign Wealth Fund.
4.
A great
Son of Liberty like
Alan Greenspan
roundly rings
the bells of
free markets
as he inches
T Bill rates
forward a few
basis points
at a time; while
his dead mentor
Ayn Rand
lifts Paul Ryan
to her
Fountainhead teet.
He takes a long
draw as she
coos songs
from her primer
of Atlas Shrugged
Mother Goose tales
into his silky ears.
The construction
cranes swing
to the music
building new private
sector space with
the largess of
US taxpayers
money; or
more rightly
future generations
taxpayer debt.
Libertarians,
Tea Baggers, Blue Dogs
and GOP waterboys
eagerly light a
match to the
the crucifixes
bearing federal
social safety
net programs
to the delight
of NASDAQ
listed capitalists
on the come,
licking their chops
to land contracts
to administer
these programs
at a negotiated
cost plus
profit margin.
Citizens
dependent
on programs
are leery
shareholders
are ecstatic.
To be sure
our free
market rebels
don disguises
of red, white
and blue robes
but their objectives
fail to distinguish
their motives and
methods with
some of the finest
Klansman this
country has
ever produced.
5.
DC is a city
of joggers
and choppers.
Corporate
helicopters
wizz by the
Washington
Monument,
popping erections
for the erectors
inspecting the progress
of the cranes
commanding the
city skyline.
USMC drill team
out for a morning
run circles the Mall.
The commanding
cadence of the
DI keeps us
mindful of the
deepening
militarization of
our society.
A crowd
rushes
to position
themselves,
genuflecting
to photograph
a platoon on
the move.
I try to consider
the defining
characteristics of
Washington DC.
DC is all surface.
It is full of walls
and mirrors.
Its primary hue
is obfuscation.
Open
communication
scripted from well
considered talking points
informs all dialog.
The city is thoroughly
enraptured in narcissism.
Thankfully, one can
always capture the
reflection of oneself in
the ubiquitous presence of
mirrors.
Vanity imprisons
the city inhabitants.
Young joggers circle the
Mall and gerrymander
down every pathway
of the city.
They are the clerks,
interns and staffers of
the judicial, executive
and legislative branches.
They are the children
of privilege.
They will never
alter their path.
You must cede the walk
to their entitlement
of a swift comportment
or risk injury of a
violent collision.
These young ones
portray a countenance
of benevolent rulers.
They seem to be learning
their trade craft well from
the senators and judges
whom they serve.
They appear confident
they know what's best
for the country and after
their one term of tireless
service to the republic
they look forward to
positions in the private
sector where they will
assist corporations
to extend their reach
into the pant pockets
worn by the body politic.
6.
Our nations mythic story
lies hidden deep in the
closed rooms of the
museums lining the
Mall.
I pause to consider
what a great nation
and its great people
once aspired to.
I spy the a
suspended
Space Shuttle
hanging in dry dock
at the air and
space museum.
Today America’s
astronauts hitch
rides on Russian
rockets.
America rents a
timeshare from
the European
space agency to
lift communication
satellites into orbit.
Across the Mall
I photograph
John Smithson’s
ashes in its columbarium.
I fear it has become a
metaphor for America’s
future commitment
to scientific inquiry
and rational secular
thinking.
I am relieved to
discover a Smithsonian
exhibit that asks
“what does it mean
to be human?”
The Origins of Humans
exhibit carries a disclaimer
to satisfy creationists.
The exhibit timidly states
that science can coexist
with religious beliefs and
that the point of the exhibit is
not to inflame inflame religious
passions but to shed light on
scientific inquiry.
I imagine these exhibits
will inflame the passion of
the fundamentalist
American Taliban and
provide yet another
reason to dismantle
the Moloch of Federalism.
The pursuit of science
remains safe at the
Smithsonian for now.
7.
Near K Street at
McPherson Park
a posse of
well dressed
lobbyists, the
self anointed
uber patriots
doing the work
of the people
stroll through
the park
boasting a
healthy population
of bedraggled
homeless.
The homeless
occupy the benches
that have been
transformed into
pup tents.
Perhaps some of
the residents of this
mean estate were
made homeless by a
foreclosed mortgage.
The K Street warriors
can be proud that their
work on behalf of the
banking industry has
forestalled financial market
reform.
Through it exacerbates
the homeless problem it has
allowed these K Street titans to
profit from the distress of others.
Earlier in the day
I photographed
a homeless man
planted in front of
the Washington
Monument.
I wonder
if my political
voyeurism is
an exploitation of
this man’s condition?
I have more in common
then I probably wish to
admit with my K Street
antagonists.
In another section
of the park the
remnants of a
distressed OWS
bivouac remain.
The legions of sunshine
patriots have melted away
as the interest of the
blogosphere has waned.
As the weather
improves Moveon.org
and democratic
party operatives
pitch tents in an
effort to resuscitate
the moribund
movement.
They hope
to coop any
remaining energy
to support their
stale deception,
a neoliberal vision
based solely on the
total capitulation
to the bankrupt
corporatocracy.
I heard someone say
a campaign lasts a
season; while a
movement for social
change takes decades.
If that metric proves
correct, and if the
powers don’t succeed
in compromising the
people’s movement
I’ll be three quarters
of a century old
before I see
justice flowing like
a river once again.
8.
I circle back to
the L’Enfant and
find myself
tramping amidst
the lost platoon
of Korean War
soldiers.
My feet drag
in the quagmire
of grass covering
the feet of this
ghostly troop.
My namesake
uncle was a
decorated
veteran of this
conflict and Im
sure I detect
his likeness
in one of the
statues.
The bleak call
of a distant train
sounds a revelry
and I imagine this
patrol springing
to life to answer
the call of their
beloved country
once again.
Yet they remain
inert.
Stuck in a
place that the
nation finds
impossible to
leave.
The eyes of the
men stare into
an incomprehensible
fate.
They see the swarms
of Red Army infantrymen
crossing the Yellow River
streaming toward
them in massive
human waves,
the tips of
sparkling bayonets
threatening to slash
the outmanned
contingent fighting
to bits.
They are the
first detachment
to bravely confront
the rising power
of China many
thousands of
miles away
from their homes.
America like
this lone company
is overwhelmed
and lost in the
confusion
that confronts
them.
Looking up
I perceive the
bewilderment
of my muddled image
reflected on the
marble walls
surrounding
the memorial.
I am a comrade-in-arms,
a fellow wanderer sojourning
with th
Sylvia Plath Jun 2009
Love Is A Parallax
'Perspective betrays with its dichotomy:
train tracks always meet, not here, but only
in the impossible mind's eye;
horizons beat a retreat as we embark
on sophist seas to overtake that mark
where wave pretends to drench real sky.'
'Well then, if we agree, it is not odd
that one man's devil is another's god
or that the solar spectrum is
a multitude of shaded grays; suspense
on the quicksands of ambivalence
is our life's whole nemesis.
So we could rave on, darling, you and I,
until the stars tick out a lullaby
about each cosmic pro and con;
nothing changes, for all the blazing of
our drastic jargon, but clock hands that move
implacably from twelve to one.
We raise our arguments like sitting ducks
to knock them down with logic or with luck
and contradict ourselves for fun;
the waitress holds our coats and we put on
the raw wind like a scarf; love is a faun
who insists his playmates run.
Now you, my intellectual leprechaun,
would have me swallow the entire sun
like an enormous oyster, down
the ocean in one gulp: you say a mark
of comet hara-kiri through the dark
should inflame the sleeping town.
So kiss: the drunks upon the curb and dames
in dubious doorways forget their monday names,
caper with candles in their heads;
the leaves applaud, and santa claus flies in
scattering candy from a zeppelin,
playing his prodigal charades.
The moon leans down to took; the tilting fish
in the rare river wink and laugh; we lavish
blessings right and left and cry
hello, and then hello again in deaf
churchyard ears until the starlit stiff
graves all carol in reply.
Now kiss again: till our strict father leans
to call for curtain on our thousand scenes;
brazen actors mock at him,
multiply pink harlequins and sing
in gay ventriloquy from wing to wing
while footlights flare and houselights dim.
Tell now, we taunq where black or white begins
and separate the flutes from violins:
the algebra of absolutes
explodes in a kaleidoscope of shapes
that jar, while each polemic jackanapes
joins his enemies' recruits.
The paradox is that 'the play's the thing':
though prima donna pouts and critic stings,
there burns throughout the line of words,
the cultivated act, a fierce brief fusion
which dreamers call real, and realists, illusion:
an insight like the flight of birds:
Arrows that lacerate the sky, while knowing
the secret of their ecstasy's in going;
some day, moving, one will drop,
and, dropping, die, to trace a wound that heals
only to reopen as flesh congeals:
cycling phoenix never stops.
So we shall walk barefoot on walnut shells
of withered worlds, and stamp out puny hells
and heavens till the spirits squeak
surrender: to build our bed as high as jack's
bold beanstalk; lie and love till sharp scythe hacks
away our rationed days and weeks.
Then jet the blue tent topple, stars rain down,
and god or void appall us till we drown
in our own tears: today we start
to pay the piper with each breath, yet love
knows not of death nor calculus above
the simple sum of heart plus heart.
train tracks always meet, not here, but only
in the impossible mind's eye;
horizons beat a retreat as we embark
on sophist seas to overtake that mark
where wave pretends to drench real sky.'
'Well then, if we agree, it is not odd
that one man's devil is another's god
or that the solar spectrum is
a multitude of shaded grays; suspense
on the quicksands of ambivalence
is our life's whole nemesis.
So we could rave on, darling, you and I,
until the stars tick out a lullaby
about each cosmic pro and con;
nothing changes, for all the blazing of
our drastic jargon, but clock hands that move
implacably from twelve to one.
We raise our arguments like sitting ducks
to knock them down with logic or with luck
and contradict ourselves for fun;
the waitress holds our coats and we put on
the raw wind like a scarf; love is a faun
who insists his playmates run.
Now you, my intellectual leprechaun,
would have me swallow the entire sun
like an enormous oyster, down
the ocean in one gulp: you say a mark
of comet hara-kiri through the dark
should inflame the sleeping town.
So kiss: the drunks upon the curb and dames
in dubious doorways forget their monday names,
caper with candles in their heads;
the leaves applaud, and santa claus flies in
scattering candy from a zeppelin,
playing his prodigal charades.
The moon leans down to took; the tilting fish
in the rare river wink and laugh; we lavish
blessings right and left and cry
hello, and then hello again in deaf
churchyard ears until the starlit stiff
graves all carol in reply.
Now kiss again: till our strict father leans
to call for curtain on our thousand scenes;
brazen actors mock at him,
multiply pink harlequins and sing
in gay ventriloquy from wing to wing
while footlights flare and houselights dim.
Tell now, we taunq where black or white begins
and separate the flutes from violins:
the algebra of absolutes
explodes in a kaleidoscope of shapes
that jar, while each polemic jackanapes
joins his enemies' recruits.
The paradox is that 'the play's the thing':
though prima donna pouts and critic stings,
there burns throughout the line of words,
the cultivated act, a fierce brief fusion
which dreamers call real, and realists, illusion:
an insight like the flight of birds:
Arrows that lacerate the sky, while knowing
the secret of their ecstasy's in going;
some day, moving, one will drop,
and, dropping, die, to trace a wound that heals
only to reopen as flesh congeals:
cycling phoenix never stops.
So we shall walk barefoot on walnut shells
of withered worlds, and stamp out puny hells
and heavens till the spirits squeak
surrender: to build our bed as high as jack's
bold beanstalk; lie and love till sharp scythe hacks
away our rationed days and weeks.
Then jet the blue tent topple, stars rain down,
and god or void appall us till we drown
in our own tears: today we start
to pay the piper with each breath, yet love
knows not of death nor calculus above
the simple sum of heart plus heart.
Michael R Burch Feb 2020
When Pigs Fly
Michael R Burch
Feb 2020
When Pigs Fly
by Michael R. Burch
On the Trail of Tears,
my Cherokee brothers,
why hang your heads?
Why shame your mothers?
Laugh wildly instead!
We will soon be dead.
When we lie in our graves,
let the white-eyes take
the woodlands we loved
for the *** and the rake.
It is better to die
than to live out a lie
in so narrow a sty.
In October 1838 the Cherokees began to walk the "Trail of Tears." Most of them made the thousand mile journey west to Oklahoma on foot. An estimated 4,000 people, or a quarter of the tribe, died en route. The soldiers "escorting" the Cherokees at bayonet point refused permission for the dead to be buried, threatening to shoot anyone who disobeyed. So the living were forced to carry the corpses of the dead until camp was made for the night. Years after the Cherokees had been rounded up and driven down the Trail of Tears, John G. Burnett reflected on what he and his fellow soldiers had done, saying, "Schoolchildren of today do not know that we are living on lands that were taken from a helpless race at the bayonet point, to satisfy the white man's greed... ****** is ****** and somebody must answer, somebody must explain the streams of blood that flowed in the Indian country... Somebody must explain the four thousand silent graves that mark the trail of the Cherokees to their exile." Keywords/Tags: Cherokee, Native American, Trail of Tears, Ethnic Cleansing, Genocide, ******, Evil, Death, March, Death March, Infanticide, Matricide, Racism, Racist, Discrimination, Violence, Fascism, White Supremacists, Horror, Terror, Terrorism, Greed, Gluttony, Avarice, Lust, ****, mrbpig, mrbpigs
Cherokee Prayer
loose translation/interpretation by Michael R. Burch
As I walk life's trails
imperiled by the raging wind and rain,
grant, O Great Spirit,
that yet I may always
walk like a man.
This prayer makes me think of Native Americans walking the Trail of Tears with far more courage and dignity than their “civilized” abusers.
Native American Prayer
loose translation/interpretation by Michael R. Burch
Help us learn the lessons you have left us
in every leaf and rock.
Native American Travelers' Blessing
loose translation/interpretation by Michael R. Burch
Let us walk together here
among earth's creatures great and small,
remembering, our footsteps light,
that one wise God created all.
Sioux Vision Quest
by Crazy Horse, Oglala Lakota Sioux, circa 1840-1877
loose translation/interpretation by Michael R. Burch
A man must pursue his Vision
as the eagle explores
the sky's deepest blues.
Cherokee Travelers' Blessing I
loose translation/interpretation by Michael R. Burch
I will extract the thorns from your feet.
For yet a little while, we will walk life's sunlit paths together.
I will love you like my own brother, my own blood.
When you are disconsolate, I will wipe the tears from your eyes.
And when you are too sad to live, I will put your aching heart to rest.
Published by Better Than Starbucks and Cherokee Native Americans
Cherokee Travelers' Blessing II
loose translation/interpretation by Michael R. Burch
Happily may you walk
in the paths of the Rainbow.
Oh,
and may it always be beautiful before you,
beautiful behind you,
beautiful below you,
beautiful above you,
and beautiful all around you
where in Perfection beauty is finished.
Published by Better Than Starbucks
Cherokee Travelers' Blessing III
loose translation/interpretation by Michael R. Burch
May Heaven’s warming winds blow gently there,
where you reside,
and may the Great Spirit bless all those you love,
this side of the farthest tide.
And wherever you go,
whether the journey is fast or slow,
may your moccasins leave many cunning footprints in the snow.
And when you look over your shoulder, may you always find the Rainbow.
Published by Better Than Starbucks
What is life?
The flash of a firefly.
The breath of the winter buffalo.
The shadow scooting across the grass that vanishes with sunset.
―Blackfoot saying, loose translation/interpretation by Michael R. Burch
Warrior's Confession
loose translation/interpretation by Michael R. Burch
Oh my love, how fair you are—
far brighter than the fairest star!
Cherokee Proverb
loose translation/interpretation by Michael R. Burch
Before you judge
a man for his sins
be sure to trudge
many moons in his moccasins.
Cherokee Prayer
loose translation/interpretation by Michael R. Burch
As I walk life's trails
imperiled by the raging wind and rain,
grant, O Great Spirit,
that yet I may always
walk like a man.
When I think of this prayer, I think of Native Americans walking the Trail of Tears.
The Receiving of the Flower
excerpt from a Mayan love poem
loose translation/interpretation by Michael R. Burch
Let us sing overflowing with joy
as we observe the Receiving of the Flower.
The lovely maidens beam;
their hearts leap in their *******.
Why?
Because they will soon yield their virginity to the men they love!
The Deflowering
excerpt from a Mayan love poem
loose translation/interpretation by Michael R. Burch
Remove your clothes;
let down your hair;
become as naked as the day you were born—
virgins!
Prelude to *******
excerpt from a Mayan love poem
loose translation/interpretation by Michael R. Burch
Lay out your most beautiful clothes,
maidens!
The day of happiness has arrived!
Grab your combs, detangle your hair,
adorn your earlobes with gaudy pendants.
Dress in white as becomes maidens ...
Then go, give your lovers the happiness of your laughter!
And all the village will rejoice with you,
for the day of happiness has arrived!
The Flower-Strewn Pool
excerpt from a Mayan love poem
loose translation/interpretation by Michael R. Burch
You have arrived at last in the woods
where no one can see what you do
at the flower-strewn pool ...
Remove your clothes,
unbraid your hair,
become as you were
when you first arrived here
naked and shameless,
virgins, maidens!
Native American Proverbs
The soul would see no Rainbows if not for the eyes’ tears.
—loose translation/interpretation by Michael R. Burch
A woman’s highest calling is to help her man unite with the Source.
A man’s highest calling is to help his woman walk the earth unharmed.
—loose translation/interpretation by Michael R. Burch
When you were born, you cried and the world rejoiced.
Live your life so that when you die, the world cries and you rejoice.
—White Elk, loose translation/interpretation by Michael R. Burch
What is life?
The flash of a firefly.
The breath of a winter buffalo.
The shadow scooting across the grass that vanishes with sunset.
—Blackfoot saying, translation by Michael R. Burch
Speak less thunder, wield more lightning. — Apache proverb, translation by Michael R. Burch
The more we wonder, the more we understand. — Arapaho proverb, translation by Michael R. Burch
Adults talk, children whine. — Blackfoot proverb, translation by Michael R. Burch
Don’t be afraid to cry: it will lessen your sorrow. — Hopi proverb
One foot in the boat, one foot in the canoe, and you end up in the river. — Tuscarora proverb, translation by Michael R. Burch
Our enemy's weakness increases our strength. — Cherokee proverb, translation by Michael R. Burch
We will be remembered tomorrow by the tracks we leave today. — Dakota proverb, translation by Michael R. Burch
No sound's as eloquent as a rattlesnake's tail. — Navajo saying, translation by Michael R. Burch
The heart is our first teacher. — Cheyenne proverb, translation by Michael R. Burch
Dreams beget success. — Maricopa proverb, translation by Michael R. Burch
Knowledge interprets the past, wisdom foresees the future. — Lumbee proverb, translation by Michael R. Burch
The troublemaker's way is thorny. — Umpqua proverb, translation by Michael R. Burch
Earthbound
an original poem by Michael R. Burch
Tashunka Witko, better known as Crazy Horse, had a vision of a red-tailed hawk at Sylvan Lake, South Dakota. In his vision he saw himself riding a spirit horse, flying through a storm, as the hawk flew above him, shrieking. When he awoke, a red-tailed hawk was perched near his horse.
Earthbound,
and yet I now fly
through the clouds that are aimlessly drifting ...
so high
that no sound
echoing by
below where the mountains are lifting
the sky
can be heard.
Like a bird,
but not meek,
like a hawk from a distance regarding its prey,
I will shriek,
not a word,
but a screech,
and my terrible clamor will turn them to clay—
the sheep,
the earthbound.
Years after the Cherokees had been rounded up and driven down the Trail of Tears, John G. Burnett reflected on what he and his fellow soldiers had done, saying, "Schoolchildren of today do not know that we are living on lands that were taken from a helpless race at the bayonet point, to satisfy the white man's greed ... ****** is ****** and somebody must answer, somebody must explain the streams of blood that flowed in the Indian country ... Somebody must explain the four thousand silent graves that mark the trail of the Cherokees to their exile."
In the same year, 1830, that Stonewall Jackson consigned Native Americans to the ash-heap of history, Georgia Governor George Gilmer said, "Treaties are expedients by which ignorant, intractable, and savage people are induced ... to yield up what civilized people have the right to possess." By "civilized" he apparently meant people willing to brutally dispossess and **** women and children in order to derive economic benefits for themselves.
These nights bring dreams of Cherokee shamans
whose names are bright verbs and impacted dark nouns,
whose memories are indictments of my pallid flesh . . .
and I hear, as from a great distance,
the cries tortured from their guileless lips, proclaiming
the nature of my mutation.
―Michael R. Burch, from "Mongrel Dreams" (my family is part Cherokee, English and Scottish)
After Jackson was re-elected with an overwhelming majority in 1832, he strenuously pursued his policy of removing Native Americans, even refusing to accept a Supreme Court ruling which invalidated Georgia's planned annexation of Cherokee land. But in the double-dealing logic of the white supremacists, they had to make the illegal resettlement of the Indians appear to be "legal," so a small group of Cherokees were persuaded to sign the "Treaty of New Echota," which swapped Cherokee land for land in the Oklahoma territory. The Cherokee ringleaders of this infamous plot were later assassinated as traitors. (****** was similarly obsessed with the "legalities" of the **** Holocaust; isn't it strange how mass murderers of women and children can seek to justify their crimes?)
Native Americans understood the "circle of life" better than their white oppressors ...
When we sit in the Circle of the People,
we must be responsible because all Creation is related
and the suffering of one is the suffering of all
and the joy of one is the joy of all
and whatever we do affects everything in the universe.
—"Lakota Instructions for Living" by White Buffalo Calf Woman, translated by Michael R. Burch
Veiled
by Michael R. Burch
She has belief
without comprehension
and in her crutchwork shack
she is
much like us . . .
tamping the bread
into edible forms,
regarding her children
at play
with something akin to relief . . .
ignoring the towers ablaze
in the distance
because they are not revelations
but things of glass,
easily shattered . . .
and if you were to ask her,
she might say:
sometimes God visits his wrath
upon an impious nation
for its leaders’ sins,
and we might agree:
seeing her mutilations.
Published by Poetry Super Highway and Modern War Poems.
Ali’s Song
by Michael R. Burch
They say that gold don’t tarnish. It ain’t so.
They say it has a wild, unearthly glow.
A man can be more beautiful, more wild.
I flung their medal to the river, child.
I flung their medal to the river, child.
They hung their coin around my neck; they made
my name a bridle, “called a ***** a *****.”
They say their gold is pure. I say defiled.
I flung their slave’s name to the river, child.
I flung their slave’s name to the river, child.
Ain’t got no quarrel with no Viet Cong
that never called me ******, did me wrong.
A man can’t be lukewarm, ’cause God hates mild.
I flung their notice to the river, child.
I flung their notice to the river, child.
They said, “Now here’s your bullet and your gun,
and there’s your cell: we’re waiting, you choose one.”
At first I groaned aloud, but then I smiled.
I gave their “future” to the river, child.
I gave their “future” to the river, child.
My face reflected up, dark bronze like gold,
a coin God stamped in His own image―BOLD.
My blood boiled like that river―strange and wild.
I died to hate in that dark river, child,
Come, be reborn in this bright river, child.
Originally published by Black Medina
Note: Cassius Clay, who converted to Islam and changed his “slave name” to Muhammad Ali, said that he threw his Olympic boxing gold medal into the Ohio River. Confirming his account, the medal was recovered by Robert Bradbury and his wife Pattie in 2014 during the Annual Ohio River Sweep, and the Ali family paid them $200,000 to regain possession of the medal. When drafted during the Vietnamese War, Ali refused to serve, reputedly saying: “I ain't got no quarrel with those Viet Cong; no Vietnamese ever called me a ******.” The notice mentioned in my poem is Ali's draft notice, which metaphorically gets tossed into the river along with his slave name. I was told through the grapevine that this poem appeared in Farsi in an Iranian publication called Bashgah. ―Michael R. Burch
evol-u-shun
by Michael R. Burch
does GOD adore the Tyger
while it’s ripping ur lamb apart?
does GOD applaud the Plague
while it’s eating u à la carte?
does GOD admire ur intelligence
while u pray that IT has a heart?
does GOD endorse the Bible
you blue-lighted at k-mart?
Enheduanna, the daughter of the famous King Sargon the Great of Akkad, is the first ancient writer whose name remains known today. She appears to be the first named poet in human history and the first known author of prayers and hymns. Enheduanna, who lived circa 2285-2250 BCE, is also one of the first women we know by name.
Lament to the Spirit of War
by Enheduanna
loose translation by Michael R. Burch
You hack down everything you see, War God!
Rising on fearsome wings
you rush to destroy the land,
descending like a raging storm,
howling like a hurricane,
screaming like a tempest,
thundering, raging, ranting, drumming,
whiplashing whirlwinds!
Men falter at your approaching footsteps.
Tortured dirges scream
on your lyre of despair.
Like a fiery Salamander you poison the land:
growling over the earth like thunder,
vegetation collapsing before you,
blood gushing down a mountainside.
Spirit of hatred, greed and vengeance!
******* of heaven and earth!
Your ferocious fire consumes our land.
Whipping your stallion
with furious commands,
you decide our fate.
You triumph over all human rites and prayers.
Who can explain your tirade,
why you go on so?
Temple Hymn 15
to the Gishbanda Temple of Ningishzida
by Enheduanna
loose translation by Michael R. Burch
Most ancient and terrible shrine,
set deep in the mountain,
dark like a mother's womb...
Dark shrine,
like a mother's wounded breast,
blood-red and terrifying...
Though approaching through a safe-seeming field,
our hair stands on end as we near you!
Gishbanda,
like a neck-stock,
like a fine-eyed fish net,
like a foot-shackled prisoner's manacles...
your ramparts are massive,
like a trap!
But once we’re inside,
as the sun rises,
you yield widespread abundance!
Your prince
is the pure-handed priest of Inanna, heaven's Holy One,
Lord Ningishzida!
Oh, see how his thick, lustrous hair
cascades down his back!
Oh Gishbanda,
he has built this beautiful temple to house your radiance!
He has placed his throne upon your dais!
The Exaltation of Inanna: Opening Lines and Excerpts
by Enheduanna, the daughter of Sargon I of Akkad and the high priestess of the Goddess Inanna
loose translation/interpretation by Michael R. Burch
Lady of all divine powers!
Lady of the resplendent light!
Righteous Lady adorned in heavenly radiance!
Beloved Lady of An and Uraš!
Hierodule of An, sun-adorned and bejeweled!
Heaven’s Mistress with the holy diadem,
Who loves the beautiful headdress befitting the office of her own high priestess!
Powerful Mistress, seizer of the seven divine powers!
My Heavenly Lady, guardian of the seven divine powers!
You have seized the seven divine powers!
You hold the divine powers in your hand!
You have gathered together the seven divine powers!
You have clasped the divine powers to your breast!
You have flooded the valleys with venom, like a viper;
all vegetation vanishes when you thunder like Iškur!
You have caused the mountains to flood the valleys!
When you roar like that, nothing on earth can withstand you!
Like a flood descending on floodplains, O Powerful One, you will teach foreigners to fear Inanna!
You have given wings to the storm, O Beloved of Enlil!
The storms do your bidding, blasting the unbelievers!
Foreign cities cower at the chaos You cause!
Entire countries cower in dread of Your deadly South Wind!
Men cower before you in their anguished implications,
raising their pitiful outcries,
weeping and wailing, beseeching Your benevolence with many wild lamentations!
But in the van of battle, everything falls before You, O Mighty Queen!
My Queen,
You are all-conquering, all-devouring!
You continue Your attacks like relentless storms!
You howl louder than the howling storms!
You thunder louder than Iškur!
You moan louder than the mournful winds!
Your feet never tire from trampling Your enemies!
You produce much wailing on the lyres of lamentations!
My Queen,
all the Anunna, the mightiest Gods,
fled before Your approach like fluttering bats!
They could not stand in Your awesome Presence
nor behold Your awesome Visage!
Who can soothe Your infuriated heart?
Your baleful heart is beyond being soothed!
Uncontrollable Wild Cow, elder daughter of Sin,
O Majestic Queen, greater than An,
who has ever paid You enough homage?
O Life-Giving Goddess, possessor of all powers,
Inanna the Exalted!
Merciful, Live-Giving Mother!
Inanna, the Radiant of Heart!
I have exalted You in accordance with Your power!
I have bowed before You in my holy garb,
I the En, I Enheduanna!
Carrying my masab-basket, I once entered and uttered my joyous chants ...
But now I no longer dwell in Your sanctuary.
The sun rose and scorched me.
Night fell and the South Wind overwhelmed me.
My laughter was stilled and my honey-sweet voice grew strident.
My joy became dust.
O Sin, King of Heaven, how bitter my fate!
To An, I declared: An will deliver me!
I declared it to An: He will deliver me!
But now the kingship of heaven has been seized by Inanna,
at Whose feet the floodplains lie.
Inanna the Exalted,
who has made me tremble together with all Ur!
Stay Her anger, or let Her heart be soothed by my supplications!
I, Enheduanna will offer my supplications to Inanna,
my tears flowing like sweet intoxicants!
Yes, I will proffer my tears and my prayers to the Holy Inanna,
I will greet Her in peace ...
O My Queen, I have exalted You,
Who alone are worthy to be exalted!
O My Queen, Beloved of An,
I have laid out Your daises,
set fire to the coals,
conducted the rites,
prepared Your nuptial chamber.
Now may Your heart embrace me!
These are my innovations,
O Mighty Queen, that I made for You!
What I composed for You by the dark of night,
The cantor will chant by day.
Now Inanna’s heart has been restored,
and the day became favorable to Her.
Clothed in beauty, radiant with joy,
she carried herself like the elegant moonlight.
Now to the Noble Hierodule,
to the Wrecker of foreign lands
presented by An with the seven divine powers,
and to my Queen garbed in the radiance of heaven ...
O Inanna, praise!
The Exaltation of Inanna: Opening Lines, an Excerpt
Nin-me-šara by Enheduanna
loose translation by Michael R. Burch
Lady of all divine powers,
Lady of the all-resplendent light,
Righteous Lady clothed in heavenly radiance,
Beloved Lady of An and Uraš,
Mistress of heaven with the holy diadem,
Who loves the beautiful headdress befitting the office of her high priestess,
Powerful Mistress who has seized all seven divine powers,
My lady, you are the guardian of the seven divine powers!
You have seized the divine powers,
You hold the divine powers in your hand,
You have gathered up the divine powers,
You have clasped the divine powers to your breast!
Like a dragon you have spewed venom on foreign lands that know you not!
When you roar like Iškur at the earth, nothing can withstand you!
Like a flood descending on alien lands, O Powerful One of heaven and earth, you will teach them to fear Inanna!
Temple Hymn 7: an Excerpt
to the Kesh Temple of Ninhursag
by Enheduanna
loose translation by Michael R. Burch
O, high-situated Kesh,
form-shifting summit,
inspiring fear like a venomous viper!
O, Lady of the Mountains,
Ninhursag’s house was constructed on a terrifying site!
O, Kesh, like holy Aratta: your womb dark and deep,
your walls high-towering and imposing!
O, great lion of the wildlands stalking the high plains!...
Temple Hymn 17: an Excerpt
to the Badtibira Temple of Dumuzi
by Enheduanna
loose translation by Michael R. Burch
O, house of jeweled lapis illuminating the radiant bed
in the peace-inducing palace of our Lady of the Steppe!
Temple Hymn 22: an Excerpt
to the Sirara Temple of Nanshe
by Enheduanna
loose translation by Michael R. Burch
O, house, you wild cow!
Made to conjure signs of the Divine!
You arise, beautiful to behold,
bedecked for your Mistress!
Temple Hymn 26: an Excerpt
to the Zabalam Temple of Inanna
by Enheduanna
loose translation by Michael R. Burch
O house illuminated by beams of bright light,
dressed in shimmering stone jewels,
awakening the world to awe!
Temple Hymn 42: an Excerpt
to the Eresh Temple of Nisaba
by Enheduanna
loose translation by Michael R. Burch
O, house of brilliant stars
bright with lapis stones,
you illuminate all lands!
...
The person who put this tablet together
is Enheduanna.
My king: something never created before,
did she not give birth to it?
Update of "A Litany in Time of Plague"
by Michael R. Burch
THE PLAGUE has come again
To darken lives of men
and women, girls and boys;
Death proves their bodies toys
Too frail to even cry.
I am sick, I must die.
Lord, have mercy on us!
Tycoons, what use is wealth?
You cannot buy good health!
Physicians cannot heal
Themselves, to Death must kneel.
Nuns’ prayers mount to the sky.
I am sick, I must die.
Lord, have mercy on us!
Beauty’s brightest flower?
Devoured in an hour.
Kings, Queens and Presidents
Are fearful residents
Of manors boarded high.
I am sick, I must die.
Lord, have mercy on us!
We have no means to save
Our children from the grave.
Though cure-alls line our shelves,
We cannot save ourselves.
"Come, come!" the sad bells cry.
I am sick, I must die.
Lord, have mercy on us!
NOTE: This poem is meant to capture the understandable fear and dismay the Plague caused in the Middle Ages, and which the coronavirus has caused in the 21st century. We are better equipped to deal with this modern plague, thanks to advances in science, medicine and sanitation. We do not have to succumb to fear, but it would be wise to have a healthy respect for the nasty bug and heed the advice of medical experts.--MRB
Regret
by Michael R. Burch
Regret,
a bitter
ache to bear . . .
once starlight
languished
in your hair . . .
a shining there
as brief
as rare.
Regret . . .
a pain
I chose to bear . . .
unleash
the torrent
of your hair . . .
and show me
once again―
how rare.
Published by The HyperTexts and The Chained Muse
The Stake
by Michael R. Burch
Love, the heart bets,
if not without regrets,
will still prove, in the end,
worth the light we expend
mining the dark
for an exquisite heart.
Originally published by The Lyric
If
by Michael R. Burch
If I regret
fire in the sunset
exploding on the horizon,
then let me regret loving you.
If I forget
even for a moment
that you are the only one,
then let me forget that the sky is blue.
If I should yearn
in a season of discontentment
for the vagabond light of a companionless moon,
let dawn remind me that you are my sun.
If I should burn―one moment less brightly,
one instant less true―
then with wild scorching kisses,
inflame me, inflame me, inflame me anew.
Originally published by The HyperTexts
The Effects of Memory
by Michael R. Burch
A black ringlet
curls to lie
at the nape of her neck,
glistening with sweat
in the evaporate moonlight ...
This is what I remember
now that I cannot forget.
And tonight,
if I have forgotten her name,
I remember:
rigid wire and white lace
half-impressed in her flesh ...
our soft cries, like regret,
... the enameled white clips
of her bra strap
still inscribe dimpled marks
that my kisses erase ...
now that I have forgotten her face.
Villanelle: Because Her Heart Is Tender
by Michael R. Burch
for Beth
She scrawled soft words in soap: "Never Forget,"
Dove-white on her car's window, and the wren,
because her heart is tender, might regret
it called the sun to wake her. As I slept,
she heard lost names recounted, one by one.
She wrote in sidewalk chalk: "Never Forget,"
and kept her heart's own counsel. No rain swept
away those words, no tear leaves them undone.
Because her heart is tender with regret,
bruised by razed towers' glass and steel and stone
that shatter on and on and on and on,
she stitches in wet linen: "NEVER FORGET,"
and listens to her heart's emphatic song.
The wren might tilt its head and sing along
because its heart once understood regret
when fledglings fell beyond, beyond, beyond ...
its reach, and still the boot-heeled world strode on.
She writes in adamant: "NEVER FORGET"
because her heart is tender with regret.
To the boy Elis
by Georg Trakl
translation by Michael R. Burch
Elis, when the blackbird cries from the black forest,
it announces your downfall.
Your lips sip the rock-spring's blue coolness.
Your brow sweats blood
recalling ancient myths
and dark interpretations of birds' flight.
Yet you enter the night with soft footfalls;
the ripe purple grapes hang suspended
as you wave your arms more beautifully in the blueness.
A thornbush crackles;
where now are your moonlike eyes?
How long, oh Elis, have you been dead?
A monk dips waxed fingers
into your body's hyacinth;
Our silence is a black abyss
from which sometimes a docile animal emerges
slowly lowering its heavy lids.
A black dew drips from your temples:
the lost gold of vanished stars.
TRANSLATOR'S NOTE: I believe that in the second stanza the blood on Elis's forehead may be a reference to the apprehensive ****** sweat of Jesus in the garden of Gethsemane. If my interpretation is correct, Elis hears the blackbird's cries, anticipates the danger represented by a harbinger of death, but elects to continue rather than turn back. From what I have been able to gather, the color blue had a special significance for Georg Trakl: it symbolized longing and perhaps a longing for death. The colors blue, purple and black may represent a progression toward death in the poem.
Turkish Poetry Translations
Attilâ İlhan (1925-2005) was a Turkish poet, translator, novelist, screenwriter, editor, journalist, essayist, reviewer, socialist and intellectual.
Ben Sana Mecburum: “You are indispensable”
by Attila Ilhan
translation by Nurgül Yayman and Michael R. Burch
You are indispensable; how can you not know
that you’re like nails riveting my brain?
I see your eyes as ever-expanding dimensions.
You are indispensable; how can you not know
that I burn within, at the thought of you?
Trees prepare themselves for autumn;
can this city be our lost Istanbul?
Now clouds disintegrate in the darkness
as the street lights flicker
and the streets reek with rain.
You are indispensable, and yet you are absent ...
Love sometimes seems akin to terror:
a man tires suddenly at nightfall,
of living enslaved to the razor at his neck.
Sometimes he wrings his hands,
expunging other lives from his existence.
Sometimes whichever door he knocks
echoes back only heartache.
A screechy phonograph is playing in Fatih ...
a song about some Friday long ago.
I stop to listen from a vacant corner,
longing to bring you an untouched sky,
but time disintegrates in my hands.
Whatever I do, wherever I go,
you are indispensable, and yet you are absent ...
Are you the blue child of June?
Ah, no one knows you―no one knows!
Your deserted eyes are like distant freighters ...
Perhaps you are boarding in Yesilköy?
Are you drenched there, shivering with the rain
that leaves you blind, beset, broken,
with wind-disheveled hair?
Whenever I think of life
seated at the wolves’ table,
shameless, yet without soiling our hands ...
Yes, whenever I think of life,
I begin with your name, defying the silence,
and your secret tides surge within me
making this voyage inevitable.
You are indispensable; how can you not know?
Fragments
by Attila Ilhan
loose English translations/interpretations by Michael R. Burch
The night is a cloudy-feathered owl,
its quills like fine-spun glass.
It gazes out the window,
perched on my right shoulder,
its wings outspread and huge.
If the encroaching darkness seems devastating at first glance,
the sovereign of everything,
its reach infinite ...
Still somewhere within a kernel of light glows secretly
creating an enlightened forest of dialectics.
In September’s waning days one thinks wanly of the arrival of fall
like a ship appearing on the horizon with untrimmed, tattered sails;
for some unfathomable reason fall is the time to consider one’s own demise―
the body smothered by yellowed leaves like a corpse rotting in a ghoulish photograph ...
Bitter words
crack like whips
snapping across prison yards ...
Then there are words like pomegranate trees in bloom,
words like the sun igniting the sea beyond mountainous horizons,
flashing like mysterious knives ...
Such words are the burning roses of an infinite imagination;
they are born and they die with the flutterings of butterflies;
we carry those words in our hearts like pregnant shotguns until the day we expire,
martyred for the words we were prepared to die for ...
What I wrote and what you understood? Curious and curiouser!
Mehmet Akif Ersoy: Modern English Translations of Turkish Poems
Mehmet Âkif Ersoy (1873-1936) was a Turkish poet, author, writer, academic, member of parliament, and the composer of the Turkish National Anthem.
Snapshot
by Mehmet Akif Ersoy
loose English translation/interpretation by Michael R. Burch
Earth’s least trace of life cannot be erased;
even when you lie underground, it encompasses you.
So, those of you who anticipate the shadows,
how long will the darkness remember you?
Zulmü Alkislayamam
"I Can’t Applaud Tyranny"
by Mehmet Akif Ersoy
loose English translation/interpretation by Michael R. Burch
I can't condone cruelty; I will never applaud the oppressor;
Yet I can't renounce the past for the sake of deluded newcomers.
When someone curses my ancestors, I want to strangle them,
Even if you don’t.
But while I harbor my elders,
I refuse to praise their injustices.
Above all, I will never glorify evil, by calling injustice “justice.”
From the day of my birth, I've loved freedom;
The golden tulip never deceived me.
If I am nonviolent, does that make me a docile sheep?
The blade may slice, but my neck resists!
When I see someone else's wound, I suffer a great hardship;
To end it, I'll be whipped, I'll be beaten.
I can't say, “Never mind, just forget it!” I'll mind,
I'll crush, I'll be crushed, I'll uphold justice.
I'm the foe of the oppressor, the friend of the oppressed.
What the hell do you mean, with your backwardness?
Çanakkale Sehitlerine
"For the Çanakkale Martyrs"
by Mehmet Akif Ersoy
loose English translation/interpretation by Michael R. Burch
Was there ever anything like the Bosphorus war?―
The earth’s mightiest armies pressing Marmara,
Forcing entry between her mountain passes
To a triangle of land besieged by countless vessels.
Oh, what dishonorable assemblages!
Who are these Europeans, come as rapists?
Who, these braying hyenas, released from their reeking cages?
Why do the Old World, the New World, and all the nations of men
now storm her beaches? Is it Armageddon? Truly, the whole world rages!
Seven nations marching in unison!
Australia goose-stepping with Canada!
Different faces, languages, skin tones!
Everything so different, but the mindless bludgeons!
Some warriors Hindu, some African, some nameless, unknown!
This disgraceful invasion, baser than the Black Death!
Ah, the 20th century, so noble in its own estimation,
But all its favored ones nothing but a parade of worthless wretches!
For months now Turkish soldiers have been vomited up
Like stomachs’ retched contents regarded with shame.
If the masks had not been torn away, the faces would still be admired,
But the ***** called civilization is far from blameless.
Now the ****** demand the destruction of the doomed
And thus bring destruction down on their own heads.
Lightning severs horizons!
Earthquakes regurgitate the bodies of the dead!
Bombs’ thunderbolts explode brains,
rupture the ******* of brave soldiers.
Underground tunnels writhe like hell
Full of the bodies of burn victims.
The sky rains down death, the earth swallows the living.
A terrible blizzard heaves men violently into the air.
Heads, eyes, torsos, legs, arms, chins, fingers, hands, feet ...
Body parts rain down everywhere.
Coward hands encased in armor callously scatter
Floods of thunderbolts, torrents of fire.
Men’s chests gape open,
Beneath the high, circling vulture-like packs of the air.
Cannonballs fly as frequently as bullets
Yet the heroic army laughs at the hail.
Who needs steel fortresses? Who fears the enemy?
How can the shield of faith not prevail?
What power can make religious men bow down to their oppressors
When their stronghold is established by God?
The mountains and the rocks are the bodies of martyrs! ...
For the sake of a crescent, oh God, many suns set, undone!
Dear soldier, who fell for the sake of this land,
How great you are, your blood saves the Muslims!
Only the lions of Bedr rival your glory!
Who then can dig the grave wide enough to hold you. and your story?
If we try to consign you to history, you will not fit!
No book can contain the eras you shook!
Only eternities can encompass you! ...
Oh martyr, son of the martyr, do not ask me about the grave:
The prophet awaits you now, his arms flung wide open, to save!
Sessiz Gemi (“Silent Ship”)
by Yahya Kemal Beyatli
loose translation by Nurgül Yayman and Michael R. Burch
for the refugees
The time to weigh anchor has come;
a ship departing harbor slips quietly out into the unknown,
cruising noiselessly, its occupants already ghosts.
No flourished handkerchiefs acknowledge their departure;
the landlocked mourners stand nurturing their grief,
scanning the bleak horizon, their eyes blurring ...
Poor souls! Desperate hearts! But this is hardly the last ship departing!
There is always more pain to unload in this sorrowful life!
The hesitations of lovers and their belovèds are futile,
for they cannot know where the vanished are bound.
Many hopes must be quenched by the distant waves,
since years must pass, and no one returns from this journey.
Full Moon
by Yahya Kemal Beyatli
loose translation by Nurgül Yayman and Michael R. Burch
You are so lovely
the full moon just might
delight
in your rising,
as curious
and bright,
to vanquish night.
But what can a mortal man do,
dear,
but hope?
I’ll ponder your mysteries
and (hmmmm) try to
cope.
We both know
you have every right to say no.
The Music of the Snow
by Yahya Kemal Beyatli
loose translation/interpretation by Michael R. Burch
This melody of a night lasting longer than a thousand years!
This music of the snow supposed to last for thousand years!
Sorrowful as the prayers of a secluded monastery,
It rises from a choir of a hundred voices!
As the *****’s harmonies resound profoundly,
I share the sufferings of Slavic grief.
My mind drifts far from this city, this era,
To the old records of Tanburi Cemil Bey.
Now I’m suddenly overjoyed as once again I hear,
With the ears of my heart, the purest sounds of Istanbul!
Thoughts of the snow and darkness depart me;
I keep them at bay all night with my dreams!
Translator’s notes: “Slavic grief” because Beyatli wrote this poem while in Warsaw, serving as Turkey’s ambassador to Poland, in 1927. Tanburi Cemil Bey was a Turkish composer.
Thinking of you
by Nazim Hikmet
loose translation/interpretation by Michael R. Burch
Thinking of you is beautiful, hopeful―
like listening to the most beautiful songs
sung by the earth's most beautiful voices.
But hope is insufficient for me now;
I don't want to listen to songs.
I want to sing love into birth.
I love you
by Nazim Hikmet
loose translation/interpretation by Michael R. Burch
I love you―
like dipping bread into salt and eating;
like waking at night with a raging fever
and thirstily lapping up water, my mouth to the silver tap;
like unwrapping the unwieldy box the postman delivers,
unable to guess what's inside,
feeling fluttery, happy, doubtful.
I love you―
like flying over the sea the first time
as something stirs within me
while the sky softly darkens over Istanbul.
I love you―
as men thank God gratefully for life.
Sparrow
by Nazim Hikmet
loose translation/interpretation by Michael R. Burch
Little sparrow,
perched on the clothesline,
do you regard me with pity?
Even so, I will watch you
soar away through the white spring leaves.
The Divan of the Lover
the oldest extant Turkish poem
loose translation/interpretation by Michael R. Burch
All the universe as one great sign is shown:
God revealed in his creative acts unknown.
Who sees or understands them, jinn or men?
Such works lie far beyond mere mortals’ ken.
Nor can man’s mind or reason reach that strand,
Nor mortal tongue name Him who rules that land.
Since He chose nothingness with life to vest,
who dares to trouble God with worms’ behests?
For eighteen thousand worlds, lain end to end,
Do not with Him one atom's worth transcend!
Fragment
by Prince Jem
loose translation/interpretation by Michael R. Burch
Behold! The torrent, dashing against the rocks, flails wildly.
The entire vast realm of Space and Being oppresses my soul idly.
Through bitterness of grief and woe the sky has rent its morning robe.
Look! See how in its eastern palace, the sun is a ****** globe!
The clouds of heaven rain bright tears on the distant mountain peaks.
Oh, hear how the deeply wounded thunder slowly, mournfully speaks!
An Ecstasy of Fumbling
by Michael R. Burch
The poets believe
everything resolves to metaphor—
a distillation,
a vapor
beyond filtration,
though perhaps not quite as volatile as before.
The poets conceive
of death in the trenches
as the price of art,
not war,
fumbling with their masque-like
dissertations
to describe the Hollywood-like gore
as something beyond belief,
abstracting concrete bunkers to Achaemenid bas-relief.
Excerpts from “Travels with Einstein”
by Michael R. Burch
for Trump
I went to Berlin to learn wisdom
from Adolph. The wild spittle flew
as he screamed at me, with great conviction:
“Please despise me! I look like a Jew!”
So I flew off to ’Nam to learn wisdom
from tall Yankees who cursed “yellow” foes.
“If we lose this small square,” they informed me,
earth’s nations will fall, dominoes!”
I then sat at Christ’s feet to learn wisdom,
but his Book, from its genesis to close,
said: “Men can enslave their own brothers!”
(I soon noticed he lacked any clothes.)
So I traveled to bright Tel Aviv
where great scholars with lofty IQs
informed me that (since I’m an Arab)
I’m unfit to lick dirt from their shoes.
At last, done with learning, I stumbled
to a well where the waters seemed sweet:
the mirage of American “justice.”
There I wept a real sea, in defeat.
Originally published by Café Dissensus
The Leveler
by Michael R. Burch
The nature of Nature
is bitter survival
from Winter’s bleak fury
till Spring’s brief revival.
The weak implore Fate;
bold men ravish, dishevel her . . .
till both are cut down
by mere ticks of the Leveler.
I believe I wrote this poem around age 20, in 1978 or thereabouts. It has since been published in The Lyric, Tucumcari Literary Review, Romantics Quarterly and The Aurorean.
The Hippopotami
by Michael R. Burch
There’s no seeing eye to eye
with the awesomely huge Hippopotami:
on the bank, you’re much taller;
going under, you’re smaller
and assuredly destined to die!
Ballade of the Bicameral Camel
by Michael R. Burch
There once was a camel who loved to ****.
Please get your lewd minds out of their slump!
He loved to give RIDES on his large, lordly lump!
The Echoless Green
by Michael R. Burch
for and after William Blake
At dawn, laughter rang
on the echoing green
as children at play
greeted the day.
At noon, smiles were seen
on the echoing green
as, children no more,
many fine vows they swore.
By twilight, their cries
had subsided to sighs.
Now night reigns supreme
on the echoless green.
Unlikely Mike
by Michael R. Burch
I married someone else’s fantasy;
she admired me despite my mutilations.
I loved her for her heart’s sake, and for mine.
I hid my face and changed its connotations.
And in the dark I danced—slight, Chaplinesque—
a metaphor myself. How could they know,
the undiscerning ones, that in the glow
of spotlights, sometimes love becomes burlesque?
Disfigured to my soul, I could not lose
or choose or name myself; I came to be
another of life’s odd dichotomies,
like Dickey’s Sheep Boy, Pan, or David Cruse:
as pale, as enigmatic. White, or black?
My color was a song, a changing track.
Spring Was Delayed
by Michael R. Burch
Winter came early:
the driving snows,
the delicate frosts
that crystallize
all we forget
or refuse to know,
all we regret
that makes us wise.
Spring was delayed:
the nubile rose,
the tentative sun,
the wind’s soft sighs,
all we omit
or refuse to show,
whatever we shield
behind guarded eyes.
Originally published by Borderless Journal
The Shijing or **** Jing (“Book of Songs” or “Book of Odes”) is the oldest Chinese poetry collection, with the poems included believed to date from around 1200 BC to 600 BC. According to tradition the poems were selected and edited by Confucius himself. Since most ancient poetry did not rhyme, these may be the world’s oldest extant rhyming poems.
Shijing Ode #4: “JIU MU”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch
In the South, beneath trees with drooping branches
thick with vines that make them shady,
we find our lovely princely lady:
May she repose in happiness!
In the South, beneath trees with drooping branches
whose clinging vines make hot days shady,
we wish love’s embrace for our lovely lady:
May she repose in happiness!
In the South, beneath trees with drooping branches
whose vines, entwining, make them shady,
we wish true love for our lovely lady:
May she repose in happiness!
Shijing Ode #6: “TAO YAO”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch
The peach tree is elegant and tender;
its flowers are fragrant, and bright.
A young lady now enters her future home
and will manage it well, day and night.
The peach tree is elegant and tender;
its fruits are abundant, and sweet.
A young lady now enters her future home
and will make it welcome to everyone she greets.
The peach tree is elegant and tender;
it shelters with bough, leaf and flower.
A young lady now enters her future home
and will make it her family’s bower.
Shijing Ode #9: “HAN GUANG”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch
In the South tall trees without branches
offer men no shelter.
By the Han the girls loiter,
but it’s vain to entice them.
For the breadth of the Han
cannot be swum
and the length of the Jiang
requires more than a raft.
When cords of firewood are needed,
I would cut down tall thorns to bring them more.
Those girls on their way to their future homes?
I would feed their horses.
But the breadth of the Han
cannot be swum
and the length of the Jiang
requires more than a raft.
When cords of firewood are needed,
I would cut down tall trees to bring them more.
Those girls on their way to their future homes?
I would feed their colts.
But the breadth of the Han
cannot be swum
and the length of the Jiang
requires more than a raft.
Shijing Ode #10: “RU FEN”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch
By raised banks of the Ru,
I cut down branches in the brake.
Not seeing my lord
caused me heartache.
By raised banks of the Ru,
I cut down branches by the tide.
When I saw my lord at last,
he did not cast me aside.
The bream flashes its red tail;
the royal court’s a blazing fire.
Though it blazes afar,
still his loved ones are near ...
It was apparently believed that the bream’s tail turned red when it was in danger. Here the term “lord” does not necessarily mean the man in question was a royal himself. Chinese women of that era often called their husbands “lord.” Take, for instance, Ezra Pound’s famous loose translation “The River Merchant’s Wife.” Speaking of Pound, I borrowed the word “brake” from his translation of this poem, although I worked primarily from more accurate translations. In the final line, it may be that the wife or lover is suggesting that no matter what happens, the man in question will have a place to go, or perhaps she is urging him to return regardless. The original poem had “mother and father” rather than “family” or “loved ones,” but in those days young married couples often lived with the husband’s parents. So a suggestion to return to his parents could be a suggestion to return to his wife as well.
Shijing Ode #12: “QUE CHAO”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch
The nest is the magpie's
but the dove occupies it.
A young lady’s soon heading to her future home;
a hundred carriages will attend her.
The nest is the magpie's
but the dove takes it over.
A young lady’s soon heading to her future home;
a hundred carriages will escort her.
The nest is the magpie's
but the dove possesses it.
A young lady’s soon heading to her future home;
a hundred carriages complete her procession.
Shijing Ode #26: “BO ZHOU” from “The Odes of Bei”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch
This cypress-wood boat floats about,
meandering with the current.
Meanwhile, I am distraught and sleepless,
as if inflicted with a painful wound.
Not because I have no wine,
and can’t wander aimlessly about!
But my mind is not a mirror
able to echo all impressions.
Yes, I have brothers,
but they are undependable.
I meet their anger with silence.
My mind is not a stone
to be easily cast aside.
My mind is not a mat
to be conveniently rolled up.
My conduct so far has been exemplary,
with nothing to criticize.
Yet my anxious heart hesitates
because I’m hated by the herd,
inflicted with many distresses,
heaped with insults, not a few.
Silently I consider my case,
until, startled, as if from sleep, I clutch my breast.
Consider the sun and the moon:
how did the latter exceed the former?
Now sorrow clings to my heart
like an unwashed dress.
Silently I consider my options,
but lack the wings to fly away.
The Drawer of Mermaids
by Michael R. Burch
This poem is dedicated to Alina Karimova, who was born with severely deformed legs and five fingers missing. Alina loves to draw mermaids and believes her fingers will eventually grow out.
Although I am only four years old,
they say that I have an old soul.
I must have been born long, long ago,
here, where the eerie mountains glow
at night, in the Urals.
A madman named Geiger has cursed these slopes;
now, shut in at night, the emphatic ticking
fills us with dread.
(Still, my momma hopes
that I will soon walk with my new legs.)
It’s not so much legs as the fingers I miss,
drawing the mermaids under the ledges.
(Observing, Papa will kiss me
in all his distracted joy;
but why does he cry?)
And there is a boy
who whispers my name.
Then I am not lame;
for I leap, and I follow.
(G’amma brings a wiseman who says
our infirmities are ours, not God’s,
that someday a beautiful Child
will return from the stars,
and then my new fingers will grow
if only I trust Him; and so
I am preparing to meet Him, to go,
should He care to receive me.)
Keywords/Tags: mermaid, mermaids, child, children, childhood, Urals, Ural Mountains, soul, soulmate, radiation
On the Horns of a Dilemma (I)
by Michael R. Burch
Love has become preposterous
for the over-endowed rhinoceros:
when he meets the right miss
how the hell can he kiss
when his horn is so ***** it lofts her thus?
I need an artist or cartoonist to create an image of a male rhino lifting his prospective mate into the air during an abortive kiss. Any takers?
On the Horns of a Dilemma (II)
by Michael R. Burch
Love has become preposterous
for the over-endowed rhinoceros:
when he meets the right miss
how the hell can he kiss
when his horn deforms her esophagus?
On the Horns of a Dilemma (III)
by Michael R. Burch
A wino rhino said, “I know!
I have a horn I cannot blow!
And so,
ergo,
I’ll watch the lovely spigot flow!
The Horns of a Dilemma Solved, if not Solvent
by Michael R. Burch
A wine-addled rhino debated
the prospect of living unmated
due to the scorn
gals showed for his horn,
then lost it to poachers, sedated.
The Arrival of the Sea Lions
by Michael R. Burch
The sound
of hounds
resounds in the sound.
Hounds Impounded
by Michael R. Burch
The sound
of hounds
resounds
in the pound.
Prince Kiwi the Great
by Michael R. Burch
Kiwi’s
a ***-wee
but incredibly bright:
he sleeps half the day,
pretending it’s night!
Prince Kiwi
commands us
with his regal air:
“Come, humans, and serve me,
or I’ll yank your hair!”
Kiwi
cries “Kree! Kree!”
when he wants to be fed ...
suns, preens, flutters, showers,
then it’s off to bed.
Kiwi’s
a ***-wee
but incredibly bright:
he sleeps half the day,
pretending it’s night!
Kiwi is our family’s green-cheeked parakeet. Parakeets need to sleep around 12 hours per day, hence the pun on “bright” and “half the day.”
Ah! Sunflower
by Michael R. Burch
after William Blake
O little yellow flower
like a star ...
how beautiful,
how wonderful
we are!
Published as the collection "When Pigs Fly"
by Michael R. Burch
On the Trail of Tears,
my Cherokee brothers,
why hang your heads?
Why shame your mothers?
Laugh wildly instead!
We will soon be dead.
When we lie in our graves,
let the white-eyes take
the woodlands we loved
for the *** and the rake.
It is better to die
than to live out a lie
in so narrow a sty.
In October 1838 the Cherokees began to walk the "Trail of Tears." Most of them made the thousand mile journey west to Oklahoma on foot. An estimated 4,000 people, or a quarter of the tribe, died en route. The soldiers "escorting" the Cherokees at bayonet point refused permission for the dead to be buried, threatening to shoot anyone who disobeyed. So the living were forced to carry the corpses of the dead until camp was made for the night. Years after the Cherokees had been rounded up and driven down the Trail of Tears, John G. Burnett reflected on what he and his fellow soldiers had done, saying, "Schoolchildren of today do not know that we are living on lands that were taken from a helpless race at the bayonet point, to satisfy the white man's greed... ****** is ****** and somebody must answer, somebody must explain the streams of blood that flowed in the Indian country... Somebody must explain the four thousand silent graves that mark the trail of the Cherokees to their exile." Keywords/Tags: Cherokee, Native American, Trail of Tears, Ethnic Cleansing, Genocide, ******, Evil, Death, March, Death March, Infanticide, Matricide, Racism, Racist, Discrimination, Violence, Fascism, White Supremacists, Horror, Terror, Terrorism, Greed, Gluttony, Avarice, Lust, ****, mrbpig, mrbpigs
Cherokee Prayer
loose translation/interpretation by Michael R. Burch
As I walk life's trails
imperiled by the raging wind and rain,
grant, O Great Spirit,
that yet I may always
walk like a man.
This prayer makes me think of Native Americans walking the Trail of Tears with far more courage and dignity than their “civilized” abusers.
Native American Prayer
loose translation/interpretation by Michael R. Burch
Help us learn the lessons you have left us
in every leaf and rock.
Native American Travelers' Blessing
loose translation/interpretation by Michael R. Burch
Let us walk together here
among earth's creatures great and small,
remembering, our footsteps light,
that one wise God created all.
Sioux Vision Quest
by Crazy Horse, Oglala Lakota Sioux, circa 1840-1877
loose translation/interpretation by Michael R. Burch
A man must pursue his Vision
as the eagle explores
the sky's deepest blues.
Cherokee Travelers' Blessing I
loose translation/interpretation by Michael R. Burch
I will extract the thorns from your feet.
For yet a little while, we will walk life's sunlit paths together.
I will love you like my own brother, my own blood.
When you are disconsolate, I will wipe the tears from your eyes.
And when you are too sad to live, I will put your aching heart to rest.
Published by Better Than Starbucks and Cherokee Native Americans
Cherokee Travelers' Blessing II
loose translation/interpretation by Michael R. Burch
Happily may you walk
in the paths of the Rainbow.
Oh,
and may it always be beautiful before you,
beautiful behind you,
beautiful below you,
beautiful above you,
and beautiful all around you
where in Perfection beauty is finished.
Published by Better Than Starbucks
Cherokee Travelers' Blessing III
loose translation/interpretation by Michael R. Burch
May Heaven’s warming winds blow gently there,
where you reside,
and may the Great Spirit bless all those you love,
this side of the farthest tide.
And wherever you go,
whether the journey is fast or slow,
may your moccasins leave many cunning footprints in the snow.
And when you look over your shoulder, may you always find the Rainbow.
Published by Better Than Starbucks
What is life?
The flash of a firefly.
The breath of the winter buffalo.
The shadow scooting across the grass that vanishes with sunset.
―Blackfoot saying, loose translation/interpretation by Michael R. Burch
Warrior's Confession
loose translation/interpretation by Michael R. Burch
Oh my love, how fair you are—
far brighter than the fairest star!
Cherokee Proverb
loose translation/interpretation by Michael R. Burch
Before you judge
a man for his sins
be sure to trudge
many moons in his moccasins.
Cherokee Prayer
loose translation/interpretation by Michael R. Burch
As I walk life's trails
imperiled by the raging wind and rain,
grant, O Great Spirit,
that yet I may always
walk like a man.
When I think of this prayer, I think of Native Americans walking the Trail of Tears.
The Receiving of the Flower
excerpt from a Mayan love poem
loose translation/interpretation by Michael R. Burch
Let us sing overflowing with joy
as we observe the Receiving of the Flower.
The lovely maidens beam;
their hearts leap in their *******.
Why?
Because they will soon yield their virginity to the men they love!
The Deflowering
excerpt from a Mayan love poem
loose translation/interpretation by Michael R. Burch
Remove your clothes;
let down your hair;
become as naked as the day you were born—
virgins!
Prelude to *******
excerpt from a Mayan love poem
loose translation/interpretation by Michael R. Burch
Lay out your most beautiful clothes,
maidens!
The day of happiness has arrived!
Grab your combs, detangle your hair,
adorn your earlobes with gaudy pendants.
Dress in white as becomes maidens ...
Then go, give your lovers the happiness of your laughter!
And all the village will rejoice with you,
for the day of happiness has arrived!
The Flower-Strewn Pool
excerpt from a Mayan love poem
loose translation/interpretation by Michael R. Burch
You have arrived at last in the woods
where no one can see what you do
at the flower-strewn pool ...
Remove your clothes,
unbraid your hair,
become as you were
when you first arrived here
naked and shameless,
virgins, maidens!
Native American Proverbs
The soul would see no Rainbows if not for the eyes’ tears.
—loose translation/interpretation by Michael R. Burch
A woman’s highest calling is to help her man unite with the Source.
A man’s highest calling is to help his woman walk the earth unharmed.
—loose translation/interpretation by Michael R. Burch
When you were born, you cried and the world rejoiced.
Live your life so that when you die, the world cries and you rejoice.
—White Elk, loose translation/interpretation by Michael R. Burch
What is life?
The flash of a firefly.
The breath of a winter buffalo.
The shadow scooting across the grass that vanishes with sunset.
—Blackfoot saying, translation by Michael R. Burch
Speak less thunder, wield more lightning. — Apache proverb, translation by Michael R. Burch
The more we wonder, the more we understand. — Arapaho proverb, translation by Michael R. Burch
Adults talk, children whine. — Blackfoot proverb, translation by Michael R. Burch
Don’t be afraid to cry: it will lessen your sorrow. — Hopi proverb
One foot in the boat, one foot in the canoe, and you end up in the river. — Tuscarora proverb, translation by Michael R. Burch
Our enemy's weakness increases our strength. — Cherokee proverb, translation by Michael R. Burch
We will be remembered tomorrow by the tracks we leave today. — Dakota proverb, translation by Michael R. Burch
No sound's as eloquent as a rattlesnake's tail. — Navajo saying, translation by Michael R. Burch
The heart is our first teacher. — Cheyenne proverb, translation by Michael R. Burch
Dreams beget success. — Maricopa proverb, translation by Michael R. Burch
Knowledge interprets the past, wisdom foresees the future. — Lumbee proverb, translation by Michael R. Burch
The troublemaker's way is thorny. — Umpqua proverb, translation by Michael R. Burch
Earthbound
an original poem by Michael R. Burch
Tashunka Witko, better known as Crazy Horse, had a vision of a red-tailed hawk at Sylvan Lake, South Dakota. In his vision he saw himself riding a spirit horse, flying through a storm, as the hawk flew above him, shrieking. When he awoke, a red-tailed hawk was perched near his horse.
Earthbound,
and yet I now fly
through the clouds that are aimlessly drifting ...
so high
that no sound
echoing by
below where the mountains are lifting
the sky
can be heard.
Like a bird,
but not meek,
like a hawk from a distance regarding its prey,
I will shriek,
not a word,
but a screech,
and my terrible clamor will turn them to clay—
the sheep,
the earthbound.
Years after the Cherokees had been rounded up and driven down the Trail of Tears, John G. Burnett reflected on what he and his fellow soldiers had done, saying, "Schoolchildren of today do not know that we are living on lands that were taken from a helpless race at the bayonet point, to satisfy the white man's greed ... ****** is ****** and somebody must answer, somebody must explain the streams of blood that flowed in the Indian country ... Somebody must explain the four thousand silent graves that mark the trail of the Cherokees to their exile."
In the same year, 1830, that Stonewall Jackson consigned Native Americans to the ash-heap of history, Georgia Governor George Gilmer said, "Treaties are expedients by which ignorant, intractable, and savage people are induced ... to yield up what civilized people have the right to possess." By "civilized" he apparently meant people willing to brutally dispossess and **** women and children in order to derive economic benefits for themselves.
These nights bring dreams of Cherokee shamans
whose names are bright verbs and impacted dark nouns,
whose memories are indictments of my pallid flesh . . .
and I hear, as from a great distance,
the cries tortured from their guileless lips, proclaiming
the nature of my mutation.
―Michael R. Burch, from "Mongrel Dreams" (my family is part Cherokee, English and Scottish)
After Jackson was re-elected with an overwhelming majority in 1832, he strenuously pursued his policy of removing Native Americans, even refusing to accept a Supreme Court ruling which invalidated Georgia's planned annexation of Cherokee land. But in the double-dealing logic of the white supremacists, they had to make the illegal resettlement of the Indians appear to be "legal," so a small group of Cherokees were persuaded to sign the "Treaty of New Echota," which swapped Cherokee land for land in the Oklahoma territory. The Cherokee ringleaders of this infamous plot were later assassinated as traitors. (****** was similarly obsessed with the "legalities" of the **** Holocaust; isn't it strange how mass murderers of women and children can seek to justify their crimes?)
Native Americans understood the "circle of life" better than their white oppressors ...
When we sit in the Circle of the People,
we must be responsible because all Creation is related
and the suffering of one is the suffering of all
and the joy of one is the joy of all
and whatever we do affects everything in the universe.
—"Lakota Instructions for Living" by White Buffalo Calf Woman, translated by Michael R. Burch
Veiled
by Michael R. Burch
She has belief
without comprehension
and in her crutchwork shack
she is
much like us . . .
tamping the bread
into edible forms,
regarding her children
at play
with something akin to relief . . .
ignoring the towers ablaze
in the distance
because they are not revelations
but things of glass,
easily shattered . . .
and if you were to ask her,
she might say:
sometimes God visits his wrath
upon an impious nation
for its leaders’ sins,
and we might agree:
seeing her mutilations.
Published by Poetry Super Highway and Modern War Poems.
Ali’s Song
by Michael R. Burch
They say that gold don’t tarnish. It ain’t so.
They say it has a wild, unearthly glow.
A man can be more beautiful, more wild.
I flung their medal to the river, child.
I flung their medal to the river, child.
They hung their coin around my neck; they made
my name a bridle, “called a ***** a *****.”
They say their gold is pure. I say defiled.
I flung their slave’s name to the river, child.
I flung their slave’s name to the river, child.
Ain’t got no quarrel with no Viet Cong
that never called me ******, did me wrong.
A man can’t be lukewarm, ’cause God hates mild.
I flung their notice to the river, child.
I flung their notice to the river, child.
They said, “Now here’s your bullet and your gun,
and there’s your cell: we’re waiting, you choose one.”
At first I groaned aloud, but then I smiled.
I gave their “future” to the river, child.
I gave their “future” to the river, child.
My face reflected up, dark bronze like gold,
a coin God stamped in His own image―BOLD.
My blood boiled like that river―strange and wild.
I died to hate in that dark river, child,
Come, be reborn in this bright river, child.
Originally published by Black Medina
Note: Cassius Clay, who converted to Islam and changed his “slave name” to Muhammad Ali, said that he threw his Olympic boxing gold medal into the Ohio River. Confirming his account, the medal was recovered by Robert Bradbury and his wife Pattie in 2014 during the Annual Ohio River Sweep, and the Ali family paid them $200,000 to regain possession of the medal. When drafted during the Vietnamese War, Ali refused to serve, reputedly saying: “I ain't got no quarrel with those Viet Cong; no Vietnamese ever called me a ******.” The notice mentioned in my poem is Ali's draft notice, which metaphorically gets tossed into the river along with his slave name. I was told through the grapevine that this poem appeared in Farsi in an Iranian publication called Bashgah. ―Michael R. Burch
evol-u-shun
by Michael R. Burch
does GOD adore the Tyger
while it’s ripping ur lamb apart?
does GOD applaud the Plague
while it’s eating u à la carte?
does GOD admire ur intelligence
while u pray that IT has a heart?
does GOD endorse the Bible
you blue-lighted at k-mart?
Enheduanna, the daughter of the famous King Sargon the Great of Akkad, is the first ancient writer whose name remains known today. She appears to be the first named poet in human history and the first known author of prayers and hymns. Enheduanna, who lived circa 2285-2250 BCE, is also one of the first women we know by name.
Lament to the Spirit of War
by Enheduanna
loose translation by Michael R. Burch
You hack down everything you see, War God!
Rising on fearsome wings
you rush to destroy the land,
descending like a raging storm,
howling like a hurricane,
screaming like a tempest,
thundering, raging, ranting, drumming,
whiplashing whirlwinds!
Men falter at your approaching footsteps.
Tortured dirges scream
on your lyre of despair.
Like a fiery Salamander you poison the land:
growling over the earth like thunder,
vegetation collapsing before you,
blood gushing down a mountainside.
Spirit of hatred, greed and vengeance!
******* of heaven and earth!
Your ferocious fire consumes our land.
Whipping your stallion
with furious commands,
you decide our fate.
You triumph over all human rites and prayers.
Who can explain your tirade,
why you go on so?
Temple Hymn 15
to the Gishbanda Temple of Ningishzida
by Enheduanna
loose translation by Michael R. Burch
Most ancient and terrible shrine,
set deep in the mountain,
dark like a mother's womb...
Dark shrine,
like a mother's wounded breast,
blood-red and terrifying...
Though approaching through a safe-seeming field,
our hair stands on end as we near you!
Gishbanda,
like a neck-stock,
like a fine-eyed fish net,
like a foot-shackled prisoner's manacles...
your ramparts are massive,
like a trap!
But once we’re inside,
as the sun rises,
you yield widespread abundance!
Your prince
is the pure-handed priest of Inanna, heaven's Holy One,
Lord Ningishzida!
Oh, see how his thick, lustrous hair
cascades down his back!
Oh Gishbanda,
he has built this beautiful temple to house your radiance!
He has placed his throne upon your dais!
The Exaltation of Inanna: Opening Lines and Excerpts
by Enheduanna, the daughter of Sargon I of Akkad and the high priestess of the Goddess Inanna
loose translation/interpretation by Michael R. Burch
Lady of all divine powers!
Lady of the resplendent light!
Righteous Lady adorned in heavenly radiance!
Beloved Lady of An and Uraš!
Hierodule of An, sun-adorned and bejeweled!
Heaven’s Mistress with the holy diadem,
Who loves the beautiful headdress befitting the office of her own high priestess!
Powerful Mistress, seizer of the seven divine powers!
My Heavenly Lady, guardian of the seven divine powers!
You have seized the seven divine powers!
You hold the divine powers in your hand!
You have gathered together the seven divine powers!
You have clasped the divine powers to your breast!
You have flooded the valleys with venom, like a viper;
all vegetation vanishes when you thunder like Iškur!
You have caused the mountains to flood the valleys!
When you roar like that, nothing on earth can withstand you!
Like a flood descending on floodplains, O Powerful One, you will teach foreigners to fear Inanna!
You have given wings to the storm, O Beloved of Enlil!
The storms do your bidding, blasting the unbelievers!
Foreign cities cower at the chaos You cause!
Entire countries cower in dread of Your deadly South Wind!
Men cower before you in their anguished implications,
raising their pitiful outcries,
weeping and wailing, beseeching Your benevolence with many wild lamentations!
But in the van of battle, everything falls before You, O Mighty Queen!
My Queen,
You are all-conquering, all-devouring!
You continue Your attacks like relentless storms!
You howl louder than the howling storms!
You thunder louder than Iškur!
You moan louder than the mournful winds!
Your feet never tire from trampling Your enemies!
You produce much wailing on the lyres of lamentations!
My Queen,
all the Anunna, the mightiest Gods,
fled before Your approach like fluttering bats!
They could not stand in Your awesome Presence
nor behold Your awesome Visage!
Who can soothe Your infuriated heart?
Your baleful heart is beyond being soothed!
Uncontrollable Wild Cow, elder daughter of Sin,
O Majestic Queen, greater than An,
who has ever paid You enough homage?
O Life-Giving Goddess, possessor of all powers,
Inanna the Exalted!
Merciful, Live-Giving Mother!
Inanna, the Radiant of Heart!
I have exalted You in accordance with Your power!
I have bowed before You in my holy garb,
I the En, I Enheduanna!
Carrying my masab-basket, I once entered and uttered my joyous chants ...
But now I no longer dwell in Your sanctuary.
The sun rose and scorched me.
Night fell and the South Wind overwhelmed me.
My laughter was stilled and my honey-sweet voice grew strident.
My joy became dust.
O Sin, King of Heaven, how bitter my fate!
To An, I declared: An will deliver me!
I declared it to An: He will deliver me!
But now the kingship of heaven has been seized by Inanna,
at Whose feet the floodplains lie.
Inanna the Exalted,
who has made me tremble together with all Ur!
Stay Her anger, or let Her heart be soothed by my supplications!
I, Enheduanna will offer my supplications to Inanna,
my tears flowing like sweet intoxicants!
Yes, I will proffer my tears and my prayers to the Holy Inanna,
I will greet Her in peace ...
O My Queen, I have exalted You,
Who alone are worthy to be exalted!
O My Queen, Beloved of An,
I have laid out Your daises,
set fire to the coals,
conducted the rites,
prepared Your nuptial chamber.
Now may Your heart embrace me!
These are my innovations,
O Mighty Queen, that I made for You!
What I composed for You by the dark of night,
The cantor will chant by day.
Now Inanna’s heart has been restored,
and the day became favorable to Her.
Clothed in beauty, radiant with joy,
she carried herself like the elegant moonlight.
Now to the Noble Hierodule,
to the Wrecker of foreign lands
presented by An with the seven divine powers,
and to my Queen garbed in the radiance of heaven ...
O Inanna, praise!
The Exaltation of Inanna: Opening Lines, an Excerpt
Nin-me-šara by Enheduanna
loose translation by Michael R. Burch
Lady of all divine powers,
Lady of the all-resplendent light,
Righteous Lady clothed in heavenly radiance,
Beloved Lady of An and Uraš,
Mistress of heaven with the holy diadem,
Who loves the beautiful headdress befitting the office of her high priestess,
Powerful Mistress who has seized all seven divine powers,
My lady, you are the guardian of the seven divine powers!
You have seized the divine powers,
You hold the divine powers in your hand,
You have gathered up the divine powers,
You have clasped the divine powers to your breast!
Like a dragon you have spewed venom on foreign lands that know you not!
When you roar like Iškur at the earth, nothing can withstand you!
Like a flood descending on alien lands, O Powerful One of heaven and earth, you will teach them to fear Inanna!
Temple Hymn 7: an Excerpt
to the Kesh Temple of Ninhursag
by Enheduanna
loose translation by Michael R. Burch
O, high-situated Kesh,
form-shifting summit,
inspiring fear like a venomous viper!
O, Lady of the Mountains,
Ninhursag’s house was constructed on a terrifying site!
O, Kesh, like holy Aratta: your womb dark and deep,
your walls high-towering and imposing!
O, great lion of the wildlands stalking the high plains!...
Temple Hymn 17: an Excerpt
to the Badtibira Temple of Dumuzi
by Enheduanna
loose translation by Michael R. Burch
O, house of jeweled lapis illuminating the radiant bed
in the peace-inducing palace of our Lady of the Steppe!
Temple Hymn 22: an Excerpt
to the Sirara Temple of Nanshe
by Enheduanna
loose translation by Michael R. Burch
O, house, you wild cow!
Made to conjure signs of the Divine!
You arise, beautiful to behold,
bedecked for your Mistress!
Temple Hymn 26: an Excerpt
to the Zabalam Temple of Inanna
by Enheduanna
loose translation by Michael R. Burch
O house illuminated by beams of bright light,
dressed in shimmering stone jewels,
awakening the world to awe!
Temple Hymn 42: an Excerpt
to the Eresh Temple of Nisaba
by Enheduanna
loose translation by Michael R. Burch
O, house of brilliant stars
bright with lapis stones,
you illuminate all lands!
...
The person who put this tablet together
is Enheduanna.
My king: something never created before,
did she not give birth to it?
Update of "A Litany in Time of Plague"
by Michael R. Burch
THE PLAGUE has come again
To darken lives of men
and women, girls and boys;
Death proves their bodies toys
Too frail to even cry.
I am sick, I must die.
Lord, have mercy on us!
Tycoons, what use is wealth?
You cannot buy good health!
Physicians cannot heal
Themselves, to Death must kneel.
Nuns’ prayers mount to the sky.
I am sick, I must die.
Lord, have mercy on us!
Beauty’s brightest flower?
Devoured in an hour.
Kings, Queens and Presidents
Are fearful residents
Of manors boarded high.
I am sick, I must die.
Lord, have mercy on us!
We have no means to save
Our children from the grave.
Though cure-alls line our shelves,
We cannot save ourselves.
"Come, come!" the sad bells cry.
I am sick, I must die.
Lord, have mercy on us!
NOTE: This poem is meant to capture the understandable fear and dismay the Plague caused in the Middle Ages, and which the coronavirus has caused in the 21st century. We are better equipped to deal with this modern plague, thanks to advances in science, medicine and sanitation. We do not have to succumb to fear, but it would be wise to have a healthy respect for the nasty bug and heed the advice of medical experts.--MRB
Regret
by Michael R. Burch
Regret,
a bitter
ache to bear . . .
once starlight
languished
in your hair . . .
a shining there
as brief
as rare.
Regret . . .
a pain
I chose to bear . . .
unleash
the torrent
of your hair . . .
and show me
once again―
how rare.
Published by The HyperTexts and The Chained Muse
The Stake
by Michael R. Burch
Love, the heart bets,
if not without regrets,
will still prove, in the end,
worth the light we expend
mining the dark
for an exquisite heart.
Originally published by The Lyric
If
by Michael R. Burch
If I regret
fire in the sunset
exploding on the horizon,
then let me regret loving you.
If I forget
even for a moment
that you are the only one,
then let me forget that the sky is blue.
If I should yearn
in a season of discontentment
for the vagabond light of a companionless moon,
let dawn remind me that you are my sun.
If I should burn―one moment less brightly,
one instant less true―
then with wild scorching kisses,
inflame me, inflame me, inflame me anew.
Originally published by The HyperTexts
The Effects of Memory
by Michael R. Burch
A black ringlet
curls to lie
at the nape of her neck,
glistening with sweat
in the evaporate moonlight ...
This is what I remember
now that I cannot forget.
And tonight,
if I have forgotten her name,
I remember:
rigid wire and white lace
half-impressed in her flesh ...
our soft cries, like regret,
... the enameled white clips
of her bra strap
still inscribe dimpled marks
that my kisses erase ...
now that I have forgotten her face.
Villanelle: Because Her Heart Is Tender
by Michael R. Burch
for Beth
She scrawled soft words in soap: "Never Forget,"
Dove-white on her car's window, and the wren,
because her heart is tender, might regret
it called the sun to wake her. As I slept,
she heard lost names recounted, one by one.
She wrote in sidewalk chalk: "Never Forget,"
and kept her heart's own counsel. No rain swept
away those words, no tear leaves them undone.
Because her heart is tender with regret,
bruised by razed towers' glass and steel and stone
that shatter on and on and on and on,
she stitches in wet linen: "NEVER FORGET,"
and listens to her heart's emphatic song.
The wren might tilt its head and sing along
because its heart once understood regret
when fledglings fell beyond, beyond, beyond ...
its reach, and still the boot-heeled world strode on.
She writes in adamant: "NEVER FORGET"
because her heart is tender with regret.
To the boy Elis
by Georg Trakl
translation by Michael R. Burch
Elis, when the blackbird cries from the black forest,
it announces your downfall.
Your lips sip the rock-spring's blue coolness.
Your brow sweats blood
recalling ancient myths
and dark interpretations of birds' flight.
Yet you enter the night with soft footfalls;
the ripe purple grapes hang suspended
as you wave your arms more beautifully in the blueness.
A thornbush crackles;
where now are your moonlike eyes?
How long, oh Elis, have you been dead?
A monk dips waxed fingers
into your body's hyacinth;
Our silence is a black abyss
from which sometimes a docile animal emerges
slowly lowering its heavy lids.
A black dew drips from your temples:
the lost gold of vanished stars.
TRANSLATOR'S NOTE: I believe that in the second stanza the blood on Elis's forehead may be a reference to the apprehensive ****** sweat of Jesus in the garden of Gethsemane. If my interpretation is correct, Elis hears the blackbird's cries, anticipates the danger represented by a harbinger of death, but elects to continue rather than turn back. From what I have been able to gather, the color blue had a special significance for Georg Trakl: it symbolized longing and perhaps a longing for death. The colors blue, purple and black may represent a progression toward death in the poem.
Turkish Poetry Translations
Attilâ İlhan (1925-2005) was a Turkish poet, translator, novelist, screenwriter, editor, journalist, essayist, reviewer, socialist and intellectual.
Ben Sana Mecburum: “You are indispensable”
by Attila Ilhan
translation by Nurgül Yayman and Michael R. Burch
You are indispensable; how can you not know
that you’re like nails riveting my brain?
I see your eyes as ever-expanding dimensions.
You are indispensable; how can you not know
that I burn within, at the thought of you?
Trees prepare themselves for autumn;
can this city be our lost Istanbul?
Now clouds disintegrate in the darkness
as the street lights flicker
and the streets reek with rain.
You are indispensable, and yet you are absent ...
Love sometimes seems akin to terror:
a man tires suddenly at nightfall,
of living enslaved to the razor at his neck.
Sometimes he wrings his hands,
expunging other lives from his existence.
Sometimes whichever door he knocks
echoes back only heartache.
A screechy phonograph is playing in Fatih ...
a song about some Friday long ago.
I stop to listen from a vacant corner,
longing to bring you an untouched sky,
but time disintegrates in my hands.
Whatever I do, wherever I go,
you are indispensable, and yet you are absent ...
Are you the blue child of June?
Ah, no one knows you―no one knows!
Your deserted eyes are like distant freighters ...
Perhaps you are boarding in Yesilköy?
Are you drenched there, shivering with the rain
that leaves you blind, beset, broken,
with wind-disheveled hair?
Whenever I think of life
seated at the wolves’ table,
shameless, yet without soiling our hands ...
Yes, whenever I think of life,
I begin with your name, defying the silence,
and your secret tides surge within me
making this voyage inevitable.
You are indispensable; how can you not know?
Fragments
by Attila Ilhan
loose English translations/interpretations by Michael R. Burch
The night is a cloudy-feathered owl,
its quills like fine-spun glass.
It gazes out the window,
perched on my right shoulder,
its wings outspread and huge.
If the encroaching darkness seems devastating at first glance,
the sovereign of everything,
its reach infinite ...
Still somewhere within a kernel of light glows secretly
creating an enlightened forest of dialectics.
In September’s waning days one thinks wanly of the arrival of fall
like a ship appearing on the horizon with untrimmed, tattered sails;
for some unfathomable reason fall is the time to consider one’s own demise―
the body smothered by yellowed leaves like a corpse rotting in a ghoulish photograph ...
Bitter words
crack like whips
snapping across prison yards ...
Then there are words like pomegranate trees in bloom,
words like the sun igniting the sea beyond mountainous horizons,
flashing like mysterious knives ...
Such words are the burning roses of an infinite imagination;
they are born and they die with the flutterings of butterflies;
we carry those words in our hearts like pregnant shotguns until the day we expire,
martyred for the words we were prepared to die for ...
What I wrote and what you understood? Curious and curiouser!
Mehmet Akif Ersoy: Modern English Translations of Turkish Poems
Mehmet Âkif Ersoy (1873-1936) was a Turkish poet, author, writer, academic, member of parliament, and the composer of the Turkish National Anthem.
Snapshot
by Mehmet Akif Ersoy
loose English translation/interpretation by Michael R. Burch
Earth’s least trace of life cannot be erased;
even when you lie underground, it encompasses you.
So, those of you who anticipate the shadows,
how long will the darkness remember you?
Zulmü Alkislayamam
"I Can’t Applaud Tyranny"
by Mehmet Akif Ersoy
loose English translation/interpretation by Michael R. Burch
I can't condone cruelty; I will never applaud the oppressor;
Yet I can't renounce the past for the sake of deluded newcomers.
When someone curses my ancestors, I want to strangle them,
Even if you don’t.
But while I harbor my elders,
I refuse to praise their injustices.
Above all, I will never glorify evil, by calling injustice “justice.”
From the day of my birth, I've loved freedom;
The golden tulip never deceived me.
If I am nonviolent, does that make me a docile sheep?
The blade may slice, but my neck resists!
When I see someone else's wound, I suffer a great hardship;
To end it, I'll be whipped, I'll be beaten.
I can't say, “Never mind, just forget it!” I'll mind,
I'll crush, I'll be crushed, I'll uphold justice.
I'm the foe of the oppressor, the friend of the oppressed.
What the hell do you mean, with your backwardness?
Çanakkale Sehitlerine
"For the Çanakkale Martyrs"
by Mehmet Akif Ersoy
loose English translation/interpretation by Michael R. Burch
Was there ever anything like the Bosphorus war?―
The earth’s mightiest armies pressing Marmara,
Forcing entry between her mountain passes
To a triangle of land besieged by countless vessels.
Oh, what dishonorable assemblages!
Who are these Europeans, come as rapists?
Who, these braying hyenas, released from their reeking cages?
Why do the Old World, the New World, and all the nations of men
now storm her beaches? Is it Armageddon? Truly, the whole world rages!
Seven nations marching in unison!
Australia goose-stepping with Canada!
Different faces, languages, skin tones!
Everything so different, but the mindless bludgeons!
Some warriors Hindu, some African, some nameless, unknown!
This disgraceful invasion, baser than the Black Death!
Ah, the 20th century, so noble in its own estimation,
But all its favored ones nothing but a parade of worthless wretches!
For months now Turkish soldiers have been vomited up
Like stomachs’ retched contents regarded with shame.
If the masks had not been torn away, the faces would still be admired,
But the ***** called civilization is far from blameless.
Now the ****** demand the destruction of the doomed
And thus bring destruction down on their own heads.
Lightning severs horizons!
Earthquakes regurgitate the bodies of the dead!
Bombs’ thunderbolts explode brains,
rupture the ******* of brave soldiers.
Underground tunnels writhe like hell
Full of the bodies of burn victims.
The sky rains down death, the earth swallows the living.
A terrible blizzard heaves men violently into the air.
Heads, eyes, torsos, legs, arms, chins, fingers, hands, feet ...
Body parts rain down everywhere.
Coward hands encased in armor callously scatter
Floods of thunderbolts, torrents of fire.
Men’s chests gape open,
Beneath the high, circling vulture-like packs of the air.
Cannonballs fly as frequently as bullets
Yet the heroic army laughs at the hail.
Who needs steel fortresses? Who fears the enemy?
How can the shield of faith not prevail?
What power can make religious men bow down to their oppressors
When their stronghold is established by God?
The mountains and the rocks are the bodies of martyrs! ...
For the sake of a crescent, oh God, many suns set, undone!
Dear soldier, who fell for the sake of this land,
How great you are, your blood saves the Muslims!
Only the lions of Bedr rival your glory!
Who then can dig the grave wide enough to hold you. and your story?
If we try to consign you to history, you will not fit!
No book can contain the eras you shook!
Only eternities can encompass you! ...
Oh martyr, son of the martyr, do not ask me about the grave:
The prophet awaits you now, his arms flung wide open, to save!
Sessiz Gemi (“Silent Ship”)
by Yahya Kemal Beyatli
loose translation by Nurgül Yayman and Michael R. Burch
for the refugees
The time to weigh anchor has come;
a ship departing harbor slips quietly out into the unknown,
cruising noiselessly, its occupants already ghosts.
No flourished handkerchiefs acknowledge their departure;
the landlocked mourners stand nurturing their grief,
scanning the bleak horizon, their eyes blurring ...
Poor souls! Desperate hearts! But this is hardly the last ship departing!
There is always more pain to unload in this sorrowful life!
The hesitations of lovers and their belovèds are futile,
for they cannot know where the vanished are bound.
Many hopes must be quenched by the distant waves,
since years must pass, and no one returns from this journey.
Full Moon
by Yahya Kemal Beyatli
loose translation by Nurgül Yayman and Michael R. Burch
You are so lovely
the full moon just might
delight
in your rising,
as curious
and bright,
to vanquish night.
But what can a mortal man do,
dear,
but hope?
I’ll ponder your mysteries
and (hmmmm) try to
cope.
We both know
you have every right to say no.
The Music of the Snow
by Yahya Kemal Beyatli
loose translation/interpretation by Michael R. Burch
This melody of a night lasting longer than a thousand years!
This music of the snow supposed to last for thousand years!
Sorrowful as the prayers of a secluded monastery,
It rises from a choir of a hundred voices!
As the *****’s harmonies resound profoundly,
I share the sufferings of Slavic grief.
My mind drifts far from this city, this era,
To the old records of Tanburi Cemil Bey.
Now I’m suddenly overjoyed as once again I hear,
With the ears of my heart, the purest sounds of Istanbul!
Thoughts of the snow and darkness depart me;
I keep them at bay all night with my dreams!
Translator’s notes: “Slavic grief” because Beyatli wrote this poem while in Warsaw, serving as Turkey’s ambassador to Poland, in 1927. Tanburi Cemil Bey was a Turkish composer.
Thinking of you
by Nazim Hikmet
loose translation/interpretation by Michael R. Burch
Thinking of you is beautiful, hopeful―
like listening to the most beautiful songs
sung by the earth's most beautiful voices.
But hope is insufficient for me now;
I don't want to listen to songs.
I want to sing love into birth.
I love you
by Nazim Hikmet
loose translation/interpretation by Michael R. Burch
I love you―
like dipping bread into salt and eating;
like waking at night with a raging fever
and thirstily lapping up water, my mouth to the silver tap;
like unwrapping the unwieldy box the postman delivers,
unable to guess what's inside,
feeling fluttery, happy, doubtful.
I love you―
like flying over the sea the first time
as something stirs within me
while the sky softly darkens over Istanbul.
I love you―
as men thank God gratefully for life.
Sparrow
by Nazim Hikmet
loose translation/interpretation by Michael R. Burch
Little sparrow,
perched on the clothesline,
do you regard me with pity?
Even so, I will watch you
soar away through the white spring leaves.
The Divan of the Lover
the oldest extant Turkish poem
loose translation/interpretation by Michael R. Burch
All the universe as one great sign is shown:
God revealed in his creative acts unknown.
Who sees or understands them, jinn or men?
Such works lie far beyond mere mortals’ ken.
Nor can man’s mind or reason reach that strand,
Nor mortal tongue name Him who rules that land.
Since He chose nothingness with life to vest,
who dares to trouble God with worms’ behests?
For eighteen thousand worlds, lain end to end,
Do not with Him one atom's worth transcend!
Fragment
by Prince Jem
loose translation/interpretation by Michael R. Burch
Behold! The torrent, dashing against the rocks, flails wildly.
The entire vast realm of Space and Being oppresses my soul idly.
Through bitterness of grief and woe the sky has rent its morning robe.
Look! See how in its eastern palace, the sun is a ****** globe!
The clouds of heaven rain bright tears on the distant mountain peaks.
Oh, hear how the deeply wounded thunder slowly, mournfully speaks!
An Ecstasy of Fumbling
by Michael R. Burch
The poets believe
everything resolves to metaphor—
a distillation,
a vapor
beyond filtration,
though perhaps not quite as volatile as before.
The poets conceive
of death in the trenches
as the price of art,
not war,
fumbling with their masque-like
dissertations
to describe the Hollywood-like gore
as something beyond belief,
abstracting concrete bunkers to Achaemenid bas-relief.
Excerpts from “Travels with Einstein”
by Michael R. Burch
for Trump
I went to Berlin to learn wisdom
from Adolph. The wild spittle flew
as he screamed at me, with great conviction:
“Please despise me! I look like a Jew!”
So I flew off to ’Nam to learn wisdom
from tall Yankees who cursed “yellow” foes.
“If we lose this small square,” they informed me,
earth’s nations will fall, dominoes!”
I then sat at Christ’s feet to learn wisdom,
but his Book, from its genesis to close,
said: “Men can enslave their own brothers!”
(I soon noticed he lacked any clothes.)
So I traveled to bright Tel Aviv
where great scholars with lofty IQs
informed me that (since I’m an Arab)
I’m unfit to lick dirt from their shoes.
At last, done with learning, I stumbled
to a well where the waters seemed sweet:
the mirage of American “justice.”
There I wept a real sea, in defeat.
Originally published by Café Dissensus
The Leveler
by Michael R. Burch
The nature of Nature
is bitter survival
from Winter’s bleak fury
till Spring’s brief revival.
The weak implore Fate;
bold men ravish, dishevel her . . .
till both are cut down
by mere ticks of the Leveler.
I believe I wrote this poem around age 20, in 1978 or thereabouts. It has since been published in The Lyric, Tucumcari Literary Review, Romantics Quarterly and The Aurorean.
The Hippopotami
by Michael R. Burch
There’s no seeing eye to eye
with the awesomely huge Hippopotami:
on the bank, you’re much taller;
going under, you’re smaller
and assuredly destined to die!
Ballade of the Bicameral Camel
by Michael R. Burch
There once was a camel who loved to ****.
Please get your lewd minds out of their slump!
He loved to give RIDES on his large, lordly lump!
The Echoless Green
by Michael R. Burch
for and after William Blake
At dawn, laughter rang
on the echoing green
as children at play
greeted the day.
At noon, smiles were seen
on the echoing green
as, children no more,
many fine vows they swore.
By twilight, their cries
had subsided to sighs.
Now night reigns supreme
on the echoless green.
Unlikely Mike
by Michael R. Burch
I married someone else’s fantasy;
she admired me despite my mutilations.
I loved her for her heart’s sake, and for mine.
I hid my face and changed its connotations.
And in the dark I danced—slight, Chaplinesque—
a metaphor myself. How could they know,
the undiscerning ones, that in the glow
of spotlights, sometimes love becomes burlesque?
Disfigured to my soul, I could not lose
or choose or name myself; I came to be
another of life’s odd dichotomies,
like Dickey’s Sheep Boy, Pan, or David Cruse:
as pale, as enigmatic. White, or black?
My color was a song, a changing track.
Spring Was Delayed
by Michael R. Burch
Winter came early:
the driving snows,
the delicate frosts
that crystallize
all we forget
or refuse to know,
all we regret
that makes us wise.
Spring was delayed:
the nubile rose,
the tentative sun,
the wind’s soft sighs,
all we omit
or refuse to show,
whatever we shield
behind guarded eyes.
Originally published by Borderless Journal
The Shijing or **** Jing (“Book of Songs” or “Book of Odes”) is the oldest Chinese poetry collection, with the poems included believed to date from around 1200 BC to 600 BC. According to tradition the poems were selected and edited by Confucius himself. Since most ancient poetry did not rhyme, these may be the world’s oldest extant rhyming poems.
Shijing Ode #4: “JIU MU”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch
In the South, beneath trees with drooping branches
thick with vines that make them shady,
we find our lovely princely lady:
May she repose in happiness!
In the South, beneath trees with drooping branches
whose clinging vines make hot days shady,
we wish love’s embrace for our lovely lady:
May she repose in happiness!
In the South, beneath trees with drooping branches
whose vines, entwining, make them shady,
we wish true love for our lovely lady:
May she repose in happiness!
Shijing Ode #6: “TAO YAO”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch
The peach tree is elegant and tender;
its flowers are fragrant, and bright.
A young lady now enters her future home
and will manage it well, day and night.
The peach tree is elegant and tender;
its fruits are abundant, and sweet.
A young lady now enters her future home
and will make it welcome to everyone she greets.
The peach tree is elegant and tender;
it shelters with bough, leaf and flower.
A young lady now enters her future home
and will make it her family’s bower.
Shijing Ode #9: “HAN GUANG”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch
In the South tall trees without branches
offer men no shelter.
By the Han the girls loiter,
but it’s vain to entice them.
For the breadth of the Han
cannot be swum
and the length of the Jiang
requires more than a raft.
When cords of firewood are needed,
I would cut down tall thorns to bring them more.
Those girls on their way to their future homes?
I would feed their horses.
But the breadth of the Han
cannot be swum
and the length of the Jiang
requires more than a raft.
When cords of firewood are needed,
I would cut down tall trees to bring them more.
Those girls on their way to their future homes?
I would feed their colts.
But the breadth of the Han
cannot be swum
and the length of the Jiang
requires more than a raft.
Shijing Ode #10: “RU FEN”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch
By raised banks of the Ru,
I cut down branches in the brake.
Not seeing my lord
caused me heartache.
By raised banks of the Ru,
I cut down branches by the tide.
When I saw my lord at last,
he did not cast me aside.
The bream flashes its red tail;
the royal court’s a blazing fire.
Though it blazes afar,
still his loved ones are near ...
It was apparently believed that the bream’s tail turned red when it was in danger. Here the term “lord” does not necessarily mean the man in question was a royal himself. Chinese women of that era often called their husbands “lord.” Take, for instance, Ezra Pound’s famous loose translation “The River Merchant’s Wife.” Speaking of Pound, I borrowed the word “brake” from his translation of this poem, although I worked primarily from more accurate translations. In the final line, it may be that the wife or lover is suggesting that no matter what happens, the man in question will have a place to go, or perhaps she is urging him to return regardless. The original poem had “mother and father” rather than “family” or “loved ones,” but in those days young married couples often lived with the husband’s parents. So a suggestion to return to his parents could be a suggestion to return to his wife as well.
Shijing Ode #12: “QUE CHAO”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch
The nest is the magpie's
but the dove occupies it.
A young lady’s soon heading to her future home;
a hundred carriages will attend her.
The nest is the magpie's
but the dove takes it over.
A young lady’s soon heading to her future home;
a hundred carriages will escort her.
The nest is the magpie's
but the dove possesses it.
A young lady’s soon heading to her future home;
a hundred carriages complete her procession.
Shijing Ode #26: “BO ZHOU” from “The Odes of Bei”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch
This cypress-wood boat floats about,
meandering with the current.
Meanwhile, I am distraught and sleepless,
as if inflicted with a painful wound.
Not because I have no wine,
and can’t wander aimlessly about!
But my mind is not a mirror
able to echo all impressions.
Yes, I have brothers,
but they are undependable.
I meet their anger with silence.
My mind is not a stone
to be easily cast aside.
My mind is not a mat
to be conveniently rolled up.
My conduct so far has been exemplary,
with nothing to criticize.
Yet my anxious heart hesitates
because I’m hated by the herd,
inflicted with many distresses,
heaped with insults, not a few.
Silently I consider my case,
until, startled, as if from sleep, I clutch my breast.
Consider the sun and the moon:
how did the latter exceed the former?
Now sorrow clings to my heart
like an unwashed dress.
Silently I consider my options,
but lack the wings to fly away.
The Drawer of Mermaids
by Michael R. Burch
This poem is dedicated to Alina Karimova, who was born with severely deformed legs and five fingers missing. Alina loves to draw mermaids and believes her fingers will eventually grow out.
Although I am only four years old,
they say that I have an old soul.
I must have been born long, long ago,
here, where the eerie mountains glow
at night, in the Urals.
A madman named Geiger has cursed these slopes;
now, shut in at night, the emphatic ticking
fills us with dread.
(Still, my momma hopes
that I will soon walk with my new legs.)
It’s not so much legs as the fingers I miss,
drawing the mermaids under the ledges.
(Observing, Papa will kiss me
in all his distracted joy;
but why does he cry?)
And there is a boy
who whispers my name.
Then I am not lame;
for I leap, and I follow.
(G’amma brings a wiseman who says
our infirmities are ours, not God’s,
that someday a beautiful Child
will return from the stars,
and then my new fingers will grow
if only I trust Him; and so
I am preparing to meet Him, to go,
should He care to receive me.)
Keywords/Tags: mermaid, mermaids, child, children, childhood, Urals, Ural Mountains, soul, soulmate, radiation
On the Horns of a Dilemma (I)
by Michael R. Burch
Love has become preposterous
for the over-endowed rhinoceros:
when he meets the right miss
how the hell can he kiss
when his horn is so ***** it lofts her thus?
I need an artist or cartoonist to create an image of a male rhino lifting his prospective mate into the air during an abortive kiss. Any takers?
On the Horns of a Dilemma (II)
by Michael R. Burch
Love has become preposterous
for the over-endowed rhinoceros:
when he meets the right miss
how the hell can he kiss
when his horn deforms her esophagus?
On the Horns of a Dilemma (III)
by Michael R. Burch
A wino rhino said, “I know!
I have a horn I cannot blow!
And so,
ergo,
I’ll watch the lovely spigot flow!
The Horns of a Dilemma Solved, if not Solvent
by Michael R. Burch
A wine-addled rhino debated
the prospect of living unmated
due to the scorn
gals showed for his horn,
then lost it to poachers, sedated.
The Arrival of the Sea Lions
by Michael R. Burch
The sound
of hounds
resounds in the sound.
Hounds Impounded
by Michael R. Burch
The sound
of hounds
resounds
in the pound.
Prince Kiwi the Great
by Michael R. Burch
Kiwi’s
a ***-wee
but incredibly bright:
he sleeps half the day,
pretending it’s night!
Prince Kiwi
commands us
with his regal air:
“Come, humans, and serve me,
or I’ll yank your hair!”
Kiwi
cries “Kree! Kree!”
when he wants to be fed ...
suns, preens, flutters, showers,
then it’s off to bed.
Kiwi’s
a ***-wee
but incredibly bright:
he sleeps half the day,
pretending it’s night!
Kiwi is our family’s green-cheeked parakeet. Parakeets need to sleep around 12 hours per day, hence the pun on “bright” and “half the day.”
Ah! Sunflower
by Michael R. Burch
after William Blake
O little yellow flower
like a star ...
how beautiful,
how wonderful
we are!
Published as the collection "When Pigs Fly"