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Birdcaller
25/Genderqueer/Finding Home    I write to remember. Please, don't let me forget.

Poems

Timothy Essex May 2010
I like slandering your makeshift forceps.
I hammer you down with watery *** and then spill

the remainder on the couch. Yarg! A diamond’s
worth at least a small intestine, and you

are worth whatever’s left over after night
has upended itself, poured sideways out of its

shellacked crawlspace, and turned the basement sour.
There are remnants of you in the park,

some red stain by the baseball field where,
if you’ll remember, you watched little leaguers

build teamwork, and faint splotches on tree bark
from your lactations which, if you’ll remember, happened

every morning. I whisper your godforsaken name
and am slapped in the head. The children cry

when I smile. I cry when the children smile. Good
heavens. I forbid you from not entering my corridor,

even as I set up a barricade. I like my water scalding,
my passion chilled, and I like you in easy-to-

swallow doses. I like you in my eggs.
Ditto the faucet, keyboard, the occasional lily,

but do not mess with my pearls. I mumble of apodictic
meadows while I sleep. What can I say?

I do not mumble of unclogging your bathtub,
which has a certain foul repute, and has grown

heavy and ugly with your hair, which is everywhere,
just as you are everywhere, and wherever, and so

******* hidden it’s not funny anymore, we stopped
looking some millennia ago, after scouring the drainpipes,

kicking down your doors, dissecting your mattress,
speculating about your burial site, etcetera, and even so

we have not been really looking all this time, have we,
just blaring your name through the speakers,

putting wrong numbers on our calling cards, leaving
uncooked meat out on the back porch as if you were

a raccoon, oh, or a lion, which you are not, or not
quite, though, as the books say, you have honey

in your stomach, and if you could but be
ripped open we would taste and see.
It's a still morning, quiet and cloudy
the kind of grey day I like best;
they'll be here soon, the little kids first,
creeping up to try and frighten me,
then the tall young men, the slim boy
with the marvellous smile, the dark girl
subtle and secret; and the others,
the parents, my children, my friends —
and I think: these truly are my weather
my grey mornings and my rain at night,
my sparkling afternoons and my birdcall at daylight;
they are my game of hide and seek, my song
that flies from a high window. They are
my dragonflies dancing on silver water.
Without them I cannot move forward, I am
a broken signpost, a train fetched up on
a small siding, a dry voice buzzing in the ears;
for they are also my blunders
and my forgiveness for blundering,
my road to the stars and my seagrass chair
in the sun. They fly where I cannot follow
and I — I am their branch, their tree.
My song is of the generations, it echoes
the old dialogue of the years; it is the tribal
chorus that no one may sing alone.
Kara Rose Trojan Apr 2011
My personal déjà-vu-time memory-prompts that frame
The blurring patterns of today’s hubcap-wheels, spinning
Kaleidoscope flashbacks of bathtub playtime.

A gaggle of giggling girls babbling about
What used to matter : umbrella-popping chewing gum
With gallivanting jargon laced in crushes-hushed : boy-talk.  

Pillows : Comforters morphing, swarming like
Womb-entranced, half-cupped palms calmed
Palpitating mouths motoring off self-pitying rumble-grumbles.

How the clopping ball of opted-birr was a bent-mouth birdcall
Over-relished, over-zealous imploration : a round robin
Jumblemix of a jejune bombast for slap-sticked power.

By-and-by polysyllabic buds bloomed, baked, and wrinkled
Past-Gas’s long-gone jokes : those balmy snug-hugs guarding
Doltish vulgarity among the begrimed-glitch and old-grown-boring Jive.