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zebra  Feb 2019
The Scarlet Woman
zebra Feb 2019
scarlet haught
queen of mirth
dog ****
drooling jewelry red splits
pulled by a chariot  
of six hundred million house cats
dissembling for freaky insertions
of scarlet bud flowers uterine tube

breath of spit
while ballet toes kiss fingers and tongues
glazing thickly tides sweat
bamming greased ****

Christ *****
"once upon a never more"
bi-sexed up
**** twitch glistening holes
drizzle fish
in red tents overturned
for fabulous *******
and angelic *****'s
flirty dance the come **** me  

her throat a never ending squealed gullet
sublime Madonna of Oor
bare thighed and pulpy spread
scissor strokes and stride
wagging tongue for rosy oleo sticks
and **** pastry rectums pulled tight
in lop sided temples of split flesh

another ambulance to the emergency **** ward
in a dreamland of leggy nurses

sacred fig of Freyja
Goddess to **** toys
and pretty pretty who go that way
hocus opus poke and stir
freckle face **** mouth
a lapping menagerie

i gird my ***** and follow her
into a cologned room; of dark rim box butter
***** yelping for
a slow grind in a belly of clams

red and velvet pageant
she nests in the heart
a midwife disturbia
to pregnant lust
being pushed down and worked up
till loosened in thick ****
and black whip afterbirth
like flowers of curves and blood

her banquet; a platter of wet orifice
trilling vibratos ******
and anxious kisses crawling through her mouth
like fallen angels flying
dire sister of knock out *******
pleading goth nuns for lesbian heated
Satan loving veiled Christian crotch
and a thousand delicious gaped
******* **** poundings
and mouth ***** **** plunge

crucifix of wrack and *****
****** and beaten senseless
instructions from the  book of night
of **** and spite
written by
Abrahams primitive nations
arms of the cross she is nailed to
sweet ***** waifs beaten dead
in a tillage of brokenness

mans club
shore of incinerated witches and tortured justice
shut up when your talkin to me
clan of honor
duo troupe
almanac of hell
There’s always been a counter-culture.
And by counter-culture
I do not mean the CPAs or CEOs,
Or those money **’s at Goldman-Sachs,
Nor do I conjure up a ****** of Brooklynese,
Some De Niro or Pacino, or
Bobby-come-lately Cannavale--
This decade’s guinea strunz--
Standing on the back of the truck
Checking his hand full of dollar--
As in Almighty Dollar--bills.
Another hour’s pay & time to
“Count duh money.”
Nor do I mean Harvey Korman
In his greatest film role:
“Count De Monet,”
Part 1 of Mel Brooks’
History of the World:
Harvey as French fop, 1789,
And we may as well throw a
Sop to Cerberus with nary a
Bean Counter around, to be found.
And if you are with me thus far,
You may as well stick it out to the end.

What one word defines the counter-culture?
For me: RESISTANCE,
Any kneecap reflexive swim against the tide.
For Count DeMonet:  La Résistance.
When hair is short,
They grow theirs long,
Or shave their heads,
Pierce their tongues & *******,
Inka-dinka-dooing their epidermis,
Mere skin-deep commitment to Liberté,
Always the least tangible of
French tripartite banner slogans.
The French:
As always, putting up a good show,
Masters of illusion & flexibility
When it comes to ethnic integrity,
Captain Louie Renault, Vichy stooge,
Exemplar extraordinaire,
Double shocked to find gambling
Going on at Rick’s Café,
His morality to the wind,
Tacking strategically,
Playing it safe, as always, a
Fickle-finger to the weather.
The French: girlie men, bent over
Presenting bidet-puckered rectums,
For *** and Viet Cong humiliation,
Once again, declaring victory,
While slipping out the back door,
Wearing nothing but their socks.
But I digress.

The Counter-Culture,
A mile wide and a centimeter deep,
Putting up a good front,
A Potemkin still life,
In it for appearance sake,
Like Billy Crystal doing Fernando Lamas:
“It's better to look good
Than to feel good.”
Looking marvelous, of course,
All the girls want to be
The Dragon Tattoo girl,
Haunted & smart,
Solitary & suspicious,
Cybercrime wealthy.
Cashing in, raking in affluence;
The guys all with Bobbitt night sweats,
***** shriveled, shrunken ball-sacks,
Count De Monet
Counting duh money.
zebra Jan 2019
they danced in a dream
of bending shadows
face down
begging ***
all hungry back door paradise

ankles strapped on a foot worn floor
paint faced in whorey nights
with pin needle eyes
beded
blood crimson neon's
cut curtains
like kissing claws
so their bodies wouldn't forget
dark pleasures lightening
and biting tantra tantrums
they swallowed mad ***** blossoms of hell candy
breathing the others inhalations
foot sniffing ballet arch
in fastened Japanese melting red slippers

gazing upwards rectums prayer
solar eyed insurrection

finger by finger
clutching wrists like the grave
for bloods salty cove
an injured landscape
a dire pink desert
like bogs hold bones
a rave for a slave
covered in yellow ocher rubber sheets
soft on the feet
x rated amputee costume
made of blood and spit

look mommy no arms
a bellied tattoo
of hennaed homunculi  
burning Candomblé Jejé, skull

black eyed beauty hissing
while accordion throated
rip tie tighten
another notch please
a dizzy *******
down silver fluted gullet
in a steamed up bath house
party of blotted sockets

*** kitten
kissed dead girls thighs
tremulous and stretched
a shimmering serum
like wide tubular channels
as pontoon edges slit
through midnight howls for velvet skinned girl
who thrills
her head a veiled Jehovah
saliva wagging tongue ****
a stuttering ****** dance
a hula hot momma in rubble
slapping hot lipped kisses
over starved darkness
along telegraphs avenue
melting eyes like butter
a globed pudding spill
******* drool drops of gold
and black river gladiators
slaughter lies
with every long stroke
between cascading squeals

paraphilias mausoleum
like tumbling eels
a scapegoat pulp fiction
chiseled in cement
******* rips
drip drip drip

babbling **** bubbles
**** spasms ooze like a hot glue gun
fire spats soil cherry clover
zebra Mar 2019
vampiric ***** house
a fearful symmetry
of cleavers for something to love

***** addicted
pearly satin's copulate
a continent of curves
ovoid rectums and raw mouths
in a ritual of sadistic etiquette
drenching phallus tongued spit
like gales of flames
at a masochists invitation
for foot blooded kisses
and heated lopped breast

eager haunches thunder
in a malignant lust
******* utopias **** cyclops
spreading winkling's dribbling
night operas
in a red cathedral of flicker hives
squealing euphoria's hemic arcade
with greased ******* that break backs

fluting throats ***** chromatic fizz
and shrilling wombs flutter like bat wings pandemonium
in the museum of the moon
Inspired by Minna Loy
Irma Cerrutti Apr 2010
Adios England's Venus flytrap
May you ever overflow inside our rectums
You were the ornament that inserted itself
Where spunks were pelted to pieces
You ******* in the open air to our promontory
And you squirted to those inside *******
Now you reciprocate to Abraham's *****
And the black holes crack spew out your barber's pole

And it seems to me you tasted your *****
Like a cigarette lighter in the diarrhoea
Never drooping with knobs on the cherry lips
When the ooze congeal within
And your smells will always regurgitate here
Along England's juiciest blast—offs
Your cigarette lighter's exploded spew out long before
Your whiff ever go the whole hog

Voluptuousness we've jiggled
These frenzied wombs of time needing your clenched fist
This lava lamp we'll always get pregnant
For our breed's fair—haired brats
And even though we have a finger in
The clean breast seduces us to moistness
All our foghorns cannot ****
The ecstasy you stimulated us throughout the age groups
Copyright © Irma Cerrutti 2009
The probing-****** examination probes many rectums in our nation,
except for the rectums of vacationers on vacation who'll experience
the elation of T.S.A.-******-push sensation with an **** evaluation
at airports before fleein' from a T.S.A.-security-***-probing station

The familiar ****** examination probes rectums in our nation, except for the rectums of vacationers on vacation who experience great elation till they got home to face ****** evaluation.
Glenn Currier Oct 2018
The ****** is part of the body
and I should love even the ******
but I don’t have to love the excrement
that comes from it.

I should not malign *******
for they serve a good and necessary function
but I can reject the stinking slimy crap
that comes from them.  

The challenge for me is to distinguish
between the ******, its product,
and the rest of the body.  

Even though it is difficult for me
I must pray hard for X-ray vision
and the observational ability
to see and hear the heart hidden
inside all of us.
The probing-****** examination probes many rectums in our nation,
except for the rectums of vacationers on vacation who'll experience
the elation of T.S.A.-******-push sensation with an **** evaluation
at airports before fleein' from a T.S.A.-security-***-probing station

— The End —