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  Aug 2021 Sean Fitzpatrick
Paul Horne
At the base of a hill, a grass bank
unripe daffodils poking through
beckoning spring, while curious crows
hop around unkempt, a corridor
with a kind face, lights overhead
taxiing towards departure?
the raindrop running down
window overhead, like a tear
images you can’t place,
flit through your mind
skip, pause at random, while
the clock, relentless, counts down
hours, minutes, to an unknown time...

The waiting room, unawake
rows on rows of beds, sheets
unsettled disarray
save the few, clean, pristine
and in the shadows, collared,
for more without a clue

The end? a new beginning?
, some kind of vague middle? thoughts
muddle through the semi-conscious
chains of command to a general,
lounging back, cigar in mouth,
whiskey in hand, triple distilled,
“You’ll be fine, just count to ten,
nine...”
a soft laugh, echoes
and, as I close the door
peace at last.
Yes, another poem about death! When I first started writing poetry practically every poem I wrote was about popping off in one form or another, but this has the dubious honour of being my favourite. The first stanza is about coming into the hospital, the daffodils still waiting to bloom outside the hospital indicating the time of year, just before spring (new birth), then being wheeled along the corridor, looking up at the lights overhead 'taxiing towards departure' a bit like an airplane about to take off. The single raindrop running down the window over the top of the operating table, I always think it's funny how we can focus on the completely irrelevant details at really important times of our lives. Stanza 2, 'The waiting room' is the post op recovery room, following the general anaesthetic, and I've used a little bit of artistic licence by putting a priest ('shadows, collared') in the corner of the room. The last stanza deals with that fine line between life and death, memories going through the mind like flicking through photos on your phone, remembering at the end the words of the ('general') anaesthetist as he counts down from ten, to make sure the patient is asleep, a sleep they may never wake up from.
  Aug 2021 Sean Fitzpatrick
Paul Horne
The earliest memory is running
through a field, touching just,
new buds of the dry, burnt grass
with my outstretched palm
but I saw a film, and someone else
has had this dream, got there first
so I’m left with the next, you
over me, fists clenched, while in my mind
I was running away so fast, yet
in reality, I saw that film too...

You say that I’m a fool, deranged
brain diseased beyond repair
you give me white walls for white thoughts
but all I see, leaching through
are the colours of despair
you say acceptance is the key
stop denying the truth, yet
my world is working perfectly
it’s yours that doesn’t fit

Last night, the visitor returned
I’m not supposed to know, so I didn’t
just watched her lying lips, reveal
the missing tooth, which
I remember knocking out
I don’t feel that anger now, just
cocktails of numb, mixtures of vague
like chemicals, coursing through
always this time, or roughly the same

I was alive, I was a child,
a girl and then a mother, briefly
now who? white gowned, defined
head to toe, dressed to press
against windows that conform, yet
you refuse to bend, but iron
has its own will too, ox eyed,
looking, with dulled senses

A life sliced on shards of glass
without a suture to fix, the truth
that died so long before a mind,
needing to be free of this body,
chained, without future,
the next page, simply promised more
a simple note, like blood, pathetic
hanging lifeless, limply by the door
The 1913 Mental Deficiency Act in the UK, enabled unmarried mothers to be categorised as “moral imbeciles” and sent to lunatic asylums, even if the pregnancy was as a result of ****** or ****. The law was only repealed in 1959, but it wasn’t until 1987 that the concept of “illegitimacy” was abolished in law.  Even in 1968, in the age of the Beatles and the contraceptive pill, there were 12,993 illegitimate babies given up for adoption by women unable to face the stigma of unmarried motherhood.
My mind is plowed with deep furrows
a thousand canals
through which hapless fantasy
rushes with such ease.
But on occasion
when I least expect it
the realms rain upon that soil
sprout seedlings
that glisten and giggle
turn this way and that
wild and tender
and full of life.
  Jul 2021 Sean Fitzpatrick
Onoma
a purple apple tree abides

on a zephyrous hill.

wearing undone blindfolds

on its branches.

blown naked in the trust of

her figure eights, when they

came of her eyes.

as a pair of hands exchanging

crowns, to marry a Self-contained

undulation.

whose flux will never fade, with

the shock of imagining whose light

has suddenly been thrown on.
  Jun 2021 Sean Fitzpatrick
Yasin
Sometimes
poems
make
me
want
to
write
in
a
crowd
of
only
one
person.
i've learned well
what it feels like
to be both happy and unhappy
in the very same moment
in the very same breath.

in this transience
in these heartbeats
comfort, joy
and despair
all become one in the same.
i'm never more happy
and more sad all at once
as when I'm near you.
my dear sweet friend,
hug me again. let me feel it all.
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