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I have smoked cigars in so many strange and improbable places that it would make a travel guide blush. Once, on a Mississippi riverboat, I shared a Havana with a man who claimed he had once dined with Napoleon—though I suspect he had only dined on Napoleon brand pastries.


The cigar, in such circumstances, became a confidant, for it listened without comment while my companion exaggerated his exploits. I puffed discreetly and wondered if smoke could mask fibs.


I once lit a fine cigar in a hotel lobby in New Orleans, only to have the clerk inform me that smoking indoors was forbidden. I protested that the cigar was innocent of any wrongdoing; he suggested I resign it to the street, where it might join the other tobacco exiles.


On another occasion, I shared a modest cigar with a pair of river pilots, who puffed vigorously and insisted that the smoke added flavor to their coffee. I suspect they were merely trying to intimidate the steamboat rats.


I have observed, with amusement, that some men smoke cigars to demonstrate wealth rather than taste. One such gentleman purchased a brand so expensive that I feared the cost would give him a coronary before the first puff.


To his surprise, the cigar was weak and watery, and he turned to me with a look of betrayal. I suggested, gently, that fortune sometimes errs in matters of tobacco.


There are, of course, men who should not smoke at all. I once shared a room with a fellow who coughed so violently that the smoke would have been lost in a hurricane. He persisted, convinced that effort alone conferred dignity.


I have smoked cigars while fishing, and found that the aroma mingles quite well with the Mississippi mud. One might even say the trout are flattered by the scent, though I suspect they would prefer bait over bouquet.


There is a story I must tell of a banquet in London, where I was seated next to a man who insisted on lighting cigars beneath the chandeliers. One spark descended upon the tablecloth, igniting a napkin in a most alarming fashion.


I managed to save the dessert, and the man saved face, though the waiters did not speak to him again for the rest of the evening.


I have smoked cigars in the company of poets, who muttered about “the divine inspiration of the leaf.” I do not doubt their devotion, though I suspect their verses would have been just as divine without the smoke.

In contrast, I have smoked with cardsharps who swore by cigars as tools of intimidation. They waved the stubs like sabers and puffed smoke in the eyes of opponents, which I consider a most ingenious form of distraction.

There is a kind of joy in observing a fine cigar struggle against a man’s clumsiness. I once handed a cigar to a friend who proceeded to drop it in his soup, to my enduring amusement.


The flavors of cigars are as varied as men themselves. There are earthy cigars, spicy cigars, sweet cigars, and those that taste of nothing but disappointment. One must experiment to discover which suits the moment.


I have learned that a cigar is best enjoyed slowly, with patience and reflection. Hasty smoking results in frustration, and one risks becoming a parody of sophistication rather than a participant in it.


I once attended a literary club where the smoke hung so thick that I could barely read the invitations. One member, a devout teetotaler and anti-smoker, claimed that my puffing was morally offensive. I replied that my moral offense was minimal compared to his opinions.


I have smoked in trains and in hotels, on stages and riverbanks, and have discovered that the cigar lends courage to the timid, patience to the hasty, and modesty to the overconfident.


I have known men who bought cigars with the hope of appearing sophisticated, only to cough themselves into humility before the first puff. A good cigar cannot be faked, though many try.


I have smoked cigars while dictating letters, and once nearly set my manuscript aflame when a spark leapt onto the paper. I learned then that cigars, like life, require vigilance.


There is a small delight in sharing a cigar with a stranger, for the tobacco is a universal language. I have conversed with men who spoke no English, yet the mutual respect for the cigar created understanding.


I have smoked cigars in the mountains of Virginia, where the air was thin and crisp. I noticed that the smoke curls differently in altitude, forming spirals that seem almost alive.


Once, I smoked with a man who insisted that the higher the price, the better the cigar. I allowed him to purchase the finest leaf in the shop; he promptly sneezed himself into obscurity, and I found greater pleasure in a modest, honest stub.


I have smoked in the company of women who enjoy the spectacle of a gentleman at leisure, though they seldom partake themselves. Their applause is often more gratifying than the cigar itself.


I once smoked a particularly pungent cigar in a crowded café in Paris. It was so potent that the waiter fainted, and the patrons fled. I alone remained, puffing serenely, and felt a certain pride in my endurance.


I have smoked with men who argue that cigars enhance intellect. I argue that they enhance reflection, patience, and occasionally courage, but never logic.

I have encountered cigars that are deceptively small, yet mighty in strength. They remind me that appearances can be misleading, both in tobacco and in life.


I have smoked with children observing from a distance, and I have smiled to see the awe in their eyes. I tell them, gently, that cigars are not toys, and some things are best left to maturity.


The ritual of cutting, lighting, and smoking is nearly as pleasurable as the cigar itself. A man who rushes this process is doomed to disappointment.


I once shared a cigar with a man who claimed he could smoke without inhaling. He coughed himself into a chair and learned humility, and I learned amusement.


I have known cigars to be companions in sorrow, celebrations, and quiet contemplation. They are remarkably adaptable to human emotion.


I have smoked in foreign lands where no man knew my name, yet the cigar allowed instant fraternity. There is a diplomacy in tobacco that surpasses many treaties.


I have seen men destroy a cigar by carelessness, and I have seen a man elevate a humble stub to artistry by patience and respect.


I have smoked cigars in libraries, where one must be discreet, and in smoky dens, where discretion is impossible. Both have their lessons.


I have argued with friends over which cigars are best, and concluded that argument is as futile as attempting to measure the Mississippi with a teacup.


In conclusion, let a man smoke wisely, moderately, and with reverence. Let him know the cigar is both pleasure and teacher, and let him remember that not all men—or all cigars—are fit for every occasion.
Perfect! Here’s a Table of Contents and Index of Tales for the Mariposa Halloween Cookbook, designed to look like a true 1925 library-bound artifact:


---

Table of Contents

Recipes

1. Moonlit Pumpkin Stew – p.1


2. Widow Hargreaves’ Graveyard Cider – p.3


3. Ashes of Midnight Bread – p.5


4. Lantern-Light Turnip Soup – p.7


5. Witch’s Black Salted Caramels – p.9


6. Owl’s-Eye Porridge – p.11


7. Devil’s Candle Cornbread – p.13


8. Fog-in-the-Belfry Punch – p.15


9. Candied Beetroot Fingers – p.17


10. Jack Kelleher’s Bonfire Chestnuts – p.19


11. Widow’s Walnut Loaf – p.21


12. Shadow-Stepped Pudding – p.23


13. Bone-Crunching Apple Fritters – p.25


14. Phantom-Candle Corn Pudding – p.27


15. Cauldron-Kissed Chocolate Cake – p.29


16. Phantom Punch – p.31


17. Widow’s Walnut Loaf (revisited) – p.33


18. Witchlight Jelly – p.35


19. Scarecrow’s Stew – p.37


20. Jack-o’-Lantern Jam – p.39


21. Witchfinder’s Porridge – p.41


22. Spider’s Silk Candy – p.43


23. All-Hallows Honey Cakes – p.45


24. Coffin-Top Crumble – p.47


25. Eternal Autumn Ale – p.49




---

Marginalia & Notes – p.51

Stir clockwise for luck

Ghostly whispers indicate perfect brewing

Coffin-Top Crumble crumbs may march

Singing to dough ensures courage

Silver coins attract minor spirits
(full 30+ notes continue)



---

Index of Tales

Flying Tinker and Moonlit Pumpkin Stew – p.2

Mossy Bootprints from Graveyard Cider – p.4

Dreams of Forgiveness from Ashes of Midnight Bread – p.6

Turnip Lantern Whispers – p.8

Candies Predict Visitors – p.10

Owl’s-Eye Porridge Watches the Children – p.12

Mischief from Devil’s Candle Cornbread – p.14

Fog Spirits and Punch Whispers – p.16

Red Fingers That Teach Courage – p.18

Fiery Chestnuts and Scandalous Tales – p.20

Widow’s Loaf Dreams – p.22

Walking on Shadows with Shadow-Stepped Pudding – p.24

Bone-Crunching Courage in Apple Fritters – p.26

Floating Phantom-Candle Corn Pudding – p.28

Cauldron-Kissed Cake and Invisible Mischief – p.30

Phantom Punch Fog Whispers – p.32

Glowing Walnut Loaf for Dreamers – p.34

Moonlight Jelly Guides Lost Children – p.36

Scarecrow Stew and Vegetable Escapades – p.38

Jack-o’-Lantern Jam Lights the Way – p.40

Witchfinder’s Porridge Reveals the Guilty – p.42

Spider’s Silk Candy Binds Spirits – p.44

All-Hallows Honey Cakes and Longevity – p.46

Coffin-Top Crumble Marches at Night – p.48

Eternal Autumn Ale Keeps Hearts Young – p.50



---

This Table of Contents and Index will make the cookbook feel authentic, complete, and library-ready — perfect for printing as a faux artifact or displaying digitally.

If you like, I can add a final “cover page and title design text description” to complete the full artifact experience, giving it the feel of a real 1925 leather-bound book.

Do you want me to do that?
The Kid Could Throw
(as told by Dr. Seuss)


---

The kid could throw.
Oh boy—could he throw!
He could zip it through rain,
He could zip it through snow.

He could throw to the left,
He could throw to the right,
He could throw in the morning,
He could throw late at night!

The kid had an arm like a coiled-up spring,
And the way that he played?
Well, he just had that zing!

Scouts watched him in high school,
They came by the ton.
They said, “He’s amazing!
He might be The One!”

He threw like a rocket,
He threw like a breeze,
He could spot a defender
While tying his knees!

At fourteen years old—he was spotted! It’s true!
In Eastern Michigan, Junior League too.
He tossed and he turned and he set record pace,
Then he broke them again with a smile on his face!

He'd dodge and he'd spin,
He would leap and he’d dash,
And never once worried
About making a crash.

His coaches all loved him,
They’d cheer, “Let him play!”
They’d hand him the team
And then just walk away!

Three years he went undefeated, oh yes,
No losses, no fumbles, no panic, no stress.
He won with a grin and a nod of his head,
He played like a legend, the other team fled!

Colleges came like a wild, stampede herd!
“Full scholarship! Full ride! Just say the word!”
He picked out a team where he knew he’d win big,
And threw that ol’ ball like a greased-up pig!

He aced all his classes, he drew up the plays,
He practiced at night and through most of his days.
He tossed like a wizard, he dashed like a deer,
And the NFL said, “We want him next year!”

He played on the telly!
The fans went ker-splat!
And screamed, “This boy's magic!
Now how ‘bout that!?”

The coaches built walls to protect his two feet,
And everyone knew—he just couldn’t be beat.
Then came the time—oh, a big choice to make,
He said, “Going pro!” and made the earth quake!

The Texans came calling, they shouted, “He’s ours!”
They offered big bucks and a contract with stars.
He was gonna be great! He was ready to play!
The crowds all went wild on that hot Texas day!

But then—oh dear me—what a turn of the page,
A twist in the tale, a storm on the stage.

A party was held, with music and song,
But something, oh something, went terribly wrong.

A car drove on by, and BANG-BANG they did shoot,
And joy disappeared in the blink of a hoot.

He hadn’t played once, not a quarter or down,
Before fate came to town, and turned smiles to frowns.

They buried him softly, the fans wept with woe,
And whispered, “He could throw. Oh boy—he could throw.”
WHISKEY WISDOM 🎵
by Roger Turner

[Verse 1]
A man is always looking
To get some free advice
So go and find the fellow
Drinking whiskey over ice
Your friends will tell you one thing
While you're both knocking back a beer
But really, I mean really
Is this the stuff you need to hear?

[Verse 2]
Find a whiskey drinker
He'll tell you how to buy a car
He'll share his whiskey wisdom
About what's a good cigar
A man who drinks good whiskey
Whether neat or over ice
Is the best one you can turn to
When you're looking for advice

[Chorus]
🎶 Whiskey wisdom, smooth and slow
Poured out quiet, like you’d know
From an old soul in a leather chair
Who’s seen it all and doesn’t care
He’s not preachin’, he’s just nice
Giving whiskey wisdom over ice 🎶

[Verse 3]
He's made it and he knows it
He's not drinking at the pub
He's sitting in a wing back
Drinking whiskey at the club
He won't talk just to hear it
No small talk or some fad
He’ll tell you straight and simple
The kind of truth that your dad had

[Chorus]
🎶 Whiskey wisdom, smooth and slow
Poured out quiet, like you’d know
From an old soul in a leather chair
Who’s seen it all and doesn’t care
He’s not preachin’, he’s just nice
Giving whiskey wisdom over ice 🎶

[Bridge]
So skip the book, forget the blog
Turn off that podcast monologue
Sit down, pour ******* right
And listen to a man who’s lived some life

[Final Chorus]
🎶 Whiskey wisdom, tried and true
It’s not just what—but how and who
From love to loss, to deals gone bad
He’ll pour it out, the good and sad
No silver spoon, just lived it twice
Giving whiskey wisdom over ice 🎶

[Outro]
So if you’re lost or need direction
Or just some straight advice
Go get yourself some answers
Sharing whiskey over ice
---

The Conductor (Expanded Street Poem)


Nothing left in this old town,
I felt I didn’t have much choice—
I jumped aboard a westbound freight,
And that’s when I heard the voice…

“Boy, this here is my car,
You keep the rules, and you'll be fine.
I don’t know you, you don’t know me,
But boy, this car is mine.”

His words clanged like a coupler
When it locks and seals a train,
Rusted through with gravel breath
And notes of soot and rain.

I squinted in the darkness,
Tried to track where the sound came from.
That voice curled 'round the boxcar walls
Like smoke from burning ***.

I asked him where he came from—
He paused before he said,
“Everywhere and Nowhere...
And right now? From just ahead.”

“Now boy, keep your distance,
Keep quiet, leave me be.
I don’t like conversation—
You keep to you, and I to me.”

Just then the train car shifted—
That shudder, steel and soul—
“Them rails are singing, boy,” he said,
“That's the rhythm taking hold.”

“That’s the final shunt you’re hearing,
The coupler’s hymn of fate.
You’re safe now, tucked in iron walls—
No rail man's hand to chase.”

He leaned into the stillness,
Said, “That sound? It starts the song.
The music of the boxcar life—
The world is movin’ on.”

“You see while cars sit stagnant,
While they’re frozen still in place,
The rail men do their hunting—
And we hobo’s learn to brace.”

“But when that coupler snaps, my friend,
That’s when it’s time to dream—
A thousand miles of nowhere
With no promise but the steam.”

I asked him what he meant by that,
He said, “You’ll learn in time.
Just ride the rails and listen, boy—
There’s truth in every line.”
This is an expanded version of my 2020 piece "A Ghost Story".

The Ballad of the Nell McBride (Expanded)

We all have heard the stories
Of spirit ships and ghosts
That sail upon the oceans
And up along the coasts

This tale is a whopper
And I'll not forget the day
So as God is my witness
Listen now, to what I say

We were sitting in the tavern
Telling tales of days of old
When the door, it burst wide open
And Bill came running from the cold

His face as white as ever
Like he just had seen a ghost
When we told him that we thought this
He said, "I did, just up the coast"

We laughed and ordered whiskey
To warm us up inside
"I did, by gum, I saw it—
I saw the Nell McBride"

"There's no way that you saw that boat
It's been sunk a hundred years!"
"A hundred sixty," said a voice
As we tended to our beers

"The Nell McBride was lost, boys
Late eighteen and fifty-nine
You didn't see her, Billy
She's sunk down in the brine"

"I did," said Bill, "I saw her—
I was standing on the beach
She came out of the clouds there"
"Aw, Bill... cut back on the screech"

"I haven't had a drop today
And you know, I don't tell lies
I saw the Captain up on deck
I looked right in his eyes"

The wind was really howling
We all huddled round the fire
As far-fetched as the story was
Old Bill, he was no liar

"The Nell McBride was lost at sea
All fourteen men were drowned
The ship went to the bottom
And no bodies were found"

The barkeep chirped, "We have ghosts here
I've seen a few, I swear
With all those lost at sea near here
I believe they still sail there"

We laughed at him and Billy
"Ghosts? Nope, dead is dead"
But Bill just sat there shaking
He believed the words he'd said

Now me, I was a pup then
Just a minnow, if you please
But I sat and felt my hair rise up
I'd not heard of ghosts like these

"The last time the Nell McBride
Was seen was in aught-four
Old Johnson, at the lighthouse
Said he saw that ship and more"

"They proved Old Johnson crazy
All alone out with the light
‘Twas just the moon a-playing
There was nothing there that night"

Another man chimed in then,
"Old Johnson was no loon
His diary says he saw that ship
'Twas no trick of the moon"

"Okay then boys, tomorrow
We'll meet here and head on out
We'll see the ghost ship sailing
Or we'll see that she is now't"

The wind was really whipping
It was louder than a train
Nobody made a move to leave
They feared the dark, the rain

"Ghost ships sail the waters
I believe to warn us still
I believe the Nell is out there
I believe in our boy Bill"

"There's tales of ships and mermaids
There's been sightings of great whales
Their stories, boys—just stories
They ain't nothing more than tales"

At this the wind was screaming
Like a wail now or a scream
My skin turned cold, my breath stood still—
This could only be a dream

"I remember when Mike Watson
Said he saw that woman black
Standing on her rooftop
Waiting for her man come back"

"I remember that as well," said Bill
"God, old Mike, he loved to talk
He saw her up there weeping
On the iron widow's walk"

So tomorrow it was settled
We would meet and hit the shore
We'd watch for ghostly sailors
And the Nell McBride once more

"Boys, we never made it
We don't talk about that night
See, Billy boy, he left us there
Then vanished out of sight"

"Turns out Billy Boyle
Drowned early in the day
Was it his ghost come calling?
It is not for us to say"

"Bill Boyle washed ashore, you see
Around two, cold and dead
So who it was came through that door
And said the things he said?"

There's ghosts out on the water
Like the ghostly Nell McBride
I swear and cross my heart now
But boys… you must decide

Some say she sails at moonrise
When the tide is running high
With phantom sails a-glowing
And a captain’s hollow cry

And some still hear old Billy
At the tavern, clear as glass
Recounting what he witnessed
As if time refused to pass

So if you walk the shoreline
And the sea begins to moan
Take heed, my friend, and mark my words:
You may not be alone

We all have heard the stories
Of the haunted and the drowned
Of those who sail forever
And are never homeward bound
---

‘Twas the Night Before Cooperstown
(With apologies to Clement Clarke Moore)

‘Twas the night before Christmas, and through every hall,
Not a creature was stirring — not even a ball.
The jerseys were hung in their cases with pride,
While echoes of greatness still whispered inside.

The plaques on the wall stood silent and still,
Honoring legends of talent and skill.
When out on the concourse arose such a chatter,
The ghosts of the game said, “What could be the matter?”

I peeked from the shadows, all quiet and small,
And what did I see in that sacred hall?
A gathering unlike any seen in the park —
Voices of baseball, lighting the dark.

Vin Scully came first, with a grin ear to ear,
He whispered, “It’s time — pull up a chair here.”
And lo! with his rhythm, so calm and precise:
"It’s time for Dodger baseball!" he said, oh so nice.

Red Barber chimed in with a confident drawl,
“Sit back, folks, relax — this catbird’s gonna call!”
With a wink, he sipped tea from a Brooklyn-style mug,
Declaring, “He’s sittin’ in the catbird seat, snug.”

Mel Allen arrived with his signature cheer,
“How about that?!” rang crisp through the air.
A home run of joy from his booming refrain,
Made the whole Hall of Fame feel young once again.

Jack Buck wandered in, eyes twinkling bright,
“I don’t believe what I just saw tonight!”
And walking beside him with cool Midwestern grace,
Was Harry Caray, joy wide on his face:

“Holy cow!” he roared as he stumbled in bold,
Wearing Cubs blue and a scarf to beat cold.
“Let me tell ya somethin’!” he cried with delight,
“This place is more fun than Wrigley at night!”

Ernie Harwell stepped forth with lyrical pace,
“A foul ball for a young man from Syracuse — front row, third base.”
He nodded to Russ Hodges, who let out a scream:
“The Giants win the pennant! It wasn’t a dream!”

By now the Hall glowed with a magical cheer,
As the voices of baseball rang crystal clear.
From Lindsey Nelson in plaid to Phil Rizzuto’s glee,
“Holy cow!” again echoed with spree.

Bob Uecker rolled in, not one to be late,
“I must be in the front row!” he joked at the gate.
The laughter rolled deep from plaques on the wall,
As legends and stories bounced down every hall.

Then a hush filled the room, not out of fear —
But respect, for The Game was drawing near.
Each voice took a seat, in silence they bowed,
As a figure walked in, calm, humble, and proud.

It wasn’t a slugger, a pitcher, or scout —
But the spirit of baseball, without any doubt.
He tipped his cap gently, and smiled with grace,
“You kept it alive, gave it rhythm and pace.”

“To every kid who fell asleep to your tone,
Who learned of the game through your microphone —
You are the heartbeat, the rhythm, the rhyme.
You made innings into poetry, timeless through time.”

Then back to the mist, each legend did fade,
Back to the ether where memories are made.
But if you listen on clear nights, alone with the score,
You’ll hear Scully, or Buck, or Caray once more.

And as I slipped out of that hallowed domain,
I heard them all call in a soft, sweet refrain —
“Merry Christmas to fans, both the old and the new,
From the voices who brought baseball home… just for you.”
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