I

A THIN moon faints in the sky o'erhead,
And dumb in the churchyard lie the dead.
Walk we not, Sweet, by garden ways,
Where the late rose hangs and the phlox delays,
But forth of the gate and down the road,
Past the church and the yews, to their dim abode.
For it's turn of the year and All Souls' night,
When the dead can hear and the dead have sight.

II

Fear not that sound like wind in the trees:
It is only their call that comes on the breeze;
Fear not the shudder that seems to pass:
It is only the tread of their feet on the grass;
Fear not the drip of the bough as you stoop:
It is only the touch of their hands that ***** -
For the year's on the turn, and it's All Souls' night,
When the dead can yearn and the dead can smite.

III

And where should a man bring his sweet to woo
But here, where such hundreds were lovers too?
Where lie the dead lips that thirst to kiss,
The empty hands that their fellows miss,
Where the maid and her lover, from sere to green,
Sleep bed by bed, with the worm between?
For it's turn of the year and All Souls' night,
When the dead can hear and the dead have sight.

IV

And now that they rise and walk in the cold,
Let us warm their blood and give youth to the old.
Let them see us and hear us, and say: 'Ah, thus
In the prime of the year it went with us!'
Till their lips drawn close, and so long unkist,
Forget they are mist that mingles with mist!
For the year's on the turn, and it's All Souls' night,
When the dead can burn and the dead can smite.

V

Till they say, as they hear us - poor dead, poor dead! -
'Just an hour of this, and our age-long bed -
Just a thrill of the old remembered pains
To kindle a flame in our frozen veins,
Just a touch, and a sight, and a floating apart,
As the chill of dawn strikes each phantom heart -
For it's turn of the year and All Souls' night,
When the dead can hear, and the dead have sight.'

VI

And where should the living feel alive
But here in this wan white humming hive,
As the moon wastes down, and the dawn turns cold,
And one by one they creep back to the fold?
And where should a man hold his mate and say:
'One more, one more, ere we go their way'?
For the year's on the turn, and it's All Souls' night,
When the living can learn by the churchyard light.

VII

And how should we break faith who have seen
Those dead lips plight with the mist between,
And how forget, who have seen how soon
They lie thus chambered and cold to the moon?
How scorn, how hate, how strive, we too,
Who must do so soon as those others do?
For it's All Souls' night, and break of the day,
And behold, with the light the dead are away. . . .

Devetachi, il 24 agosto 1916

Col mare
mi sono fatto
una bara
di freschezza.

Lo scandalo del contraddirmi, dell'essere
con te e contro te; con te nel cuore,
in luce, contro te nelle buie viscere;

del mio paterno stato traditore
- nel pensiero, in un'ombra di azione -
mi so ad esso attaccato nel calore

degli istinti, dell'estetica passione;
attratto da una vita proletaria
a te anteriore, è per me religione

la sua allegria, non la millenaria
sua lotta: la sua natura, non la sua
coscienza; è la forza originaria

dell'uomo, che nell'atto s'è perduta,
a darle l'ebbrezza della nostalgia,
una luce poetica: ed altro più

io non so dirne, che non sia
giusto ma non sincero, astratto
amore, non accorante simpatia...

Come i poveri povero, mi attacco
come loro a umilianti speranze,
come loro per vivere mi batto

ogni giorno. Ma nella desolante
mia condizione di diseredato,
io possiedo: ed è il più esaltante

dei possessi borghesi, lo stato
più assoluto. Ma come io possiedo la storia,
essa mi possiede; ne sono illuminato:

ma a che serve la luce?

Cacciari: il fascismo è lontano
Occhetto: il fascismo è vicino
Cacciari: ma dove lo vedi?
Occhetto: là, sul falsopiano
Cacciari: ma è solo un puntino
Occhetto: ma è enorme, sciocchino
Cacciari: è una nuvola bassa
Occhetto: è una squadraccia
Scusate se interrompo la conversazione
disse il capo del plotone d'esecuzione.

El pobrecito es tan feo
que nadie le hace cariño.
¡Dejan en la casa al niño
cuando salen de paseo!...

Y ello no tiene disculpa,
pues, de fealdad tan extraña,
es el molde de la entraña
quien ha tenido la culpa.

Mira, ésta es nuestra casa, éste nuestro techo. Contra la lluvia, contra el sol, contra la noche, la hice. La cueva no se mueve y siempre hay animales que quieren entrar. Aquí es distinto, nosotros también somos distintos.

-¿Distintos porque nos defendemos, Adán? Creo que somos más débiles.

-Somos distintos porque queremos cambiar. Somos mejores.

-A mí no me gusta ser mejor. Creo que estamos perdiendo algo. Nos estamos apartando del viento. Entre todos los de la tierra vamos a ser extraños. Recuerdo la primera piel que me echaste encima: me quitaste mi piel, la hiciste inútil. Vamos a terminar por ser distintos de las estrellas y ya no entenderemos a los árboles.

-Es que tenemos uno que se llama espíritu.

-Cada vez tenemos más miedo, Adán.

-Verás. Conoceremos. No importa que nuestro cuerpo...

-¿Nuestro cuerpo?

-...esté más delgado. Somos inteligentes. Podemos más.

-¿Qué te pasa? Aquella vez te sentaste bajo el árbol de la mala sombra y te dolía la cabeza. ¿Has vuelto? Te voy a enterrar hasta las rodillas otra vez.

Sonnet.

Croissez, jeune héros ; notre douleur profonde
N'a que ce doux espoir qui la puisse affaiblir.
Croissez, et hâtez-vous de faire voir au monde
Que le plus noble sang peut encor s'ennoblir.

Croissez pour voir sous vous trembler la terre et l'onde :
Un grand prince vous laisse un grand nom à remplir ;
Et ce que se promit sa valeur sans seconde,
C'est par vous que le ciel réserve à l'accomplir.

Vos aïeux vous diront par d'illustres exemples
Comme il faut mériter des sceptres et des temples ;
Vous ne verrez que gloire et que vertus en tous.

Sur des pas si fameux suivez l'ordre céleste ;
Et de tant de héros qui revivent en vous,
Égalez le dernier, vous passerez le reste.

Se enojó la luna,
se enojó el lucero,
porque esta niñita
riñó con el sueño.

Duérmete, Natacha,
para que la luna
se ponga contenta
y te dé aceitunas.

Duérmete, Natacha,
para que el lucero
te haga una almohadita
de albahaca y romero.

A poem should be palpable and mute
As a globed fruit,

Dumb
As old medallions to the thumb,

Silent as the sleeve-worn stone
Of casement ledges where the moss has grown—

A poem should be wordless
As the flight of birds.

                

A poem should be motionless in time
As the moon climbs,

Leaving, as the moon releases
Twig by twig the night-entangled trees,

Leaving, as the moon behind the winter leaves,
Memory by memory the mind—

A poem should be motionless in time
As the moon climbs.

                  

A poem should be equal to:
Not true.

For all the history of grief
An empty doorway and a maple leaf.

For love
The leaning grasses and two lights above the sea—

A poem should not mean
But be.

A free bird leaps on the back
Of the wind and floats downstream
Till the current ends and dips his wing
In the orange suns rays
And dares to claim the sky.

But a BIRD that stalks down his narrow cage
Can seldom see through his bars of rage
His wings are clipped and his feet are tied
So he opens his throat to sing.

The caged bird sings with a fearful trill
Of things unknown but longed for still
And his tune is heard on the distant hill for
The caged bird sings of freedom.

The free bird thinks of another breeze
And the trade winds soft through
The sighing trees
And the fat worms waiting on a dawn-bright
Lawn and he names the sky his own.

But a caged BIRD stands on the grave of dreams
His shadow shouts on a nightmare scream
His wings are clipped and his feet are tied
So he opens his throat to sing.

The caged bird sings with
A fearful trill of things unknown
But longed for still and his
Tune is heard on the distant hill
For the caged bird sings of freedom.

Brune à la taille svelte, aux grands yeux noirs, brillants,
À la lèvre rieuse, aux gestes sémillants,
Blonde aux yeux bleus rêveurs, à la peau rose et blanche,
La jeune fille plaît : ou réservée ou franche,
Mélancolique ou gaie, il n'importe ; le don
De charmer est le sien, autant par l'abandon
Que par la retenue ; en Occident, Sylphide,
En Orient, Péri, vertueuse, perfide,
Sous l'arcade moresque en face d'un ciel bleu,
Sous l'ogive gothique assise auprès du feu,
Ou qui chante, ou qui file, elle plaît ; nos pensées
Et nos heures, pourtant si vite dépensées,
Sont pour elle. Jamais, imprégné de fraîcheur,
Sur nos yeux endormis un rêve de bonheur
Ne passe fugitif, comme l'ombre du cygne
Sur le miroir des lacs, qu'elle n'en soit, d'un signe
Nous appelant vers elle, et murmurant des mots
Magiques, dont un seul enchante tous nos maux.
Éveillés, sa gaîté dissipe nos alarmes,
Et lorsque la douleur nous arrache des larmes,
Son baiser à l'instant les tarit dans nos yeux.
La jeune fille ! - elle est un souvenir des cieux,
Au tissu de la vie une fleur d'or brodée,
Un rayon de soleil qui sourit dans l'ondée !

Ah, my Perilla, dost thou grieve to see
Me day by day to steal away from thee?
Age calls me hence, and my grey hairs bid come,
And haste away to mine eternal home.
’Twill not be long, Perilla, after this,
That I must give thee the supremest kiss.
Dead when I am, first cast in salt, and bring
Part of the cream from that religious spring,
With which, Perilla, wash my hands and feet.
That done, then wind me in that very sheet
Which wrapped thy smooth limbs when thou didst implore
The gods’ protection but the night before.
Follow me weeping to my turf, and there
Let fall a primrose, and with it a tear;
Then, lastly, let some weekly-strewings be
Devoted to the memory of me:
Then shall my ghost not walk about, but keep
Still in the cool and silent shades of sleep.

Shall I get drunk or cut myself a piece of cake,
a pasty Syrian with a few words of English
or the Turk who says she is a princess--she dances
apparently by levitation?  Or Marcelle, Parisienne
always preoccupied with her dull dead lover:
she has all the photographs and his letters
tied in a bundle and stamped Decede in mauve ink.
All this takes place in a stink of jasmin.

But there are the streets dedicated to sleep
stenches and the sour smells, the sour cries
do not disturb their application to slumber
all day, scattered on the pavement like rags
afflicted with fatalism and hashish.  The women
offering their children brown-paper *******
dry and twisted, elongated like the skull,
Holbein's signature.  But his stained white town
is something in accordance with mundane conventions-
Marcelle drops her Gallic airs and tragedy
suddenly shrieks in Arabic about the fare
with the cabman, links herself so
with the somnambulists and legless beggars:
it is all one, all as you have heard.

But by a day's travelling you reach a new world
the vegetation is of iron
dead tanks, gun barrels split like celery
the metal brambles have no flowers or berries
and there are all sorts of manure, you can imagine
the dead themselves, their boots, clothes and possessions
clinging to the ground, a man with no head
has a packet of chocolate and a souvenir of Tripoli.

Un gentil écureuil était le camarade,
Le tendre ami d'un beau danois.
Un jour qu'ils voyageaient comme Oreste et Pylade,
La nuit les surprit dans un bois.
En ce lieu point d'auberge ; ils eurent de la peine
À trouver où se bien coucher.
Enfin le chien se mit dans le creux d'un vieux chêne,
Et l'écureuil plus haut grimpa pour se nicher.
Vers minuit, c'est l'heure des crimes,
Longtemps après que nos amis
En se disant bon soir se furent endormis,
Voici qu'un vieux renard affamé de victimes
Arrive au pied de l'arbre, et, levant le museau,
Voit l'écureuil sur un rameau.
Il le mange des yeux, humecte de sa langue
Ses lèvres qui de sang brûlent de s'abreuver ;
Mais jusqu'à l'écureuil il ne peut arriver :
Il faut donc par une harangue
L'engager à descendre ; et voici son discours :
Ami, pardonnez, je vous prie,
Si de votre sommeil j'ose troubler le cours :
Mais le pieux transport dont mon âme est remplie
Ne peut se contenir ; je suis votre cousin
Germain :
Votre mère était sœur de feu mon digne père.
Cet honnête homme, hélas ! à son heure dernière,
M'a tant recommandé de chercher son neveu
Pour lui donner moitié du peu
Qu'il m'a laissé de bien ! Venez donc, mon cher frère,
Venez, par un embrassement,
Combler le doux plaisir que mon âme ressent.
Si je pouvais monter jusqu'aux lieux où vous êtes,
Oh ! J'y serais déjà, soyez-en bien certain.
Les écureuils ne sont pas bêtes,
Et le mien était fort malin ;
Il reconnaît le patelin,
Et répond d'un ton doux : je meurs d'impatience
De vous embrasser, mon cousin ;
Je descends : mais, pour mieux lier la connaissance,
Je veux vous présenter mon plus fidèle ami,
Un parent qui prit soin de nourrir mon enfance ;
Il dort dans ce trou-là : frappez un peu ; je pense
Que vous serez charmé de le connaître aussi.
Aussitôt maître renard frappe,
Croyant en manger deux : mais le fidèle chien
S'élance de l'arbre, le happe,
Et vous l'étrangle bel et bien.
Ceci prouve deux points : d'abord, qu'il est utile
Dans la douce amitié de placer son bonheur ;
Puis, qu'avec de l'esprit il est souvent facile
Au piège qu'il nous tend de surprendre un trompeur.

To cultivate in ev’ry noble mind
Habitual grace, and sentiments refin’d,
Thus while you strive to mend the human heart,
Thus while the heav’nly precepts you impart,
O may each ***** catch the sacred fire,
And youthful minds to Virtue’s throne aspire!
  When God’s eternal ways you set in sight,
And Virtue shines in all her native light,
In vain would Vice her works in night conceal,
For Wisdom’s eye pervades the sable veil.
  Artists may paint the sun’s effulgent rays,
But Amory’s pen the brighter God displays:
While his great works in Amory’s pages shine,
And while he proves his essence all divine,
The Atheist sure no more can boast aloud
Of chance, or nature, and exclude the God;
As if the clay without the potter’s aid
Should rise in various forms, and shapes self-made,
Or worlds above with orb o’er orb profound
Self-mov’d could run the everlasting round.
It cannot be—unerring Wisdom guides
With eye propitious, and o’er all presides.
  Still prosper, Amory! still may’st thou receive
The warmest blessings which a muse can give,
And when this transitory state is o’er,
When kingdoms fall, and fleeting Fame’s no more,
May Amory triumph in immortal fame,
A nobler title, and superior name!

"Hark! Lakshman! Hark, again that cry!
                 It is, — it is my husband's voice!
             Oh hasten, to his succour fly,
                 No more hast thou, dear friend, a choice.
             He calls on thee, perhaps his foes
                 Environ him on all sides round,
            That wail, — it means death's final throes!
                 Why standest thou, as magic-bound?


             "Is this a time for thought, — oh gird
               Thy bright sword on, and take thy bow!
           He heeds not, hears not any word,
               Evil hangs over us, I know!
           Swift in decision, prompt in deed,
               Brave unto rashness, can this be,
           The man to whom all looked at need?
               Is it my brother that I see!


           "Oh no, and I must run alone,
               For further here I cannot stay;
           Art thou transformed to blind dumb stone!
               Wherefore this impious, strange delay!
           That cry, — that cry, — it seems to ring
               Still in my ears, — I cannot bear
           Suspense; if help we fail to bring
               His death at least we both can share"


          "Oh calm thyself, Videhan Queen,
               No cause is there for any fear,
           Hast thou his prowess never seen?
               Wipe off for shame that dastard tear!
           What being of demonian birth
               Could ever brave his mighty arm?
           Is there a creature on earth
               That dares to work our hero harm?


           "The lion and the grisly bear
               Cower when they see his royal look,
           Sun-staring eagles of the air
               His glance of anger cannot brook,
           Pythons and cobras at his tread
               To their most secret coverts glide,
           Bowed to the dust each serpent head
               ***** before in hooded pride.


           "Rakshasas, Danavs, demons, ghosts,
               Acknowledge in their hearts his might,
           And slink to their remotest coasts,
               In terror at his very sight.
           Evil to him! Oh fear it not,
               Whatever foes against him rise!
           Banish for aye the foolish thought,
               And be thyself, — bold, great, and wise.


           "He call for help! Canst thou believe
               He like a child would shriek for aid
           Or pray for respite or reprieve —
               Not of such metal is he made!
           Delusive was that piercing cry, —
               Some trick of magic by the foe;
           He has a work, — he cannot die,
               Beseech me not from hence to go.


           For here beside thee, as a guard
               'Twas he commanded me to stay,
           And dangers with my life to ward
               If they should come across thy way.
           Send me not hence, for in this wood
               Bands scattered of the giants lurk,
           Who on their wrongs and vengeance brood,
               And wait the hour their will to work."


           "Oh shame! and canst thou make my weal
               A plea for lingering! Now I know
           What thou art, Lakshman! And I feel
               Far better were an open foe.
           Art thou a coward? I have seen
               Thy bearing in the battle-fray
           Where flew the death-fraught arrows keen,
               Else had I judged thee so today.


           "But then thy leader stood beside!
               Dazzles the cloud when shines the sun,
           Reft of his radiance, see it glide
               A shapeless mass of vapours dun;
           So of thy courage, — or if not,
               The matter is far darker dyed,
           What makes thee loth to leave this spot?
               Is there a motive thou wouldst hide?


           "He perishes — well, let him die!
               His wife henceforth shall be mine own!
           Can that thought deep imbedded lie
               Within thy heart's most secret zone!
           Search well and see! one brother takes
               His kingdom, — one would take his wife!
           A fair partition! — But it makes
               Me shudder, and abhor my life.


           "Art thou in secret league with those
               Who from his hope the kingdom rent?
           A spy from his ignoble foes
               To track him in his banishment?
           And wouldst thou at his death rejoice?
               I know thou wouldst, or sure ere now
           When first thou heardst that well known voice
               Thou shouldst have run to aid, I trow.


           "Learn this, — whatever comes may come,
               But I shall not survive my Love,
           Of all my thoughts here is the sum!
            Witness it gods in heaven above.
         If fire can burn, or water drown,
             I follow him: — choose what thou wilt
         Truth with its everlasting crown,
             Or falsehood, treachery, and guilt.


         "Remain here with a vain pretence
             Of shielding me from wrong and shame,
         Or go and die in his defence
             And leave behind a noble name.
         Choose what thou wilt, — I urge no more,
             My pathway lies before me clear,
         I did not know thy mind before,
             I know thee now, — and have no fear."


         She said and proudly from him turned, —
             Was this the gentle Sita? No.
         Flames from her eyes shot forth and burned,
             The tears therein had ceased to flow.
         "Hear me, O Queen, ere I depart,
             No longer can I bear thy words,
         They lacerate my inmost heart
             And torture me, like poisoned swords.


         "Have I deserved this at thine hand?
             Of lifelong loyalty and truth
         Is this the meed? I understand
             Thy feelings, Sita, and in sooth
         I blame thee not, — but thou mightst be
             Less rash in judgement, Look! I go,
         Little I care what comes to me
             Wert thou but safe, — God keep thee so!


         "In going hence I disregard
             The plainest orders of my chief,
         A deed for me, — a soldier, — hard
             And deeply painful, but thy grief
         And language, wild and wrong, allow
             No other course. Mine be the crime,
         And mine alone. — but oh, do thou
             Think better of me from this time.


         "Here with an arrow, lo, I trace
             A magic circle ere I leave,
         No evil thing within this space
             May come to harm thee or to grieve.
         Step not, for aught, across the line,
             Whatever thou mayst see or hear,
         So shalt thou balk the bad design
             Of every enemy I fear.


         "And now farewell! What thou hast said,
             Though it has broken quite my heart,
         So that I wish I were dead —
             I would before, O Queen, we part,
         Freely forgive, for well I know
             That grief and fear have made thee wild,
         We part as friends, — is it not so?"
             And speaking thus he sadly smiled.


         "And oh ye sylvan gods that dwell
             Among these dim and sombre shades,
         Whose voices in the breezes swell
             And blend with noises of cascades,
         Watch over Sita, whom alone
             I leave, and keep her safe fr

Está la plaza sombría;
muere el día.
Suenan lejos las campanas.
    De balcones y ventanas
se iluminan las vidrieras,
con reflejos mortecinos,
como huesos blanquecinos
y borrosas calaveras.
    En toda la tarde brilla
una luz de pesadilla.
Está el sol en el ocaso.
Suena el eco de mi paso.
    -¿Eres tú?  Ya te esperaba...
-No eras tú a quien yo buscaba.

Para goces o duelos que sienta España,
Cuando el llanto o la dicha su faz enciende,
Tengo una lira humilde que la acompaña
Y un corazón de hermano que la comprende.

Por eso aquí de nuevo mi voz levanto
Y pido a pobres cuerdas sus armonías;
Ya lo sabéis vosotros, la quiero tanto
Que sus penas intensas las hago mías.

Yo vi de cerca todo lo que se encierra
De noblezas hidalgas en su recinto;
Sentí el sol de la Historia sobre esa tierra
Que vio el sol sin ocaso de Carlos Quinto.

Si allí buscáis leyendas encantadoras
Soñaréis que os arrullan notas lejanas,
De rabeles cristianos y guzlas moras
Bajo los minaretes de las Sultanas.

Soñaréis cabe albercas con arrayanes
En cautivas que lloran por sus donceles;
En alquiceles blancos y en yataganes
Sobre la verde cuesta de los Gomeles.

¡Ah! yo he visto la hermosa vega extendida
Que el Genil argentado de flores cuaja
Y soñé en otros tiempos y en otra vida
Mirando los jardines de Lindaraja.

Recogí de Granada los alhelíes
Que un sol de fuego esmalta con luz divina,
Y al cruzar por el campo de los zegríes
Me hablaba de mi patria la golondrina.

España nos recibe con regocijos
Porque colmar supimos su afán profundo,
Siente orgullo de madre que ve a sus hijos
Honrar, ya independientes, el Nuevo Mundo.

En cada leal amigo me dio un hermano
Que hizo suyos mis goces y mir pesares,
¡Porque basta en España ser mejicano
Para encontrar abiertos pechos y hogares!

Allí ninguno alienta rencor ni dolo
Al vernos vivir libres en otra esfera,
Pues saben que ostentamos de polo a polo,
Con honor y sin mancha nuestra bandera.

Ya no existe la España dominadora
Sino la Iberia hermana, que he conocido,
Y cuya lengua rica, dulce y sonora,
Honramos en la tierra donde he nacido.

Ya no existe la España grave y austera
Que lanzó en sus legiones fieros aludes,
Que Cortés hizo odiosa con una hoguera
Y vindicó Las Casas con sus virtudes.

Soldados de Alvarado; reyes aztecas;
Todos sois polvo vano; ya nada existe;
De aquella edad aun tiemblan las hojas secas
Del árbol que recuerda «la noche triste».

Se quebró la macana que el casco abolla;
La inquisición no ostenta tizones rojos;
Y al fundirse dos razas nació la criolla
De apiñonado cutis y negros ojos.

La de pies diminutos y andar galano,
La que junta con dulce melancolía
Lo humilde y apacible del tipo indiano
Al garbo y a la gracia de Andalucía.

¡Oh España! ¡oh noble España! tú nos
legaste
Una fe y una lengua; tienes derecho
A buscar en los pueblos que aquí formaste
El corazón hidalgo que hay en tu pecho.

España es igual siempre bajo tu rayo
¡Oh sol del patriotismo que la iluminas!
¡Resucitó a sus héroes del Dos de Mayo
Al ver amenazadas las Carolinas!

¿Cómo no tributarle justos honores
Al laurel siempre vivo que la enguirnalda?
Unamos nuestra enseña de tres colores
A su gloriosa enseña de rojo y gualda.

Hoy que triste se envuelve con gasa negra
Que le atara un espectro de heladas manos;
Cual fraternal tributo llegue a Consuegra
El óbolo que mandan los mejicanos,

¡Oh caridad sublime! ¡Sol que derramas
De amor y de consuelo rayos ardientes!
Mira cómo a tu influjo son nuestras damas
Los ángeles de guarda de los ausentes.

Campos ayer hermosos, son tristes yermos;
Escombros los hogares; las dichas, penas;
Los espíritus sanos gimen enfermos
¡Aliviad tantos males las almas buenas!

¡Oh! bien hacéis vosotras en ser primeras
En consolar amantes, tanta agonía;
¡Para aliviar desgracias ya no hay fronteras!
¡La Caridad no tiene ciudadanía!

¡Damas que sois las joyas de nuestro suelo
Y galardón y gloria de sus hogares;
Vuestras altas virtudes bendice el cielo;
Vuestra piedad un pueblo tras de los mares!

A la ofrenda tan noble que haréis mañana,
Yo la inscripción pusiera cual la merece:
Los ángeles de Anáhuac, para su hermana
La España de Cristina y Alfonso Trece.

"See they come, post haste from Thanet"

See they come, post haste from Thanet,
Lovely couple, side by side;
They've left behind them Richard Kennet
With the Parents of the Bride!
Canterbury they have passed through;
Next succeeded Stamford-bridge;
Chilham village they came fast through;
Now they've mounted yonder ridge.

Down the hill they're swift proceeding,
Now they skirt the Park around;
Lo! The Cattle sweetly feeding
Scamper, startled at the sound!

Run, my Brothers, to the Pier gate!
Throw it open, very wide!
Let it not be said that we're late
In welcoming my Uncle's Bride!

To the house the chaise advances;
Now it stops—They're here, they're here!
How d'ye do, my Uncle Francis?
How does do your Lady dear?

Lo! where the rosy-bosomed Hours,
Fair Venus’ train, appear,
Disclose the long-expecting flowers,
And wake the purple year!
The Attic warbler pours her throat,
Responsive to the cuckoo’s note,
The untaught harmony of spring:
While, whisp’ring pleasure as they fly,
Cool Zephyrs thro’ the clear blue sky
Their gathered fragrance fling.

Where’er the oak’s thick branches stretch
A broader browner shade,
Where’er the rude and moss-grown beech
O’er-canopies the glade,
Beside some water’s rushy brink
With me the Muse shall sit, and think
(At ease reclined in rustic state)
How vain the ardour of the Crowd,
How low, how little are the Proud,
How indigent the Great!

Still is the toiling hand of Care;
The panting herds repose:
Yet hark, how through the peopled air
The busy murmur glows!
The insect-youth are on the wing,
Eager to taste the honied spring
And float amid the liquid noon:
Some lightly o’er the current skim,
Some show their gayly-gilded trim
Quick-glancing to the sun.

To Contemplation’s sober eye
Such is the race of Man:
And they that creep, and they that fly,
Shall end where they began.
Alike the Busy and the Gay
But flutter thro’ life’s little day,
In Fortune’s varying colours drest:
Brushed by the hand of rough Mischance,
Or chilled by Age, their airy dance
They leave, in dust to rest.

Methinks I hear, in accents low,
The sportive kind reply:
Poor moralist! and what art thou?
A solitary fly!
Thy joys no glittering female meets,
No hive hast thou of hoarded sweets,
No painted plumage to display:
On hasty wings thy youth is flown;
Thy sun is set, thy spring is gone—
We frolic while ’tis May.

'Here is the bracelet
For good little May
To wear on her arm
By night and by day.
When it shines like the sun,
All's going well;
But when you are bad,
A sharp ***** will tell.
Farewell, little girl,
For now we must part.
Make a fairy-box, dear,
Of your own happy heart;
And take out for all
Sweet gifts every day,
Till all the year round
Is like beautiful May.'

Tu non ricordi la casa dei doganieri
sul rialzo a strapiombo sulla scogliera:
desolata t'attende dalla sera
in cui v'entrò lo sciame dei tuoi pensieri
e vi sostò irrequieto.

Libeccio sferza da anni le vecchie mura
e il suono del tuo riso non è più lieto:
la bussola va impazzita all'avventura
e il calcolo dei dadi più non torna.

Tu non ricordi; altro tempo frastorna
la tua memoria; un filo s'addipana.

Ne tengo ancora un capo; ma s'allontana
la casa e in cima al tetto la banderuola
affumicata gira senza pietà.
Ne tengo un capo; ma tu resti sola
nè qui respiri nell'oscurità.

Oh l'orizzonte in fuga, dove s'accende
rara la luce della petroliera!
Il varco è qui? (ripullula il frangente
ancora sulla balza che scoscende... ).
Tu non ricordi la casa di questa
mia sera. Ed io non so chi va e chi resta.

The poet fears failure
& so she says
"Hold on pen--
what if the critics
hate me?"
& with that question
she blots out more lines
than any critic could.

The critic is only doing his job:
keeping the poet lonely.
He barks
like a dog at the door
when the master comes home.

It's in his doggy nature.
If he didn't know the poet
for the boss,
he wouldn't bark so loud.

& the poet?
It's in her nature
to fear failure
but not to let that fear
blot out

her lines.

Why Damon, why, why, why so pressing?
The Heart you beg's not worth possessing:
Each Look, each Word, each Smile's affected,
And inward Charms are quite neglected:
Then scorn her, scorn her, foolish Swain,
And sigh no more, no more in vain.

Beauty's worthless, fading, flying;
Who would for Trifles think of dying?
Who for a Face, a Shape, wou'd languish,
And tell the Brooks, and Groves his Anguish,
Till she, till she thinks fit to prize him,
And all, and all beside despise him?

Fix, fix your Thoughts on what's inviting,
On what will never bear the slighting:
Wit and Virtue claim your Duty,
They're much more worth that Gold and Beauty:
To them, to them, your Heart resign,
And you'll no more, no more repine.

Por tus ojos verdes yo me perdería,
sirena de aquellas que Ulises, sagaz,
amaba y temía.
Por tus ojos verdes yo me perdería.
Por tus ojos verdes en lo que, fugaz,
brillar suele, a veces, la melancolía;
por tus ojos verdes tan llenos de paz,
misteriosos como la esperanza mía;
por tus ojos verdes, conjuro eficaz,
yo me salvaría.

Born woman. Go on.
It's farther than it seems,
but okay.

Credit card's been stolen.
Go on.

Above all, remember,
whenever you cry,
husbands roll their eyes,

and children worry.

Go on.

The father that was yours
gets killed by a lung disease.

He loved you, at least you think so.
Go on.

Drink, smoke, do drugs.

Go on.

Drag your crippled bones
to work. Hate your boss
behind her back. Smile

to her face. Go on.

Eat. Don't eat. Get fat.
Get skinny. Go on.

Time fragments.
Space fractures.
Lives intersect.
Wombs bloom

with new life. Go on.
Wait.

Hold on.

Because
I have known despair
I value hope

Because
I have tasted frustration
I value fulfillment

Because
I have been lonely
I value love

La calle, amigo mío, es vestida sirena
que tiene luz, perfume, ondulación y canto.
Vagando por las calles uno olvida su pena,
yo te lo digo que he vagado tanto.

Te deslizas por ellas entre el mar de la gente,
casi ni la molestia tienes de caminar,
eres como una hoja marchita, indiferente,
que corre o que no corre como quiere ese mar.

Y al fin todas las cosas las ves como soñando:
el hombre, la mujer, el coche, la arboleda.
El mundo en torbellino pasa como rodando.
Tú mismo no eres más que otra cosa que rueda.

O patria mia, vedo le mura e gli archi
E le colonne e i simulacri e l'erme
Torri degli avi nostri,
Ma la la gloria non vedo,
Non vedo il lauro e il ferro ond'eran carchi
I nostri padri antichi. Or fatta inerme
Nuda la fronte e nudo il petto mostri,
Oimè quante ferite,
Che lívidor, che sangue! Oh qual ti veggio,
Formesissima donna!
Io chiedo al cielo e al mondo: dite dite;
Chi la ridusse a tale? E questo è peggio,
Che di catene ha carche ambe le braccia,
Sì che sparte le chiome e senza velo
Siede in terra negletta e sconsolata,
Nascondendo la faccia
Tra le ginocchia, e piange.
Piangi, che ben hai donde, Italia mia,
Le genti a vincer nata
E nella fausta sorte e nella ria.
Se fosser gli occhi tuoi due fonti vive,
Mai non potrebbe il pianto
Adeguarsi al tuo danno ed allo scorno;
Che fosti donna, or sei povera ancella.
Chi di te parla o scrive,
Che, rimembrando il tuo passato vanto,
Non dica: già fu grande, or non è quella?
Perché, perché? Dov'è la forza antica?
Dove l'armi e il valore e la costanza?
Chi ti discinse il brando?
Chi ti tradì? Qual arte o qual fatica
0 qual tanta possanza,
Valse a spogliarti il manto e l'auree bende?
Come cadesti o quando
Da tanta altezza in così basso loco?
Nessun pugna per te? Non ti difende
Nessun dè tuoi? L'armi, qua l'armi: ío solo
Combatterà, procomberò sol io.
Dammi, o ciel, che sia foco
Agl'italici petti il sangue mio.
Dove sono i tuoi figli?. Odo suon d'armi
E di carri e di voci e di timballi
In estranie contrade
Pugnano i tuoi figliuoli.
Attendi, Italia, attendi. Io veggio, o parmi,
Un fluttuar di fanti e di cavalli,
E fumo e polve, e luccicar di *****
Come tra nebbia lampi.
Nè ti conforti e i tremebondi lumi
Piegar non soffri al dubitoso evento?
A che pugna in quei campi
L'itata gioventude? 0 numi, o numi
Pugnan per altra terra itali acciari.
Oh misero colui che in guerra è spento,
Non per li patrii lidi e per la pia
Consorte e i figli cari, Ma da nemici altrui
Per altra gente, e non può dir morendo
Alma terra natia,
La vita che mi desti ecco ti rendo.
Oh venturose e care e benedette
L'antiche età, che a morte
Per la patria correan le genti a squadre
E voi sempre onorate e gloriose,
0 tessaliche strette,
Dove la Persia e il fato assai men forte
Fu di poch'alme franche e generose!
Lo credo che le piante e i sassi e l'onda
E le montagne vostre al passeggere
Con indistinta voce
Narrin siccome tutta quella sponda
Coprir le invitte schiere
Dè corpi ch'alla Grecia eran devoti.
Allor, vile e feroce,
Serse per l'Ellesponto si fuggia,
Fatto ludibrio agli ultimi nepoti;
E sul colle d'Antela, ove morendo
Si sottrasse da morte il santo stuolo,
Simonide salia,
Guardando l'etra e la marina e il suolo.
E di lacrime sparso ambe le guance,
E il petto ansante, e vacillante il piede,
Toglicasi in man la lira:
Beatissimi voi,
Ch'offriste il petto alle nemiche lance
Per amor di costei ch'al Sol vi diede;
Voi che la Grecia cole, e il mondo ammira
Nell'armi e nè perigli
Qual tanto amor le giovanette menti,
Qual nell'acerbo fato amor vi trasse?
Come si lieta, o figli,
L'ora estrema vi parve, onde ridenti
Correste al passo lacrimoso e, duro?
Parea ch'a danza e non a morte andasse
Ciascun dè vostri, o a splendido convito:
Ma v'attendea lo scuro
Tartaro, e l'ond'a morta;
Nè le spose vi foro o i figli accanto
Quando su l'aspro lito
Senza baci moriste e senza pianto.
Ma non senza dè Persi orrida pena
Ed immortale angoscia.
Come lion di tori entro una mandra
Or salta a quello in tergo e sì gli scava
Con le zanne la schiena,
Or questo fianco addenta or quella coscia;
Tal fra le Perse torme infuriava
L'ira dè greci petti e la virtute.
Vè cavalli supini e cavalieri;
Vedi intralciare ai vinti
La fuga i carri e le tende cadute,
E correr frà primieri
Pallido e scapigliato esso tiranno;
vè come infusi e tintí
Del barbarico sangue i greci eroi,
Cagione ai Persi d'infinito affanno,
A poco a poco vinti dalle piaghe,
L'un sopra l'altro cade. Oh viva, oh viva:
Beatissimi voi
Mentre nel mondo si favelli o scriva.
Prima divelte, in mar precipitando,
Spente nell'imo strideran le stelle,
Che la memoria e il vostro
Amor trascorra o scemi.
La vostra tomba è un'ara; e qua mostrando
Verran le madri ai parvoli le belle
Orme dei vostro sangue. Ecco io mi prostro,
0 benedetti, al suolo,
E bacio questi sassi e queste zolle,
Che fien lodate e chiare eternamente
Dall'uno all'altro polo.
Deh foss'io pur con voi qui sotto, e molle
Fosse del sangue mio quest'alma terra.
Che se il fato è diverso, e non consente
Ch'io per la Grecia i mororibondi lumi
Chiuda prostrato in guerra,
Così la vereconda
Fama del vostro vate appo i futuri
Possa, volendo i numi,
Tanto durar quanto la, vostra duri.

The moon is a charring ember
Dying into the dark;
Off in the crouching mountains
Coyotes bark.

The stars are heavy in heaven,
Too great for the sky to hold —
What if they fell and shattered
The earth with gold?

No lights are over the mesa,
The wind is hard and wild,
I stand at the darkened window
And cry like a child.

(To Marcel Schwob in friendship and in admiration)

In a dim corner of my room for longer than
my fancy thinks
A beautiful and silent Sphinx has watched me
through the shifting gloom.

Inviolate and immobile she does not rise she
does not stir
For silver moons are naught to her and naught
to her the suns that reel.

Red follows grey across the air, the waves of
moonlight ebb and flow
But with the Dawn she does not go and in the
night-time she is there.

Dawn follows Dawn and Nights grow old and
all the while this curious cat
Lies couching on the Chinese mat with eyes of
satin rimmed with gold.

Upon the mat she lies and leers and on the
tawny throat of her
Flutters the soft and silky fur or ripples to her
pointed ears.

Come forth, my lovely seneschal! so somnolent,
so statuesque!
Come forth you exquisite grotesque! half woman
and half animal!

Come forth my lovely languorous Sphinx! and
put your head upon my knee!
And let me stroke your throat and see your
body spotted like the Lynx!

And let me touch those curving claws of yellow
ivory and grasp
The tail that like a monstrous Asp coils round
your heavy velvet paws!

A thousand weary centuries are thine
while I have hardly seen
Some twenty summers cast their green for
Autumn’s gaudy liveries.

But you can read the Hieroglyphs on the
great sandstone obelisks,
And you have talked with Basilisks, and you
have looked on Hippogriffs.

O tell me, were you standing by when Isis to
Osiris knelt?
And did you watch the Egyptian melt her union
for Antony

And drink the jewel-drunken wine and bend
her head in mimic awe
To see the huge proconsul draw the salted tunny
from the brine?

And did you mark the Cyprian kiss white Adon
on his catafalque?
And did you follow Amenalk, the God of
Heliopolis?

And did you talk with Thoth, and did you hear
the moon-horned Io weep?
And know the painted kings who sleep beneath
the wedge-shaped Pyramid?

Lift up your large black satin eyes which are
like cushions where one sinks!
Fawn at my feet, fantastic Sphinx! and sing me
all your memories!

Sing to me of the Jewish maid who wandered
with the Holy Child,
And how you led them through the wild, and
how they slept beneath your shade.

Sing to me of that odorous green eve when
crouching by the marge
You heard from Adrian’s gilded barge the
laughter of Antinous

And lapped the stream and fed your drouth and
watched with hot and hungry stare
The ivory body of that rare young slave with
his pomegranate mouth!

Sing to me of the Labyrinth in which the twi-
formed bull was stalled!
Sing to me of the night you crawled across the
temple’s granite plinth

When through the purple corridors the screaming
scarlet Ibis flew
In terror, and a horrid dew dripped from the
moaning Mandragores,

And the great torpid crocodile within the tank
shed slimy tears,
And tare the jewels from his ears and staggered
back into the Nile,

And the priests cursed you with shrill psalms as
in your claws you seized their snake
And crept away with it to slake your passion by
the shuddering palms.

Who were your lovers? who were they
who wrestled for you in the dust?
Which was the vessel of your Lust?  What
Leman had you, every day?

Did giant Lizards come and crouch before you
on the reedy banks?
Did Gryphons with great metal flanks leap on
you in your trampled couch?

Did monstrous hippopotami come sidling toward
you in the mist?
Did gilt-scaled dragons writhe and twist with
passion as you passed them by?

And from the brick-built Lycian tomb what
horrible Chimera came
With fearful heads and fearful flame to breed
new wonders from your womb?

Or had you shameful secret quests and did
you harry to your home
Some Nereid coiled in amber foam with curious
rock crystal *******?

Or did you treading through the froth call to
the brown Sidonian
For tidings of Leviathan, Leviathan or
Behemoth?

Or did you when the sun was set climb up the
cactus-covered *****
To meet your swarthy Ethiop whose body was
of polished jet?

Or did you while the earthen skiffs dropped
down the grey Nilotic flats
At twilight and the flickering bats flew round
the temple’s triple glyphs

Steal to the border of the bar and swim across
the silent lake
And slink into the vault and make the Pyramid
your lupanar

Till from each black sarcophagus rose up the
painted swathed dead?
Or did you lure unto your bed the ivory-horned
Tragelaphos?

Or did you love the god of flies who plagued
the Hebrews and was splashed
With wine unto the waist? or Pasht, who had
green beryls for her eyes?

Or that young god, the Tyrian, who was more
amorous than the dove
Of Ashtaroth? or did you love the god of the
Assyrian

Whose wings, like strange transparent talc, rose
high above his hawk-faced head,
Painted with silver and with red and ribbed with
rods of Oreichalch?

Or did huge Apis from his car leap down and
lay before your feet
Big blossoms of the honey-sweet and honey-
coloured nenuphar?

How subtle-secret is your smile!  Did you
love none then?  Nay, I know
Great Ammon was your bedfellow!  He lay with
you beside the Nile!

The river-horses in the slime trumpeted when
they saw him come
Odorous with Syrian galbanum and smeared with
spikenard and with thyme.

He came along the river bank like some tall
galley argent-sailed,
He strode across the waters, mailed in beauty,
and the waters sank.

He strode across the desert sand:  he reached
the valley where you lay:
He waited till the dawn of day:  then touched
your black ******* with his hand.

You kissed his mouth with mouths of flame:
you made the horned god your own:
You stood behind him on his throne:  you called
him by his secret name.

You whispered monstrous oracles into the
caverns of his ears:
With blood of goats and blood of steers you
taught him monstrous miracles.

White Ammon was your bedfellow!  Your
chamber was the steaming Nile!
And with your curved archaic smile you watched
his passion come and go.

With Syrian oils his brows were bright:
and wide-spread as a tent at noon
His marble limbs made pale the moon and lent
the day a larger light.

His long hair was nine cubits’ span and coloured
like that yellow gem
Which hidden in their garment’s hem the
merchants bring from Kurdistan.

His face was as the must that lies upon a vat of
new-made wine:
The seas could not insapphirine the perfect azure
of his eyes.

His thick soft throat was white as milk and
threaded with thin veins of blue:
And curious pearls like frozen dew were
broidered on his flowing silk.

On pearl and porphyry pedestalled he was
too bright to look upon:
For on his ivory breast there shone the wondrous
ocean-emerald,

That mystic moonlit jewel which some diver of
the Colchian caves
Had found beneath the blackening waves and
carried to the Colchian witch.

Before his gilded galiot ran naked vine-wreathed
corybants,
And lines of swaying elephants knelt down to
draw his chariot,

And lines of swarthy Nubians bare up his litter
as he rode
Down the great granite-paven road between the
nodding peacock-fans.

The merchants brought him steatite from Sidon
in their painted ships:
The meanest cup that touched his lips was
fashioned from a chrysolite.

The merchants brought him cedar chests of rich
apparel bound with cords:
His train was borne by Memphian lords:  young
kings were glad to be his guests.

Ten hundred shaven priests did bow to Ammon’s
altar day and night,
Ten hundred lamps did wave their light through
Ammon’s carven house—and now

Foul snake and speckled adder with their young
ones crawl from stone to stone
For ruined is the house and prone the great
rose-marble monolith!

Wild *** or trotting jackal comes and couches
in the mouldering gates:
Wild satyrs call unto their mates across the
fallen fluted drums.

And on the summit of the pile the blue-faced
ape of Horus sits
And gibbers while the fig-tree splits the pillars
of the peristyle

The god is scattered here and there:  deep
hidden in the windy sand
I saw his giant granite hand still clenched in
impotent despair.

And many a wandering caravan of stately
negroes silken-shawled,
Crossing the desert, halts appalled before the
neck that none can span.

And many a bearded Bedouin draws back his
yellow-striped burnous
To gaze upon the Titan thews of him who was
thy paladin.

Go, seek his fragments on the moor and
wash them in the evening dew,
And from their pieces make anew thy mutilated
paramour!

Go, seek them where they lie alone and from
their broken pieces make
Thy bruised bedfellow!  And wake mad passions
in the senseless stone!

Charm his dull ear with Syrian hymns! he loved
your body! oh, be kind,
Pour spikenard on his hair, and wind soft rolls
of linen round his limbs!

Wind round his head the figured coins! stain
with red fruits those pallid lips!
Weave purple for his shrunken hips! and purple
for his barren *****!

Away to Egypt!  Have no fear.  Only one
God has ever died.
Only one God has let His side be wounded by a
soldier’s spear.

But these, thy lovers, are not dead.  Still by the
hundred-cubit gate
Dog-faced Anubis sits in state with lotus-lilies
for thy head.

Still from his chair of porphyry gaunt Memnon
strains his lidless eyes
Across the empty land, and cries each yellow
morning unto thee.

And Nilus with his broken horn lies in his black
and oozy bed
And till thy coming will not spread his waters on
the withering corn.

Your lovers are not dead, I know.  They will
rise up and hear your voice
And clash their cymbals and rejoice and run to
kiss your mouth!  And so,

Set wings upon your argosies!  Set horses to
your ebon car!
Back to your Nile!  Or if you are grown sick of
dead divinities

Follow some roving lion’s spoor across the copper-
coloured plain,
Reach out and hale him by the mane and bid
him be your paramour!

Couch by his side upon the grass and set your
white teeth in his throat
And when you hear his dying note lash your
long flanks of polished brass

And take a tiger for your mate, whose amber
sides are flecked with black,
And ride upon his gilded back in triumph
through the Theban gate,

And toy with him in amorous jests, and when
he turns, and snarls, and gnaws,
O smite him with your jasper claws! and bruise
him with your agate *******!

Why are you tarrying?  Get hence!  I
weary of your sullen ways,
I weary of your steadfast gaze, your somnolent
magnificence.

Your horrible and heavy breath makes the light
flicker in the lamp,
And on my brow I feel the damp and dreadful
dews of night and death.

Your eyes are like fantastic moons that shiver
in some stagnant lake,
Your tongue is like a scarlet snake that dances
to fantastic tunes,

Your pulse makes poisonous melodies, and your
black throat is like the hole
Left by some torch or burning coal on Saracenic
tapestries.

Away!  The sulphur-coloured stars are hurrying
through the Western gate!
Away!  Or it may be too late to climb their silent
silver cars!

See, the dawn shivers round the grey gilt-dialled
towers, and the rain
Streams down each diamonded pane and blurs
with tears the wannish day.

What snake-tressed fury fresh from Hell, with
uncouth gestures and unclean,
Stole from the poppy-drowsy queen and led you
to a student’s cell?

What songless tongueless ghost of sin crept
through the curtains of the night,
And saw my taper burning bright, and knocked,
and bade you enter in?

Are there not others more accursed, whiter with
leprosies than I?
Are Abana and Pharphar dry that you come here
to slake your thirst?

Get hence, you loathsome mystery!  Hideous
animal, get hence!
You wake in me each ******* sense, you make me
what I would not be.

You make my creed a barren sham, you wake
foul dreams of sensual life,
And Atys with his blood-stained knife were
better than the thing I am.

False Sphinx!  False Sphinx!  By reedy Styx
old Charon, leaning on his oar,
Waits for my coin.  Go thou before, and leave
me to my crucifix,

Whose pallid burden, sick with pain, watches
the world with wearied eyes,
And weeps for every soul that dies, and weeps
for every soul in vain.

Although you sit in a room that is gray,
Except for the silver
Of the straw-paper,
And pick
At your pale white gown;
Or lift one of the green beads
Of your necklace,
To let it fall;
Or gaze at your green fan
Printed with the red branches of a red willow;
Or, with one finger,
Move the leaf in the bowl--
The leaf that has fallen from the branches of the forsythia
Beside you...
What is all this?
I know how furiously your heart is beating.

Ye learnèd sisters, which have oftentimes
Beene to me ayding, others to adorne,
Whom ye thought worthy of your gracefull rymes,
That even the greatest did not greatly scorne
To heare theyr names sung in your simple layes,
But joyèd in theyr praise;
And when ye list your owne mishaps to mourne,
Which death, or love, or fortunes wreck did rayse,
Your string could soone to sadder tenor turne,
And teach the woods and waters to lament
Your dolefull dreriment:
Now lay those sorrowfull complaints aside;
And, having all your heads with girlands crownd,
Helpe me mine owne loves prayses to resound;
Ne let the same of any be envide:
So Orpheus did for his owne bride!
So I unto my selfe alone will sing;
The woods shall to me answer, and my Eccho ring.

Early, before the worlds light-giving lampe
His golden beame upon the hils doth spred,
Having disperst the nights unchearefull dampe,
Doe ye awake; and, with fresh *****-hed,
Go to the bowre of my belovèd love,
My truest turtle dove;
Bid her awake; for ***** is awake,
And long since ready forth his maske to move,
With his bright Tead that flames with many a flake,
And many a bachelor to waite on him,
In theyr fresh garments trim.
Bid her awake therefore, and soone her dight,
For lo! the wishèd day is come at last,
That shall, for all the paynes and sorrowes past,
Pay to her usury of long delight:
And, whylest she doth her dight,
Doe ye to her of joy and solace sing,
That all the woods may answer, and your eccho ring.

Bring with you all the Nymphes that you can heare
Both of the rivers and the forrests greene,
And of the sea that neighbours to her neare:
Al with gay girlands goodly wel beseene.
And let them also with them bring in hand
Another gay girland
For my fayre love, of lillyes and of roses,
Bound truelove wize, with a blew silke riband.
And let them make great store of bridale poses,
And let them eeke bring store of other flowers,
To deck the bridale bowers.
And let the ground whereas her foot shall tread,
For feare the stones her tender foot should wrong,
Be strewed with fragrant flowers all along,
And diapred lyke the discolored mead.
Which done, doe at her chamber dore awayt,
For she will waken strayt;
The whiles doe ye this song unto her sing,
The woods shall to you answer, and your Eccho ring.

Ye Nymphes of Mulla, which with carefull heed
The silver scaly trouts doe tend full well,
And greedy pikes which use therein to feed;
(Those trouts and pikes all others doo excell;)
And ye likewise, which keepe the rushy lake,
Where none doo fishes take;
Bynd up the locks the which hang scatterd light,
And in his waters, which your mirror make,
Behold your faces as the christall bright,
That when you come whereas my love doth lie,
No blemish she may spie.
And eke, ye lightfoot mayds, which keepe the deere,
That on the hoary mountayne used to towre;
And the wylde wolves, which seeke them to devoure,
With your steele darts doo chace from comming neer;
Be also present heere,
To helpe to decke her, and to help to sing,
That all the woods may answer, and your eccho ring.

Wake now, my love, awake! for it is time;
The Rosy Morne long since left Tithones bed,
All ready to her silver coche to clyme;
And Phoebus gins to shew his glorious hed.
Hark! how the cheerefull birds do chaunt theyr laies
And carroll of Loves praise.
The merry Larke hir mattins sings aloft;
The Thrush replyes; the Mavis descant playes;
The Ouzell shrills; the Ruddock warbles soft;
So goodly all agree, with sweet consent,
To this dayes merriment.
Ah! my deere love, why doe ye sleepe thus long?
When meeter were that ye should now awake,
T’ awayt the comming of your joyous make,
And hearken to the birds love-learnèd song,
The deawy leaves among!
Nor they of joy and pleasance to you sing,
That all the woods them answer, and theyr eccho ring.

My love is now awake out of her dreames,
And her fayre eyes, like stars that dimmèd were
With darksome cloud, now shew theyr goodly beams
More bright then Hesperus his head doth rere.
Come now, ye damzels, daughters of delight,
Helpe quickly her to dight:
But first come ye fayre houres, which were begot
In Joves sweet paradice of Day and Night;
Which doe the seasons of the yeare allot,
And al, that ever in this world is fayre,
Doe make and still repayre:
And ye three handmayds of the Cyprian Queene,
The which doe still adorne her beauties pride,
Helpe to addorne my beautifullest bride:
And, as ye her array, still throw betweene
Some graces to be seene;
And, as ye use to Venus, to her sing,
The whiles the woods shal answer, and your eccho ring.

Now is my love all ready forth to come:
Let all the virgins therefore well awayt:
And ye fresh boyes, that tend upon her groome,
Prepare your selves; for he is comming strayt.
Set all your things in seemely good aray,
Fit for so joyfull day:
The joyfulst day that ever sunne did see.
Faire Sun! shew forth thy favourable ray,
And let thy lifull heat not fervent be,
For feare of burning her sunshyny face,
Her beauty to disgrace.
O fayrest Phoebus! father of the Muse!
If ever I did honour thee aright,
Or sing the thing that mote thy mind delight,
Doe not thy servants simple boone refuse;
But let this day, let this one day, be myne;
Let all the rest be thine.
Then I thy soverayne prayses loud wil sing,
That all the woods shal answer, and theyr eccho ring.

Harke! how the Minstrils gin to shrill aloud
Their merry Musick that resounds from far,
The pipe, the tabor, and the trembling Croud,
That well agree withouten breach or jar.
But, most of all, the Damzels doe delite
When they their tymbrels smyte,
And thereunto doe daunce and carrol sweet,
That all the sences they doe ravish quite;
The whyles the boyes run up and downe the street,
Crying aloud with strong confusèd noyce,
As if it were one voyce,
*****, iö *****, *****, they do shout;
That even to the heavens theyr shouting shrill
Doth reach, and all the firmament doth fill;
To which the people standing all about,
As in approvance, doe thereto applaud,
And loud advaunce her laud;
And evermore they *****, ***** sing,
That al the woods them answer, and theyr eccho ring.

Loe! where she comes along with portly pace,
Lyke Phoebe, from her chamber of the East,
Arysing forth to run her mighty race,
Clad all in white, that seemes a ****** best.
So well it her beseemes, that ye would weene
Some angell she had beene.
Her long loose yellow locks lyke golden wyre,
Sprinckled with perle, and perling flowres atweene,
Doe lyke a golden mantle her attyre;
And, being crownèd with a girland greene,
Seeme lyke some mayden Queene.
Her modest eyes, abashèd to behold
So many gazers as on her do stare,
Upon the lowly ground affixèd are;
Ne dare lift up her countenance too bold,
But blush to heare her prayses sung so loud,
So farre from being proud.
Nathlesse doe ye still loud her prayses sing,
That all the woods may answer, and your eccho ring.

Tell me, ye merchants daughters, did ye see
So fayre a creature in your towne before;
So sweet, so lovely, and so mild as she,
Adornd with beautyes grace and vertues store?
Her goodly eyes lyke Saphyres shining bright,
Her forehead yvory white,
Her cheekes lyke apples which the sun hath rudded,
Her lips lyke cherryes charming men to byte,
Her brest like to a bowle of creame uncrudded,
Her paps lyke lyllies budded,
Her snowie necke lyke to a marble towre;
And all her body like a pallace fayre,
Ascending up, with many a stately stayre,
To honors seat and chastities sweet bowre.
Why stand ye still ye virgins in amaze,
Upon her so to gaze,
Whiles ye forget your former lay to sing,
To which the woods did answer, and your eccho ring?

But if ye saw that which no eyes can see,
The inward beauty of her lively spright,
Garnisht with heavenly guifts of high degree,
Much more then would ye wonder at that sight,
And stand astonisht lyke to those which red
Medusaes mazeful hed.
There dwels sweet love, and constant chastity,
Unspotted fayth, and comely womanhood,
Regard of honour, and mild modesty;
There vertue raynes as Queene in royal throne,
And giveth lawes alone,
The which the base affections doe obay,
And yeeld theyr services unto her will;
Ne thought of thing uncomely ever may
Thereto approch to tempt her mind to ill.
Had ye once seene these her celestial threasures,
And unrevealèd pleasures,
Then would ye wonder, and her prayses sing,
That al the woods should answer, and your echo ring.

Open the temple gates unto my love,
Open them wide that she may enter in,
And all the postes adorne as doth behove,
And all the pillours deck with girlands trim,
For to receyve this Saynt with honour dew,
That commeth in to you.
With trembling steps, and humble reverence,
She commeth in, before th’ Almighties view;
Of her ye virgins learne obedience,
When so ye come into those holy places,
To humble your proud faces:
Bring her up to th’ high altar, that she may
The sacred ceremonies there partake,
The which do endlesse matrimony make;
And let the roring Organs loudly play
The praises of the Lord in lively notes;
The whiles, with hollow throates,
The Choristers the joyous Antheme sing,
That al the woods may answere, and their eccho ring.

Behold, whiles she before the altar stands,
Hearing the holy priest that to her speakes,
And blesseth her with his two happy hands,
How the red roses flush up in her cheekes,
And the pure snow, with goodly vermill stayne
Like crimsin dyde in grayne:
That even th’ Angels, which continually
About the sacred Altare doe remaine,
Forget their service and about her fly,
Ofte peeping in her face, that seems more fayre,
The more they on it stare.
But her sad eyes, still fastened on the ground,
Are governèd with goodly modesty,
That suffers not one looke to glaunce awry,
Which may let in a little thought unsownd.
Why blush ye, love, to give to me your hand,
The pledge of all our band!
Sing, ye sweet Angels, Alleluya sing,
That all the woods may answere, and your eccho ring.

Now al is done: bring home the bride againe;
Bring home the triumph of our victory:
Bring home with you the glory of her gaine;
With joyance bring her and with jollity.
Never had man more joyfull day then this,
Whom heaven would heape with blis,
Make feast therefore now all this live-long day;
This day for ever to me holy is.
Poure out the wine without restraint or stay,
Poure not by cups, but by the belly full,
Poure out to all that wull,
And sprinkle all the postes and wals with wine,
That they may sweat, and drunken be withall.
Crowne ye God Bacchus with a coronall,
And ***** also crowne with wreathes of vine;
And let the Graces daunce unto the rest,
For they can doo it best:
The whiles the maydens doe theyr carroll sing,
To which the woods shall answer, and theyr eccho ring.

Ring ye the bels, ye yong men of the towne,
And leave your wonted labors for this day:
This day is holy; doe ye write it downe,
That ye for ever it remember may.
This day the sunne is in his chiefest hight,
With Barnaby the bright,
From whence declining daily by degrees,
He somewhat loseth of his heat and light,
When once the Crab behind his back he sees.
But for this time it ill ordainèd was,
To chose the longest day in all the yeare,
And shortest night, when longest fitter weare:
Yet never day so long, but late would passe.
Ring ye the bels, to make it weare away,
And bonefiers make all day;
And daunce about them, and about them sing,
That all the woods may answer, and your eccho ring.

Ah! when will this long weary day have end,
And lende me leave to come unto my love?
How slowly do the houres theyr numbers spend?
How slowly does sad Time his feathers move?
Hast thee, O fayrest Planet, to thy home,
Within the Westerne fome:
Thy tyrèd steedes long since have need of rest.
Long though it be, at last I see it gloome,
And the bright evening-star with golden creast
Appeare out of the East.
Fayre childe of beauty! glorious lampe of love!
That all the host of heaven in rankes doost lead,
And guydest lovers through the nights sad dread,
How chearefully thou lookest from above,
And seemst to laugh atweene thy twinkling light,
As joying in the sight
Of these glad many, which for joy doe sing,
That all the woods them answer, and their echo ring!

Now ceasse, ye damsels, your delights fore-past;
Enough it is that all the day was youres:
Now day is doen, and night is nighing fast,
Now bring the Bryde into the brydall boures.
The night is come, now soon her disaray,
And in her bed her lay;
Lay her in lillies and in violets,
And silken courteins over her display,
And odourd sheetes, and Arras coverlets.
Behold how goodly my faire love does ly,
In proud humility!
Like unto Maia, when as Jove her took
In Tempe, lying on the flowry gras,
Twixt sleepe and wake, after she weary was,
With bathing in the Acidalian brooke.
Now it is night, ye damsels may be gon,
And leave my love alone,
And leave likewise your former lay to sing:
The woods no more shall answere, nor your echo ring.

Now welcome, night! thou night so long expected,
That long daies labour doest at last defray,
And all my cares, which cruell Love collected,
Hast sumd in one, and cancellèd for aye:
Spread thy broad wing over my love and me,
That no man may us see;
And in thy sable mantle us enwrap,
From feare of perrill and foule horror free.
Let no false treason seeke us to entrap,
Nor any dread disquiet once annoy
The safety of our joy;
But let the night be calme, and quietsome,
Without tempestuous storms or sad afray:
Lyke as when Jove with fayre Alcmena lay,
When he begot the great Tirynthian groome:
Or lyke as when he with thy selfe did lie
And begot Majesty.
And let the mayds and yong men cease to sing;
Ne let the woods them answer nor theyr eccho ring.

Let no lamenting cryes, nor dolefull teares,
Be heard all night within, nor yet without:
Ne let false whispers, breeding hidden feares,
Breake gentle sleepe with misconceivèd dout.
Let no deluding dreames, nor dreadfull sights,
Make sudden sad affrights;
Ne let house-fyres, nor lightnings helpelesse harmes,
Ne let the Pouke, nor other evill sprights,
Ne let mischivous witches with theyr charmes,
Ne let hob Goblins, names whose sence we see not,
Fray us with things that be not:
Let not the shriech Oule nor the Storke be heard,
Nor the night Raven, that still deadly yels;
Nor damnèd ghosts, cald up with mighty spels,
Nor griesly vultures, make us once affeard:
Ne let th’ unpleasant Quyre of Frogs still croking
Make us to wish theyr choking.
Let none of these theyr drery accents sing;
Ne let the woods them answer, nor theyr eccho ring.

But let stil Silence trew night-watches keepe,
That sacred Peace may in assurance rayne,
And tymely Sleep, when it is tyme to sleepe,
May poure his limbs forth on your pleasant playne;
The whiles an hundred little wingèd loves,
Like divers-fethered doves,
Shall fly and flutter round about your bed,
And in the secret darke, that none reproves,
Their prety stealthes shal worke, and snares shal spread
To filch away sweet snatches of delight,
Conceald through covert night.
Ye sonnes of Venus, play your sports at will!
For greedy pleasure, carelesse of your toyes,
Thinks more upon her paradise of joyes,
Then what ye do, albe it good or ill.
All night therefore attend your merry play,
For it will soone be day:
Now none doth hinder you, that say or sing;
Ne will the woods now answer, nor your Eccho ring.

Who is the same, which at my window peepes?
Or whose is that faire face that shines so bright?
Is it not Cinthia, she that never sleepes,
But walkes about high heaven al the night?
O! fayrest goddesse, do thou not envy
My love with me to spy:
For thou likewise didst love, though now unthought,
And for a fleece of wooll, which privily
The Latmian shepherd once unto thee brought,
His pleasures with thee wrought.
Therefore to us be favorable now;
And sith of wemens labours thou hast charge,
And generation goodly dost enlarge,
Encline thy will t’effect our wishfull vow,
And the chast wombe informe with timely seed
That may our comfort breed:
Till which we cease our hopefull hap to sing;
Ne let the woods us answere, nor our Eccho ring.

And thou, great Juno! which with awful might
The lawes of wedlock still dost patronize;
And the religion of the faith first plight
With sacred rites hast taught to solemnize;
And eeke for comfort often callèd art
Of women in their smart;
Eternally bind thou this lovely band,
And all thy blessings unto us impart.
And thou, glad

¿Adónde fuiste, Amor; adónde fuiste?
Se extinguió del poniente el manso fuego,
y tú que me decías: «hasta luego,
volveré por la noche»... ¡no volviste!
¿En qué zarzas tu pie divino heriste?
¿Qué muro cruel te ensordeció a mi ruego?
¿Qué nieve supo congelar tu apego
y a tu memoria hurtar mi imagen triste?
...Amor, ¡ya no vendrás! En vano, ansioso,
de mi balcón atalayando vivo
el campo verde y el confín brumoso;
y me finge un celaje fugitivo
nave de luz en que, al final reposo,
va tu dulce fantasma pensativo.

La vida que murmura. La vida abierta.
La vida sonriente y siempre inquieta.
La vida que huye volviendo la cabeza,
tentadora o quizá, sólo niña traviesa.
La vida sin más. La vida ciega
que quiere ser vivida sin mayores consecuencias,
sin hacer aspavientos, sin históricas histerias,
sin dolores trascendentes ni alegrías triunfales,
ligera, sólo ligera, sencillamente bella
o lo que así solemos llamar en la tierra.

Lento

You'll bare your bones you'll grow you'll pray you'll only know
When the light appears, boy, when the light appears
You'll sing & you'll love you'll praise blue heavens above
When the light appears, boy, when the light appears
You'll whimper & you'll cry you'll get yourself sick and sigh
You'll sleep & you'll dream you'll only know what you mean
When the light appears, boy, when the light appears
You'll come & you'll go, you'll wander to and fro
You'll go home in despair you'll wonder why'd you care
You'll stammer & you'll lie you'll ask everybody why
You'll cough and you'll pout you'll kick your toe with gout
You'll jump you'll shout you'll knock you're friends about
You'll bawl and you'll deny & announce your eyes are dry
You'll roll and you'll rock you'll show your big hard ****
You'll love and you'll grieve & one day you'll come believe
As you whistle & you smile the lord made you worthwhile
You'll preach and you'll glide on the pulpit in your pride
Sneak & slide across the stage like a river in high tide
You'll come fast or come on slow just the same you'll never know
When the light appears, boy, when the light appears

                                        May 3, 1987, 2:30 AM

Oh, primavera de las amapolas,
Tú que floreces para bien mi casa,
Luego que enjoyes las corolas,
Pasa.

Beso, la forma más voraz del fuego,
Clava sin miedo tu endiablada espuela,
Quema mi alma, pero luego,
Vuela.

Risa de oro que movible y loca
Sueltas el alma, de las sombras, presa,
En cuanto asomes a la boca,
Cesa.

Lástima blanda del error amante
Que a cada paso el corazón diluye,
Vuelca tus mieles y al instante,
Huye.

Odio tremendo, como nada fosco,
Odio que truecas en puñal la seda,
Odio que apenas te conozco,
Queda.

My "place of clear water,"
the first hill in the world
where springs washed into
the shiny grass

and darkened cobbles
in the bed of the lane.
Anahorish, soft gradient
of consonant, vowel-meadow,

after-image of lamps
swung through the yards
on winter evenings.
With pails and barrows

those mound-dwellers
go waist-deep in mist
to break the light ice
at wells and dunghills.

I do not ask for youth, nor for delay
in the rising of time's irreversible river
that takes the jewelled arc of the waterfall
in which I glimpse, minute by glinting minute,
all that I have and all I am always losing
as sunlight lights each drop fast, fast falling.

I do not dream that you, young again,
might come to me darkly in love's green darkness
where the dust of the bracken spices the air
moss, crushed, gives out an astringent sweetness
and water holds our reflections
motionless, as if for ever.

It is enough now to come into a room
and find the kindness we have for each other
— calling it love — in eyes that are shrewd
but trustful still, face chastened by years
of careful judgement; to sit in the afternoons
in mild conversation, without nostalgia.

But when you leave me, with your jauntiness
sinewed by resolution more than strength
— suddenly then I love you with a quick
intensity, remembering that water,
however luminous and grand, falls fast
and only once to the dark pool below.

Child of a day, thou knowest not
The tears that overflow thy urn,
The gushing eyes that read thy lot,
Nor, if thou knewest, couldst return!

And why the wish! the pure and blest
Watch like thy mother o'er thy sleep.
O peaceful night! O envied rest!

Dagli atrii muscosi, dai fori cadenti,
Dai boschi, dall'**** fucine stridenti,
Dai solchi bagnati di servo sudor,
Un volgo disperso repente si desta;
Intende l'orecchio, solleva la testa
Percosso da novo crescente romor.
Dai guardi dubbiosi, dai pavidi volti,
Qual raggio di sole da nuvoli folti,
Traluce de' padri la fiera virtù:
Ne' guardi, ne' volti, confuso ed incerto
Si mesce e discorda lo spregio sofferto
Col misero orgoglio d'un tempo che fu.
S'aduna voglioso, si sperde tremante,
Per torti sentieri, con passo vagante,
Fra tema e desire, s'avanza e ristà;
E adocchia e rimira scorata e confusa
De' crudi signori la turba diffusa,
Che fugge dai brandi, che sosta non ha.
Ansanti li vede, quai trepide fere,
Irsuti per tema le fulve criniere,
Le note latebre del covo cercar;
E quivi, deposta l'usata minaccia,
Le donne superbe, con pallida faccia,
I figli pensosi pensose guatar.
E sopra i fuggenti, con avido brando,
Quai cani disciolti, correndo, frugando,
Da ritta, da manca, guerrieri venir:
Li vede, e rapito d'ignoto contento,
Con l'agile speme precorre l'evento,
E sogna la fine del duro servir.
Udite! Quei forti che tengono il campo,
Che ai vostri tiranni precludon lo scampo,
Son giunti da lunge, per aspri sentier:
Sospeser le gioie dei prandi festosi,
Assursero in fretta dai blandi riposi,
Chiamati repente da squillo guerrier.
Lasciar nelle sale del tetto natio
Le donne accorate, tornanti all'addio,
A preghi e consigli che il pianto troncò:
Han carca la fronte de' pesti cimieri,
Han poste le selle sui bruni corsieri,
Volaron sul ponte che cupo sonò.
A torme, di terra passarono in terra,
Cantando giulive canzoni di guerra,
Ma i dolci castelli pensando nel cor:
Per valli petrose, per balzi dirotti,
Vegliaron nell'arme le gelide notti,
Membrando i fidati colloqui d'amor.
Gli oscuri perigli di stanze incresciose,
Per greppi senz'orma le corse affannose,
Il rigido impero, le fami durâr;
Si vider le lance calate sui petti,
A canto agli scudi, rasente agli elmetti,
Udiron le frecce fischiando volar.
E il premio sperato, promesso a quei forti,
Sarebbe, o delusi, rivolger le sorti,
D'un volgo straniero por fine al dolor?
Tornate alle vostre superbe ruine,
All'opere imbelli dell'**** officine,
Ai solchi bagnati di servo sudor.
Il forte si mesce col vinto nemico,
Col novo signore rimane l'antico;
L'un popolo e l'altro sul collo vi sta.
Dividono i servi, dividon gli armenti;
Si posano insieme sui campi cruenti
D'un volgo disperso che nome non ha.

Una palabra perversa,
de difícil comprensión,
que me trae tanta amargura
y tanta desilusión,
que con solo mencionarla
se me parte el corazón.
La guerra,
palabra necia y pueril,
que desemboca en el llanto
en la pena y el morir,
¿quién no tiembla al escucharla?,
¿quién se puede resistir
al llanto de tanta gente?,
gente que puede morir,
y esto no es todo lo malo,
lo peor está por venir,
las matanzas de inocentes,
a tus hijos ver morir,
a tus mayores lisiados
intentando resistir,
La guerra,
una palabra incoherente
que no puedo definir,
y al no poder comprenderla
solo me queda decir,
que aquellos que las provocan
y quien la apoye también,
reciban como castigo
el de no poder dormir,
que sueñen todas las noches
viendo a las gentes morir,
a los niños mutilados
y a los ancianos sufrir,
y que el día de su muerte
les vengan a recibir
las almas de aquellas gentes
a los que ayudó a morir,
que solo el que da la vida,
es quien la puede pedir.