I smiled so wide my molars got jealous. Everyone said I looked stunning. I said thank you in the voice I reserve for customer service and playing dumb. That’s the closest I’ve come to a scream this week.
I wore the dress that says: I’m over it. (It lies.) I walked like a question mark straightened out with rage.
There was a man in the corner making balloon animals. He asked what I wanted. I said surprise me. He handed me a noose shaped like a swan.
No one noticed. Or maybe that’s just what I tell myself to feel interesting.
Later, someone told a joke I didn’t get. I laughed like I was being watched.
The punchline wasn’t funny. It just echoed like something I would’ve said before I got careful.
I stood in the kitchen with a paper plate of olives and nothing, holding it like proof I was doing fine.
Someone spilled wine on the couch. I said I’ve ruined better things. Everyone laughed like I meant it to be charming. (I didn’t.)
A girl in white heels asked me how I knew the host. I said same way I know most people— by accident, and with the kind of premonition that wears perfume.
The bathroom mirror was cracked. I counted the breaks like confessions and chose not to atone. The soap smelled like fruit that only exists in dreams you wake up crying from.
I reapplied my lip stain like armor, like alibi, like an exit strategy.
Then I left without saying goodbye because I couldn’t figure out how to do it quietly and still be missed.
A poem about the quiet performance of "doing fine." It's about olives, nothing, and everything under the surface. How we decorate our sadness to make it digestible. How we want to disappear, but be remembered as something haunting. This one came out sharp and honest. I hope it finds the ones who feel it.