Jan 2017
I have mistaken you, for the great wielder of language, that in the times of Caesar my father, my hero, the castle builder in mid-century medieval Spain, he was not. Painting mustard seeds and his mistake, bulbs of garlic for warding off the blood-suckers, I don't think it was his intention, but he could paint potatoes the flavor of want my sister and I so craved when she and I and him, revering in our trident throng forged language before a fading Tuesday night.
A painter is great rarely, but occurs in small, adequate attic-like spaces, empty squares upon squares, readied for the taking of language. Art might be the purveyor of its own bright useless entity, bright ripened similes squeezed out of the Dutch into the Latin vernacular our father failed to remember while poking him at midnight to rile him up to bed.
It was a mistake, the one my Godfather made when he started studying French with himself. No ranking professor can rank himself into his own pedagogy. Language might have lost its roots, maybe it even lost its qualities of being official.
"This is the office of the president."
"The President of the United States?"
"No, the president of the DISH Network."
This is for me, not any president I serve. You could have learnedly observed the words my father would spell to me, each individual vowel and consonant given their own power. However, not my mother or sister could undertake with adequate prowess the tenant of speaking as such, and their tongues suffered as their palates poorly undertook their flustered attempts to enter our philocalist resolve for Caesarian language.
Sadly now, as I think of reading. I think of your fingers and what you must certainly claim to be such grandiose proficiency, your digits and dactyls bring a melancholy hoop of unpleasantries to my eyes. Your mistake has been writing as you speak, and speaking as the free-style spoken-word "artists" attempt to do, in a horrifically insufficient and inarticulate way. I know your mistake when I open myself to read the Associated Press, listen to what Capitol Hill has to say, even coming down from the end of the bar it is a sick knot of undoing that I so wish any children we have will never be privy to.
Except on this Monday night where we can still commit our lives to one another without becoming the indigestible alphabet that has evolved into a toxin around us. What chance does poetry have if sentences collapse in short-dialogues? What will become of our hands? Will they forget the feeling of a pen or pencil in their grip? Certainly, those short notes and scribbles of cursive my mother left for my father, sister, and I will take themselves into antiquity with cuneiform and chalk, whether in Spain, The States, or another place, they have stormed out world with writing and grammar mistakes. He who must pretend to be understood by taking up the thesaurus to talk, will never have the qualities necessary to write without totally ******* it up.
A painter is great rarely, but occurs in small, adequate attic-like spaces, empty squares upon squares, readied for the taking of language. Art might be the purveyor of its own bright useless entity, bright ripened similes squeezed out of the Dutch into the Latin vernacular our father failed to remember while poking him at midnight to rile him up to bed.
It was a mistake, the one my Godfather made when he started studying French with himself. No ranking professor can rank himself into his own pedagogy. Language might have lost its roots, maybe it even lost its qualities of being official.
"This is the office of the president."
"The President of the United States?"
"No, the president of the DISH Network."
This is for me, not any president I serve. You could have learnedly observed the words my father would spell to me, each individual vowel and consonant given their own power. However, not my mother or sister could undertake with adequate prowess the tenant of speaking as such, and their tongues suffered as their palates poorly undertook their flustered attempts to enter our philocalist resolve for Caesarian language.
Sadly now, as I think of reading. I think of your fingers and what you must certainly claim to be such grandiose proficiency, your digits and dactyls bring a melancholy hoop of unpleasantries to my eyes. Your mistake has been writing as you speak, and speaking as the free-style spoken-word "artists" attempt to do, in a horrifically insufficient and inarticulate way. I know your mistake when I open myself to read the Associated Press, listen to what Capitol Hill has to say, even coming down from the end of the bar it is a sick knot of undoing that I so wish any children we have will never be privy to.
Except on this Monday night where we can still commit our lives to one another without becoming the indigestible alphabet that has evolved into a toxin around us. What chance does poetry have if sentences collapse in short-dialogues? What will become of our hands? Will they forget the feeling of a pen or pencil in their grip? Certainly, those short notes and scribbles of cursive my mother left for my father, sister, and I will take themselves into antiquity with cuneiform and chalk, whether in Spain, The States, or another place, they have stormed out world with writing and grammar mistakes. He who must pretend to be understood by taking up the thesaurus to talk, will never have the qualities necessary to write without totally ******* it up.
