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Paul Hansford May 2020
People who indulge in tittle-tattle and rumour
put me in a bad humour.
Without wishing to be unduly formal
I can state that as a rule reality is pretty normal,
which I suppose explains the fun to be had
by folk who reckon they can add
two and two, but almost invariably make it more
than what it should be, viz., i.e., or to wit, four.
Call me cynical,
but too many people's approach to the truth is far from clinical.
So it no longer gives me any surprise to
know the conjectures that the simplest remark can give rise to.
A ****** of overheard conversation
in all likelihood has a very mundane explanation,
on account of (as I said before) reality
for most of us being of a mind-numbing banality.
The interest that rumour-mongers can find,
in the further imaginative reaches of the mind,
however, is considerably higher.
But then they have the effrontery to attempt to justify
     their outrageous speculations by claiming that there's
     no smoke without fire,
"The breathless jumble of words would not be so funny if we did  not hear in the background the tetrameter or pentameter line that our poetry-attuned ears have been trained on and that Nash is writing against." (Billy Collins)
Paul Hansford May 2020
(Things aren't always what they seem,
and the same goes for people.)

It's a commonly held belief,
a theory by many supposed,
that inside every fat person
a thin person's enclosed.

And it's often been said before
(though that doesn't make it less truth)
that inside many a middle-aged man
beats the heart of a passionate youth.

A girl who appears just a butterfly
may deep down be a slave to her duty;
and one with the plainest exterior
may be blessed with a soul full of beauty.

But here is another hypothesis
I'd respectfully like to suggest
- if no-one has any objection -
that might take up its place with the rest.

If I'd courage to match my conviction
I might stand on the table and shout,
but it's this. . . . Inside every introvert
there's an extrovert trying to get out.
Paul Hansford May 2020
Have we known each other forever?
Might we have met before,
in another life?  
But where and when,
or how it might have happened,
I cannot know.
And in that other possible world
did we know each other
in good times and bad?

Were we friends?
Good friends?
Possibly lovers?
Or simply strangers,
occupying the same universe,
not knowing each other,
but destined to meet again
in different circumstances?

And shall we go on through time,
meeting and parting
again and again,
with pleasure or regret,
or, most likely, a mixture of the two?

I only know that your eyes,
your smile,
speak to me in a language of their own,
which I hope will continue
while we both exist,
in this world or another.
Paul Hansford Mar 2020
Of all the seasons, summer
is timeless.
The summerblown cornfield,
windwaving sunbleached white gold,
is forever,
and the time of wild strawberries,
small and freely given,
is outside time.

Happy dreams too
are timeless.
On waking I am filled
with an oceangrey
mistgrey
cloudgrey
regret
that the dream was not reality.
Yet I am glad to have felt joy,
and the beauty overcomes the sadness,
as the sweet wild sound of the pibroch
transcends the lament
that gave it birth.
Pibroch: a form of music for the Scottish bagpipes involving elaborate variations on a theme, typically of a martial or funerary character.
Paul Hansford Mar 2020
I wanted to write a poem with its own
self-contained harmonies, like the counterpoint of Bach,
half a dozen instruments playing at once,
each one retaining its own
purity while contributing to a pure whole;

or one that should summon up Provence,
with its olive trees, cypresses, and sunflowers
(after van Gogh), and somehow convey the heat
and the perfumed air and the sound
of cicadas;

or one that, like a jewel,
small but perfectly formed,
refracting the light of experience
through each cunningly crafted facet,
might return it in flash after dazzling flash
of inspiration.

I have no ambition to write
the poetical equivalent of the Sistine Chapel,
but I have envied Michelangelo
(Superman of the Renaissance)
his X-ray vision.  He could see
the statue inside the stone.
Why must I so often fail to see
the poem for the words?
Paul Hansford Jan 2020
So many years, so many miles go by.
In smiles and tears the storms of life we've passed
and made our home together, you and I,
through thick and thin, together to the last.

Well, not the last maybe - we're not there yet.
However many years behind us lie,
we're still prepared, however old we get,
to sail the seas or fly up in the sky.

We've seen so much, in all those far-off places,
we've shared so many moments in our life,
the years have etched their lines upon our faces.
We've been through such a lot as man and wife,

but still we'll go, forever hand in hand,
together till we find our promised land.
  Dec 2019 Paul Hansford
Marri
Listen.

Can't you hear the creak of the floorboards?
Can't you hear the faint call of a name?

The house still thinks you're there;
The rooms still think you're breathing.

Listen.

Can't you hear the crunch of the frost coated grass?
Can't you hear the turn of the engine?
(Roaring to life)

The earth still thinks you step there.
The car still thinks you drive there.

Feel it?

Can't you feel the sweat building up between tightly grasped hands?
Can't you feel the head so gently laid upon your arm?

The hands still think you're coming back--
The heart still thinks you're beating together.

The image of you and her dancing barefoot throughout the house still flashes.
The sound of you and her whispers still linger.
The feeling of you and her still in love is there.

Remember?

The sound of the radio still statics in and out.
The feeling of warm love still beats inside.
The sight of a smile and laughter still is engraved in the mind.

Remember?

You and her together.
You and her forever.

Remember?

She remembers.
She still sees you dancing through the house.
She still hears you whispering love melodies.
She still feels you there with her,
Lingering, tingling, staying forever--
Haunting her.
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