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Jan 2014 · 1.2k
Can't count your reads? Then
Nat Lipstadt Jan 2014
Count your friends instead.
the one who notify you that
your existence enhances them!

so for those special few,
I will say what ere I promised
Never to Say,

I like you too.

so count me instead,
read me like I read you,
In and Out,
Front and Back,
gotcha coming and going.

I'm notifying you,
You-we, are the best,
of Us,
and count me in
you.
Thank u Elizabeth for the inspiration...
Jan 2014 · 1.9k
I'm tired of rich people
Nat Lipstadt Jan 2014
rock and movie stars?
TV shows
telling me how to live.

gonna have my people call your people
to set up a meet,
so I can tell you direct
shut the **** up,
please.
Jan 2014 · 1.6k
I'm rich in itty-bittys
Nat Lipstadt Jan 2014
it's the little things
that please me

color coded my earbuds
so I know my right from my left
in the pitch black.

it's the little things
that please me,
and the big things
that defeat me.

I'm rich in itty-bittys

There are no definitions available for itty-bittys.
Did you mean:
itsy-bitsy titbits itty-bitty-butts?


yeah,
all three, thanks for doing the writing for me.

some-a-day,
gonna get me a big big closet,
a whole closet room,
to store my itty bittys teeny weeny
tidbits riches.

if I make it to
some-a-day,
just can't find it on my calendar,
but every morning
I wake to big things
wishing me cruelly
have-a-nice-day.
Jan 2014 · 1.4k
sun resistant
Nat Lipstadt Jan 2014
Not even 6:00am,
a sun has climbed over hills,
ex-mountains of a thousand years ago.

sun rises, and the
*Melancholia *
right behind it.

your world,
teeter-tottering,
the sun you custom ordered
to warm chests,
well my body armor is
also custom ordered too,
gotcha,
it is
sun and
Sunday ~ Saturday resistant.
Jan 2014 · 1.6k
Spillin' Ink
Nat Lipstadt Jan 2014
They say I spilt good ink.

blood is inky blue, true,
only as long oxygen external
declines to be untroduced

strikes me as toxic ironic,
wherefore a goodly
dim sum of my
"Poetry"
comes from,
the ink in
the bottle,
what spilt,
gotta be
drops of
me sad bad/and you,
an iced tea mixed blueblood
by nobody's definition.

You see.
I
(oh how I dislike that ego vowel)
write of myself
for myself

but lock your gaze on that person
on the right or perhaps left,
in the panting crowd
of you voyeurs,
it
could be me
watching me
Writhe,
oops meant
write

If the tongue his inky pinky red
then you knowing who you
will be voyeuring,

me
ink spillin'
that oxygenized ink
that is writing the rusty
Blues
Jan 2014 · 1.2k
too true
Nat Lipstadt Jan 2014
Somethings false
somethings true
somethings are
too true

the elements looked inside my brain
said this man needs some storm rain wind
to aid and abet his pernicious melancholic

too true

worries list and complain ain't gonna do,
put when a revelation slips out
that touches the highest priority
pain points
writing poetry
can't help
even and especially if

too true

like to tell you I am happy to be alive
but that would be a lie

somewhere behind my forehead is
an amorphous ache that only goes quietude
but Cain marked never disappears.

you can't take it with you,
happiness seems to have a shelf life,
a half life, that cuts the time you get to get it
in half.

but the amorphous ache
you call depression
that I call
desperation
has no life,
it just never dies

Rain, flooding and wind advisories
come to mix and match
the desperation that is
pill-proof

they don't laugh at me,
cause they know
desperation is
too true.
Nat Lipstadt Jan 2014
after five years
when I write her a love poem,
she is always surprised,
her unexpectation
so very pleases me.

after five years
when I write her a love poem,
I am always surprised,
that a new way to say it,
uncovered.

but this I can tell you,
not once
do I ever write
nor will I ever pen
those I love you words.

they are too easy, too cheap,
a dime a dozen,
naked words make me weep,
dress 'em, cloak 'em, try to
Pradip 'em in
mystery, charming humor,
use conjuring spells of
Bala imagery unreal,
Bzynga!

work hard to tell her why,
work hard to guard your originality,
work hard to tell her in ways
that her into me
smiling, crying, punching.

so I write love poems,
every now and then,
special ways recalled,
teasing her about her forgetfulness,
about her teasing me with rhyming
that is less than spectacular,
how my body has
reshaped itself to fit her.

tell her
I love you,
plain,
well that be downright,

pffft.
(an interjection used to express or indicate
a dying or fizzling out)

the key is to tell her
in a fashion original,
personal to us.

that what all these endless
love poems here strive,
but too oft, fail to arrive.
all tricked up, too direct,
passion burnt used up
after but a single read

stroke her cheek
with soft stanzas,
torrential directness,
no subtly,
fizzles.

write for the long haul,
words that five years hence,
words that five hundred years hence,
make her into me
smiling, crying, punching,
like the first time
she read them,
like they did
five years ago.
Jan. 9th, 2013
Jan 2014 · 1.6k
wind chill painting
Nat Lipstadt Jan 2014
written in midtown Manhattan while waiting for a bus, last year, and dedicated to anyone who has been cold latest lately.*

sustained winds
magic-make
20 degrees
feel like zero,
waiting for the M57 bus
that cannot
iceman cometh
soon enough.

bus shelter soldier
marching to and fro,
a guardsman on duty,
passing the he-waiting time
by dream reviving
last night's pastime,
secret activity,

like coffee cup
comet tail sips,
re-image, re engage,
re-heat just enough,
to temper and mind deceive.

recall dreams of painting,
the frame,
already hung,
the naked white wall,
blank canvas,
dreams are time to experiment.

what I paint, however,
extends beyond the frame,
the mind visions,
landslide down,
secreted colors,
images, born and lifted,
upward bound,
street steam rising,
from wall to sky,
letters float.

tho scarfed and gloved,
my painted words,
crisp and crackle,
boundary break,
extend beyond the frame.
wind-chill
tactile exterior defeated,
the burn
of mind creativity
succeeds.

Jan 24th 2013
2:42 AM
Written in the cold, about the cold, and the mind tricks played to defeat it.
Jan 2014 · 797
Lost all sensation
Nat Lipstadt Jan 2014
All five

Yet
Write on
only in the mind,
where my senses
are even keener

see?
Jan 2014 · 1.2k
Version Two
Nat Lipstadt Jan 2014
in the theater,

(awaiting the curtain rising),
woman looks at me,
(I say)
Tangerines.

punches me
in the arm,
again
(and again)
read her mind,
knowing
silently making
shopping list.

in kitchen,

looking confused,
what the heck
did I come in here for,
surreptitious smiling,
(i suggest)
cuppa tea be nice.

looks at me queer
(and says)
**** it,
stop doing  that!


in car,

home bound,

turns to me
(I say,)
veggie burger,
a great idea for dinner.


can't hit me cause

doing the driving,
makes instead
she-laughing,
teeth gnashing
grunting noises
(most comical)

no Houdini,
(who dat?)
5 years on
read her like
the book.

book of poems

she has
co-authored
entitled
**the mystery of no mystery
6:00 PM
In the sun room, smiling.
May 25, 2013

re used, re vised
Jan. 7, 2014
Jan 2014 · 644
If you begin a poem with I
Nat Lipstadt Jan 2014
you have already failed
You may see and know it through your eyes,
but share,
write it, as if
We
saw it, so we read and say
yes, me too!
be universal
Jan 2014 · 1.4k
what day is the sabbath?
Nat Lipstadt Jan 2014
from rest born,
in rest ended,
this day

his head
upon the
serpentine
of her waist and hip,
glove for hand,
never fit better

few words spoken,
not a one from
necessity

even these,
just a record,
otherwise,
superfluous

the in between minutes
of one of his twenty three
thousand days were not
rest easy or
worry free

but
it matters not,
for the birthing and death
of this one,
just another ordinary,
were a midweek
sabbath

and what is a sabbath?

a day (and night) of rest

the hours
in between,
just a waiting room,
till his head,
upon her hip,
yet again,
a sabbath observed
from grace born,
in grace ended



composed
this ending evening of
january the
seventh
what is a poem?
a moment of reflection videotaped in words for posterity.

I see,
I think,
then in and of grace,
do write.
Jan 2014 · 1.6k
Stones and Embraces
Nat Lipstadt Jan 2014
A time to cast away stones, and a time to gather stones together;
a time to embrace, and a time to refrain from embracing.
Ecclesiastes 3:5.

long, long long
have I known
the contradictory meaning thereof,
for I authored it,
time immemorial

till the day came
when understanding parted,
left for another prophet,
another poet,
for this how the world's words go,
round and around

left me
re commencing
re imaging
re imagining,
new era words,
newer versions,
new heards
newer mergings

stones and embraces
ha!

"Two of my favorite things"

no, that's been done...

"Let's go get ****** and..."

nope, that's been done

So,
spark sublime divine
give me a second chance,
compose me a vision
that gathers these
mutual funds of
contrasting similarities
in a bow tied connection
singular, worthy of
song and daily recitation!

her embrace was a stone necklace
around my throat,
sackcloth was my shroud,
to the sea bottom was impaled,
by the stony apparition
of the unrequited embrace


Ugh

My beloved's embrace,
cracked the stones that surround
my uncaring register,
the cold still waters that hid it
now boiling from
her gathering me in

better.

one last try before I repent

embrace the stones
that obstacle the journey,
gather them in, together keep,
for they are the markers,
you have used,
you have been,
you have exhausted,
so long after the body ashed,
these words will trace for
those that follow the path
you marked with
these same stones
you gathered in
olden days of
simple joyous embrace*

this will,
must have to
do,
for the stones of
the angels of sleep have
arrived and undeterred,
upon my chest have,
inscribed and placed,
while bidding me adieu,
tucking me in,
gathering me to my rest,
a closing eyeing embracing,
in drowsy voices half clear:

sleep prophet,
the work done,
the words piled,
the stones now
mark your the
you final resting place
upon them ecrivez,
In The Future,
Keep It Simple Stupid
Pretty bad poetry, bad pretty poetry...but the spoof is the goof!
Nat Lipstadt Jan 2014
why and how should you know?

behind beneath in between the teeth

my fingerprint whorls and whirls

under other's names and
my secret identities

a word a phrase a hatchet a blade a
pruning knife,
a confession of confusion,
relieved by my cutting saves.

my stamp secreted my ***** implanted

my style unseen yet bidden,
my name hidden, my children born
but still is my heart,
like the parent that
has given up the child.

but you love my
screamed and un screamed, and my undoing of
the doing you not see me named

nature in paces and means
admit pleasure at my scrivinings
there but for the grace of whom

but to me

for am I but the
editor
o'er my bones that
*nobody knows
nobody sees,
nobody knows,
but me^

you tread,

crunching my invisibility
to smoke and smithereens,
the pimple on the poem
lifeless turned luscious,
yet, gnome gone the next day
^ Lyric from "long black veil", always give credit to the dew.


here a period, there a comma,
a phrase truncated,
a work saved, nay,
reimagined,
in the forest's silence
who can tell,
who swung the axe,
who grew the tree?
Jan 2014 · 1.1k
Ten minutes to write
Nat Lipstadt Jan 2014
ten minutes to write.

score the music,

melancholic
the repetitive phrase,
but
I refuse it.

instead I bathtub splash
hard soft rockin' roll,
the boon dog now soaking,
quizzes my sanity
what does he know?

Score the life times.

five minutes to write.
trite crumpled,
hook-shot into the trash,
but trite costly,
one minute of a lifetime,
scared, sacred, but scored by
ruts, grooves, ex personas in my life,
the black markers of my insane
pushed under the water,
drowned by music.

One minute to write.

Poem:
a good start to the day,
please pass the soap,
shampooed the trash out of my life,
the rest, now to start.
PostScript:
if shampoo or soap not be handy,
that trash when it comes,
just refuse it.
Jan 2014 · 1.9k
Swing I Know
Nat Lipstadt Jan 2014
"Swing is the mythical moment in rowing. When the energy an oarsman puts into the boat seems to perfectly propel the hull forward, when the crew moves in unison and the boat slides over the water, when the output seems to generate more energy and a grueling pace seems infinitely sustainable, a boat and the rowers aboard feel "swing."

Swing is trust.  Trust that you can do your own and the boat will fly because of everyone.  The moment of swing is the moment seared into the memory; a moment to be relived in recollection."


Swing I know.

Swing is when my
living words
fall and flow so fast,
they complain, to me,

Keep up, Keep up!

We are in unison in a moment,
forever sustainable, forever lived,
and forever relived,
a myth created,
a recollection
collected and preserved,
singing:

Swing low, sweet poet,
Comin' for to carry us home;
Swing low, sweet poet,
Comin' for to carry us home.
The swing comments re rowing have been in my "poem to write" file for years. Tonight it wrote itself in seconds, swinging.
Nat Lipstadt Jan 2014
One evening with a few friends in a borrowed minivan, we got a flat tire.   Changing the tire was so complicated (like PhD. complicated), we finally had the owner of the van drive over to finish the job while three other men stood and watched.   This poem came out of that night.



I think you become
a grownup
the moment,
the very second,
you realize at
some very, very
early age,
you have
limitations.

Perhaps not quite
a total grownup,
mature like,
but some
irreversible threshold crossed on
a life long voyage,
a descent of no return,
a Checkpoint Charlie crossed.

You will never be all you
want to be.

Some will disagree.

the day of maturation,
they'll claim,
comes on that day,

when clouds
of different shapes
call out your name,
raining saturation
of responsibilities,
(feed your family, son).

you
initial your acceptance
by quenching thirst by
drinking 'free' raindrops.

ain't arguing,
the when exactly,
for this highway-journey has
so many rest stops.

But
when your body
cracks with disappointment,
harvests the bitter knowing
that
can't,
means there will be no defying this truth, now self-evident:

there are somethings
you ain't gonna ever be,
or never be able to do.

here's the rub awful.

the street called
Recognition Rue
is the longest road to
a dead end
you are forced to travel,

and the cruelest part
of this joke is
you rue the day
and the next day
and the very next day,
when, each time,
the Dead End sign
moves along all by itself,
another block or two,
with you following,
behind by a
block or two.

after awhile,
you cease to curse,
satisfied with the certainty of discontent
you and your
bag of tools,
cannot have every,
will always be lacking,
the precise instrument
to do
every job right.

half good is likely
your total best,
so sadly shuffle along
at the bequest of
the little voice insisting, whining,
have to, gotta go...

You
want to jack me up
on a cross of
protestations,
words like learning,
and
promises to teach,
no limitations,
words that overreach
and hint of
lesson recitation.

I can't change a tire
but don't give a ****.

this is not how
I measure my self worth.

the sadness that prevails,
that contaminates my brow,
ain't mastery of survival skills
likely I'll never need again
don't need your
complementation/approbation
of what I can,
or rants
why I can't.

For nothing will ere exceed
the exasperation,
chest ripping
agony of frustration,
that one single poem
worthy of saving
has ever,
nor will yet,
never, will
leave my fingertips.


It is
forever detained
in the prison of my limitations.

now that's worth
acknowledging,
now that's worth asking
now that's worth
answering -

why, why, then,
grown up you,
keeps on trying,
surely sure,
that looking back
regretfully,
is useless,

(and you have heard
the lock click thunderous clap of:
"sorry son,
your presence is...
not needed,
no worries, we won't
ask you to do
when better
surrounds us everywhere").

Answer is:
that it is worth trying,
writing,
a poem about why,
I can't change a tire
and it don't matter,
just so I can say
to myself,

*I'll never be all the way grown up.
Nat Lipstadt Jan 2014
Disordered Thoughts, Naturally

the ceiling fan overhead
shakes back and forth,
beginning, a train of
disordered thoughts,
this poem,
the caboose.

reimagined, the fan,
it becomes
a yeshiva boy
fervent praying,
his version of ***** dancing,
shaking rocking swaying fervor,
shuckling.

for what does he pray?

for advance forgiveness
for he is simulcast
requesting getting lucky,
to be knowing
the miracle of being
with a woman or a man,
thus, getting closer to
God,
naturally.

He will be excised
for being human,  
he will be excused  
for by definition,
by succeeding and by failing,
in his desire
to be close to divine,
he best divines the
tragicomic nature of the
human condition:
the joy of sin,
the sin,
of a life without joy,
naturally.


Clean sheets nightly,
turn down service,
chocolates on my pillow,
good night kisses
on each eye,
even spooning,
are not among the
six hundred and thirteen
positive commandments
in the Bible.
why not?

why,
cannot this be
constitutionally amended,

by voice vote
of anyone who cares
to shout out a yay,
or blink approvingly,
or signs by fingers
sugar snapping and
hands, toe tapping?

all methodologies
intended to indicate the satisfaction
that comes from changes
made not in,
but also
from
the human tissue of heartbeats,
naturally

Somewhere
a solitary fish
swims upstream,
against the current,
defying odds...

weird,
the ways things should be,
never thinking,
wondering out loud,
why compulsion impels
so many living things
to do the opposite of logical,
natural in so many ways.

never asking,
why a fish must struggle to spawn,
upwards and onwards
to die so it, and the
the man, the bear,
he will feed,
the progeny released
can live?


for if this is the
natural order,
then is not nature,
too oft logically discordant,
and thus
disorder is the
state of being,
naturally.

Something makes me
awestruck and wondrous silent,
ever time I touch a
young child's skin,
joy instantaneous takes hold,
true shock and awe
succumbs me.

cannot be just miracle mine,
the sensation of life so sweet,
wondrous on my fingertips,
that repeated stroking is
******* addictive,
naturally.

what would be the harm,
if this soft shell of derma-finery
were a permanent condition,
a constant reminder,  
we all share,
born and bred,
a premier clean slate of
natural innocence unblemished,
perma-frosted prima face facile,
naturally.

this was how
we were created,
why perforce,
was it deemed orderly,
'better'
to evolve into something
grizzled, cracked and roughened slowly,
naturally.

Strange thoughts
are my normal fare,
if you only knew
the laugh of it,  
you might recommend,
keeping them closer still,
and me
far away from you!


maybe there is a God above,
but if there is,
he be
responsible for the sleepless nights
where stanzas of
whimsy, pain and joy are soldered,
ironed into a coalescing coalition,
denoted as a
restless and disordered mind,
but of course!
not my fault,
naturally!

next time we meet,
see smiles irregularly sweet,
turning,
reversing to and fro,
for such is the
inchoate state
of what transverses
on my cellular network
these rambunctious dark hours,
naturally.
these disordered thoughts, are nature allied, nat-urally...
Jan 2014 · 1.9k
A Global Illusion
Nat Lipstadt Jan 2014
fresh orange clementines on a
white kitchen counter,
incongruous with a windowed view of
white winter's barometric pressures.

eye illusions,
making no sense,
like me drinking
ice coffee in NYC on
New Year's Eve.

New Years Eve too,
a nonsensical notation,
an illusory line,
imposed upon us by
calendar salesmen and astronomers,
for profit and seals of good timekeeping.

There is no solstice,
no verifiable, demonstrable,
celestial line of demarcation,
just a box on a calendar
of man-made paper,
man-dating
fresh thinking,
de-man-ding,
we gaily clad ourselves
in suits of optimistic armor,
heavy with good cheer,
so much so,
we list to one side
under a burden
of greater expectations

the starting line is
worldwide, continental.

a ball drops
to signal the beginning of a new
human race to
another artifice in future time.

with inebriated staggering starts
over staggered time zones,
thus creating a continuous,
rolling wave-eve of resolutions.

I say to myself,
what the heck,
why not!

if the whole world
must share
but one
global illusion,

this one,
fresh starts of fresh hearts,
is not a bad one,
maybe, perhaps,
as good as it gets?
Nat Lipstadt Dec 2013
this shall be:

this shall be
my last poem of the year,
two thousand and thirteen,
with the muses' permission.

a fitting one as well,
for the words,
come easy,
like so many did this
annus mirabilis, year of wonders.

firm I believe,
words are living tools,
constantly being reshaped,
fitted to the occasion.  

care must me taken,
words hurt when wasted, abused,
or used in contravention to the creator's
intentioned purpose of intended good.

so when a brother, a poet-man
hits the nailhead, words writ,
encapsulating an emo shared,
this reserves, a poem-celebration!

lines between humans unseen,
somehow too easy, rightly crossed,
guards dropped, secrets exposure,
with the ease of feeling no discomfiture.

yes, this is the Internet age,
sharing revelations often cheapened,
boundaries collapse,
when no consideration given.

when there is no skin, no eye-glance
real-exchanged, no feeling, no voice,
casual, to do, easy to say,
what is the risk,
what could be the casualty
of this causality?

the risk is fearsome.

so when the venture is for the better,
what matter the absence of the physicality,
the tears and hugs imagined
as good as any non-virtual,
but in the coming year,
this I swear:

I will be, I will be becoming, I will become you,
unto you, for as was written, so shall it be,
for as was written, it will become,
a beautiful first, a first re-union,
that will be.

this notion so pleasing,
yet inherent contradictory,
aye, there's the rub,

a first re-union of the unmet,
to mark this three hundred and sixty fifth day,
the creator bequeathed me these prayer words
most easily, most faithfully,
as a blessing for all of us.



Dec. 31, 2013
3:54 pm.
NYC
I hope to meet as many of you as I can, in reality, this coming year. 2013


next week, June 2018, Oregone...
Nat Lipstadt Dec 2013
the banner photograph that the poem references is off now, but...

The poem is about a photo I took, outside looking in, where the window and an interior mirror, both reflected me, outside, outwards, but caught the interior of the house within, and the interior of our lives, which was my intent, but the poem came later....

a self portrait,
a reflection
in a window, in a mirror.
a man stick figure
within and without.

me hidden, armed,
iPad spyglass
one upon the other,
unaware of observation,
introspection / extrospection.

man, external,
grilling striped bass,
woman, internal,
kitchen caught slicing heirlooms,
a dressing awaits,
peach salsa,
the seagulls inform me.

Outdoors, indoors.
bay,
in the background.
living room, kitchen,
in the foreground
couching, crouching, cooking,
a closeup and landscape,
of two lives.

so the photo treatment,
introspection / extrospection,
upon reflection,
a poem ouside-insight.


a moment to reflect upon a reflection of a moment.

this  how I see things,
and why not you too?

Double vision.
outside, looking in, inside, looking outward.
then,
at the point of intersection,
a memory recorded,
always recording,
paths, moments,
worthy of note.

such a note, here,
record of a photograph.
preserving my preservation.
tho photo blurry,
what you see,
is what I see.
lives of symmetry

summer symmetry is my life.
life is my summer symmetry.

exactly.



August 2012
digging up seasonal inappropriate poems to warm me up.
Dec 2013 · 2.2k
Cusp
Nat Lipstadt Dec 2013
Cusp

Once I wrote these words:

Place your ****** hands upon thy chest.
Let them melt thru and come to rest,
Inside, the battle ongoing, under thy breast.
Watch, eyes open, knowing, fearful.
Swiftly, with no hesitation, from within,
Rip open your body, exhaling the best,
And the worst of what you got.

The cool air rushes in,
Stirring the inside stew of:
Infected grime, shameful desires,
Secrets that should not have been exposed,
The ***** stuff of about your life
that you alone know exists.

Contact with the atmosphere makes
Self-pity dies, blue blood turn red,
The TNT tightness explodes,
Ashamed, you have only one escape hatch.

Now, you are ready to write.

(http://hellopoetry.com/poem/now-you-are-ready-to-write/)

so here I am, hands on my chest,
so unready, incapable of writing,

the battle site changed,
sledding to the top of my head,
moved northwards, mush, mush.

just don't have what's required
to melt that mush open,
just don't have the anymore
to finish this Iditarod race
called my Idiot life.

nobody knows the silences
kept in my treasure box.
nobody knows the nail-beds
slept, bloodied, by this
mthrfking depression,
unexpectedly returned to sender,
unable now,
to write, free and clear.

suffused, this words reappears,
you don't get it, the twilight twinkies
below laughing, twinkling,
middle ******* me,
so not suffused,
nah nah nah nah
you don't got it,
you got nothing.

the words supply, torn and  tired
reappears, now escapee prisoners
before flatlining, crashing
as I am currently 20,000 feet over
somewhere above the Eastern Seaboard;

we may land smooth,
but not in any groove
that fits me anymore.

Here's the sorest, sorriest laugh,
what you are about to read
was eons ago born, and today
birthed.

Happy M.F'ing  Birthday #0
don't even, can't complain fresh,
reusing unused words that never got
devoured, so now, used up too,
like me.

cut by thicket's branches
(that in their defense, maim only to self-protect)
calluses of experience
not enough to survive
what is now needed,
new chapters required.

choruses of repetitive choirs fresh,
inspire but land on surfaces
heart-hardened by fear contagion.

who will know and
who will care and who
will make them all go away,
but me...

so touch my self,  
reminder to self is emailed,
beat the odds so man-many times,
one more time, what's the big deal?


fresh differences,
maybe,

words that are new
not in my vocabulary,
maybe.

Struggle, long lived,
is the status quo,
** **, don't you know,
nobody tole ya?

world's axis is tilted
you can fall off
a familiar horse,
get off course,
so east easy
a gravitational force so subtle,
clueless you're drowning
till the riptide
has liberated your
pockets possessions,
pathetic borrowings
of unoriginal thoughts
you thought you actually owned!
now you realize
new inspirational how to books
keep getting writ,
published for experienced suckers
like you.

so here at the pointed cusp
a crescent shaped tangent,
lines crossed, intersection of a curveball
turning inwards, retracing prior paths,
familiar but tho the forecasts predict
being on the cusp of something,
crystal ball reveals nothing at all.

I fold the little have learned
into a handkerchief
folded three times over,
tied cusp to cusp
with a trefoil knot,
which while
mathematically correct,  
is too easy as my hanky is almost empty
and hobo heart journey scary is thinking
done.
Cusp:

point, apex: as
a :  a point of transition (as from one historical period to the next) :  
turning point; also :  edge, verge
b :  either horn of a crescent moon
c :  a fixed point on a mathematical curve at which a point tracing the curve would exactly reverse its direction of motion
d :  an ornamental pointed projection formed by or arising from the intersection of two arcs or foils
e (1) :  a point on the grinding surface of a tooth (2) :  a fold or flap of a cardiac valve
Dec 2013 · 1.5k
I wish for you
Nat Lipstadt Dec 2013
I wish for you
beautiful memories
in the coming year
and the poem-sight
to record them forever,
living moments internal,
transformed to eternal...

may the vapors
of this winter's breaths,
living, love and loss,
rise up, as smoke
to be returned
unto you,
inscribed within the

spring rains warmth,
summer's stunning,
breathtaking sunsets,
autumnal leave drops
anointing your humanity,
and yet,
one more time,
next December,
in a tear-shaped snowflake,


that upon your tongue will fall, and,
the taste thereof,
giving you pause,
to acknowledge
this singular sentiment:

the year is crowned,
let next  year's
joyful imaginings
exceed, add,
to the equity
of our lives.


~~~~~~~~~~~~~~~~~~~~~
Always
give cheer for
the simplest truth of all,
*life's crooked adventures, above all,*
(always, a word I like.
so many pleasures
brief, attenuated.
but not this one)

always, all ways,
let our exchange of words
never be less,
perhaps be more,
than our physical embrace
Nat Lipstadt Dec 2013
After reading about some tribal warfare in a far away land, I wrote this true story down. Now re-published every year on this day. Seems more appropriate than ever

one July 4th,
many years ago
walking the streets,
of the city of Nice,
situe on the Cote D'azur of France,
on the Mediterranean Sea,
where ships of navies
may safely park their sailors,
sending them ashore for R&R,^
they, leavened to disembark^^

how I came to be there is a
poem for another time

walking the streets,
palm tree resort,
along La Promenade Des Anglais,
coming at me,
Three Sailors,
unmistakably
American

one white,
one black,
one brown from California,
which I believe,
is still part of the USA

how we fell upon each other
in warm embrace,
smiling, bestowing
blessings of grace
not as strangers,
but as fellow signatories
on the Declaration of Independence

brothers,
long lost, reunited,
as if it had been many years,
since we last had our arms entwined,
one family from one far away united place

dialectical differences ignored,
even the wide-eyed 'Bama boy,
totally comprehensible, for on that say,
we spoke a language that
encompassed a single brotherhood,
a common histoire,
all on that
holy day

no tribes in America, no colors,
no religions,
only sisters and brothers-in-arms

I need not choose to believe,
for it is certainty guaranteed,
that should it happen again
twenty years hence,
perhaps with their great grandsons,
my embrace will,
exactly the same be,
for I know it true,
there are
no tribes
in an

American heart
^ Rest and recreation
^^disembarked to be leavened....either ok

written in 2013, but true story that occurred many years prior
how timely for this day and time
Dec 2013 · 3.4k
The Elasticity of Life
Nat Lipstadt Dec 2013
the state or quality of being elastic.
flexibility; resilience; adaptability: a statement with a great elasticity of meaning.
buoyancy; ability to resist or overcome depression.
Physics. the property of a substance that enables it to change its length, volume, or shape in direct response to a force effecting such a change and to recover its original form upon the removal of the force.

are you ready?
here it comes!

Slap!

having slapped you
with, to kind attention,
you may now recover
your original form,
when there was
no grief, no distress,
the great clarity
of eying the day's birth,
sweetly and innocently.

once again, you are
buoyant,
molecules of polluted memories,
erased.
wind scattered, gone,
blackboard erased,
whiteboard replaced.

you have been reminded,
even reprimanded,
for forgetting your
elasticity.

life, what ever that be,
is constant motion,
a reshaping of the heart,
for the heart has
no unique shape.
it's adaptation,
it's elasticity,
it's genetic forgive and forget ability,
is legend, is you,

you are legend,

You are elastic.

the human hallmark impressed
in the palms of your hands,
that cannot be erased
by time, fatigue, failure, or anger,
the hands that mold,
re-form for every need,
for every handhold,
for different are:

The hands that open closed fists
The hands that wave hi
The hands that are first to touch
and the last to leave,
waving goodbye,
elastic - tender when tender needed,
strong when strength essences.

so be elastic,
remember to be
ecstatic
remember
when you do,
you need show proofs.

Prove it to me.
Prove it to yourself.

shake, kiss, dare hug,
the one who needs reminding
that life is elastic,
*even more than you.
5:08 am
Dec. 26th, 2013

corny...but...
Dec 2013 · 2.4k
The Imprint is The Gift
Nat Lipstadt Dec 2013
where to begin?

let us acknowledge
the responsibility of our actions,
and the titles and duties,
and the unexpected,
thereof.

I was a son, till this year,
still, of sorts, but no longer,
traded it in for
orphan.

are you still a child,
when you have no parents?
are you still a parent,
when a child lost?

I am a father, and grandfather.
this definition of me,
extant, future seeded,
perhaps permanent,
perhaps not.

the product of
actions more than
thirty years ago,
and events yet-to-be thirty years
hence.

titles claimed and granted,
partial, not finite,
not definitive, nor infinite.
partial, but part and parcel,
these titles, of you,
yet
they are not the totality, of you,
but very much part of you,
for you possess precious,
The Imprint - The Gift.

the child lost,
the parent found,
the newest coming,
the oldest gone,
all imprinted on your hands,
just look at them!

there are lines on your palms
you do not know the meaning of,
you do not yet know the ending,
they are in your cells,
as you are and were in theirs.

The Imprint
is The Gift
that is
non returnable,
non refundable,
nor is it
diminished by
any stone marker, measurement
of a day, an uncertain,
certain moment.

Look in the mirror.
see them in you,
as they saw themselves in your
reflection.

ah, reflect.
acknowledge that the
absence is pain,
but look at those hands,
that face, your face,
see the
The Imprint - The Gift
permit yourself an easement,
for it the season of
recollection.

ah, re-collect, recollect.
let the story.
continue, by the retelling.
find that palm line,
find that psalm song,
where the babe lost,
the mother lost
is the babe reborn,
in new faces, forever contained in
The Imprint.

we all ken loss,
we all keen know anguish,
different kinds for different folks.
do we not all have blood?
but are there different types,
and yet,
all still blood related.

prepare yourself
for more sad to come,
and some to never,
woebegone.

but do not forget,
nay, you cannot,
for seared it is,
this imprint,
a two sided copy
of a single document,
you on them,
them on you.
~
an eyelash falls
upon the poem.

a decorative reminder,
a stop sign,
a decorative remainder,
that it is time,
to recall,
to be unafraid.
now, now, right now,
is the time to remember,
that very eyelash,
the cells that are
therein,
the eyes that it has protected,
saw, know, well recall, gave,
gave part of you

and smile,
yes, smile,
for in them,
in the lines around your eyes,
the crisscrossed cell map upon thy hands
is the
The Imprint,
The Gift.

where to end?

This imprint upon your body exterior,
part mark, part stain,
part badge, part medal,
part cain,
part ribbon black pinned.

it is twinned,
for the match, the mate,
of this gift I printed,
is still in your living cells,
and thus knowing
the imprint is yours forever,
they are not lost,
you are not lost,
for Their Imprint
is a gift that
is
never ending
shall eternal be a salve this
happy, sad, melancholy,
holy
morn, day, season.
For you,
for all of us...written in the sky above the Eastern Seaboard on Dec. 24th, 2013
The child is the father, the mother, to the man (BS&Tears;)
Nat Lipstadt Dec 2013
Sometimes the pen,
unnecessary.
The poem, fully formed,
in his mouth, born.

Silent back labor,
unbeknownst the existence thereof.
Yet knowing now
his contractions,
coming fast and furious,
eyes many centimeters dilated,
the sac's fluid breaks
upon the poet's tongue.

He pronounces in a single breath his
Immaculate Completion

When the poets hand to mouth goes,
like Moses,
when he touched the burning coals,
tongue burnt,
the words are signaled,
freedom, born, released.

The words announce:
We are now created, conceived.
This new oxgenated atmosphere
is now our
final resting place.

This child, this poem, this exhalation,
once freed, is now
lost to him,

Its been renamed, retitled,
by hundreds of
newly adopted parents as
"Ours."

So
when you hear the poet-man exclaim,
I live hand to mouth,
weep joy!
by, for and with him,
for his true meaning,
now clarified.

An ode to joy has
been birthed this day,
*a child for the people.
A repost of a poem
Dec 2013 · 2.2k
white truffles and fettucini
Nat Lipstadt Dec 2013
t'is a seasonal custom of us,
(you did notice that us
is the centerpiece of c-us-tom?)

that in December, not November
when turkey precedes...

I take my slip of a gal
for a big bowl of pasta
and white truffles from France.

the eyetalian waiter knows
he made the sale when her eyes,
crinkle wrinkle when I ask,
upon which pasta
does the ristorante serve the
white truffles from France?

fettuccine, naturalmente!

in ritual grandiose,
the mushroom grated before our eyes,
shavings and specks scattered and disbursed,
part one of the us in c-us-tom done.

me, I grew up lower middle cheap,
Ronzoni rigatoni and Heinz Ketchup,
not just good enough, but a treat,
and I did not from truffle oil eat
nor speak.

two thirds of the way,
part two, I say, hey!
you know you don't have to eat the whole thing.

with eyes adoring,
she fesses up her tiny tummy was full
about half way through.

but she knows
me, I grew up lower middle cheap,
hate to waste the money,
that comes so hard.

part two is the part of the c-us-tom
she forgets about, but the part that
she really loves me for,
so who cares how much truffles cost,
as far her eyes are concerned,
they crinkle wrinkle at the taste,
of my remembering part two.
See http://hellopoetry.com/poem/hasta-la-pasta/.  If, now you got a craving for pasta...

Hasta La Pasta!


She stands in the doorway
As is her wont,
Bidding adieu to the retreating figure
Who spent the night in
Adoration of the Magi,
Her charms, her hair,
Her serpentine figure most fair,
And scribbling on Hello Poetry
Till his eyes said, no mas!

The retreating figure that be me,
Late for work at 7:20.
Over the shoulder I exclaim,
Hasta Mañana!
Which is silly because
My return is faithfully guaranteed,
Every eve for as long as I live!

She laughs and replies,
Hasta la Pasta!

Stop in my tracks,
About face and in woeful Italian,
Do exclaim, in a deeply serious timbre,
Hasta la Pasta?
Basta!  
(Italian for "that-does-it")

You can have my love, my soul,
But leave to me the labor of poetry.
Loving you with words is
my domain, the speciality of my terrain,
So no more hasta la pasta if you please,
And by the bye, I would love some
Tonight, say around eight,
At a restaurant where the moon is
The only light illuminating our faces.

7:45 AM
Nat Lipstadt Dec 2013
first read
http://hellopoetry.com/poem/life-circles/#after-reading
After-reading
including the notes  and the  exchange in the comments section. Then begin to read the words below, for they are derivative thereof.
Also
ponder this quote from a play by Richard Greenberg.
''I speak when I have something to say. When I have nothing to say, I write.''


the contriving is all that remains,
so,
with a bow and a great flourish,
my hat, right-handed swooping,
grazing my knee,
I tender my amazement at what the
lives of all these contrivers,
bring me each day.

Long Live All Poets!

the contortionists, the evolutionists,
hard working smithies, risers with dawn,
selectors, all day long tasters,
all night long scene stealers,
of each word that parses their
five senses,
even the contrivers,
need, deserve,
get their day in court.

you know the real poets
by their every day
discourses,
for your subconscious
rhymes their every response,
even their *thank you's
and yes, please,
please all nearby,
like a thanksgiving prayer
spent, sent heavenwards ,
each word
lifted up skyward, alongside the hearts
that move to hop on, join their
poetic alephs and bets.

the haiku masters who
breath lifetimes into a moment,
the balladeers who ferment
tales unseen but conjure them
as forever keeps of yes! I was there,
the sonneteers, the lyricists,
so powerful these wizards place their
visions in our throats to hum when hearing
spoke a single one, a phrase, of their words

the contriving.
how I adore that word
as if the work was
the easy part,
and the insighting,
the feeling,
the noticing,
the tugging at the heart was
the easy art.

oh lord forgive me I write too much,
see beyond what I see,
hear the street snatches of conversation
and drip those reformatted words from mine eyes,

is that your blessing or your curse?

let me be just a contriver,
a poet who
follows form and function,
and gets an A from his English Lit. professor,
acknowledging expertise
at contriving
per poetic custom acceptable

whY did you insert this knowing,
this sensory malfunctioning that cusses
lest I not transform the everyday of the
everysay into verses and stanzas.

Reimer, Reimer, beloved scoundrel and schemer,
what have you undone to me!
he who never sleeps, just
weeps and weeps,
for you have contrived me yet gain
to see something I saw before,
always knew but never wrote,
in this exact format,
but all life long knew, and blubber anew
at words that I never knew existed in
this precise combination.

you can cannot contrive the spirit that
moves us to write, the words employed,
yes perhaps, but all
even the struggle for
le mot jus,
oft for naught^^
the repetitive, the uninventive,
glorify.

I survive,
I contrive.
but far more imposing,
is the knowing,
that tho the contriving still remains,
it is a cost so costly,
and I must include herein
that every verse
of every poem
ever writ,
every contrivation,
every submission,
even the worst simplest is a blessing,
even the simplest worst is a blessing.


all are:
"the fruit of promise,
a table replete,
hope restored,
a circle complete."^

Yet, t'is the fluid visionaries shall lead us
to our restful place
even if they cannot speak,
even if they cannot write,
just contrive.
___________________________________________
^ http://hellopoetry.com/poem/life-circles/#after-reading


*It is in an instant, that life makes a poem in a man's mind, that will live longer than that that oak.
Nat*

*Reply
SE Reimer
i've reflected on your words, several times now, Nat, and find them to be such an accurate description of my experience with writing... though the words may move around a bit, once conceived, the contriving is all that remains.*

^^le mot juste
"the right word" in French. Coined by 19th-century novelist Gustave Flaubert, who often spent weeks looking for the right word to use.
Flaubert spent his life agonizing over "le mot juste." Now Madame Bovary is available in 20 different ****** english translations, so now it doesn't really make a **** bit of difference.
Dec 2013 · 1.5k
68
Nat Lipstadt Dec 2013
68
Sixty Eight years of age
and he texts her puppy love
msgs six time a day,
in between phone calls.

long ago lovers,
high school, I think,
Facebook stumbled upon,
and the inky surprise,
that they have relearned to be,
a new shade of
a true blue tint of
the word,
devoted.

mushy is the heart that goes
soft to hard to soft,
soft by innocence, then
Pharaoh hardened by life, then,
softened by reflection,
mushyed by wisdom,
that came costly.

when relearning
the side effects of
discovering the words
that were left unsaid,
or even better,

spoke this time with
better understanding,
greater appreciation.

Now so better
After Aging Aching
in an oak cask
of finally, filly fully
fermented love.

I don't need inspiration
to clap for you,
but your confidence un-betrayed,
name omitted,
as one grandfather tips his hat to another,
all he can smiling say,

*******,
romantic rediscovery at 68,
I suspect is even better than the
first fumbled go around.
For he who knows that I borrowed his words....shhh...
Dec 2013 · 1.2k
In conclusion
Nat Lipstadt Dec 2013
In conclusion

in between a busy life living,
I write.
to nite, in the early morning night,
for the first time in a long time,
I put myself on the shelf, and just read,
I read.

in conclusion came to me
after two hours of loving your written word,
that I am temerity, audaciousness 100 proof 
to think that I am worthy
of  sharing this space with you.
I am ashamed that I ever called myself
poet.
I am ashamed at the paucity, the poverty of my words
Dec 2013 · 1.0k
3 x 3: The Tugging
Nat Lipstadt Dec 2013
Unconsciously conscious,*
her skirt too short.
tugging it down pointlessly,
every second minute,
like a regular breathe,
all the eyes in the room
rode it up,
and rode the tugging
down too.

that she was pretty,
pleasure for the eyes,
was not the question.

no longer young pretty, but
fulsome, knowing, more,
knowledgable in her place,
secure in her thirties.

or so I thought.

an Anne Fontaine blouse,
silk and collar cut angled,
Italian leather skirt from Barney's,
and legs that were not
just shapely,
but pouted comely,
come love me, I am lovely.

or so I thought.

the skirt, a leather glisten,
seams so thin, almost invisible
to the eye,
like the lines nearest
her eyes,
but all lost,
because all
only saw,

the tugging.

I ponder it,
the meaning,
of the tugging,
consciously unconscious.

was she tugging herself
back inside older younger dreams,
back to where she once unconsciously belonged,
or forward to this moment where she was conscious,
a line crossed, and needy to be tugged back behind it.

my eyes did not depart from her thighs
for she was tugging me as well,
in two directions, into a place
where questions tugged at me,
and I too, consciously unconscious
that I no longer belonged where I belonged,

or so I thought.
3rd in a series; see 1 x 3 and 2 x 3.
Nat Lipstadt Dec 2013
http://www.playbill.com/multimedia/video/5725/Highlights-From-Martha-Clarkes-Chri-Starring-Amy-Irving

There is this way, she
puts on her silk robe
over her negligee.

In the mirror, watching,
each hand grasps
one edge of the robe.

She opens the robe
full and wide,
as if the robe was the
frame of a painting,
the painting,
her silken-clad body.

Then quickly, speedily,
pulls one side
tight over her body,
pauses for hesitation,
for inspection,
and quick again,
pulls the other side,
tight too.

She slides the covered arm
out from underneath the robe,
and with one hand only,
the robe is kept closed,
closed tight by one hand,
but not tied.

She performs
this pantomime,
this invitation,
her pirouette
many times a day,
especially when
I am watching
her watching herself
in the mirror.

For my hand is the
key, the unlocking device,
that not only pulls open,
but pulls apart the robe,
as she truly desired.

My two hands
slide from her waist,
to the back of her thighs,
and I lift her up,
up against the wall.

She spears her arms wide,
first out, then up,
suddenly leaning forward
sliding down and I catch her,
burying her face in my neck,
holding her under her arms
we dance  to a place
where there is no space,

where there is no space
between our bodies,
between our selves.

Our pas de deux
is our solo.
See the video of the show that inspired this:
http://www.playbill.com/multimedia/video/5725/Highlights-From-Martha-Clarkes-Chri-Starring-Amy-Irving

http://www.nytimes.com/2013/12/09/theater/reviews/alessandra-ferri-and-herman-cornejo-in-cheri-at-the-signature.html?_r=0


Second in a series, hence 2 x 3
Nat Lipstadt Dec 2013
there is not a sexist bone in my body.
not a one.

there is not a bone
in my body entire,
that it's marrow,
but just tinged,
more singed,
nay, more, more,
burnt and burning
with
****** desire.


****** desire is a concerto
of the
five sense organs:
vision, hearing, smell, taste, and touch.

my body performs Halley's Fifth.
my woman listens carefully.
THE FIFTH
C O N C E R T O
"She had never heard that symphony before, but she knew that it was written by Richard Halley. She recognized the violence and the magnificent intensity. She recognize the style of the theme; it was a clear, complex melody--at a time when no one wrote melody any longer."
- Atlas Shrugged, Part I, Chapter I
_______________________________
Written on the bus home, just now, that being sort of an apology.
________________________________
First of a series of three; look for 2 x 3, and, 3 x 3.
Dec 2013 · 857
The fog that obscures...
Nat Lipstadt Dec 2013
should it lift,
Even then and yet...

I do not know.
even if the fog of our lives,
behind us,
is clarity the alternate course,
or is the fog
a tail of sorrows, missed chances,
that follows behind, the train
we missed, or couldn't board,
and thus tho behind us,
the fog is attached
in an un-detachable grasp,
and we are still
Blind
Sided.
For Mr. Reimer, who only asks the hard questions...
Dec 2013 · 4.1k
Ben-Oni, Son of Sorrow
Nat Lipstadt Dec 2013
"Ben-Oni" is a Hebrew term meaning "son (Ben) of sorrow (oni)," and the name of an 1825 manuscript describing a chess opening.

"Whenever I felt in a sorrowful mood and wanted to take refuge from melancholy, I sat over a chessboard, for one or two hours according to circumstances. Thus this book came into being, and its name, Ben-Oni, 'Son of Sadness,' should indicate its origin." - Aaron Reinganum.  

From  the Old Testament,
Genesis 35:18;

“Her dying lips calls
her newborn son Ben-Oni,
the son of my sorrow.
But Jacob, because he would not
renew the sorrowful remembrance of his
mother's death every time
he called his son by name,
changed his name,
and called him Benjamin,
the son of my right hand."
~~~~~~~~~~~~~~~~~~~

Ben-Oni, Son of Sorrow

Love,
you can fall in
and out of.

Happy,
comes and goes,
in waves,
cycles of differing amplitudes.

Its schedule of
arrivals and departures,
most erratic.

It is always
a two sided affair,
don't blame this messenger,
it's the way of the world
that it comes,
then it goes

Tho certain sorrows,
special, may
wax and wane,
they, a once, then a forever guest,
a full time resident,
taste, once acquired,
cannot be erased.

Part of your museum's
permanent collection,
an addiction affliction
that can't be undone,
be beat back,
ain't no emotional methadone,
to inhibit its delicious lows

Like a passerby,
a mound of stones espied,^
a grave marker au naturel,
compelled and compulsed,
duty bound to add a stone
to keep the pile intact and sound,
another 'sorrow' poem to add
to the internet's dustbin.

Sorrow,
a rich, old moneyed patron,
with a wealth of ancient lineage
orders and commands
yet another a poem
to celebrate its entrenchment
in our constitution personal

Son of Sorrow,
Son, Sorrow,
two conditions,
one necessary and
one sufficient,
combined,
a logical causality,
or a casus belli.  

If you spoke Hebrew,
understood you would
the quality of the sound of
Oni.

It is a soundless sigh,
a virulent scream, part wail,
part exclamation, part groan,
say it slow - oh nee.

You alone,
a father,
can own,
the sorrow of a son,
who denies you.

It cannot be denied,
expiated, signed away,
a syllable of grief
that says mine, all mine.

Watching the sun push away
the backdrop,
the stage curtain of the randomized
but they a-keep-on-coming,
summer thunderstorms
that have scattered
all living creatures
to the comforts,
the shelter
of loved ones,
but yours, present, or not,
return your message
either marked "well received'
or sadly, postmarked
"addressee unknown, get lost."

Curse me to stop,
and I can't,
already accursed,
add your curse to my collection,
makes no difference to my pile,
of sorrowfully fresh recollections

We slept together,
so many good night moon
stories read,
pillows shared,
side by side,
a stock exchange of
kisses and hugs,
trades that can't be cancelled,
having been entered officially
on the books and records of
our-sorrowful hearts.

Lesser men
cry to themselves,
their loneliness, their tragedy
a soliloquy, revealed in a
one man show,
Off Brodway,
before an audience of none.  

Not me kid, my oni,
is a public theater
of a visible shriek  
in every breathe,
but the Supreme Court
gone and ruled against me,
and now there is no possibility
of injunctive relief.

Will travel to faraway lands,
asking different courts
for a hearing, knowing full well,
that I will be plea-denied,
having no standing,
for here,
there and everywhere
I lack proofs
and my son-accuser
wears masks and presents
no charges,
and even if he did,
I would gladly confess,
if he but presented them
face to face.  

Son of Sorrow,
Son, Sorrow,
two conditions,
one necessary and
one sufficient,
combined,
a logical causality,
or a casus belli.

Come let us exchange
new names, new poems,
for we, though both poets,
do not read each other's
Works.


It is time.
I have a first born son who I rarely see and only, very, very occasionally hear from, and then it is by email or text.  I do not judge for he is the product of my *****, and who cannot wonder if...

^a Jewish custom is to place a small stone on the tombstone you are visiting at a cemetery. The custom, ancient, is derived from when a mound of stones would be a marker of a burial.  It became customary for a passerby to add a stone to the mound to perpetuate its existence.
Dec 2013 · 1.1k
Quotes from a famous poet
Nat Lipstadt Dec 2013
"I'm enough of an artist
to draw freely on my imagination.
Imagination is more important than knowledge.
Knowledge is limited; imagination encircles the world."

"I live in that solitude which is painful in youth,
but delicious in the years of maturity."

"A happy man is too satisfied with the present
to dwell too much on the future."

"Good acts are like good poems.
One may easily get their drift,
but they are not rationally understood."

"The true value of a human being is determined
primarily by how he has attained liberation from the self."

"Why is it that nobody understands me,
yet everybody likes me."

and lastly,

"With fame I become more and more stupid,
which of course is a very common phenomenon."


Albert Einstein
http://www.asl-associates.com/einsteinquotes.htm
Nat Lipstadt Dec 2013
As you may know, I continue to collaborate with other poets here, most frequently with Helen.  Below is a poem of hers that I have edited and reworked, her original notes to me are contained in the notes section below.  So if you like it, tell Helen. If you "choke" on it, tell the editor. That's why they pay us the big bucks! So, send me your scraps yearning to be free...

I am choking
on words.

chest clogged,
throat seized,
as I await to deplane,
when I will perforce,
speak these words,
but for now, held in a
prison garb of my own design.

organs can be donated,
the broken heart,
the shattered liver,
the kidney failing,
eyes for the blind,
lungs for the breathless.

the human psyche
is not replaceable.

I need a mind of titanium,
will gladly settle for either the
Tin-man's heart, or
Cowardly Lion's courage,
both, too much too hope for...

but they are not sold at the airport shops.

perhaps my unseen editor
will accompany me,
hand firmly on my writing elbow,
guiding, refining, selecting
les mot parfait...

How come?
How come everything
inside a body can be replaced
so artfully, artificially
except words inside a broken mind?

I cannot get these words out,
who can transplant a soul?
Limbs recoverable
an Arm, a Leg
Titanium, strength
a missing part replaced

Organs can be donated
The broken heart
The shattered liver
The kidney failing
Eyes for the blind
Lungs for the breathless
Every part of the human psyche
is replaceable

Except for the words
trying to exit
from a chest that is frozen
from a throat that is clogged
from section 38C Row B
where they sit, waiting to deplane

How come? How come everything
inside a body can be replaced
so artfully, artificially
except words inside broken minds?
Trapped like birds with broken wings?
Are all parts that are replaceable
externally, more important
then what's dying internally?
Not just inside our skin, but inside our soul?

I think about that a lot because I'm choked!
Helen   10 hours ago
Nat Lipstadt Dec 2013
quite certain, she who hates to be late
was late to our first date,
five years ago,
today.

she still shudders,
over that,
and now,
for other things.
like my poems.

rainy night, hair tangled,
coming from dancing
Argentine tango
with one of its living masters,
no taxi, impoverished excuse.

of that first date,
poem writ, no repeat,
but if you had told me
five years on, we would
wake up, our hair, wires
entangled, yet again...

I would have reply,
wrong boy, unchained,
wringing out bitter herbs of having,
done my 30 years
in the big house
of a failed marriage,
I am a wine taster,
a player.

told her straight out,
sweet certainty is not my objective,
she laughed, replying,
right back at ya, me too,
"same place, same way,"
our pact, healing, sealing,
with a fist bump.

five years ago.
we were certain.
now, I answer her questions
before she asks them,
now, she forbids me from
buying her any more trinkets.
but I am almost  
quite certain
I didn't
hear her say that.

Quite Certain:

of so many things
that seemed important once,
by the wayside fallen.

that I will be writing
fabulous
incredible
virtual
extraordinary

little love poems,

to her, many years on,
even though
no new words I will own.

but quite certain,
will be still reminding her,
she came late to our first date,
and She will still and
always be falling in love with this poet.
Nat Lipstadt Dec 2013
As you may know, I collaborate with other poets here. They send me their scraps of unfinished poems for me to 'play' with, and re-imagine.  

mark john junor sent me this, from his file "pieces/parts" and asked me to "do something with it" tho it certainly could have stood on its own...

the song is the thought on the lips
but the melody is the vision of the mind
and as she gives one away
for the sake of the other
you give in to the winter demise
you can dance to the song
but you lack the vision to dance till dawn
so packing it up you retreat into the adventure of the moment
and forsake all the side show
for its the magic of her eyes that keeps you coming back to the day


MJJ
_____


**the song, unsung


long time lovers,
long time no see,
holiday party,
see, seen,
the glance exchanged.

their song, the history
is instantly mouthed,
wetted thoughts on their
remembering lips.

their melody, the history,
is re-frain-ing,
repeat button selected
vision of unique sounds
in their minds.

they gave up, gave in,
some long ago winter,
they gave in, gave up,
the winter
of their demise.

they can.  

can dance to the song,
tonight,
more, one night,
one more time
but to dance till dawn
and beyond,
that cannot be done
twice.

The old heat
re-ember-ed
so they retreat into
the adventure of the moment,
forsaking all
the side show
of whys and the I loved you well,
enough, not, better, and
perhaps.

Tonight,
one more night,
they pack it in,
a complete history, to,
pack in,
till
just before dawn,

yet each lacks the vision
to dance till dawn
so pack it up
and
pack it in,
lifetime lived in a few hours.

yet the magic of each other's eyes
keeps them coming back to the day
they shredded the vow,
but never gave up
that song,
the melody
that is the
vision in each other's minds.

each left with a piece,
each left with a part,
both different, of course,
of their song.
Send me you pieces and parts yearning to be free...
Dec 2013 · 1.4k
Regret: A Commissioned Poem
Nat Lipstadt Dec 2013
This word does not require a dictionary definition. It does require a shoutout to AmandaFH, who commissioned this poem, and whose surging emotional haikus delight and inspired this poem.

Regret

first, get a knife.
cut yourself
figuratively only,
in half.

take the Memory Part
that rises in the gorge,
poetry source,
that precedes that
awful word,
regrets,
with
me, I, and
My.

dump, flush it fast
down the drain, disposal,
someplace where there is
no retrieval, going back, second chance.

cause when that's done,
now there is no one
who cares
about your regrets.

that is the easy part.

you don't need to be a poet,
litany lilting a list so long
of loves lost, chances, shots
not taken, or worst,
those you didn't
love well enough
and can't go back.

gone, but hey, but yet,
body still weighed down.
incomplete, stop,
even with those
**** regrets banished,
empty spaces sore,
empty being a word
I don't really like.

but I having come to earth
to heal,
whole you in the places that need
soul filling,

Invitation:

we are gathered here today to remember
your future regrets,
long may they rest in
the land of things that never happened.

you are aware of  
exactly
of what
you're avoiding,
today's "to do" list
that only gets added to,
that you never willingly pick up.

pick up the phone.
I will even accept texts.
heck, send them one of those there
Po-ems you write so well.

if there is one,
Then There Are Ten,
who need to hear from you,
right now, not later never,
that you love them.

it costs.
could even cost more later.
do it anyway.
cause today is the first day
of never having a regret
ever. again.

beg for forgiveness.
grant forgiveness.
pay that bill.
tear up the bill
you think is
owed you.

choose. pick. decide.
apologize.
let it go,
free the part of you
that will be now never be
regretted later.

here is where I quit this
Po-me-em.
gotta couple of
emails to send,
all starting with a
warm gracious hi!
followed by a couple of
missing thinking loving you
and it's been a while since...

p.s. it's been awhile since,
may have overlooked
acknowledging your
comments and likes,
not answered that message,
re my words that stirred,
so let me start here and
repair that error,
right, right now, here,
cross off that future regret,
I humbly,
thank you in a way
no words could ever
fully express.
Thank you Amanda, so so much.
Nat Lipstadt Dec 2013
enlighten — verb (used with object)

to give intellectual or spiritual light to;
to instruct; impart knowledge to; Archaic: to shed light upon.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
like an overdue library book,
the omission of a
failed commission,
makes me a bad boy.

request submitted.
progress stalled,
dust accumulated.
guilty of failure to perform,
a fineable offense
where I come from.

perhaps it was the word?

Enlightened...

down too many paths possible
this word obvious, but not,
a distortion, to me.
the definition I seek,
is not in dictionary listed!

for I want to enlighten you,
make you lighter, carefree,
But Not Through Spirit or Intellect.

for what spiritual guidance
can I give thee,
that would not burden you,
with collected do's and don'ts.

my intellect impoverished,
reduce to grunts and curses,
my opinions, even if valid,
are simplistic truisms.

nonetheless, I want to enlighten you.

"put the load right on me."

"Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me."


Give me those-parts of you,
convoluted, twisted, that need bearing,
but cannot be borne any more,
for there comes the line,
where the totals are recorded,
the sums noted,
black or red,
matters not,
disposal ready,
my truck is marked
Heavy Load.

make me fat with seven years of plenty,
plenty worries, plenty troubles,
shed those pounds of weighty words
that gain no recognition,
misheard, misunderstood,
or just ignored,
so I can enlighten you.

what skill you posses,
doing this noble thing?

skill is simple,
merely human,
only the human touch
can enlighten,
take out the trash.

I am your man.
what makes you
heavy hearted,
enlightens me,
and makes you
lighter than air,

thus, miraculously,
we are both enlightened.

send what you need to be rid of,
promise, I will read and keep,
every poem you send.
apologize for the delay, M., but the word gave me trouble, and then it was perfect-clear, give me thy troubles and through that act, that we are both
enlightened.

I got the room.

Send me a word,
and I will return to you,
a commissioned poem.
Nat Lipstadt Dec 2013
Helen sends me scraps of poems for repair.  "Shreds of lettuce," she calls them. I fool around with them in my role as Poetry Doctor (see my banner photo). In her extended absence, I will post our convolutions. While the final product is mine, the vision, the imagery, the notion of the poem is all hers and therein lies the true authorship.



From Helen, Dec 2
Here is the last of the salad,
dressing not required...

savoir-faire [?sævw???f??

Upon a plate
of deliciousness
the lettuce
is usually
pushed to the side
to wilt
and be scrapped
into an
Industrial bin
were we all begin
as fodder for worms
turning garbage
into words
Nourishing
nothing
but our own pride



bon appétit
Helen
---------------

The Human Word Salad

Now it is dressed....*


all poems, no exception,
the bad, the exceptional,
all begin
in an
industrial bin.

wormwood,
wormword
the ancestors,
feast on the scraps,
garbage letters discarded,
the wilts of alpha lettuce,
the word waste of the
every day beta jabber,
plate pushed-aside decorations,
all but none, bystanders

and they

turn them into words,
though inedible, incapable,
of nourishing life individually,
yet their recycled deliciousness,
unquestioned.

when
each sole word,
re-birthed in the compost
of the delivery room of that bin,
meet in the maternity ward
of our minds
words wed,
poems form,
and all the true nourishment
the world needs
begins anew.
Send me your scraps, yearning to be free.
Dec 2013 · 1.2k
Ison, I, Comet
Nat Lipstadt Dec 2013
Ison,

you who are the sons,
this is addressed to you.

you who are comets,
you who are not,
cannot believe, you are
comet,
but are nonetheless.

You who awake and say,
I, Son
be whom you must,
pretend not to be
the son of...

no matter how many
millions of miles must be
traveled till you are visible,
no matter how brief your life,
you are more than Ison,
your are yourself, part son,
but all man, unique.

set your own course,
if to the sun you must fly,
set the course you choose,
and we will call you by your
name true,
I, Comet.
---------------------------------
http://online.wsj.com/news/articles/SB10001424052702303497804579240290630829078#printMode


Like Icarus, Comet Ison flew too close to the sun and perished. After passing near the solar surface on Thanksgiving Day, Ison vanished in a ghostly puff. Ice and dust proved no match for infernal heat. Next up is Comet Lovejoy, whose close encounter with the sun will take place on Christmas Day.

Here on the island of Nantucket, we know well the heartbreak of comets. In 1847, Maria Mitchell became world famous for discovering a comet from the rooftop of her family's home on this fleck of land 30 miles out to sea, the first comet ever found using a telescope. Mitchell's calculation of the comet's orbit showed that its trajectory would carry it away from the solar system, never to return. Within three months of its discovery, the comet had faded from view, beyond the light-gathering capabilities of even the most powerful telescopes. All that remains today is a memory.

According to Greek legend, when Icarus and his father, Daedalus, were imprisoned by King Minos on the island of Crete, Daedalus built wings of feathers and wax for their escape, cautioning Icarus not to fly too high because the sun would melt the wax. But Icarus was so overjoyed by his ability to soar and swoop like a bird that he forgot his father's warning. As he flew higher and higher, the feathers came loose and he fell to his death in the sea below.

Ison was once a prisoner too, held for billions of years in our solar system's dark netherworld, the Oort cloud, a place so remote it takes a beam of sunlight a year to arrive there. Freed by a sudden gust of gravity from a passing star, the comet began its exhilarating but ill-fated flight to the sun a few million years ago.
Nat Lipstadt Dec 2013
The solitary reminder,
a sole survivor,
hopeful-placed,
forgivingly encased
in little boxes decorative
hidden in plain sight
throughout our home.

Single and incomplete,
the lonesome leftovers,
openly hid upon bookshelf,
desk corners, fireplace mantels,
storage units of the
I am unlost,
I am unfound,

Raise your hand,
stand up and say
that is me,
that is me.

Minor treasure chests,
of carved wood, seashell real,
acquisitions of trips
to faraway places,
these boxes, they themselves,
visible but unremembered,
just there, no cares,
no one knows,
when or why.

that is me,
is that me?

Space fillers, memory taunts,
grandchildren's playthings, delight,
when they someday come visit,
weather and parents permitting,
finding keys for locks, doors,
from three homes ago.

Can they unlock me too?

Boxes hoard the things
we have lost, but cannot discard,
can't sacrifice, gotta keep,
an admixture of buttons,
dried flowers, faded notes that
once upon a time mattered,
shook someone's world...

Some kept in hope,
others, sequestered, lock-up,
jails that we are both
jailor and jailed,
the joke being on me.

Should we, you and I,
exchange these
cases histories of lost hopes, memories,
it would not be surprising,
if when opened,
the contents identical,
even if you are in Manila,
Leeds, places of need,
and yet,
we would be shocked,
asking,

*that is me,
is that me?
If you like this, and as of yet not read
http://hellopoetry.com/poem/always-fall-in-love-with-a-poet/
take a minute, for it the best of me, perhaps,
the best of you too...
Dec 2013 · 1.5k
If cowboy hats had ear muffs
Nat Lipstadt Dec 2013
If cowboy hats had ear muffs,
maybe they would talk more,
though they would hear less.,
caution tossed to the winds howling.

Not for them
the hairy skins of animals
on their bare hair, too much
respect for their sojourners.

Wooly caps are for sailors,
The ones with cutesy ears
hanging down to the shoulders,
popularized by geeks,
adopted by stylish teenage girls,
well, they would rather be frostbit.

Cowboys,
the silent type,
but never quiet, their thoughts are
their stories, eyewitness accounts,
never told under oath, of the truth
about life and death, in the
Great West.

So, no ***** for them
lest they not hear the
noisy silences, cries of the frigid
Great West.
Dedicated to Mr. Don Bouchard who writes below "I come from cowboy country (Montana), and I have seen this to be true, until the wind and cold drove us all to felt hats with earflaps and hooded sweatshirts. I have frostbite damaged ears and face to prove I know 40 below with wind and cows to feed."



Megan, get a cowgirl hat!
Nat Lipstadt Dec 2013
Always!*  
fall in love with a poet,
they cannot disguise the truth,
yet, soften it when needed, somehow,
for the only words they possess
are kindness and kindness...

Should you travel with a poet,
new ways of seeing will they introduce,
delighting you, and for ever in you, delight,
for every word that passes thru their lips,
gifts to keep, for the days of when...

There cannot be always good times,
poets know, so they write today,
for when tomorrow's intrusion is
the other end of life's continuum,
their words recalled, restore, revive...

Poets are the predecessors,
your torment, anguish, they have known,
so when they write today, it is
preparation when the future demands,
changes that require tissues, shoulders, arms...

Worry not about their torment,
t'is a seasonal change, comes and goes,
but in the winters of your life,
yours - warm fire, warm poets, summer kind words,
so, always, always,


Always fall in love with a poet...
A riposte to Mr. Hawkins of Canada
Dec 2013 · 929
Sunday Morning Breakfast
Nat Lipstadt Dec 2013
hand-caresses all over the chest,
****** licking and pinching,
tickling the belly with a solitary
tongue-wetted finger.

in someone's possession,
the
on/off switch,
seems to be
busted.

so when
a pause to breathe,
asking me what does
one want for
breakfast,

I answer Her,

*"Please sir, I want some more."
Nat Lipstadt Dec 2013
aggression must be denied.

******, Pol ***, The Duke,
Kim Jong, Mugabe, Fidel Castro,
Saparmurat Niyazov,
the living bad the dead.
XiJinping
proudly announces in
November 2013,
the year of our lord,
they are doing away with
labor camps in China.

******* total,
renamed them
drug rehabilitation centers.

evil must be refuted.
who will call them out?
not us.

coming home from the opera,
some big **** SUV,
played chicken
with me.

I refused to let
him cut in the line.

He followed me
for ten blocks,
honking his *******,
till he quit,
cause I would not give
the satisfaction of letting him
spit and sputter.

Took the woman home.

Went out looking for him.
searched hundred blocks.
found him, took out my jack.
(trust me I did not key his car).

when he saw what I had done,
I quoted him Verdi's Rigoletto:

He is crime, I am punishment.

you see opera ain't for *******.

aggression must be denied
locally, before it becomes
a national treasure.
Act III
RIGOLETTO: No, no, I want to do it myself.
SPARAFUCILE: All right. His name?
RIGOLETTO: Do you want to know mine as well?
He is Crime; I am Punishment.
[He leaves; the sky darkens, it thunders.] -

See more at:

http://downwithtyranny.blogspot.com/2002/02/2262012-first-third-of-act-iii-of.html#sthash.oDHnh3kJ.dpuf

who among you will have the courage to like, love
or hate this by name?
Nat Lipstadt Dec 2013
Shouldn't we all be studying?

dedicated to M M Jones from Montana,
where I guess big skies make people think
about big questions and young poets thrive.



the butterflies of child-awakening
to the certainty
that school and
shame and embarrassment
were only minutes away,
once again,
is as fresh as
the flowers my love
buys every Friday,
fifty plus year later.

I would awake,
climb into bed with my mother,
telling her I did not feel well,
that my
stomach felt gray.  

I could not tell her that
the mocking I received by
my richer classmates at the
multiple lines in the fabric
of my corduroy pants
where she let my pants down
made me cannon fodder
for what we call now
bullying.

I could not tell her
of the heartbreak
when somehow the parents
of my supposed suburban friends
forgot to
pick me up for the weekly swim,
leaving me to watch
the sunset fall as I sat
on the stoop of our old house,
tucked away in an out of the way,
unfashionable street,
the shame still wet.

I could not tell her
of how two bothers tortured me
as I sat in the back seat
of their station wagon,
spitting seeds
on me like curses.  

Their older brother died of cancer
when that was still unusual,
and the mother wrote
a beautiful book
about his life.

I still hate them, those two,
fifty years later and it gives me
unusually great pleasure to
announce it to the world.

So I studied.  

Not my schoolbooks,
but lovely and ***** literature.
Friday afternoons, three children,
me the baby brother,
(anonymous, for they nicknamed me
brother as if  I was nothing but
checked off category)
to the library went.

Five, five was the max
they the austere librarians
and their coda of holy silence,
would let me withdraw.
(god I can see my library card still).  

By Friday night,
I had finished one or two,
ruining my eyes in
the lousy lamp light
in the living room,
falling asleep on the couch.  

this, reading addiction,
which afflicted the entire family,
I did well into my teens.

I have stopped reading
which amazes the very few
who know and care.

do let us re-pose,
let us repose,
the question:

Shouldn't we all be studying?

the answer of course is
yes and no.

my studying blue period
is long since ended.
now, my biographer,
will call this my red period.

for red are the memories that my remembrances
come back to me.
crystal is the clarity
of the indignities
I recall, though red,
is the anger
at the shame and
abuse I took.

now I can write what I have always held in my heart.  

those two awful brothers,
who loved to torture me,
I was glad their
wonderful brother died.

so this is my red writing period,
when the studying of a kind,
has long since ended
but the smell,
the memory of
fresh textbooks still can
make me nauseous.

Yet, I still study life around me,
as I clean countertops,
walk deserted beach isles
in early September...
this studying,
is the product of years
of studying the inside out
of me, and turning that study
fruitful into poetry.

why?
why am I writing this at 2:00 am on a Sunday morning?

I did not pose the question.

but it posed me,
and the dialogue in my mind came
sugarcane fresh and tumbling out
and will be both
recorded and recoded
("in the truth will out eventually" file)
after a fashion.

these days I sometimes study
my older poems,
whose titles I recognize,
but whose content
I cannot recall.  

so double digit delight
when I
meet again old words,
wondrous and trite,
that make believe
that all my studying
somehow paid off after all.
When I stumble on a young poet on this site, whose poems delight me, I will bring them to your attention. When you discovered me,  they forgot to tell you about this bonus feature, I guess.
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