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Nat Lipstadt Jan 2018
My Night with Art Garfunkel


some years back wrote a poem titled
My Night with Paul Simon,^
so it seems that in time,
this his companion’s piece would find me,
reaching its own due date, the timing right,
indeed, perceived, by the muses
that this one, the poet who cannot sing,
needs urgently another soft poet’s voice,
to come to me at night, and so it came to pass last night

a regaler, the teller of tales, both of us looking admiringly upon what was our youthful appearance that only we see in a vintage Murano mirror

the where the why, no matter, just two NYC boys
in their declining years reminiscing about growing up
in Queens, telling tales with no need for exaggeration,
too old for that, for old men lying is always sadder than sad and the truthful stories are not stories, but harmonies

the voices are worn soft, the worse for wear, and the velveteen
is two shaded where usage has reduced the weave, and sunlight has discolored but not discouraged the aging agents

we exchange verses, the swapping of our ****** fluids,
I do not share my prior pope paul adventure,
a separate but now equalized recording

he signs his new book for me,
full of reminisce and new verses

and I am thinking
Art for art’s sake, or art for Art’s sake
or both

wistful higher and higher notes that can longer be reached
of no consequence,
for the body is the work and the work is from the body

let’s take a selfie I ask, but a polite demurral hints of better a preference remembrance of things the way they were, in the past, but I snap a quick photo and it resides on a Facebook entry, unless the muses deleted it without telling me

(which they do quite frequently,
hoarding the best I made all for their elusives elfish selfish-selves)^^


Dec 5, 2017 10:20pm

<•>
^
https://hellopoetry.com/poem/387251/my-night-with-paul-simon/

June 2013

^^
https://hellopoetry.com/poem/747333/the-elusives/

June 2014
  Jan 2018 Nat Lipstadt
Left Foot Poet
<!>
inspired by a conversation with Maira Kalman


******* a name, adopt a persona, let my fingers do the talking,
place the instrumental sharp point tip upon the blankety blank paper,
maestro baton raised, coordinating,
the first sound, the vocal chords trembling,  
the first thought, the ultrasound image, entrance of a first violin,
coalescing into, into the initializing single primary phonation,
the stinging geometry of chance at last,
throwing  down the gauntlet, glove slapping, and the
tendons tense, the mouth opens, release and indentation,
a letter's curvature, a black and white downward stroking,
a sign is televised, revealed and released

a one way only sign

time bends knee, gravity suspended, terror morphs to
expelling rapid firefights of imagery needy for spacing,
even pauses mid-word  leave just this:

where is the in in
intimate?

are you the in in
inmate,
or the jailor at the gate?

you swear never again

until committing once more,

a sentence commutation, by committing a first sentence,

and the greater toll taken and paid for,

and the in in in-nate,
questions your sanity

happily


<•>

9/17/17 10:55pm
Nat Lipstadt Jan 2018
The bedrock underlying much of Manhattan is a mica schist known as Manhattan schist.  Schist is foliated or layered in appearance. Quartz sparkles, micas, and amphiboles are primary minerals in schist. A melted rock, just like the city resting above, it too, a famous melting *** of humanity.

This one poem too, composed from pieces of other poems,
folded in layers of many others that melted together,
in harmonious discordancy

<~>

this glorious grime,
this delicious dirt,
stuff of my blood,
genes of my children's children inheritance,
of thee I sing,
in thee I revel,
of thee, I am composed

the city I love,
where I was born,
schooled and fooled in,
by many a woman

the city where I named
and raised my children

will probably die in
this city, and when
I am long forgot,
my name never uttered,
    who, will think of me?
Perhaps,
whenever someone says,
"he was such a rascal"

these tales I took,
some or all,
from beneath my skin,
where city streets grit,
was injected beneath my skin
and came with the title,
City Boy

so today, on a reborn street,
near tall towers no more,
I rest upon reconstituted speckled curbstone,
the city's lowered down ledges,
the city's lowered down-town boundaries,
constantly redrawn,  
but nonetheless, always rebuilt from their own
regenerated stony compost,
and the typical NY passersby doesn't even notice
a man, head in hands,
unsilently weeping, thinking that:

We lose or throw away so much we should have kept,
We keep so much we should have thrown away

street prowler, heart growler,
Art Deco lampposts,
the mountain range of east seventy second street,
begs the bagger's question,
each post
begging each other,
"from whence will come my inspiration?"

licked the stubbled sidewalks,
fell down into their living caverned cracks,
light needed, needy softly heated,
orange and green pizza neon signs,
saying here,
if you see upon what be,
these are your city's homeland colors of veracity

perhaps
NYC was model precursor
for our internet presumed-to-be-alive-but-who-can-say-for-sure
model for the world today,
where I know not my apartment's neighbors name,
yet carry his second child
in my arms,
when the fire alarm
summons us all to flee
to street safety...
and still only
"know" his child's first name,
and his father,
as Apt. #16D

all this exponential signage
of this NYC boy grousing,
are his defrocked muses him annoying,
with a serenading blizzard
of one trick pony repetitions,
their coronets trumpeting his unmasking,
*making this essay, his revelations,
a product of their harmonious discordancy
See the photo (https://upload.wikimedia.org/wikipedia/commons/thumb/9/9b/NY-Central-Park-Rock-7333.jpg/300px-NY-Central-Park-Rock-7333.jpg). 
this was the climbing mountain of my early childhood.
Nat Lipstadt Jan 2018
for Lys


1. Born and bred
2. Do you like it?
it is: as harsh as a tundra, as dangerous as a jungle, as hot as Singapore on a bad summer Sunday, not as mean as the West Side of Chicago gangbangers random violence, but much more beloved as a target by terrorists, a grrrreat place if u got money to burn, or know how to live off the land on five bucks a day and don’t mind standing in line for days to get cheapo tickets to Hamilton and can learn to like standing room at the Metropolitan Opera

the subways ****, most people are overly wired, highly competitive and peace of mind sometimes come when you cut somebody out of a parking spot or slide into that last seat in a. crowded bus cutting off that little old lady who crowns your success with an eloquent and loud *******, god bless her!

if you slip in the slush and fall to the ground five maybe 10 people will pick u up, call you an ambulance or wipe you down and if you are cute and single offer you their real cell phones numbers

the people are now normal, as in normally crazy, and the average speed is less than 4 mph in midtown and u gotta go five and god help you if you think you can walk in a meandering course while looking up you will be anointed publicly as a ******* tourist

where that gorgeous girl is a Broadway dancer who is likely broker than even you and listens to your spiel and shtick with an open mind if it means you can supply her with a decent dinner and some glimmers of decent possibilities

where romance dies by a thousand cuts a thousand times of day but oft is anew reborn walking home in deep despair cause of that ugly tail that your coat is too small to cover and if you are brave and keen and value yourself  the chances of getting what you want without debasing yourself are much much better than the
Powerball lottery by a city mile!

Do I like it?
it is all I know, shoot no clue, like most places, happiness is 98% *what’s within you no matter where you are
, 1% luck and 1% learning not to give a fk or rather to mastering the skill of letting go of crap quicker and quicker and telling the truth to your heart

3. Could anyone like it?
well new rats arrive daily as thousands depart for less stressful pastures. And who wants to live in a pasture? But the true answer is no, just anyone could not like it but a million someones do...maybe the answer is in of  my 1500 + poems and with a little bit of luck you will find a few where my love/hate for the city comes shining through and get a better answer... so it is past midnight on a Sunday and I looked quickly

try this

https://hellopoetry.com/poem/1619503/2-years-ago-manhattan-vignettes/

or this

https://hellopoetry.com/poem/664969/a-commissioned-poem-just-another-nyc-saturday/

or this

https://hellopoetry.com/poem/459773/911-distilled/

or this

https://hellopoetry.com/poem/1512685/a-love-poem-lush-is-the-quietude-of-the-early-saturday-city-morn-­true-quiet/

or this

https://hellopoetry.com/poem/1621192/artist-working-by-candle-light-neon-lights-coffee-shop-lights/

or this

https://hellopoetry.com/poem/794183/the-creed-of-new-york-new-york/
city of confusion and disorientation
exists not in pixels or imagination,
but in full color absurdity

close upon each other,
we hear remotely adjoining living lives thru thin walls,
humanoids of ilk and kith,
yet say nothing volubly lest we
discomfiture confirm each other's existence

there is much sound, noise, confusion,
masquerading to cover an agreed upon
profundity of silence
between every living individual,
even if blood, bed shared

all silently hum the city's song,
perhaps, hoping someone will hear us,
proving us right, or wrong, or extant,
this being not a credo, but a creed

if no one hears us,
no matter,
we hear our own machinery humming,
loud and clear,
for awhile,
it is sufficient
"I love...to scribe about
the city I love
where I was born,
schooled and fooled in,
by many a woman.

The city where I named
and raised my children.

Will probably die in
this city, and when
I am long forgot,
my name never uttered,

you,

as my designated
rememberer,
will think of me
whenever someone says,
he was such a rascal
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